| Abirached, Zeina: "Artist’s Statement." In: European Comic Art 8.1 (2015), S. 69–86. |
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| Afrashteh, Diana: Das gezeichnete Selbst zwischen den Kulturen. Eine interkulturelle Annäherung an Marjane Satrapis biographisches Werk Persepolis.(Diplomarbeit), Donau Universität Krems, Interkulturelle Kompetenzen 2008 (84 S.). |
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| Ahmed, Maaheen: "The Art of Splicing. Autofiction in Words and Images." In: International Journal of Comic Art 16.1 (2014), S. 322–338. |
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| ---: "Historicizing in Graphic Novels. The Welcome Subjective G(l)aze." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 184–202. |
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| ---: "Moebius, Gir, Giraud, Gérard. Self-Visualizations." In: International Journal of Comic Art 11.2 (2009), S. 421–431. |
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| Ahrens, Jörn: "Comic und traumgebundene Realität. David B.s Die heilige Krankheit als Kunst des Erinnerns." In: Erzählen im Comic. Beiträge zur Comicforschung. Hrsg. v. Otto Brunken und Felix Giesa. Bochum: Ch.A. Bachmann, 2013, S. 273–292. |
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| ---: "Imagine Reality. Negotiating Comics along David B.’s Epileptic." In: European Comic Art 7.2 (2014), S. 64–89. |
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| Alaniz, José: Komiks. Comic Art in Russia. Jackson: Univ. Press of Mississippi, 2010. (288 S.) |
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| Alary, Viviane, Danielle Corrado und Benoît Mitaine (Hrsg.): Autobio-graphismes. Bande dessinée et représentation de soi. (L’Équinoxe.) Chêne-Bourg: Georg, 2015. (298 S.) |
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| Albiero, Olivia: "Between free movement and confinement. Overcoming boundaries in Simon Schwartz’s drüben! and Colleen Frakes’s Prison Island." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 96–116. |
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| Amano, Ikuho: "Visualizing the self in comedic pathos. Japanese autobiographical manga at the limit of multiculturalism." In: East Asian Journal of Popular Culture 1.2 (2015), S. 239–253. |
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| Amihay, Ofra: "Red Diapers, Pink Stories. Color Photography and Self-Outing in Jewish Women’s Comics." In: Image [&] Narrative 16.2 (2015), S. 42–64, . |
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| Anderson, Ho Che: "80-’89. Comics’ Greatest Decade." In: ImageTexT 9.2 (2017). |
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| Andreasson, Johan: "Harvey Pekar och American Splendor." In: Boken om serier. Hrsg. v. Elisabet Haglund et al. Johanneshov: Hammarström & Åberg, 1986, S. 186–192. |
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| Aurenche-Beau, Emmanuelle: "Représentation de l’enfance en RDA dans trois romans graphiques des années 2000." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 13–22. |
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| Austin, Carolyn F. "The Endurance of Ash. Melancholia and the Persistance of the Material in Charlotte Salomon’s Leben? Oder Theater?." In: Biography 31.1 (2008), S. 103–132. |
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| Bachmann, Christian A. "Von Masken und Mäusen. Zu Masken in Superhelden- und autobiographischen Comics." In: Masken. Hrsg. v. Kurt Röttgers und Monika Schmitz-Emans. Essen: Blaue Eule, 2009, S. 210–232. |
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| Baetens, Jan: "Autobiographies et bandes dessinées." In: Belphégor 4.1 (2004). |
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| ---: "Dominique Goblet. The List Principle and the Meaning of Form." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 76–92. |
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| ---: "“Fun Home”: Novela gráfica y posmodernidad." In: deSignis 22 (2015), S. 21–28. |
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| ---: "Littérature et bande dessinée. Enjeux et limites." In: Cahiers de Narratologie 16 (2009). |
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| ---: "Uncaging and Reframing Martin Vaughn-James’s The Cage." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85. |
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| Ball, David M. "Allusive Confessions. The Literary Lives of Alison Bechdel’s Fun Home." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 3–25. |
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| Barounis, Cynthia: "Alison Bechdel and Crip-Feminist Autobiography." In: Journal of Modern Literature 39.4 (2016), S. 139–161. |
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| Basu, Lopamudra: "Crossing Cultures/Crossing Genres. The Re-invention of the Graphic Memoir in Persepolis and Persepolis 2." In: Nebula 4.3 (2007), S. 1–19, . |
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| ---: "The Graphic Memoir in a State of Exception. Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 163–184. |
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| Bauer, Heike: "Tangles. An interview with Sarah Leavitt." In: Studies in Comics 6.2 (2015), S. 329–337. |
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| Beadling, Laura L. "Imaging Internment. Teaching Miné Okubo’s Citizen 13660 as a Work of Comics in the Contact Zone." In: SANE journal 1.1 (2010), S. 84–115, . |
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| Beaty, Bart: "‘C'est pas du tout ce que tu penses’. Improvisational Narrative Strategies in Ruppert and Mulot's La Maison close." In: European Comic Art 3 (2010), S. 81–103. |
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| ---: "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 247–259. |
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| ---: "Some Classics." In: The Cambridge Companion to the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Cambridge Companions to Literature.) Cambridge [etc.]: Cambridge Univ. Press, 2017, S. 175–191. |
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| Bechdel, Alison: The Indelible Alison Bechdel. Confessions, Comix and Miscellaneous Dykes to Watch Out For. Ithaca: Firebrand Books, 1998. (223 S.) |
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| ---: "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." In: GRAAT on-line 1 (2007), S. 40–42, . |
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| Becker, Thomas: "Genealogie der autobiografischen Graphic Novel. Zur feldsoziologischen Analyse intermedialer Strategien gegen ästhetische Normalisierungen." In: Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Hrsg. v. Stephan Ditschke, Katerina Kroucheva und Daniel Stein. Bielefeld: Transcript, 2009, S. 239–264. |
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| op de Beeck, Nathalie: "Autobifictionalography. Making Do in Lynda Barry's One Hundred Demons." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 163–171. |
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| Berlatsky, Eric: "Memory as Forgetting. The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." In: Cultural Critique 55 (2003), S. 101–151. |
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| ---: The Real, The True, and the Told. Postmodern Historical Narrative and the Ethics of Representation. (Theory and Interpretation of Narrative.) Columbus: Ohio State University Libraries, 2011. (250 S.) |
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| Beronä, David A. "A Renegade of Expression. David Wojnarowicz’s Autofiction in Comics." In: Image [&] Narrative 9.2 (2008). |
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| Bhattacharjee, Partha und Priyanka Tripathi: "‘Disease’ and Visual Rhetorics of Disability. Comics and Autopathography in the Works of Alison Bechdel." In: Gnosis 5.2 (2019), S. 263–274. |
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| ---: "“Traumics”. Genesis and Journey of Trauma Narratives in Comics." In: Gnosis Special Issue 3 (2019), S. 26–44. |
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| Boesenberg, Eva: "Family Business. Death in Alison Bechdel’s Fun Home." In: American Lives. Hrsg. v. Alfred Hornung. (American Studies – A Monograph Series, 234.) Heidelberg: Winter, 2013, S. 327–338. |
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| Böger, Astrid: "Conquering Silence. David Small’s Stitches and the Art of Getting Better." In: Amerikastudien 56.4 (2011), S. 603–616. |
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| ---: "Grafische Literatur (A. Bechdel: Fun Home und D. Small: Stitches)." In: Handbuch Literatur & Visuelle Kultur. Hrsg. v. Claudia Benthien und Brigitte Weingart. (Handbücher zur kulturwissenschaftlichen Philologie, 1.) Berlin u. Boston: de Gruyter, 2014, S. 544–560. |
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| Bolton, Matthew: "Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)." In: Miranda 8 (2013). |
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| Boxer, Sarah: "An Interview with John Porcellino." In: The Comics Journal (8. Okt. 2014). |
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| Brada-Williams, Noelle: "Looking Back. Teaching Miné Okubo’s Citizen 13660." In: Amerasia Journal 30.2 (2004), S. 59–74. |
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| Brancato, Sergio: "Il fumetto post-seriale. Trasformazioni dei comics tra storia e autobiografía." In: Die Sprache(n) der Comics. Hrsg. v. Daniela Pietrini. München: Meidenbauer, 2012, S. 195–212. |
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| von Brand, Tilman: "»Such dir was aus, aber beeil dich!«. Nadia Buddes Kindheit in Texten und Bildern." In: Praxis Deutsch 252 (2015), S. 25–32. |
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| Brauner, David: "Intertextuality, authenticity and Gonzo Selves in Anya Ulinich’s Lena Finkle’s Magic Barrel." In: Studies in Comics 6.2 (2015), S. 253–269. |
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| Bredehoft, Thomas A. "Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics." In: College Literature 38.3 (2011), S. 97–110. |
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| Brie, Stephen: "The struggle to survive without spandex in Harvey Pekar’s American Splendor." In: Critical Engagements 3.1 (2009), S. 73–90. |
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| Brodzki, Bella: "Breakdowns and Breakthroughs. Looking for Art in Young Spiegelman." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 51–58. |
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| Brogniez, Laurence: "Féminin singulier : les desseins du moi. Julie Doucet, Dominique Goblet." In: Textyles 36–37 (2010), S. 117–138. |
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| Brunetti, Ivan: Aesthetics. A Memoir. New Haven: Yale Univ. Press, 2013. (120 S.) |
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| Budick, Emily Miller: "Forced Confessions. The Case of Art Spiegelman’s Maus." In: Prooftexts 21.3 (2001), S. 379–398. |
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| Bulić, Jelena: "The Travelling Cartoonist. Representing the Self and the World in Guy Delisle’s Graphic Travel Narratives." In: Narodna umjetnost 49.1 (2012), S. 61–80. |
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| Bumatay, Michelle: "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." In: European Comic Art 5.2 (2012), S. 45–66. |
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| Bush, Christopher: "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 112–143. |
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| Calargé, Carla und Alexandra Gueydan-Turek: "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." In: French Cultural Studies 25.2 (2014), S. 202–220. |
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| Calonne, David Stephen: R. Crumb. Literature, Autobiography, and the Quest for Self. Jackson: Univ. Press of Mississippi, 2021. (276 S.) |
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| Capitanio, Adam: "Marjane Satrapi’s Persepolis." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 168–182. |
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| Capp, Al: My Well Balanced Life On A Wooden Leg. Memoirs. Santa Barbara: John Daniel, 1991. (127 S.) |
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| Cardell, Kylie: "Drawn to Life. The Diary as Method and Politics in the Comics Art of Gabrielle Bell and Julie Doucet." In: The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Hrsg. v. Tahneer Oksman und Seamus O’Malley. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 122–142. |
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| Carrier, Mélanie: "Persepolis et les révolutions de Marjane Satrapi." In: Belphégor 4.1 (2004). |
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| Castillo, Debra A. "Perineum: Erika Lopez." In: Studies in 20th & 21st Century Literature 42.1 (2017). |
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| Cates, Isaac: "The Diary Comic." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 209–226. |
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| Chabani, Karim: "Double Trajectories. Crossing Lines in Fun Home." In: GRAAT on-line 1 (2007), S. 1–14, . |
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| Chaney, Michael A. "Animal Subjects of the Graphic Novel." In: College Literature 38.3 (2011), S. 129–149. |
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| ---: "Animal Subjects of the Graphic Novel." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 44–66. |
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| ---: "The Animal Witness of the Rwandan Genocide." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 93–100. |
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| --- (Hrsg.): Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011. (339 S.) |
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| ---: "Introduction." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 3–9. |
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| ---: Reading Lessons in Seeing. Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: Univ. Press of Mississippi, 2016. (216 S.) |
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| ---: "Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography." In: College Literature 38.3 (2011), S. 21–44. |
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| Chaplin, Elizabeth: "The Photo Diary as an Autoethnographic Method." In: The SAGE Handbook of Visual Research Methods. Hrsg. v. Eric Margolis und Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011, S. 241–262. |
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| Charlson, Joshua L. "Framing the Past. Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." In: Arizona Quarterly 57.3 (2001), S. 91–120. |
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| Chase, Alisia: "You Must Look at the Personal Clutter. Diaristic Indulgence, Female Adolescence, and Feminist Autobiography." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 207–240. |
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| Cheurfa, Hiyem: "Testifying Graphically. Bearing Witness to a Palestinian Childhood in Leila Abdelrazaq’s Baddawi." In: a/b: Auto/Biography Studies 35.2 (2020), S. 359–382. |
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| Chin, Vivian Fumiko: "Gestures of Noncompliance. Resisting, Inventing, and Enduring in Citizen 13660." In: Amerasia Journal 30.2 (2004), S. 23–42. |
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| Chiu, Monica: "Sequencing and Contingent Individualism in the Graphic, Postcolonial Spaces of Satrapi's Persepolis and Okubo's Citizen 13660." In: English Language Notes 46.2 (2008), S. 99–114. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners. Teaching Maus." In: Journal of Adolescent & Adult Literacy 53.2 (2009), S. 144–153. |
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| Chute, Hillary: "Comics as Archives. MetaMetaMaus." In: emisférica 9.1–2 (2012). |
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| ---: "Comics Form and Narrating Lives." In: Profession (2011), S. 107–117. |
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| ---: Disaster Drawn. Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. (359 S.) |
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| ---: "Materializing Memory. Lynda Barry’s One Hundred Demons." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 282–309. |
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| ---: "The Texture of Retracing in Marjane Satrapi’s Persepolis." In: Women's Studies Quarterly 36.1/2 (2008), S. 92–110. |
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| Claudio, Esther: "It’s a Bird – Steven T. Seagle and Teddy Kristiansen." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 42–44. |
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| ---: "Marjane Satrapi’s Elaborate Simplicity." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 66–68. |
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| Claytor, Ryan und Harry Polkinhorn: Autobiographical Conversations. East Lansing: Elephant Eater Comics, 2013. (96 S.) |
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| Clementi, Federica K. "The JAP, the Yenta and the mame in Aline Kominsky Crumb’s graphic imagination." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 309–331. |
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| Clewell, Tammy: "Beyond Graphic Memoir. Visualizing Third-Generation German Cultural Identity in Nora Krug’s Belonging." In: American Imago 77.3 (2020), S. 459–496. |
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| Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment. How Giongo and Gitaigo Shift from Entertainment to Lived Experience in Insufficient Direction." In: International Journal of Comic Art 20.1 (2018), S. 563–574. |
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| Cointot, Chantal: "Approximate Author-ity. Self-Crafting “Le Bec” and Other Trondheimian Masks." In: Image [&] Narrative 19.3 (2018), S. 16–33, . |
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| Cordeiro, William und Season Ellison: "Performative Texts and the Pedagogical Theatre. Alison Bechdel’s Fun Home as Compositional Model." In: Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Hrsg. v. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2017, S. 167–186. |
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| Corrado, Danielle: "Carlos Giménez y el pacto autobiográfico." In: Historietas, Comics y Tebeos españoles. Hrsg. v. Viviane Alary. Toulouse: Presses Univ. du Mirail, 2002, S. 174–194. |
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| Costantino, Manuela: "Marji. Popular Commix Heroine Breathing Life into the Writing of History." In: Canadian Review of American Studies 38 (2008), S. 429–447. |
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| Couser, Thomas G. "Is There a Body in This Text? Embodiment in Graphic Somatography." In: a/b: Auto/Biography Studies 33.2 (2018), S. 347–373. |
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| Couser, G. Thomas: Memoir. An Introduction. New York: Oxford Univ. Press, 2012. (206 S.) |
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| Cox, Catherine S. "Queering the Siren’s Call. Signatures of Subjectivity in Dante’s Purgatorio and Alison Bechdel’s Fun Home." In: Exemplaria 22.1 (2010), S. 44–64. |
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| Cressman, Jodi: "Company, counterbalance, and closure in Ellen Forney’s Marbles." In: Journal of Graphic Novels and Comics (2018), S. 1–14. |
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| Last edited by: joachim 2018-08-02 10:47 |
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