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| Ahrens, Jörn. "Imagine Reality: Negotiating comics along david b.’s epileptic." European Comic Art 7.(2014): 64–89. |
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| Albiero, Olivia. "Between free movement and confinement: Overcoming boundaries in simon schwartz’s drüben! and colleen frakes’s prison island." Journal of Graphic Novels and Comics 11.(2020): 96–116. |
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| Anderson, Ho Che. "80-’89: Comics’ greatest decade." ImageTexT 9.2 2017. Accessed 9 February. 2018. <http://www.english.ufl. ... archives/v9_2/anderson/>. |
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| Aurenche-Beau, Emmanuelle. "Représentation de l’enfance en RDA dans trois romans graphiques des années 2000." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 13–22. |
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| Austin, Carolyn F. "The Endurance of Ash: Melancholia and the persistance of the material in charlotte salomon’s leben? oder theater?." Biography 31.(2008): 103–32. |
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| Bachmann, Christian A. "Von Masken und Mäusen: Zu masken in superhelden- und autobiographischen comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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| Baetens, Jan. "Dominique Goblet: The list principle and the meaning of form." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 76–92. |
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| Baetens, Jan. "“Fun Home”: Novela gráfica y posmodernidad." deSignis (2015): 21–28. |
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| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
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| Barounis, Cynthia. "Alison Bechdel and Crip-Feminist Autobiography." Journal of Modern Literature 39.(2016): 139–61. |
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| Basu, Lopamudra. "Crossing Cultures/Crossing Genres: The re-invention of the graphic memoir in persepolis and persepolis 2." Nebula 4.3 2007. Accessed 29 May. 2012. <http://www.nobleworld.biz/images/Basu.pdf>. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bauer, Heike. "Tangles: An interview with sarah leavitt." Studies in Comics 6.(2015): 329–37. |
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| Beaty, Bart. "‘C'est pas du tout ce que tu penses’: Improvisational narrative strategies in ruppert and mulot's la maison close." European Comic Art 3.(2010): 81–103. |
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| Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59. |
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| Bechdel, Alison. The Indelible Alison Bechdel: Confessions, comix and miscellaneous dykes to watch out for. Ithaca: Firebrand Books, 1998. |
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| Bechdel, Alison. "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." GRAAT on-line 1 2007. Accessed 29 July. 2009. <http://www.graat.fr/bechdel004aaaa.pdf>. |
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| Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen analyse intermedialer strategien gegen ästhetische normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
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| Berlatsky, Eric. "Memory as Forgetting: The problem of the postmodern in the book of laughter and forgetting and maus." Cultural Critique 55.(2003): 101–51. |
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| Berlatsky, Eric. The Real, The True, and the Told Postmodern historical narrative and the ethics of representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "‘Disease’ and Visual Rhetorics of Disability: Comics and autopathography in the works of alison bechdel." Gnosis 5.(2019): 263–74. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "“Traumics”: Genesis and journey of trauma narratives in comics." Gnosis Special Issue (2019): 26–44. |
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| Boesenberg, Eva. "Family Business: Death in alison bechdel’s fun home." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 327–38. |
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| Böger, Astrid. "Conquering Silence: David small’s stitches and the art of getting better." Amerikastudien 56.(2011): 603–16. |
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| Böger, Astrid. "Grafische Literatur (A. Bechdel: Fun Home und D. Small: Stitches)." Handbuch Literatur & Visuelle Kultur. Eds. Claudia Benthien and Brigitte Weingart. Handbücher zur kulturwissenschaftlichen Philologie. Berlin u. Boston: de Gruyter, 2014. 544–60. |
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| Boxer, Sarah. "An Interview with John Porcellino." The Comics Journal 2014. Accessed 11 October. 2014. <http://www.tcj.com/an-i ... w-with-john-porcellino/>. |
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| Brada-Williams, Noelle. "Looking Back: Teaching miné okubo’s citizen 13660." Amerasia Journal 30.(2004): 59–74. |
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| Brancato, Sergio. "Il fumetto post-seriale: Trasformazioni dei comics tra storia e autobiografía." Die Sprache(n) der Comics. Ed. Daniela Pietrini. München: Meidenbauer, 2012. 195–212. |
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| Brauner, David. "Intertextuality, authenticity and Gonzo Selves in Anya Ulinich’s Lena Finkle’s Magic Barrel." Studies in Comics 6.(2015): 253–69. |
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| Bredehoft, Thomas A. "Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics." College Literature 38.(2011): 97–110. |
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| Brie, Stephen. "The struggle to survive without spandex in Harvey Pekar’s American Splendor." Critical Engagements 3.(2009): 73–90. |
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| Brogniez, Laurence. "Féminin singulier : les desseins du moi: Julie doucet, dominique goblet." Textyles (2010): 117–38. |
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| Brunetti, Ivan. Aesthetics: A memoir. New Haven: Yale Univ. Press, 2013. |
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| Budick, Emily Miller. "Forced Confessions: The case of art spiegelman’s maus." Prooftexts 21.(2001): 379–98. |
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| Bulić, Jelena. "The Travelling Cartoonist: Representing the self and the world in guy delisle’s graphic travel narratives." Narodna umjetnost 49.(2012): 61–80. |
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| Bumatay, Michelle. "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." European Comic Art 5.(2012): 45–66. |
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| Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25.(2014): 202–20. |
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| Calonne, David Stephen. R. Crumb Literature, autobiography, and the quest for self. Jackson: Univ. Press of Mississippi, 2021. |
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| Capitanio, Adam. "Marjane Satrapi’s Persepolis." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr, 2014. 168–82. |
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| Cardell, Kylie. "Drawn to Life: The diary as method and politics in the comics art of gabrielle bell and julie doucet." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 122–42. |
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| Chabani, Karim. "Double Trajectories: Crossing lines in fun home." GRAAT on-line 1 2007. Accessed 20 July. 2011. <http://www.graat.fr/bechdel001aaaa.pdf>. |
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| Chaney, Michael A. "The Animal Witness of the Rwandan Genocide." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 93–100. |
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| Chaney, Michael A. Reading Lessons in Seeing: Mirrors, masks, and mazes in the autobiographical graphic novel. Jackson: Univ. Press of Mississippi, 2016. |
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| Chaney, Michael A. "Animal Subjects of the Graphic Novel." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 44–66. |
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| Chaplin, Elizabeth. "The Photo Diary as an Autoethnographic Method." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 241–62. |
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| Charlson, Joshua L. "Framing the Past: Postmodernism and the making of reflective memory in art spiegelman’s maus." Arizona Quarterly 57.(2001): 91–120. |
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| Chase, Alisia. "You Must Look at the Personal Clutter: Diaristic indulgence, female adolescence, and feminist autobiography." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 207–40. |
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| Chew, Evelyn and Alex Mitchell. "Multimodality and Interactivity in “Natively” Digital Life Stories." Poetics Today 40.(2019): 319–53. |
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| Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36.(2008): 92–110. |
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| Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Chute, Hillary. "Materializing Memory: Lynda barry’s one hundred demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309. |
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| Claudio, Esther. "It’s a Bird – Steven T. Seagle and Teddy Kristiansen." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 42–44. |
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| Claudio, Esther. "Marjane Satrapi’s Elaborate Simplicity." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 66–68. |
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| Claytor, Ryan and Harry Polkinhorn. Autobiographical Conversations. East Lansing: Elephant Eater Comics, 2013. |
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| Clementi, Federica K. "The JAP, the Yenta and the mame in Aline Kominsky Crumb’s graphic imagination." Journal of Graphic Novels and Comics 4.(2013): 309–31. |
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| Clewell, Tammy. "Beyond Graphic Memoir: Visualizing third-generation german cultural identity in nora krug’s belonging." American Imago 77.(2020): 459–96. |
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| Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment: How giongo and gitaigo shift from entertainment to lived experience in insufficient direction." International Journal of Comic Art 20.(2018): 563–74. |
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| Cointot, Chantal. "Approximate Author-ity: Self-crafting “le bec” and other trondheimian masks." Image [&] Narrative 19.3 2018. Accessed 21 February. 2019. <http://www.imageandnarr ... ative/article/view/1939>. |
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| Cordeiro, William and Season Ellison. "Performative Texts and the Pedagogical Theatre: Alison bechdel’s fun home as compositional model." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 167–86. |
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| Corrado, Danielle. "Carlos Giménez y el pacto autobiográfico." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Toulouse: Presses Univ. du Mirail, 2002. 174–94. |
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| Costantino, Manuela. "Marji: Popular commix heroine breathing life into the writing of history." Canadian Review of American Studies 38.(2008): 429–47. |
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| Couser, G. Thomas. Memoir: An introduction. New York: Oxford Univ. Press, 2012. |
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| Couser, Thomas G. "Is There a Body in This Text? Embodiment in graphic somatography." a/b: Auto/Biography Studies 33.(2018): 347–73. |
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| Cressman, Jodi. "Company, counterbalance, and closure in Ellen Forney’s Marbles." Journal of Graphic Novels and Comics (2018): 1–14. |
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