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| Alaniz, José. "The Shoah, Czech comics and Drda/Mazal’s “The Enormous Disc of the Sun”." Journal of Modern Jewish studies 17. (2018): 64–78. |
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| Amihay, Ofra. "Passing under separation: Comics representations of the Holocaust and the Berlin Wall." Journal of Graphic Novels and Comics 4. (2013): 278–96. |
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| Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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| Bachmann, Michael. Der abwesende Zeuge: Autorisierungsstrategien in Darstellungen der Shoah. Mainzer Forschungen zu Drama und Theater. Tübingen: Francke, 2010. |
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| Ballis, Anja. "Die Überlebenden und ihre Kinder: Die Graphic Novel »Ich war das Kind von Holocaust-Überlebenden« als Unterrichtslektüre (Klassenstufen 9–10)." Deutschunterricht 65. (2012): 9–10. |
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| Barr, Terry. "Teaching Maus to a Holocaust Class." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 76–83. |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9. (2010): 81–98. |
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| Baskind, Samantha. "Joe Kubert’s Yossel: April 19, 1943: Faith and Art History’s Precedents." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 193–210. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe Kubert’s Children of the Warsaw Ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bazemore, Chanae. "The Art of Trauma: Holocaust Restatement in the Graphic Novel." Is This a Culture of Trauma? An Interdisciplinary Perspective. Eds. Jessica Aliaga Lavrijsen and Michael Bick. Oxford: Inter-Disciplinary Pr. 2013. |
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| Becker, Thomas. "Vom Bubblegum zum Holocaust: Art Spiegelmans MAUS." Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Eds. Markus Joch, et al. Tübingen: Niemeyer, 2009. 309–30. |
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| Behlman, Lee. "The Escapist: Fantasy, Folklore, and the Pleasures of the Comic Book in Recent Jewish American Holocaust Fiction." Shofar 22. (2004): 56–71. |
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| Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im Comic. Marburg: Tectum, 2009. |
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| Berger, Alan L. Children of Job: American Second-Generation Witnesses to the Holocaust. Albany: SUNY Pr. 1997. |
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| Bohm-Duchen, Monica. "A Life before Auschwitz." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 21–33. |
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| Bosmaijan, Hamida. "The Orphaned Voice in Art Spiegelman’s Maus." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 26–43. |
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| Bower, Kathrin. "Holocaust Avengers: From “The Master Race” to Magneto." International Journal of Comic Art 6. (2004): 182–94. |
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| Bruttmann, Tal. "The Holocaust through Comic Books." Re-examining the Holocaust through Literature. Eds. Aukje Kluge and Benn E. Williams. Newcastle upon Tyne: Cambridge Scholars Publ. 2009. 173–200. |
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| Budick, Emily Miller. "Forced Confessions: The Case of Art Spiegelman’s Maus." Prooftexts 21. (2001): 379–98. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Charlson, Joshua L. "Framing the Past: Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." Arizona Quarterly 57. (2001): 91–120. |
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| Chivington, Lauren Elyse. "The Girl, the Man, and the Maus: Holocaust Narratives in Controversial Media." International Journal of Comic Art 20. (2018): 615–48. |
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| Christiansen, Ole Johan and Thomas Plischke. "From Perpetrator to Victim and Back Again: The Supervillain Magneto as a Representative of the Holocaust in Superhero Comics." The Holocaust, Art, and Taboo. Transatlantic Exchanges on the Ethics and Aesthetics of Representation. Eds. Susanne Rohr and Sophia Komor. Heidelberg: Winter, 2010. 179–201. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners: Teaching Maus." Journal of Adolescent & Adult Literacy 53. (2009): 144–53. |
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| Copley, Jessica. "Modes of Representing the Holocaust: A Discussion of the Use of Animation in Art Spiegelman’s Maus and Oryl Yadin and Sylvie Bringas’s Silence." Opticon1826 9 2010. Accessed 25Jul. 2013. <http://www.opticon1826.com/article/view/opt.091003>. |
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| Crisóstomo Gálvez, Raquel. "Maus d’Art Spiegelman: Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual." Tesi Doctoral Universitat Pompeu Fabra, 2011. |
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| Davis, Richard. "Magneto, Mutation, and Morality." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 125–39. |
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| Dawidowski, Christian. "Die literarische Darstellung des Holocaust: Ein semiologisches Modell zum Beschreiben und Erfassen von Typologien." Zeitschrift für deutsche Philologie (2009): 591–613. |
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| Delannoy, Pierre Alban. MAUS d’Art Spiegelman: Bande dessinée et shoah. Champs visuels. Paris: L’Harmattan, 2002. |
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| Demsky, Jeffrey. Nazi and Holocaust Representations in Anglo-American Popular Culture, 1945–2020: Irreverent Remembrance. Palgrave Studies in Cultural Heritage and Conflict. New York [etc.]: Palgrave Macmillan, 2022. |
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| Doherty, Thomas. "Art Spiegelman’s Maus: Graphic Art and the Holocaust." American Literature 68. (1996): 69–84. |
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| Dohm, Annekatrin. Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. Oldenburger Vor-Drucke. Oldenburg: ZpB, 1999. |
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| Drewniak, Dagmara. "Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors." Studia Anglica Posnaniensia 50. (2015): 39–50. |
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| Dunker, Axel. "»Time Flies«: Mediale Selbstreflexität in Art Spiegelmans Holocaust-Comic Maus." Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Ed. Matías Martínez. Schrift und Bild in Bewegung. Bielefeld: Aisthesis, 2004. 79–98. |
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| Eaglestone, Robert. "Madness or Modernity? The Holocaust in Two Anglo-American Comics." Rethinking History 6. (2002): 319–30. |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. |
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| Eedy, Sean. "Four colour anti-fascism: Postwar narratives and the obfuscation of the Holocaust in East German comics." Journal of Modern Jewish studies 17. (2018): 24–35. |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After”: The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." Biography 27. (2004): 691–720. |
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| Engelmann, Jonas. Wurzellose Kosmopoliten: Von Luftmenschen, Golems und jüdischer Popkultur. Mainz: Ventil, 2016. |
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| Flory, Wendy Stallard. "The Search: A Graphic Narrative for Beginning to Teach about the Holocaust." Shofar 29. (2011): 34–49. |
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| Frahm, Ole. "Comic und Holocaust." 17° C (1994): 22–29. |
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| Frahm, Ole. "Das weiße M. Zur Genealogie von MAUS(CHWITZ)." Überlebt und unterwegs. Jüdische Displaced Persons im Nachkriegsdeutschland. Jahrbuch zur Geschichte und Wirkung des Holocaust. Frankfurt am Main: Campus, 1997. 303–40. |
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| Frahm, Ole. "Figurale Darstellung im Comic, untersucht am Beispiel von Art Spiegelmans ›Maus‹." Magisterarbeit M.A. Universität Hamburg, 1997. |
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| Frahm, Ole. Genealogie des Holocaust: Art Spiegelmans MAUS – A Survivor’s Tale. München: Fink, 2006. |
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| Frahm, Ole. "Aktualisierung der Geschichte: Warum Comics den Holocaust nicht trivialisieren." Phase 2. Zeitschrift gegen die Realität (2008): 71–75. |
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| Frahm, Ole. "Mickey und der Golem: Reflexionen des Holocaust im Comic." Darstellen, Vermitteln, Aneignen. Gegenwärtige Reflexionen des Holocaust. Eds. Bettina Bannasch and Hans-Joachim Hahn. Poetik, Exegese und Narrative. Göttingen: V&R unipress, 2018. 215–56. |
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| Frahm, Ole, Hans-Joachim Hahn, and Markus Streb, eds. Beyond MAUS: The Legacy of Holocaust Comics. Schriften des Centrums für Jüdische Studien. Köln, Weimar, Wien: Böhlau, 2021. |
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| Frahm, Ole and Michael Hein. "Hilflose Täter: Was Auschwitz in einigen Comic-Geschichten verloren hat." Comic Almanach (1993): 90–105. |
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| Frahm, Ole and Michael Hein. "MAUS." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Frahm, Ole. "Gespaltene Spuren: Der Holocaust-Comic nach MAUS – A Survivor’s Tale." ›Holocaust‹-Fiktion. Kunst jenseits der Authentizität. Eds. Iris Roebling-Grau and Dirk Rupenow. Paderborn: Fink, 2015. 199–218. |
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| Frahm, Ole. "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Ed. Dorothee Römhild. Opladen: Westdeutscher Verl. 1999. 222–44. |
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| Franz, Julia and Patrick Siegele. "Der Geschichtscomic Die Suche." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 353–58. |
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| Freitag, Kornelia. "Die Verarbeitung des Holocaust im Comic: Die Bilderwelt des Art Spiegelman ." Jüdische Literatur und Kultur in Großbritannien und den USA nach 1945. Ed. Beate Neumeier. Jüdische Kultur. München: Harassowitz, 1998. 171–88. |
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| Frenzel, Martin. "Holocaust und NS-Verbrechen im Comic." COMIC!-Jahrbuch (2004): 28–37. |
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| Frenzel, Martin. "Der Holocaust im Comic." Aus Politik und Zeitgeschichte 64. (2014): 30–34. |
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| Frenzel, Martin. "Zwischen erfundener und erlebter Erinnerung: Die Shoah im Comic." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 160–92. |
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| Frenzel, Martin. "Über Maus hinaus: Erfundene und biografische Erinnerung im Genre der Holocaust-Comics." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 206–83. |
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| Friedman, Elisabeth R. "Spiegelman’s magic box: MetaMaus and the archive of representation." Studies in Comics 3. (2012): 275–91. |
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| Glass, Susannah Ketchum. "Witnessing the Witness: Narrative slippage in Art Spiegelman’s Maus." Life Writing 3. (2006): 3–24. |
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| Gonshak, Henry. "Beyond Maus: Other Holocaust Graphic Novels." Shofar 28. (2009): 55–79. |
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| Gordon, Joan. "Surviving the Survivor: Art Spiegelman’s Maus." Journal of the Fantastic in the Arts 5. (1993): 81–89. |
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| Gorrara, Claire. "Not seeing Auschwitz: Memory, generation and representations of the Holocaust in twenty-first century French comics." Journal of Modern Jewish studies 17. (2018): 111–26. |
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| Gorrara, Claire. "Not seeing Auschwitz: Memory, generation and representations of the Holocaust in twenty-first century French comics." Comic Books, Graphic Novels and the Holocaust. Beyond Maus. Ed. Ewa Stańczyk. London, New York: Routledge, 2019. 111–26. |
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| Harris, Miriam. "Releasing the Grip of the Ghostly: Bernice Eisenstein’s I was a Child of Holocaust Survivors." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 129–43. |
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| Haudot, Jonathan. Shoah et bande dessinée. Paris: L’Harmattan, 2012. |
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| Herr, Peter. "Gespenster im Comic und in der Holocaust(re)präsentation." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 153–64. |
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| Hirsch, Marianne. "Family Pictures: Maus, Mourning and Post-Memory." Discourse 15. (1992): 3–29. |
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| Hirsch, Marianne. "Mourning and Postmemory." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 17–44. |
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| Hoog, Anne Hélèn. "Zur Darstellung der Shoah in sequentieller Kunst: Erzählprozess und visuelle Codes." Mediale Transformationen des Holocaust. Ed. Thomas Weber. Berlin: Avinus, 2013. 359–74. |
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| Hungerford, Amy. The Holocaust of Texts: Genocide, Literature, and Personification. Chicago: Univ. of Chicago Press, 2003. |
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| Hungerford, Amy. "Surviving Rego Park: Holocaust Theory from Art Spiegelman to Berel Lang." The Americanization of the Holocaust. Ed. Hilene Flanzbaum. Baltimore: Johns Hopkins Univ. Press, 1999. 102–24. |
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| Huyssen, Andreas. "Von Mauschwitz in die Catskills und zurück: Art Spiegelmans Holocaust-Comic »Maus«." Bilder des Holocaust. Literatur – Film – Bildende Kunst. Eds. Manuel Köppen and Klaus R. Scherpe. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 1997. 171–89. |
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| Kagelmann, Hans J. "Hitler und Holocaust im Comic." Psychosozial 13. (1990): 85–102. |
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| Kaufmann, Daniela. "Art Spiegelmans Maus: Vom Suchen und Finden (k)einer Metapher." Notwendige Unzulänglichkeit. Künstlerische und mediale Repräsentationen des Holocaust. Eds. Nina Heindl and Véronique Sina. Berlin [etc.]: LIT, 2017. 127–42. |
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| Kettner, Fabian. "Nur das Kino des kleinen Mannes? Literarische und visuelle Narrative in Holocaust-Comics zwischen Abenteuerroman und Bildungsauftrag." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 375–404. |
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| Klappert, Annina. "Ernster Comic, komische Wissenschaft: Art Spiegelmans Maus." Soziale Räume und kulturelle Praktiken. Über den strategischen Gebrauch von Medien. Eds. Georg Mein and Markus Rieger-Ladich. Bielefeld: Transcript, 2004. 203–34. |
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| Klimek, Julia. "Art Spiegelman's Maus: Drawing out the Implications of Witnessing in a Father/Son Relationship." Mit den Augen eines Kindes. Children in the holocaust. Children in exile. Children under fascism. Ed. Viktoria Hertling. Amsterdam [etc.]: Rodopi, 1998. 192–206. |
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| Kolář, Stanislav. Seven Responses to the Holocaust in American Fiction. Edice Universum. Ostrava: Ostravská univerzita, Nakladatelství Tilia, 2004. |
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| Kolář, Stanislav. "Intergenerational Transmission of Trauma in Spiegelman’s Maus." Brno Studies in English 39. (2013). |
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| Kolb, Johannes. Der Holocaust im Comic? Art Spiegelmans »Maus« im Geschichtsunterricht. Hamburg: Diplomica, 2013. |
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| Krohn, Claus-Dieter. "Auschwitz-Traumata der Superhelden und Mutanten: Emigrantenprojektionen im amerikanischen Comic Book." Exilforschung 34. (2016): 323–55. |
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| Kruschwitz, Hans. "Alles hängt an Bildern: Sprach- und Bildreflexion in Spiegelmans MAUS." Darstellen, Vermitteln, Aneignen. Gegenwärtige Reflexionen des Holocaust. Eds. Bettina Bannasch and Hans-Joachim Hahn. Poetik, Exegese und Narrative. Göttingen: V&R unipress, 2018. 195–214. |
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| Kuhlman, Martha B. "Marianne Hirsch on Maus." Indy Magazine Winter 2005. Accessed 12Jan. 2013. <http://www.indyworld.co ... g_2004/kuhlman_poetics/>. |
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| Kupczyńska, Kalina. "Comics in polnischen Gedenkstätten: „Chleb wolnościowy“ von Paweł Piechnik (2019) im Kontext der polnischen Holocaust-Comics." Geschichte in Wissenschaft und Unterricht 74. (2023): 261–74. |
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| LaCapra, Dominick. "’Twas the Night Before Christmas: Art Spiegelman’s Maus." History and Memory After Auschwitz. Ithaca: Cornell Univ. Press, 1998. 139–79. |
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| Leventhal, Robert S. "Art Spiegelman's MAUS: Working-Through the Trauma of the Holocaust." Responses to the Holocaust. A Hypermedia Sourcebook for the Humanities 1995. Accessed 26May. 2010. <http://www2.iath.virgin ... locaust/spiegelman.html>. |
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| Levine, Michael G. "Necessary Stains: Spiegelman’s MAUS and the Bleeding of History." American Imago 39. (2002): 317–41. |
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| Levine, Michael G. "Necessary Stains: Art Spiegelman’s Maus and the Bleeding of History." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 65–104. |
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| Liss, Andrea. Trespassing Through Shadows: Memory, Photography, And The Holocaust. Minneapolis: Univ. of Minnesota Press, 1998. |
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| Loewy, Hanno. "Der Überlebende als böser Held: X-Men, Comic-Culture und Auschwitz-Fantasy." Weiter erinnern? Neu erinnern? Überlegungen zur Gegenwart und Zukunft des Umgangs mit der NS-Zeit. Ed. AK Erinnerungskultur in d. Marburger Geschichtswerkstatt. Münster: Unrast, 2003. 147–66. |
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