Edwards, Jordan Z. Tools of the “En-Eh-Mee”. Grant Morrison’s Utopia and the Means to End There. Master of Arts (Thesis), McMaster University 2013 (190 S.). |
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Last edited by: joachim 2014-09-04 10:12 |
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Garlington, Ian Stuart: "A context for the supercontext. On the function of psychedelics in Grant Morrison’s The Invisibles." In: Studies in Comics 7.1 (2016), S. 49–72. |
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Added by: joachim 2017-12-08 18:50 |
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Goodwin, Megan: "Conversion to Narrative. Magic as Religious Language in Grant Morrison’s Invisibles." In: Graven Images. Religion in Comic Books & Graphic Novels. Hrsg. v. A. David Lewis und Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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Added by: joachim 2011-08-27 12:29 |
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Guillaume, Isabelle. "Dramatis personae. Valeurs symboliques du masque dans Sandman et The Invisibles". Masques, identités et bande dessinée: Lyons, 20. Mai, 2014. |
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Added by: joachim 2021-10-10 17:02 |
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Hadeed, Khalid: "The Invisibles. Gnosticism of the (Extra)Ordinary." In: Journal of Religion and Popular Culture 31.2 (2019), S. 139–152. |
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Last edited by: joachim 2021-07-09 19:03 |
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James, Nick: "Opting for Ontological Terrorism. Freedom and Control in Grant Morrison’s The Invisibles." In: Law, Culture and the Humanities 3.3 (2007), S. 435–454. |
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Last edited by: joachim 2017-08-10 10:09 |
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Kakko, Tommi und Mervi Miettinen: "“The Image Rules the World”. Focalization, Hallucinations and Metalepsis in The Invisibles." In: ImageTexT 8.2 (2015). |
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Added by: joachim 2017-08-10 09:21 |
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Manning, Shaum: "Language and Fiction in the Creation of Reality in The Invisibles." In: International Journal of Comic Art 10.1 (2008), S. 32–38. |
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Last edited by: joachim 2015-11-02 15:05 |
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Meaney, Patrick: Our Sentence is Up. Seeing Grant Morrison's The Invisibles. (Sequart Journal, 5.) Edwardsville: Sequart Research & Literacy Organization, 2009. (372 S.) |
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Last edited by: joachim 2010-11-12 16:43 |
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Rauch, Stephen: "“We Have All Been Sentenced”. Language as Means of Control in Grant Morrison’s Invisibles." In: International Journal of Comic Art 6.2 (2004), S. 350–363. |
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Last edited by: joachim 2012-04-14 15:17 |
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Round, Julia: "London’s Calling. Alternate Worlds and the City as Superhero in Contemporary British-American Comics." In: International Journal of Comic Art 10.1 (2008), S. 24–31. |
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Last edited by: joachim 2012-07-14 07:23 |
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---: "We Share Our Mothers’ Health. Temporality and the Gothic in Comic Book Landscapes." In: Comic Book Geographies. Hrsg. v. Jason Dittmer. (Media Geography at Mainz, 4.) Stuttgart: Franz Steiner, 2014, S. 127–140. |
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Last edited by: joachim 2019-08-11 16:31 |
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Singer, Marc: Grant Morrison. Combining the Worlds of Contemporary Comics. Jackson: Univ. Press of Mississippi, 2011. (256 S.) |
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Last edited by: joachim 2012-04-05 08:31 |
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---: "Time and Narrative. Unity and Discontinuity in The Invisibles." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 55–70. |
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Last edited by: joachim 2014-03-11 17:33 |
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Ursini, Francesco-Alessio: "Language and Thought in The Invisibles." In: ImageTexT 8.2 (2015). |
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Last edited by: joachim 2015-11-03 13:57 |
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Wolk, Douglas: "Grant Morrison. The Invisible King." In: Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007, S. 258–288. |
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Added by: joachim 2013-05-06 20:21 |
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