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| Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans sandman et the invisibles. Masques, identités et bande dessinée: Lyons, 20 May, 2014. |
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| James, Nick. "Opting for Ontological Terrorism: Freedom and control in grant morrison’s the invisibles." Law, Culture and the Humanities 3.(2007): 435–54. |
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| Kakko, Tommi and Mervi Miettinen. "“The Image Rules the World”: Focalization, hallucinations and metalepsis in the invisibles." ImageTexT 8.2 2015. Accessed 10 August. 2017. <http://www.english.ufl. ... s/v8_2/kakko_miettinen/>. |
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| Rauch, Stephen. "“We Have All Been Sentenced”: Language as means of control in grant morrison’s invisibles." International Journal of Comic Art 6.(2004): 350–63. |
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| Round, Julia. "London’s Calling: Alternate worlds and the city as superhero in contemporary british-american comics." International Journal of Comic Art 10.(2008): 24–31. |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the gothic in comic book landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Singer, Marc. Grant Morrison: Combining the worlds of contemporary comics. Jackson: Univ. Press of Mississippi, 2011. |
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| Singer, Marc. "Time and Narrative: Unity and discontinuity in the invisibles." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 55–70. |
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| Ursini, Francesco-Alessio. "Language and Thought in The Invisibles." ImageTexT 8.2 2015. Accessed 2 November. 2015. <http://www.english.ufl. ... t/archives/v8_2/ursini/>. |
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