| Mauro, Aaron. "“Mosaic Thresholds”: Manifesting the collection and production of comics in the works of chris ware." ImageTexT 5. 1 2010. Accessed 7 Feb. 2010. <http://www.english.ufl. ... xt/archives/v5_1/mauro/>. |
 
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| Menu, Jean-Christophe. "Das wunderbare Werk des Chris Ware: Versuch über die acme novelty library." Schreibheft (1998): 73–77. |
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| Merino, Ana. Chris Ware: La secuencia circular. Sin palabras. Serie A. Madrid: Sinsentido, 2005. |
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| North, Laurence. "Architecture and the graphic novel." Journal of Illustration 6. (2019): 341–64. |
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| Nöth, Winfried, Nina Bishara, and Britta Neitzel. Mediale Selbstreferenz. Grundlagen und Fallstudien zu Werbung, Computerspiel und den Comics. Köln: von Halem, 2008. |
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| Oppolzer, Markus. "Makrostrukturelle Erzählstrategien in Chris Wares Building Stories." Mediale Transkodierungen. Metamorphosen zwischen Sprache, Bild und Ton. Ed. Hartmut Stöckl. Heidelberg: Winter, 2010. 173–88. |
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| Last edited by: joachim 16/06/2014, 20:56 |
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| Peters, Tim. "Chris Ware’s ANL #20." The Point Magazine (2011). |
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| Prager, Brad. "Modernism in the Contemporary Graphic Novel: Chris ware and the age of mechanical reproduction." International Journal of Comic Art 5. (2003): 195–213. |
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| Raeburn, Daniel. "The Smartest Cartoonist on Earth." The Imp (1999): 1–19. |
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| Raeburn, Daniel. Chris Ware. Monographics. New Haven: Yale Univ. Press, 2004. |
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| Randle, Chris. "Building a Memory." Hazlitt 2012. Accessed 30 Sept. 2014. <http://penguinrandomhou ... t/comix/building-memory>. |
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| Rifkind, Candida. "Drawn from Memory: Comics artists and intergenerational auto/biography." Canadian Review of American Studies 38. (2008): 399–427. |
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| Roeder, Katherine. "Building Stories: Stories about Art and Buildings, and Growing Up." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/bui ... ildings-and-growing-up/>. |
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| Last edited by: joachim 06/06/2023, 10:56 |
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| Roeder, Katherine. "Chris Ware and the Burden of Art History." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 65–77. |
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| Samson, Jacques. "Jimmy Corrigan: Entre le mythe et le monde." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 375–89. |
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| Last edited by: joachim 28/08/2016, 11:38 |
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| Samson, Jacques and Benoît Peeters. Chris Ware: La bande dessinée réinventée. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2010. |
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| Samson, Jacques. "A Face in the Mind." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 70–72. |
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| Sattler, Peter R. "Building Memories: Mine, Hers, and Ours." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/bui ... ies-mine-hers-and-ours/>. |
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| Sattler, Peter R. "Past Imperfect: “building stories” and the art of memory." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 206–22. |
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| Schwetman, John D. "Sympathetic Geography: Tropes of the cityscape in chris ware’s jimmy corrigan, the smartest kid on earth." International Journal of Comic Art 13. (2011): 642–58. |
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| Selby, Andrew, et al. "Chris Ware: The smartest kid on earth." International Journal of the Book 5. (2008): 15–24. |
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| Simonetti, Paolo. "Why Are Comics No Longer Comic? Graphic narratives in contemporary america." Democracy and Difference. The US in Multidisciplinary and Comparative Perspectives. Eds. Giovanna Covi and Lisa Marchi. Labirinti. Trento: Università degli Studi di Trento, 2012. 289–99. |
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| Singer, Marc. "The Limits of Realism: Alternative comics and middlebrow aesthetics in the anthologies of chris ware." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 28–44. |
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| Stenzel, Katharina. "Vater-Sohn-Beziehungen im Jimmy Corrigan – ödipale Konflikte?." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 39–43. |
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| Strouhal, Felix. "Stream of Comicness: Chris wares erzählen in einem medium zwischen massentauglichkeit und exklusivität." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 161–70. |
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| Szczepaniak, Angela. "Minding the Gaps: A cannulated reading process developed through the works of bpnichol, chris ware, and art spiegelman." PhD Diss. University at Buffalo, State University of New York, 2011. |
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| Szczepaniak, Angela. "Brick by Brick: Chris ware’s architecture of the page." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 87–101. |
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| Tinker, Emma. "Manuscript in Print: The materiality of alternative comics." Literature Compass 4. 4 2007. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2007.00478.x>. |
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| Tinker, Emma. "Identity and Form in Alternative Comics, 1967–2007." Thesis PhD. University College London, 2008. |
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| Tirino, Mario and Lorenzo Di Paola. "Chris Ware e la costruzione dello spazio rizomatico." Between 8. 15 2018. Accessed 7 Jan. 2021. <https://ojs.unica.it/in ... tween/article/view/3236>. |
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| Ware, Chris. "Philip Guston: A cartoonist's appreciation." McSweeney's Quarterly Concern (2004): 85–91. |
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| Ware, Chris. "A Conversation with Jerry Moriarty: “there is no clamor for my art, and i don’t seek it”." The Believer (2009). |
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| Ware, Chris. "Acme Graphic Novelties." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 106–09. |
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| Ware, Chris. "Töpffer in English." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 222–27. |
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| Wegner, Gesine. "The Poetics and Politics of Staring: Spectacle and disability in chris ware’s building stories." Beyond Narrative. Exploring Narrative Liminality and Its Cultural Work. Eds. Sebastian M. Herrmann, Katja Kanzler and Stefan Schubert. Edition Kulturwissenschaft. 2022. 143–56. |
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| Widiss, Benjamin. "Autobiography with Two Heads: quimby the mouse." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 159–73. |
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| Widiss, Benjamin. "Comics as Non-Sequential Art: Chris ware’s joseph cornell." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 86–111. |
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| Williams, Paul. "Literary Impressionism and Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth (2000)." Comics Forum 2013. Accessed 27 Oct. 2013. <http://comicsforum.org/ ... -2000-by-paul-williams/>. |
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| Williams, Paul. "“A Purely American Tale”: The tragedy of racism and jimmy corrigan: the smartest kid on earth as great american novel." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 194–209. |
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| Willis, Simon. "Chris Ware, everyday genius." 1843 Magazine 2013. Accessed 18 Sept. 2020. <https://www.1843magazin ... simon-willis/chris-ware>. |
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| Worden, Daniel. "The Shameful Art: mcsweeney’s quarterly concern, comics, and the politics of affect." Modern Fiction Studies 52. (2006): 891–917. |
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| Worden, Daniel. "Loss as Life in Building Stories." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/los ... fe-in-building-stories/>. |
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| Worden, Daniel. "On Modernism’s Ruins: The architecture of “building stories” and lost buildings." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 107–20. |
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| Ziegler, James J. "A Secret History of Miscegenation: jimmy corrigan and the columbian exposition of 1893." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 292–313. |
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