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Displaying 1 - 16  of 16 (Bibliography: WIKINDX Master Bibliography)
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Edwards, Jordan Z. "Tools of the “En-Eh-Mee”: Grant Morrison’s Utopia and the Means to End There." Thesis Master of Arts. McMaster University, 2013.   
Last edited by: joachim 9/4/14, 10:12 AM
Garlington, Ian Stuart. "A context for the supercontext: On the function of psychedelics in Grant Morrison’s The Invisibles." Studies in Comics 7.(2016): 49–72.   
Added by: joachim 12/8/17, 6:50 PM
Goodwin, Megan. "Conversion to Narrative: Magic as Religious Language in Grant Morrison’s Invisibles." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010.   
Added by: joachim 8/27/11, 12:29 PM
Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans Sandman et The Invisibles. Masques, identités et bande dessinée: Lyons, 20 May, 2014.   
Added by: joachim 10/10/21, 5:02 PM
Hadeed, Khalid. "The Invisibles: Gnosticism of the (Extra)Ordinary." Journal of Religion and Popular Culture 31.(2019): 139–52.   
Last edited by: joachim 7/9/21, 7:03 PM
James, Nick. "Opting for Ontological Terrorism: Freedom and Control in Grant Morrison’s The Invisibles." Law, Culture and the Humanities 3.(2007): 435–54.   
Last edited by: joachim 8/10/17, 10:09 AM
Kakko, Tommi and Mervi Miettinen. "“The Image Rules the World”: Focalization, Hallucinations and Metalepsis in The Invisibles." ImageTexT 8.2 2015. Accessed 10 Aug. 2017. <http://www.english.ufl. ... s/v8_2/kakko_miettinen/>.   
Added by: joachim 8/10/17, 9:21 AM
Manning, Shaum. "Language and Fiction in the Creation of Reality in The Invisibles." International Journal of Comic Art 10.(2008): 32–38.   
Last edited by: joachim 11/2/15, 3:05 PM
Meaney, Patrick. Our Sentence is Up: Seeing Grant Morrison's The Invisibles. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2009.   
Last edited by: joachim 11/12/10, 4:43 PM
Rauch, Stephen. "“We Have All Been Sentenced”: Language as Means of Control in Grant Morrison’s Invisibles." International Journal of Comic Art 6.(2004): 350–63.   
Last edited by: joachim 4/14/12, 3:17 PM
Round, Julia. "London’s Calling: Alternate Worlds and the City as Superhero in Contemporary British-American Comics." International Journal of Comic Art 10.(2008): 24–31.   
Last edited by: joachim 7/14/12, 7:23 AM
Round, Julia. "We Share Our Mothers’ Health: Temporality and the Gothic in Comic Book Landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40.   
Last edited by: joachim 8/11/19, 4:31 PM
Singer, Marc. Grant Morrison: Combining the Worlds of Contemporary Comics. Jackson: Univ. Press of Mississippi, 2011.   
Last edited by: joachim 4/5/12, 8:31 AM
Singer, Marc. "Time and Narrative: Unity and Discontinuity in The Invisibles." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 55–70.   
Last edited by: joachim 3/11/14, 5:33 PM
Ursini, Francesco-Alessio. "Language and Thought in The Invisibles." ImageTexT 8.2 2015. Accessed 2 Nov. 2015. <http://www.english.ufl. ... t/archives/v8_2/ursini/>.   
Last edited by: joachim 11/3/15, 1:57 PM
Wolk, Douglas. "Grant Morrison: The Invisible King." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 258–88.   
Added by: joachim 5/6/13, 8:21 PM
WIKINDX 6.8.2 | Total resources: 14481 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)