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Henderson, Scott A. "Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist." Comics and Pop Culture. Adaptation from Panel to Frame. Eds. Barry Keith Grant and Scott A. Henderson. Austin: Univ. of Texas Press, 2019. 279–95. |
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Hollis, Tim and Greg Ehrbar. Mouse Tracks: The Story of Walt Disney Records. Jackson: Univ. Press of Mississippi, 2006. |
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Krause, Bernd. "Wilhelm Buschs Karikaturenfolge Der Virtuos: Analyse und Interpretation unter Berücksichtigung möglicher Vorbilder." [Privatdruck] 2008. Accessed 12Jan. 2016. <https://www.academia.ed ... ung_möglicher_Vorbilder>. |
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Lawley, Guy. "‘I like Hate and I hate everything else’: The Influence of Punk on Comics." Punk Rock: So What? The Cultural Legacy of Punk. Ed. Roger Sabin. London, New York: Routledge, 1999. 100–19. |
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Mahrt, Nina. "AWopBopaLooBopAlopBamBoom – Musik im Comic." »Und wer bist du, der mich betrachtet?« Populäre Literatur und Kultur als ästhetische Phänomene. Festschrift für Helmut Schmiedt. Ed. Helga Arend. Bielefeld: Aisthesis, 2010. 219–28. |
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McDermott, Mark R. "Finding the Milieu of the Spider-Man Music LPs." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 222–33. |
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McGee, Masani. "Hooked on the Wrong Kind of Feeling: Popular Music and Nostalgia in the Marvel Cinematic Universe." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 116–26. |
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McKittrick, Megan. "Scott Pilgrim vs. The Veteran Gamer: The Canonization and Commodification of Nostalgia in Anamanaguchi’s 8-bit Video Game Soundtrack." Reconstruction 14. 1 2014. Accessed 4Apr. 2015. <http://reconstruction.e ... es/141/McKittrick.shtml>. |
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Meredith, William. "Michaelis’ Schulz, Schulz’s Beethoven, and the Construction of Biography: Review of David Michaelis’ Schulz and Peanuts: A Biography." The Beethoven Journal 23. (2008): 79–91. |
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Meyer, Christina. "Medial transgressions: Comics – sheet music – theatre – toys." Journal of Graphic Novels and Comics 7. (2016): 293–305. |
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Molotiu, Andrei. "The Shape of the Jewel: Polyphony, Polyrhythms, and Musical Structure in The Castafiore Emerald." The Comics of Hergé. When the Lines Are Not So Clear. Ed. Joe Sutliff Sanders. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2016. 47–61. |
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Noys, Benjamin. "No Future: Punk and the Underground Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 235–50. |
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Oberhaus, Lars and Mareile Oetken, eds. Farbe, Klang, Reim, Rhythmus: Interdisziplinäre Zugänge zur Musik im Bilderbuch. Bielefeld: Transcript, 2017. |
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Oberhaus, Lars and Mareile Oetken. "Rock den Comic: Leben und Werk von Elvis als Comicerzählung." Farbe, Klang, Reim, Rhythmus. Interdisziplinäre Zugänge zur Musik im Bilderbuch. Eds. Lars Oberhaus and Mareile Oetken. Bielefeld: Transcript, 2017. 127–58. |
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Pellitteri, Marco. "The Aural Dimension in Comic Art." The Oxford Handbook of Sound and Imagination. Eds. Mark Grimshaw-Aagaard, Mads Walther-Hansen and Martin Knakkergaard. Vol. 1. Oxford Handbooks. New York: Oxford Univ. Press, 2019. 511–48. |
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Zlabinger, Tom. "Listening to the Endless: Music and Musicians in the Extended Sandman Universe." Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works. Ed. Tara Prescott. Jefferson: McFarland, 2015. 238–51. |
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