| Ackermann, Kira: Der Antiheld in Westerncomics der franko-belgischen Schule. München: AVM, 2010. (158 S.) |
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| ---: "The Breakdown of Heroism in the 1970s. Miserable Men in Franco-Belgian Western Comics." In: Forum for World Literature Studies 3.1 (2011), S. 61–69. |
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| Affolter, Cuno und Urs Hangartner: "I am a poor lonesome cowboy …. Lucky Lukes Westernwelt." In: Comic Jahrbuch (1990), S. 76–84. |
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| Ahrens, Jörn: Überzeichnete Spektakel. Inszenierungen von Gewalt im Comic. Baden-Baden: Nomos, 2019. (337 S.) |
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| Allen, Chadwick: "Hero with Two Faces. The Lone Ranger as Treaty Discourse." In: American Literature 68 (1996), S. 609–638. |
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| ---: "Tonto on Vacation, or How to Be an Indian Lawyer." In: Canadian Review of American Studies 39 (2009), S. 139–161. |
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| Arnaudo, Marco: "Nella selva delle storie: Origini e sviluppi di Zagor." In: Simultanea 2.1 (2021). |
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| Atzert, Joachim: Gewalt und Ordnung. Die Konstruktion der Gerechtigkeit am Beispiel der Comic-Serie Bessy. (Hochschul-Skripten. Medien, 22.) Berlin: Spiess, 1982. (165 S.) |
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| Barbour, Chad A. From Daniel Boone to Captain America. Playing Indian in American Popular Culture. Jackson: Univ. Press of Mississippi, 2016. (212 S.) |
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| Bramlett, Frank: "The Confluence of Heroism, Sissyhood, and Camp in The Rawhide Kid: Slap Leather." In: ImageTexT 5.1 (2010). |
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| Braun, Alexander: Going West! Der Blick des Comics Richtung Westen. Bonn: German Academy of Comic Art, 2014. (432 S.) |
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| Conway, Christopher und Antoinette Sol (Hrsg.): The Comic Book Western. New Perspectives on a Global Genre. (Postwestern Horizons.) Lincoln: Univ. of Nebraska Press, 2022. |
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| Dammann, Günter: "Die Comics von Roland Kohlsaat." In: Deutsche Comicforschung 7 (2011), S. 102–116. |
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| De Falco, Raffaele: Tex. Fiumi di china italiana in deserti americani. La storia, il costume, il mito di un heroe del fumetto. (L’arte delle Nuvole, 7.) Roma: NPE, 2013. (367 S.) |
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| Funhoff, Jörg: "Analyse eines Comics mit realistischem Anstrich. Durchgeführt an der Serie »Fort Navajo« (»Leutnant Blueberry«)." In: Comics im Medienmarkt, in der Analyse, im Unterricht. Hrsg. v. Wolfgang J. Fuchs. (Schriftenreihe des Institut Jugend, Film, Fernsehen, 1.) Opladen: Leske + Budrich, 1977, S. 70–81. |
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| Galli Mastrodonato, Paola: "L’imaginaire du Nouveau Monde dans la bande dessinée italienne. Le cas de Blek Macigno." In: De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Hrsg. v. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000, S. 663–679. |
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| Green, Paul: Encyclopedia of Weird Westerns. Supernatural and Science Fiction Elements in Novels, Pulps, Comics, Films, Television and Games. Jefferson, London: McFarland, 2009. (265 S.) |
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| Herman, Paul: Epopée et mythes du western dans la bande dessinée. Grenoble: Glénat, 1982. (159 S.) |
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| Horn, Maurice: Comics of the American West. New York: Winchester, 1977. (224 S.) |
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| Horton, Andrew S. "Ken Kesey, John Updike and the Lone Ranger." In: Journal of Popular Culture 8 (1974), S. 570–578. |
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| Huxley, David: Lone Heroes and the Myth of the American West in Comic Books, 1945–1962. (Palgrave Studies in Comics and Graphic Novels.) Cham: Palgrave Pivot, 2018. (90 S.) |
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| Isabelinho, Domingos: "Matt Marriott. The Western with a Human Face." In: International Journal of Comic Art 9.1 (2007), S. 625–639. |
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| Kalbe, Horst-Joachim: "Helmut Nickels »Winnetou« – ein illustrierter Klassiker." In: Deutsche Comicforschung 4 (2008), S. 125–137. |
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| Kirsner, Inge: "Lucky Luke. Ein Prediger in der Wüste." In: Überzeichnet. Religion in Comics. Hrsg. v. Inge Kirsner, Olaf Seydel und Harald Schroeter-Wittke. (POPKULT, 9.) Jena: IKS Garamond, 2011, S. 23–30. |
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| Kitson, Niall: "Rebel Yells. Genre Hybridity and Irishness in Garth Ennis & Steve Dillon’s Preacher." In: Irish Journal of Gothic and Horror Studies 2 (2007), S. 72–84, . |
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| Klar, Elisabeth: "Blueberry – l'expérience secrète. Eine Comicverfilmung zwischen Konstruktion und Dekonstruktion des Heldenmythos." In: Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Hrsg. v. Barbara Kainz. Wien: Löcker, 2009, S. 139–152. |
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| Leishman, David: "Drawing National Boundaries in Barr’s Ba-Bru Comic Strip Advertising." In: European Comic Art 12.1 (2019), S. 65–87. |
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| Lorenz, Detlef: "Farbenfrohe Innovation. Die Karl-May-Comics des Dr. Helmut Nickel." In: Karl May & Co. 105 (2006), S. 40–47. |
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| Martinez, Nicolas: "Reframing the Western Genre in Bande dessinée, from Hollywood to Ledger Art. An Intermedial Perspective." In: European Comic Art 14.2 (2021), S. 74–101. |
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| ---: "A Trip Down Memory Lane. Reprints and Canonization of Morris’ Lucky Luke Series." In: Comics Memory. Archives and Styles. Hrsg. v. Maaheen Ahmed und Benoît Crucifix. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2018, S. 211–230. |
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| Moll, Nicholas: "Who isn’t that masked man. The absence of re-authoring in The Lone Ranger." In: Australasian Journal of Popular Culture 3.2 (2014), S. 207–216. |
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| Palmer, Lorrie: "“Le Western Noir”. The Punisher as Revisionist Superhero Western." In: The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007, S. 192–208. |
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| Paryz, Marek: "The War on Terror and Intersecting Film Genres in Jonah Hex." In: The Post-2000 Film Western. Contexts, Transnationality, Hybridity. Hrsg. v. Marek Paryz und John R. Leo. New York [etc.]: Palgrave Macmillan, 2015, S. 207–221. |
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| Pasamonik, Didier: Les personnages de Lucky Luke et la véritable histoire de la conquête de l’Ouest. Paris: Historia, 2013. (129 S.) |
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| Patrick, Kevin: "The Contested Frontier. Western Comics and Australian Identity, 1945–1960." In: International Journal of Comic Art 13.2 (2011), S. 219–243. |
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| Pizzoli, Daniel: Ein Yankee namens Blueberry. Eine Monographie. (Ehapa Comic Collection.) Stuttgart: Delta, 1997. (96 S.) |
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| Pohlmeyer, Markus: Cult(ur)mix. Religiöse Phänomene in Comics und TV-Serien. (Flensburger Studien zu Literatur und Theologie, 2.) Hamburg: Igel, 2015. (100 S.) |
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| Reimerthi, Claes: Jack Jackson. En seriemonografi. (Magister Lämpels Bibliotek.) Åkarp: Seriefrämjandet, 2005. (236 S.) |
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| Sackmann, Eckart: "Walter Lehnings »Winnetou« in Frankreich und Holland." In: Deutsche Comicforschung 8 (2012), S. 105–110. |
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| Sandweiss, Martha A. "Redrawing the West. Jack Jackson's Comanche Moon." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 115–130. |
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| Santo, Avi: Selling the Silver Bullet. The Lone Ranger and Transmedia Brand Licensing. (Texas Film and Media Studies.) Austin: Univ. of Texas Press, 2015. (319 S.) |
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| Scullion, Adrienne: "Byrne and The Bogie Man. Experiencing American popular culture in Scotland." In: Atlantic Studies 1.2 (2004), S. 210–227. |
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| Seydel, Olaf: "Freundschaft, Liebe, Hass und Rache. Der Preacher und seine »Gemeinde«." In: Überzeichnet. Religion in Comics. Hrsg. v. Inge Kirsner, Olaf Seydel und Harald Schroeter-Wittke. (POPKULT, 9.) Jena: IKS Garamond, 2011, S. 127–146. |
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| Shadoian, Jack: "Yuh Got Pecos! Doggone, Belle, Yuh’re As Good As Two Men!" In: Journal of Popular Culture 12 (1979), S. 721–736. |
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| Sheyahshe, Michael A. Native Americans in Comic Books. A Critical Study. Jefferson, London: McFarland, 2008. |
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| White, Raymond E. King of the Cowboys, Queen of the West. Roy Rogers and Dale Evans. Madison: Univ. of Wisconsin Press, 2005. (550 S.) |
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| Winkler, Thomas: "Im Dickicht der Comics." In: Karl-May-Welten. Hrsg. v. Michael Petzel und Jürgen Wehnert. Bd. 1. Bamberg: Karl-May-Verl. 2005, S. 122–154. |
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| Zanettin, Federico: "The Translation of Comics as Localization. On Three Italian Translations of La piste des Navajos." In: Comics in Translation. Hrsg. v. Federico Zanettin. Manchester: St. Jerome, 2008, S. 200–219. |
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