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| Baetens, Jan and Hilde Van Gelder. "Permanences de la Ligne claire: Pour une esthétique des trois unités dans L'ascension du Haut-Mal de David B." MEI (2007): 183–93. |
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| Cressman, Jodi. "Company, counterbalance, and closure in Ellen Forney’s Marbles." Journal of Graphic Novels and Comics (2018): 1–14. |
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| DeFalco, Amelia. "Graphic Somatography: Life Writing, Comics, and the Ethics of Care." Journal of Medical Humanities 37. (2016): 223–40. |
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| Honeyman, Susan. "Pain proxies, migraine and invisible disability in Renée French’s H Day." Studies in Comics 5. (2014): 293–318. |
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| Jödecke, Manfred. Inklusion im Spiegel der neunten Kunst: Verstehen von Sinnzusammenhängen im Comic aus sich selbst heraus. Inklusion und Gesellschaft. Berlin: Frank & Timme, 2021. |
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| Jones, James W. "Cartoons and AIDS: Safer Sex, HIV, and AIDS in Ralf König’s Comics." Journal of Homosexuality 60. (2013): 1096–116. |
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| Kaur, Guneet. "Community Narrative as a Borderlands Praxis: Anzaldúa’s Mestiza Consciousness as Explored in Cortez’s Sexile." Journal of Medical Humanities 43. (2022): 319–33. |
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