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Ackermann, Kira. "The Breakdown of Heroism in the 1970s: Miserable Men in Franco-Belgian Western Comics." Forum for World Literature Studies 3. (2011): 61–69. |
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Affolter, Cuno and Urs Hangartner. "I am a poor lonesome cowboy …: Lucky Lukes Westernwelt." Comic Jahrbuch (1990): 76–84. |
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Ahrens, Jörn. Überzeichnete Spektakel: Inszenierungen von Gewalt im Comic. Baden-Baden: Nomos, 2019. |
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Allen, Chadwick. "Tonto on Vacation, or How to Be an Indian Lawyer." Canadian Review of American Studies 39. (2009): 139–61. |
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Arnaudo, Marco. "Nella selva delle storie: Origini e sviluppi di Zagor." Simultanea 2. 1 2021. Accessed 21Aug. 2021. <http://italianpopcultur ... ni-e-sviluppi-di-zagor/>. |
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Atzert, Joachim. Gewalt und Ordnung: Die Konstruktion der Gerechtigkeit am Beispiel der Comic-Serie Bessy. Hochschul-Skripten. Medien. Berlin: Spiess, 1982. |
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Barbour, Chad A. From Daniel Boone to Captain America: Playing Indian in American Popular Culture. Jackson: Univ. Press of Mississippi, 2016. |
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Bramlett, Frank. "The Confluence of Heroism, Sissyhood, and Camp in The Rawhide Kid: Slap Leather." ImageTexT 5. 1 2010. Accessed 1Feb. 2010. <http://www.english.ufl. ... archives/v5_1/bramlett/>. |
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Braun, Alexander. Going West! Der Blick des Comics Richtung Westen. Bonn: German Academy of Comic Art, 2014. |
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Conway, Christopher and Antoinette Sol, eds. The Comic Book Western: New Perspectives on a Global Genre. Postwestern Horizons. Lincoln: Univ. of Nebraska Press, 2022. |
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Dammann, Günter. "Die Comics von Roland Kohlsaat." Deutsche Comicforschung 7. (2011): 102–16. |
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De Falco, Raffaele. Tex: Fiumi di china italiana in deserti americani. La storia, il costume, il mito di un heroe del fumetto. L’arte delle Nuvole. Roma: NPE, 2013. |
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Funhoff, Jörg. "Analyse eines Comics mit realistischem Anstrich. Durchgeführt an der Serie »Fort Navajo« (»Leutnant Blueberry«)." Comics im Medienmarkt, in der Analyse, im Unterricht. Ed. Wolfgang J. Fuchs. Schriftenreihe des Institut Jugend, Film, Fernsehen. Opladen: Leske + Budrich, 1977. 70–81. |
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Galli Mastrodonato, Paola. "L’imaginaire du Nouveau Monde dans la bande dessinée italienne: Le cas de Blek Macigno." De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Ed. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000. 663–79. |
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Grady, William. Redrawing the Western: A History of American Comics and the Mythic West. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2024. |
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Green, Paul. Encyclopedia of Weird Westerns: Supernatural and Science Fiction Elements in Novels, Pulps, Comics, Films, Television and Games. Jefferson, London: McFarland, 2009. |
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Herman, Paul. Epopée et mythes du western dans la bande dessinée. Grenoble: Glénat, 1982. |
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Horn, Maurice. Comics of the American West. New York: Winchester, 1977. |
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Huxley, David. Lone Heroes and the Myth of the American West in Comic Books, 1945–1962. Palgrave Studies in Comics and Graphic Novels. Cham: Palgrave Pivot, 2018. |
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Isabelinho, Domingos. "Matt Marriott: The Western with a Human Face." International Journal of Comic Art 9. (2007): 625–39. |
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Kalbe, Horst-Joachim. "Helmut Nickels »Winnetou« – ein illustrierter Klassiker." Deutsche Comicforschung 4. (2008): 125–37. |
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Kirsner, Inge. "Lucky Luke: Ein Prediger in der Wüste." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 23–30. |
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Kitson, Niall. "Rebel Yells: Genre Hybridity and Irishness in Garth Ennis & Steve Dillon’s Preacher." Irish Journal of Gothic and Horror Studies 2 2007. Accessed 15Aug. 2010. <https://irishgothichorr ... 018/03/niall-kitson.pdf>. |
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Klar, Elisabeth. "Blueberry – l'expérience secrète: Eine Comicverfilmung zwischen Konstruktion und Dekonstruktion des Heldenmythos." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 139–52. |
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Leishman, David. "Drawing National Boundaries in Barr’s Ba-Bru Comic Strip Advertising." European Comic Art 12. (2019): 65–87. |
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Martinez, Nicolas. "Reframing the Western Genre in Bande dessinée, from Hollywood to Ledger Art: An Intermedial Perspective." European Comic Art 14. (2021): 74–101. |
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Martinez, Nicolas. "A Trip Down Memory Lane: Reprints and Canonization of Morris’ Lucky Luke Series." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 211–30. |
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Moll, Nicholas. "Who isn’t that masked man: The absence of re-authoring in The Lone Ranger." Australasian Journal of Popular Culture 3. (2014): 207–16. |
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Palmer, Lorrie. "“Le Western Noir”: The Punisher as Revisionist Superhero Western." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 192–208. |
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Paryz, Marek. "The War on Terror and Intersecting Film Genres in Jonah Hex." The Post-2000 Film Western. Contexts, Transnationality, Hybridity. Eds. Marek Paryz and John R. Leo. New York [etc.]: Palgrave Macmillan, 2015. 207–21. |
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Pasamonik, Didier. Les personnages de Lucky Luke et la véritable histoire de la conquête de l’Ouest. Paris: Historia, 2013. |
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Patrick, Kevin. "The Contested Frontier: Western Comics and Australian Identity, 1945–1960." International Journal of Comic Art 13. (2011): 219–43. |
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Pizzoli, Daniel. Ein Yankee namens Blueberry: Eine Monographie. Ehapa Comic Collection. Stuttgart: Delta, 1997. |
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Pohlmeyer, Markus. Cult(ur)mix: Religiöse Phänomene in Comics und TV-Serien. Flensburger Studien zu Literatur und Theologie. Hamburg: Igel, 2015. |
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Reimerthi, Claes. Jack Jackson: En seriemonografi. Magister Lämpels Bibliotek. Åkarp: Seriefrämjandet, 2005. |
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Sackmann, Eckart. "Walter Lehnings »Winnetou« in Frankreich und Holland." Deutsche Comicforschung 8. (2012): 105–10. |
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Sandweiss, Martha A. "Redrawing the West: Jack Jackson's Comanche Moon." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 115–30. |
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Santo, Avi. Selling the Silver Bullet: The Lone Ranger and Transmedia Brand Licensing. Texas Film and Media Studies. Austin: Univ. of Texas Press, 2015. |
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Scullion, Adrienne. "Byrne and The Bogie Man: Experiencing American popular culture in Scotland." Atlantic Studies 1. (2004): 210–27. |
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Seeßlen, Georg. Lucky Luke: Fast alles über den (gar nicht so) einsamen Cowboy und seinen Wilden Westen. Kultur & Kritik. Berlin: Bertz + Fischer, 2023. |
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Seydel, Olaf. "Freundschaft, Liebe, Hass und Rache: Der Preacher und seine »Gemeinde«." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 127–46. |
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Shadoian, Jack. "Yuh Got Pecos! Doggone, Belle, Yuh’re As Good As Two Men!." Journal of Popular Culture 12. (1979): 721–36. |
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Winkler, Thomas. "Im Dickicht der Comics." Karl-May-Welten. Eds. Michael Petzel and Jürgen Wehnert. Vol. 1. Bamberg: Karl-May-Verl. 2005. 122–54. |
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Zanettin, Federico. "The Translation of Comics as Localization: On Three Italian Translations of La piste des Navajos." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. 200–19. |
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