| Alaniz, José. "“We Are All Scream!” Woodgod and the “animal superhero”." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 33–48. |
|
| Last edited by: Okwuchi Mba 8/22/18, 4:57 PM |
|
| Andrae, Thomas. Carl Barks and the Disney Comic Book: Unmasking the myth of modernity. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2006. |
|
| Last edited by: joachim 11/23/20, 1:08 PM |
|
| De Angelis, Richard. "Of Mice and Vermin: Animals as absent referent in art spiegelman’s maus." International Journal of Comic Art 7.(2005): 230–49. |
|
| Last edited by: Deleted user 10/1/11, 12:03 PM |
|
| Baker, Steve. Picturing the Beast: Animals, identity, and representation. 2nd ed. Urbana, Chicago: Univ. of Illinois Press, 2001. |
|
| Added by: joachim 5/19/12, 11:38 AM |
|
| Bradley, Noelle P. "Masks That Reveal: Social inequality in j.-j. grandville’s les métamorphoses du jour (1828–1829)." International Journal of Comic Art 8.(2006): 1–16. |
|
| Last edited by: joachim 5/2/13, 5:21 PM |
|
| Brown, Joshua. "Of Mice and Memory." Oral History Review 16.(1988): 91–109. |
|
| Added by: joachim 9/10/09, 10:09 AM |
|
| Brown, Lisa. "The Speaking Animal: Nonhuman voices in comics." Speaking for Animals. Ed. Margo DeMello. Routledge Advances in Sociology. Jefferson, London: McFarland, 2013. 73–77. |
|
| Last edited by: joachim 6/2/17, 9:59 AM |
|
| Canemaker, John. Felix: The twisted tale of the world’s most famous cat. New York: Pantheon, 1991. |
|
| Last edited by: joachim 11/9/15, 10:03 PM |
|
| Chaney, Michael A. "Animal Subjects of the Graphic Novel." College Literature 38.(2011): 129–49. |
|
| Added by: joachim 10/7/11, 2:51 PM |
|
| Chaney, Michael A. "Animal Subjects of the Graphic Novel." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 44–66. |
|
| Added by: joachim 7/28/14, 9:44 AM |
|
| Cheilan, Liliane. "Fantomate ou comment parle le chien d’un (Petit) Vampire." Belphégor 6.1 2006. Accessed 14 February. 2013. <http://hdl.handle.net/10222/47730>. |
|
| Last edited by: Deleted user 1/6/15, 9:47 AM |
|
| Chute, Hillary. "Literal Forms: Narrative structures in maus." Indy Magazine Winter 2005. Accessed 4 April. 2008. <http://web.archive.org/ ... r_2005/chute/index.html>. |
|
| Last edited by: joachim 1/12/13, 11:43 AM |
|
| Chute, Hillary. "“The Shadow of a Past Time”: History and graphic representation in maus." Twentieth Century Literature 52.(2006): 199–230. |
|
| Last edited by: joachim 1/20/13, 8:26 PM |
|
| Cointot, Chantal. "Approximate Author-ity: Self-crafting “le bec” and other trondheimian masks." Image [&] Narrative 19.3 2018. Accessed 21 February. 2019. <http://www.imageandnarr ... ative/article/view/1939>. |
|
| Added by: joachim 2/21/19, 7:44 PM |
|
| Crisóstomo Gálvez, Raquel. "Maus d’Art Spiegelman: Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual." Tesi Doctoral Universitat Pompeu Fabra, 2011. |
|
| Last edited by: joachim 3/27/14, 1:00 AM |
|
| Darilek, Marion. "Gezeichnete Tiere: Transfers und transformationen von erzählmustern und wissensbeständen aus tierepos und fabel in benjamin renners fuchs-comic le grand méchant renard." Literaturwissenschaftliches Jahrbuch 59.(2018): 257–88. |
|
| Added by: joachim 3/5/19, 4:42 PM |
|
| Denoyelle, Corinne. "Le Roman de Renart en bandes dessinées: Des ambiguïtés de l’anthropomorphisme animalier." Le Moyen Âge en bulles. Eds. Aurélie Reusser-Elzingre and Alain Corbellari. Gollion: Infolio, 2014. 165–80. |
|
| Added by: joachim 3/5/19, 4:53 PM |
|
| Doherty, Thomas. "Art Spiegelman’s Maus: Graphic art and the holocaust." American Literature 68.(1996): 69–84. |
|
| Last edited by: joachim 7/2/11, 4:28 PM |
|
| Ewert, Jeanne C. "Reading Visual Narrative: Art spiegelman's maus." Narrative 8.(2000): 87–103. |
|
| Last edited by: joachim 11/4/09, 1:42 AM |
|
| Frahm, Ole. "Figurale Darstellung im Comic, untersucht am Beispiel von Art Spiegelmans ›Maus‹." Magisterarbeit M.A. Universität Hamburg, 1997. |
|
| Added by: joachim 12/21/10, 3:53 PM |
|
| Frahm, Ole. "Lebendige Masken: Die darstellung rassifizierter identitäten in art spiegelmans comic maus." Magisterarbeit Universität Hamburg, 1997. |
|
| Last edited by: joachim 6/13/14, 4:40 PM |
|
| Frahm, Ole. Genealogie des Holocaust: Art spiegelmans maus – a survivor’s tale. München: Fink, 2006. |
|
| Last edited by: joachim 1/20/13, 10:14 PM |
|
| Frahm, Ole. "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Ed. Dorothee Römhild. Opladen: Westdeutscher Verl, 1999. 222–44. |
|
| Last edited by: joachim 8/19/09, 10:20 AM |
|
| Furlong, Robert and Christophe Cassiau-Haurie. "Comic Books, Politics, and Manipulation The case of repiblik zanimo, the first comic strip and book in creole." International Journal of Comic Art 12.(2010): 150–58. |
|
| Added by: joachim 6/12/11, 1:59 AM |
|
| Gibson, Mel. "“Badgers? We don’t need no steenkin’ badgers!” Talbot’s grandville, anthropomorphism and multiculturalism." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 83–95. |
|
| Last edited by: joachim 9/1/16, 4:37 PM |
|
| Gould, Stephen Jay. "Mickey Mouse Meets Konrad Lorenz." Natural History 88.(1979): 30–36. |
|
| Last edited by: joachim 2/28/10, 6:43 PM |
|
| Gould, Stephen Jay. "[Mickey Mouse]." Der Daumen des Panda. Betrachtungen zur Naturgeschichte. Basel: Birkhäuser, 1987. |
|
| Last edited by: joachim 2/28/10, 6:46 PM |
|
| Gould, Stephen Jay. "A Biological Homage to Mickey Mouse." The Panda's Thumb. More Reflections in Natural History. 1992. |
|
| Last edited by: joachim 2/28/10, 6:44 PM |
|
| Groensteen, Thierry. Animaux en cases: Une histoire critique de la bande dessinée animalière. Paris: Futuropolis, 1987. |
|
| Last edited by: joachim 9/22/16, 11:39 PM |
|
| Guieu, Jean-Max. "La Bête est morte: A world war two zoo." Contemporary French Civilization 31.(2007): 183–202. |
|
| Last edited by: joachim 5/21/20, 12:50 PM |
|
| Hatfield, Charles. "The Presence of the Artist: Kim deitch’s boulevard of broken dreams vis-a-vis the animated cartoon." ImageTexT 1.1 2004. Accessed 20 October. 2009. <http://www.english.ufl. ... archives/v1_1/hatfield/>. |
|
| Added by: joachim 10/20/09, 5:47 PM |
|
| Herman, David. "Storyworld/Umwelt: Nonhuman experiences in graphic narratives." SubStance 40.(2011): 156–81. |
|
| Added by: joachim 1/25/13, 9:03 PM |
|
| Herman, David, ed. Animal Comics: Multispecies storyworlds in graphic narratives. New York: Bloomsbury Academic, 2017. |
|
| Last edited by: joachim 9/16/20, 4:57 PM |
|
| Herman, David. "Toward a Zoonarratology: Storytelling and species difference in animal comics." Narrative, Interrupted. The Plotless, the Disturbing and the Trivial in Literature. Eds. Markku Lehtimäki, Laura Karttunen and Maria Mäkelä. Berlin u. Boston: de Gruyter, 2012. 93–119. |
|
| Added by: joachim 1/5/14, 2:59 PM |
|
| Holzapfel, Hartmut. "Die Ente ist Mensch geworden: Anatiden und andere humanoiden im barks’schen universum." Hasenfuß und Löwenherz. Tiere und Tierwesen in der phantastischen Kinder- und Jugendliteratur. Ed. Maren Bonacker. Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar. Wetzlar: Phantastische Bibliothek Wetzlar, 2011. 183–214. |
|
| Last edited by: joachim 10/8/12, 3:42 PM |
|
| Horsman, Yasco. "Of Flipbooks and Funny Animals: Chris ware’s quimby the mouse." Compact Cinematics. The Moving Image in the Age of Bit-Sized Media. Eds. Pepita Hesselberth and Maria Poulaki. New York: Bloomsbury, 2017. 153–65. |
|
| Last edited by: Benoît Crucifix 3/20/17, 6:25 PM |
|
| Hutcheon, Linda. "Literature Meets History: Counter-discoursive “comix”." Anglia 117.(1999): 4–14. |
|
| Last edited by: joachim 10/21/11, 2:36 PM |
|
| Huyssen, Andreas. "Von Mauschwitz in die Catskills und zurück: Art spiegelmans holocaust-comic »maus«." Bilder des Holocaust. Literatur – Film – Bildende Kunst. Eds. Manuel Köppen and Klaus R. Scherpe. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 1997. 171–89. |
|
| Last edited by: joachim 7/2/11, 4:42 PM |
|
| Kaplan, Arie. From Krakow to Krypton: Jews and comic books. Philadelphia: The Jewish Publication Society, 2008. |
|
| Last edited by: joachim 6/2/13, 8:09 PM |
|
| Kaufmann, Daniela. Der intellektuelle Witz im Comic: George herrimans krazy kat. Reihe Habilitationen, Dissertationen und Diplomarbeiten. Graz: Grazer Universitätsverlag, 2008. |
|
| Last edited by: joachim 1/6/13, 12:10 AM |
|
| Kaufmann, Daniela. "Tierische Tatsachen: Zur verschränkung von schicksal und charakter im tiercomic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 275–300. |
|
| Added by: joachim 3/7/14, 10:57 AM |
|
| Keen, Suzanne. "Fast Tracks to Narrative Empathy: Anthropomorphism and dehumanization in graphic narratives." SubStance 40.(2011): 135–55. |
|
| Last edited by: joachim 7/15/19, 1:17 AM |
|
| Kolář, Stanislav. "Animal Imagery in Kosinski’s The Painted Bird and Spiegelman’s Maus." Theory and Practice in English Studies 2 2004. Accessed 14 August. 2013. <http://www.phil.muni.cz ... thepes/thepes_02_12.pdf>. |
|
| Added by: joachim 8/14/13, 10:39 AM |
|
| Kunert-Graf, Rachel. "Dehumanized Victims: Analogies and animal avatars for palestinian suffering in waltz with bashir and “war rabbit”." Humanities 7.3 2018. Accessed 29 June. 2020. <https://www.mdpi.com/2076-0787/7/3/79>. |
|
| Last edited by: joachim 6/29/20, 5:06 PM |
|
| Kunkel, Alexander. Heinrich Kley (1863–1945): Leben und werk. Weimar: VDG, 2010. |
|
| Last edited by: joachim 12/5/11, 1:56 AM |
|
| Lamarre, Thomas. "Speciesism, Part I Translating races into animals in wartime animation." Mechademia 3.(2008): 75–95. |
|
| Added by: joachim 1/5/12, 5:17 PM |
|
| Lamarre, Thomas. "Speciesism, Part II Tezuka osamu and the multispecies ideal." Mechademia 5.(2010): 51–85. |
|
| Added by: joachim 2/18/11, 7:44 PM |
|
| Lamarre, Thomas. "Speciesism, Part III Neoteny and the politics of life." Mechademia 6.(2011): 110–36. |
|
| Added by: joachim 1/5/12, 2:31 PM |
|
| Lawrence, Elizabeth A. "In the Mick of Time: Reflections on disney’s ageless mouse." Journal of Popular Culture 20.(1986): 65–72. |
|
| Last edited by: joachim 6/2/17, 10:05 AM |
|
| Levi, Antonia. "The Werewolf in the Crested Kimono: The wolf-human dynamic in anime and manga." Mechademia 1.(2006): 145–60. |
|
| Last edited by: joachim 7/27/10, 12:14 AM |
|
| Matloob Haghanikar, Taraneh. "The Character in the Mask: An analysis of mask in art spiegelman’s maus." Good Grief! Children and Comics. Eds. Michelle Abate and Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016. 121–44. |
|
| Last edited by: joachim 5/19/20, 7:56 PM |
|
| Meier, Albert. "Walt Disneys animierte Bären." Motive des Films. Ein kasuistischer Fischzug. Eds. Christine N. Brinckmann, Britta Hartmann and Ludger Kaczmarek. Marburg: Schüren, 2012. 116–19. |
|
| Added by: joachim 2/21/13, 6:37 PM |
|
| Montealegre Iturra, Jorge. "Chile’s Pepo, Much More Than a Condorito." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 171–74. |
|
| Added by: joachim 8/19/09, 10:19 AM |
|
| Näpel, Oliver. Auschwitz im Comic: Die abbildung unvorstellbarer zeitgeschichte. Zeitgeschichte – Zeitverständnis. Berlin [etc.]: LIT, 1998. |
|
| Last edited by: joachim 6/7/13, 12:27 AM |
|
| Nayak-Guercio, Aparna. "The project of Liberation and the projection of national identity; France, literature and politics, 1944–1945." Contemporary French and Francophone Studies 10.(2006): 195–204. |
|
| Added by: joachim 8/20/09, 1:39 PM |
|
| Nayar, Pramod K. "The Postcolonial Gothic: munnu, graphic narrative and the terrors of the nation." Rupkatha Journal on Interdisciplinary Studies in Humanities 8.(2016): 2–12. |
|
| Last edited by: joachim 3/22/17, 12:23 PM |
|
| Orzechowski, Simone. "Milou, Idéfix et Rantanplan Les acolytes canins des personnages emblématiques de la bande dessinée francophone." Mensch-Tier-Beziehungen in den frankophonen Kulturen, Literaturen und Medien. Les relations entre homme et animal dans les cultures, littératures, et médias francophones. Eds. Doris G. Eibl and Christoph Vatter. Saarbrücker Beiträge zur Vergleichenden Literatur- und Kulturwissenschaft. Würzburg: Königshausen & Neumann, 2017. |
|
| Added by: joachim 8/21/17, 10:40 PM |
|
| Pandel, Hans-Jürgen. "Mauschwitz." Geschichte lernen (1994): 61–65. |
|
| Added by: joachim 11/15/11, 1:23 AM |
|
| Parson, Sean. "Ain’t No Thing Like Me, Except Me Rocket raccoon, cyborg queerness, and toxic-masculinity." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 151–68. |
|
| Last edited by: Okwuchi Mba 8/22/18, 5:38 PM |
|
| Pietzcker, Frank. Symbol und Wirklichkeit im Werk Wilhelm Buschs: Die versteckten aussagen seiner bildergeschichten. Europäische Hochschulschriften, Reihe 1: Deutsche Sprache und Literatur. Frankfurt am Main [etc.]: Peter Lang, 2002. |
|
| Last edited by: joachim 9/24/09, 11:13 PM |
|
| Pigot, Pierre. "Dans l’enfer du dessin animé." L’assassinat de Mickey Mouse. Trois essais en disneylogie. Travaux pratiques. Paris: Presses Univ. de France, 2011. 71–123. |
|
| Added by: joachim 7/26/12, 11:44 AM |
|
| Pigot, Pierre. "Univers palmipède." L’assassinat de Mickey Mouse. Trois essais en disneylogie. Travaux pratiques. Paris: Presses Univ. de France, 2011. 125–79. |
|
| Added by: joachim 7/26/12, 11:33 AM |
|
| Platthaus, Andreas. "Comics nach Auschwitz: Art spiegelman und ›maus‹." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 269–94. |
|
| Added by: joachim 7/28/10, 5:44 PM |
|
| Platthaus, Andreas. "Entenhausener Dramaturgie: Wie uns comics illusionieren." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 57–73. |
|
| Last edited by: joachim 3/23/16, 4:10 PM |
|
| Quesenberry, Krista. "Intersectional and non-human self-representation in women’s autobiographical comics." Journal of Graphic Novels and Comics 8.(2017): 417–32. |
|
| Last edited by: joachim 9/7/17, 11:28 AM |
|
| Ribière, Mireille. "Maus. A Survivor’s Tale by Art Spiegelman A second-hand narrative in comic-book form." Time, Narrative & the Fixed Image. Temps, narration & image fixe. Eds. Mireille Ribière and Jan Baetens. Faux Titre. Amsterdam [etc.]: Rodopi, 2001. 131–43. |
|
| Last edited by: joachim 10/15/11, 7:36 PM |
|
| Richter, Gerhard. "Holocaust und Katzenjammer: Lektüreprotokolle zu art spiegelmans comic »maus«." Ästhetik des Ereignisses. Sprache – Geschichte – Medium. München: Fink, 2005. 23–47. |
|
| Added by: joachim 11/14/10, 11:07 AM |
|
| Richter, Gerhard. "Holocaust und Katzenjammer: Lektüreprotokolle zu art spiegelmans comic maus." Kulturelle Repräsentationen des Holocaust in Deutschland und den Vereinigten Staaten. Eds. Klaus L. Berghahn, Jürgen Fohrmann and Helmut J. Schneider. German Life and Civilization. New York [etc.]: Peter Lang, 2002. 111–45. |
|
| Last edited by: joachim 4/11/11, 8:08 PM |
|
| Rittelmeyer, Christian. Was sollen Kinder lesen: Kriterien, beispiele, empfehlungen. Stuttgart [etc.]: Kohlhammer, 2009. |
|
| Added by: joachim 12/30/09, 8:04 AM |
|
| Rosen, Alan C. "The Language of Survival. English as Metaphor in Spiegelman's Maus." Prooftexts 15.(1995): 249–62. |
|
| Last edited by: joachim 8/30/09, 6:53 PM |
|
| Rosenberg, Pnina. "Mickey Mouse in Gurs – Humour, Irony and Criticism in Works of Art Produced in the Gurs Internment Camp." Rethinking History 6.(2002): 273–92. |
|
| Last edited by: joachim 10/21/11, 2:24 PM |
|
| Rothberg, Michael P. "“We Were Talking Jewish”: Art spiegelman's maus as “holocaust” production." Contemporary Literature 35.(1994): 661–87. |
|
| Last edited by: joachim 10/20/09, 5:32 PM |
|
| Rothberg, Michael P. "“We Were Talking Jewish”: Art spiegelman’s maus as “holocaust” production." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 137–58. |
|
| Last edited by: joachim 10/2/11, 5:44 PM |
|
| Santa, Angels. "A la recherche de l’enfant: L’adaptation des trois mousquetaires en bande dessinée." De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Ed. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000. 513–22. |
|
| Added by: joachim 7/13/11, 9:58 AM |
|
| Schmitt, Christoph. "»Voß un Haas« zwischen den Fronten: Abenteuerliche zeitreise serieller zeichenfiguren eines mecklenburgischen volkskalenders." Homo narrans. Studien zur populären Erzählkultur. Festschrift für Siegfried Neumann zum 65. Geburtstag. Ed. Christoph Schmitt. Rostocker Beiträge zur Volkskunde und Kulturgeschichte. Münster: Waxmann, 1999. 303–24. |
|
| Added by: joachim 10/19/09, 10:22 PM |
|
| Schwarz, Kai-Steffen. "Zur Rezeption von Art Spiegelmans MAUS in den deutschen Medien: Grenze der strips oder jahrhundertwerk?." Comics Anno (1995): 241–49. |
|
| Last edited by: joachim 7/29/13, 3:38 PM |
|
| Selby, Andrew, et al.. "Chris Ware: The smartest kid on earth." International Journal of the Book 5.(2008): 15–24. |
|
| Added by: joachim 10/2/09, 8:50 PM |
|
| Staub, Michael E. "The Shoah Goes On and On: Remembrance and representation in art spiegelman’s maus." Melus 20.(1995): 32–46. |
|
| Last edited by: joachim 5/10/19, 12:25 PM |
|
| Stein, Daniel. "Zu den Potenzialen einer kulturwissenschaftlichen grafischen Literaturwissenschaft: Ein analysevorschlag am beispiel von jeremy loves graphic novel bayou." Closure 3 2016. Accessed 29 December. 2016. <http://www.closure.uni-kiel.de/closure3/stein>. |
|
| Last edited by: joachim 12/8/17, 6:40 PM |
|
| Taubert, Janin. Lachen über[M]Auschwitz? Formen und funktionen des komischen in art spiegelmans comix ›maus. die geschichte eines überlebenden‹. München: Grin, 2009. |
|
| Added by: joachim 11/2/11, 2:25 PM |
|
| in ‘t Veld, Laurike. The Representation of Genocide in Graphic Novels: Considering the role of kitsch. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2019. |
|
| Last edited by: joachim 2/11/19, 12:45 AM |
|
| Widiss, Benjamin. "Autobiography with Two Heads: quimby the mouse." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 159–73. |
|
| Last edited by: joachim 7/29/14, 2:59 PM |
|
| Willmott, Glenn. "Cat People." Modernism/Modernity 17.(2010): 839–56. |
|
| Added by: joachim 9/4/13, 6:24 PM |
|
| Willmott, Glenn. "Comics as a Cross-Writing Tradition." Jeunesse 6.2 2014. Accessed 16 August. 2019. <http://jeunessejournal. ... p/yptc/article/view/269>. |
|
| Added by: joachim 8/16/19, 1:01 PM |
|
| Witek, Joseph. Comic Books as History. The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. Studies in popular culture. Jackson: Univ. Press of Mississippi, 1989. |
|
| Added by: joachim 6/9/13, 9:50 AM |
|
| Witek, Joseph. "Imagetext, or, Why Art Spiegelman Doesn't Draw Comics." ImageTexT 1.1 2004. Accessed 28 July. 2009. <http://www.english.ufl. ... ext/archives/v1_1/witek>. |
|
| Last edited by: joachim 7/28/09, 10:15 AM |
|
| Wolk, Douglas. "Charles Burns and Art Spiegelman: Draw yourself raw." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 336–46. |
|
| Added by: joachim 5/8/13, 3:18 PM |
|
