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Anderson, Reynaldo: "Critical Afrofuturism. A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art . Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 171–192.
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Atkinson, Paul: "Between Movement and Reading. Reconceptualizing the Dynamic Picture Plane in Modernist Comics and Painting." In: ImageTexT 9.3 (2018),
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Baetens, Jan: "Image and visual culture after the pictorial turn. An outsider’s note." In: Visual Studies 28.2 (2013), S. 180–185.
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Berndt, Jaqueline: "Bilderwelten. Popularität des Manga und Visualitätskultur." In: Ästhetik und Ästhetisierung in Japan . Hrsg. v. Werner Schaumann. München: iudicium, 1993, S. 41–53.
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Blank, Juliane: "Alles ist zeigbar? Der Comic als Medium der Wissensvermittlung nach dem iconic turn ." In: KulturPoetik 10 (2010), S. 214–233.
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Blumenberg, Hans: "Vollsynthetische Bilderwelt. Von Macht und Ohnmacht der »Comic-Strips« [1953]." In: Schriften zur Literatur 1945–1958 . Hrsg. v. Alexander Schmitz und Bernd Stiegler. Frankfurt am Main: Suhrkamp, 2017, S. 129–131.
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Borggren, Gunhild: "Cute and Cool in Contemporary Japanese Visual Arts." In: The Copenhagen Journal of Asian Studies 29.1 (2011), (4. Juni 2013)
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Bredehoft, Thomas A. The Visible Text. Textual Production and Reproduction from Beowulf to Maus . (Oxford Textual Perspectives.) New York: Oxford Univ. Press, 2014. (182 S.)
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Briel, Holger: "The Roving Eye Meets Travelling Pictures. The Field of Vision and the Global Rise of Adult Manga." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives . Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 187–210.
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Browne, Ray: "An Analysis of Comics in Britain and their Possible Contribution to a Visual Culture." In: Comics and Visual Culture. Research Studies from ten Countries . Hrsg. v. Alphons Silbermann und Hans-Dieter Dyroff. München [etc.]: Saur, 1986, S. 79–95.
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Cavallaro, Dani: Japanese Aesthetics and Anime. The Influence of Tradition . Jefferson, London: McFarland, 2013. (199 S.)
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Christiansen, Steen: "The Truth of the Word, the Falsity of the Image. Transmetropolitan 's Critique of the Society of the Spectacle." In: Elective Affinities. Testing Word and Image Relationships . Hrsg. v. Catriona MacLeod, Véronique Plesch und Charlotte Schoell-Glass. (Word & Image Interactions, 6.) Amsterdam [etc.]: Rodopi, 2009, S. 147–158.
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Cohn, Jesse: "Breaking the Frame. Anarchist Comics and Visual Culture." In: Belphégor 6.2 (2007), (6. Apr. 2010)
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Cohn, Neil, Amaro Taylor-Weiner und Suzanne Grossman: "Framing attention in Japanese and American comics. Cross-cultural differences in attentional structure." In: Frontiers in Psychology 3.349 (2012), (1. Nov. 2013)
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Cohn, Neil: The Visual Language of Comics. Introduction to the Structure and Cognition of Sequential Images . (Advances in Semiotics.) New York: Bloomsbury, 2013. (224 S.)
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--- (Hg.): The Visual Narrative Reader . New York: Bloomsbury, 2016. (350 S.)
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Fairfield, Sidney: "From “The Tyranny of the Pictorial”." In: Arguing Comics. Literary Masters on a Popular Medium . Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2004, S. 4–6.
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Fresnault-Deruelle, Pierre: "Aspects de la Bande Dessinée en France." In: Comics and Visual Culture. Research Studies from ten Countries . Hrsg. v. Alphons Silbermann und Hans-Dieter Dyroff. München [etc.]: Saur, 1986, S. 62–78.
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Grove, Laurence: "Visual Cultures, National Visions. The Ninth Art of France." In: New Directions in Emblem Studies . Hrsg. v. Amy Wygant. Glasgow: GES, 1999, S. 43–57.
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Heinze, Ulrich: Japanische Blickwelten. Manga, Medien und Museen im Zeichen künstlicher Realität . Bielefeld: Transcript, 2013. (260 S.)
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Hirsch, Marianne: "Collateral Damage." In: PMLA 119.5 (2004), S. 1209–1215.
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Hoppe, Wilhelm: "Der »Bild-Idiotismus« triumphiert. Ergebnisse einer Schmökergrab-Aktion der Stadtbücherei Hagen." In: Bücherei und Blldung 7.11A (1955), S. 381–386.
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Horsman, Yasco: "Of Flipbooks and Funny Animals. Chris Ware’s Quimby the Mouse ." In: Compact Cinematics. The Moving Image in the Age of Bit-Sized Media . Hrsg. v. Pepita Hesselberth und Maria Poulaki. New York: Bloomsbury, 2017, S. 153–165.
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Illger, Daniel: "Von Persepolis zu Abu Ghraib: Kunst und Ideologie. Eine Antwort auf Bruce Lincoln." In: »Ästhetisierung«. Der Streit um das Ästhetische in Politik, Religion und Erkenntnis . Hrsg. v. Ilka Brombach, Dirk Setton und Cornelia Temesvári. Zürich, Berlin: diaphanes, 2010, S. 199–204.
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Kaenel, Philippe und Gilles Lugrin (Hgg.): Bédé, ciné, pub et art. D’un média à l’autre . Gollion: Infolio, 2007. (288 S.)
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King, Tappan W. "The Image in Motion." In: Crimmer’s Winter (1975), S. 11–18.
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Köhn, Stephan: "Japans Visual Turn in der Edo-Zeit." In: Ga-netchū! Das Manga Anime Syndrom . Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 38–47.
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---: "Japan’s Visual Turn in the Edo Period." In: Ga-netchū! The Manga Anime Syndrome . Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 38–47.
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Köhnen, Ralph: Das optische Wissen. Mediologische Studien zu einer Geschichte des Sehens . München: Fink, 2009. (603 S.)
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Kuchenbuch, Thomas: Bild und Erzählung. Geschichten in Bildern. Vom frühen Comic Strip zum Fernsehfeature . (Film- und Fernsehwissenschaftliche Arbeiten.) Münster: MAkS Publ. 1992. (255 S.)
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Lefèvre, Pascal: Beeld en visuele waarneming. Een interdisciplinaire benadering . Tielt: Lannoo, 2018. (215 S.)
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Leslie, Esther: "Loops and joins. Muybridge and the optics of animation." In: Early Popular Visual Culture 11.1 (2013), S. 28–40.
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Lobel, Michael: "Technology Envisioned. Lichtenstein’s Monocularity." In: Oxford Art Journal 24.1 (2001), S. 131–154.
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Loveday, Leo und Satomi Chiba: "Aspects of the Development Toward a Visual Culture in Respect of Comics: Japan." In: Comics and Visual Culture. Research Studies from ten Countries . Hrsg. v. Alphons Silbermann und Hans-Dieter Dyroff. München [etc.]: Saur, 1986, S. 158–184.
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Macdonald, Sean: "Two Texts on “Comics” from China, ca. 1932. “In Defense of ‘Comic Strips’” by Lu Xun and “Comic Strip Novels” by Mao Dun." In: ImageTexT 6.1 (2011),
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Maidment, Brian: Comedy, Caricature and the Social Order, 1820–50 . Manchester, New York: Manchester Univ. Press, 2013. (256 S.)
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Marble, Annie Russell: "From “The Reign of the Spectacular”." In: Arguing Comics. Literary Masters on a Popular Medium . Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2004, S. 7–8.
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Nayar, Pramod K. "Towards a postcolonial critical literacy. Bhimayana and the Indian graphic novel." In: Studies in South Asian Film and Media 3.1 (2011), S. 3–21.
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Nericcio, William Anthony: "Artif[r]acture. Virulent Pictures, Graphic Narrative and the Ideology of the Visual." In: Mosaic 28.4 (1995), S. 79–110.
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---: "Autopsy of a Rat. Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporium." In: Camera Obscura 37 (1996), S. 189–237.
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Norris, Craig: "Manga, anime and visual art culture." In: The Cambridge Companion to Modern Japanese Culture . Hrsg. v. Yoshio Sugimoto. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2009, S. 236–260.
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Oh, Stella: "Ethical Spectatorship in Adrian Tomine’s Shortcomings ." In: Mosaic 49.4 (2016), S. 107–127.
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Preußer, Ulrike: "Literarisches Lernen am Comic. Zur Visualisierung literarischer Verfahren." In: kjl&m 13.3 (2013), S. 83–89.
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Schmitz-Emans, Monika: "Visuelle Romane und Graphic Novels." In: Poetik des Gegenwartsromans . Hrsg. v. Nadine J. Schmidt und Kalina Kupczyńska. (Text + Kritik Sonderband, 16.) München: edition text + kritik, 2016, S. 101–116.
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Shin, Hyewon: "Voice and Vision in Oshii Mamoru’s Ghost in the Shell . Beyond Cartesian Optics." In: Animation 6.1 (2011), S. 7–23.
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Shohat, Ella und Robert Stam: "Narrativizing Visual Culture. Towards a Polycentric Aesthetics." In: The Visual Culture Reader . Hrsg. v. Nicholas Mirzoeff. London, New York: Routledge, 1998, S. 27–49.
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Silbermann, Alphons und Hans-Dieter Dyroff (Hgg.): Comics and Visual Culture. Research Studies from ten Countries . München [etc.]: Saur, 1986. (264 S.)
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Sillars, Stuart: Visualisation in Popular Fiction 1860–1960. Graphic Narratives, Fictional Images . (Narrative forms and social formations.) London, New York: Routledge, 1995. (191 S.)
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Singer, Marc: "Embodiments of the Real. The Counterlinguistic Turn in the Comic-Book Novel." In: Critique. Studies in Contemporary Fiction 49 (2008), S. 273–290.
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Smith, Greg M. "Comics in the Intersecting Histories of the Window, the Frame, and the Panel." In: From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative . Hrsg. v. Daniel Stein und Jan-Noël Thon. (Narratologia, 37.) Berlin u. Boston: de Gruyter, 2013, S. 219–237.
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Smolderen, Thierry: Naissances de la bande dessinée. De William Hogarth à Winsor McCay . Bruxelles: Les Impressions Nouvelles, 2009. (144 S.)
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---: The Origins of Comics. From William Hogarth to Winsor McCay . Jackson: Univ. Press of Mississippi, 2014. (168 S.)
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Sousanis, Nick: "The Shape of Our Thoughts. A Meditation On & In Comics." In: Visual Arts Research 38.1 (2012), S. 1–10.
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---: Unflattening . Cambridge: Harvard Univ. Press, 2015. (193 S.)
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Straßner, Erich: Text-Bild-Kommunikation, Bild-Text-Kommunikation . (Grundlagen der Medienkommunikation, 13.) Tübingen: Niemeyer, 2002. (106 S.)
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Stubblefield, Thomas: 9/11 and the Visual Culture of Disaster . Bloomington: Indiana Univ. Press, 2014. (236 S.)
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Suehiro, Madoka: "Die Welt der Technobilder. Flusser und die Technocodes in der visuellen Kultur Japans." In: Technobilder und Kommunikologie. Die Medientheorie Vilém Flussers . Hrsg. v. Oliver Fahle, Michael Hanke und Andreas Ziemann. Berlin: Parerga, 2009, S. 221–236.
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Toku, Masami. "The Power of Girls’ Comics. The Value and Contribution to Visual Culture and Society". Visual Culture of Childhood: Child Art after Modernism: University Park, 11.–13. Nov. 2004.
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Verano, Frank: "Spectacular Consumption: Visuality, Production, and the Consumption of the Comics Page." In: International Journal of Comic Art 8.1 (2006), S. 378–387.
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Wegner, Gesine: "Reflections on the Boom of Graphic Pathography. The Effects and Affects of Narrating Disability and Illness in Comics." In: Journal of Literary & Cultural Disability Studies 14.1 (2020), S. 57–74.
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Welch, Edward und John Perivolaris: "The place of the Republic. Space, territory and identity around and after Charlie Hebdo ." In: French Cultural Studies 27.3 (2016), S. 279–292.
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Wildgen, Wolfgang: Visuelle Semiotik. Die Entfaltung des Sichtbaren. Vom Höhlenbild bis zur modernen Stadt . Bielefeld: Transcript, 2013. (356 S.)
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Zordan, Davide: "Mobilizing Biblical Imaginary in Comics. Robert Crumb’s The Book of Genesis ." In: Religion in Cultural Imaginary. Explorations in Visual und Material Practices . Hrsg. v. Daria Pezzoli-Olgiati. (Religion – Wirtschaft – Politik, 13.) Baden-Baden: Nomos, 2015, S. 150–173.
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Zurier, Rebecca: Picturing the City. Urban Vision and the Ashcan School . Berkeley: Univ. of California Press, 2006. (407 S.)
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