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| Ahrens, Jörn: Überzeichnete Spektakel. Inszenierungen von Gewalt im Comic. Baden-Baden: Nomos, 2019. (337 S.) |
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| Beauchamp, Monte: "Mark Schultz. Keeper of the Flame." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library, 5.) Seattle: Fantagraphics, 2005, S. 78–101. |
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| Borberg, Christian, Ulrich Breuning und Torben Weinreich: Tarzanmyten. Romanerne. Filmene. Tegneserierne. København: Gad, 1980. (132 S.) |
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| Brunoro, Gianni: Corto comme un roman. Réflexions sur Corto Maltese, ultime héros romantique. Tournai: Casterman, 2008. (303 S.) |
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| Cotter, Robert Michael: A History of the Doc Savage Adventures in Pulps, Paperbacks, Comics, Fanzines, Radio and Film. Jefferson, London: McFarland, 2009. (239 S.) |
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| Crucifix, Benoît und Gert Meesters: "The Medium Is the Message. Olivier Schrauwen’s Arsène Schrauwen beyond Expectations of Autobiography, Colonial History and the Graphic Novel." In: European Comic Art 9.1 (2016), S. 24–62. |
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| Deluchey, Guy: Ich, Tarzan. Wie er wurde, was er ist. München: Knesebeck, 2011. (285 S.) |
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| Eisner, Will: "Das Interview des Jahres: »Wir sitzen nicht auf der Titanic …«. Will Eisner im Gespräch mit Milton Caniff." In: Comic Jahrbuch (1987), S. 124–140. |
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| Eveleth, Kyle: "Striking Camp. Empowerment and Re-Presentation in Lumberjanes." In: Good Grief! Children and Comics. Hrsg. v. Michelle Abate und Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016, S. 69–90. |
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| Filc, Dani: "Tintin and Corto Maltese. The European Adventurer Meets the Colonial Other." In: European Comic Art 13.1 (2020), S. 95–121. |
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| Spirou. L’aventure humoristique / Spirous lustige Abenteuer. Frankreich 2012, Regie: Forneri, Pascal (Laufzeit: 0:55 Min.). |
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| Frenzel, Martin: "Tarzans Rückkehr in den Neunzigern. Über Dschungelträume, Archetypen und das Geschäft mit dem Mythos." In: Comic Almanach (1993), S. 152–157. |
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| Frigerio, Vittorio: "Avatars d’un héros composé. Bruno Brazil et le Commando Caïman." In: Belphégor 6.1 (2006), (14. Febr. 2013) |
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| Goulart, Ron: The Adventurous Decade. Comic Strips in the Thirties. Neshannock: Hermes, 2005. (192 S.) |
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| Groth, Gary: "Burne Hogarth. The Semiotics of Comics." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library, 5.) Seattle: Fantagraphics, 2005, S. 1–51. |
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| Grünewald, Dietrich: "Corto Maltese – Märchen vom Abenteuer. Eine Hommage an Hugo Pratt." In: Comic Jahrbuch (1988), S. 62–87. |
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| Guerrera, Manfredo: Hugo Pratt e il romanzo disegnato. La ballata di Corto Maltese attraverso il fumetto, il cinema e la letteratura. (Scienze dell’antichità, filologico-letterarie e storico-artistiche, 229.) Roma: Aracne, 2007. (104 S.) |
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| Hansen, Bert: "Medical History’s Graphic Power in American True-Adventure Comic Books of the 1940s." In: Handbook of Popular Culture and Biomedicine. Knowledge in the Life Sciences as Cultural Artefact. Hrsg. v. Arno Görgen, German Alfonso Nunez und Heiner Fangerau. Cham: Springer, 2019, S. 179–194. |
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| ---: "True-Adventure Comic Books and American Popular Culture in the 1940s. An Annotated Research Bibliography of the Medical Heroes." In: International Journal of Comic Art 6.1 (2004), S. 117–147. |
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| Hausmanninger, Thomas: "Sigurd gegen die Nazis. Beobachtungen zur Vergangenheitsbewältigung bei Hansrudi Wäscher." In: Comics zwischen Zeitgeschehen und Politik. Hrsg. v. Thomas Hausmanninger und H. Jürgen Kagelmann. (Comic Cultur.) München, Wien: Profil, 1994, S. 47–69. |
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| Heinzelmann, Herbert: "Corto im ›anderen Zustand‹. Aspekte der Moderne und Postmoderne in Hugo Pratts Südseeballade und im Maltese-Zyklus." In: Comics, Mangas, Graphic Novels. Hrsg. v. Heinz Ludwig Arnold und Andreas C. Knigge. (Text + Kritik Sonderband, V/09.) München: edition text + kritik, 2009, S. 109–124. |
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| Hinds Jr., Harold E. "Chanoc. Adventure and Slapstick on Mexico's Southeast Coast." In: Journal of Popular Culture 14.3 (1980), S. 424–436. |
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| von Holzen, Aleta-Amirée: "Der maskierte Held im Spannungsfeld von Maskerade und Identität." In: Perspektiven der Kinder- und Jugendmedienforschung. Hrsg. v. Ingrid Tomkowiak. (Beiträge zur Kinder- und Jugendmedienforschung, 1.) Zürich: Chronos, 2011, S. 205–225. |
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| Horak, Carl: A Steve Canyon Companion. Mountain Home: Manuscript Pr. 1996. (120 S.) |
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| Horton, Ian: "Colonialist Heroes and Monstrous Others. Stereotype and Narrative Form in British Adventure Comic Books." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 130–145. |
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| de la Iglesia, Martin: "Early manga translations in the West. Underground cult or mainstream failure?" In: Comics Forum (14. Juli 2014), (21. Nov. 2013) |
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| Jobs, Richard Ivan: Riding the New Wave. Youth and the Rejuvenation of France after the Second World War. Palo Alto: Stanford Univ. Press, 2007. (364 S.) |
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| ---: "Tarzan under Attack. Youth, Comics, and Cultural Reconstruction in Postwar France." In: Global Perspectives on Tarzan. From King of the Jungle to International Icon. Hrsg. v. Annette Wannamaker und Michelle Abate. (Routledge Research in Cultural and Media Studies.) London, New York: Routledge, 2012, S. 73–106. |
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| Jordan, Joachim: "Abenteuercomics in Christian Krachts Imperium." In: Traditionen, Herausforderungen und Perspektiven in der germanistischen Lehre und Forschung. Hrsg. v. Emilia Dentschewa et al. Sofia: Universitätsverl. »St. Kliment Ochridski«, 2015, S. 354–367. |
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| ---: "Abenteuercomics in Christian Krachts Imperium." In: Georg-Forster-Studien 20 (2015), S. 307–322. |
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| Kane, Brian M. Hal Foster. Prince of Illustrators. Father of the Adventure Strip. New Jersey: Vanguard, 2001. (206 S.) |
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| Kaur, Raminder und Saif Eqbal: Adventure Comics and Youth Cultures in India. London, New York: Routledge, 2019. (225 S.) |
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| King, Terry: "Coming to Terms with Tightrope Tim. Three Decades of Heroes and Villains in the Australian Comic Strip." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 41–56. |
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| Klein, Christian und Christian Endres: "Abenteuer- und Kriminalcomics." In: Comics und Graphic Novels. Eine Einführung. Hrsg. v. Julia Abel und Christian Klein. Stuttgart: Metzler, 2015, S. 194–211. |
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| Knigge, Andreas C. Allmächtiger! Hansrudi Wäscher. Pionier der deutschen Comics. Hamburg: Comics etc. 2011. (350 S.) |
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| Lara, Antonio: "El guerrero del antifaz, repaso del cuaderno nº 26: “El crimen de Harúm” (1946)." In: Historietas, Comics y Tebeos españoles. Hrsg. v. Viviane Alary. (Collection Hespérides.) Toulouse: Presses Univ. du Mirail, 2002, S. 164–173. |
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| Lefèvre, Pascal: "Narration in the Flemish Dual Publication System. The Crossover Genre of the Humoristic Adventure." In: From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Hrsg. v. Daniel Stein und Jan-Noël Thon. (Narratologia, 37.) Berlin u. Boston: de Gruyter, 2013, S. 255–269. |
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| Leroy, Fabrice: "European Literary and Genre Fiction. The (À Suivre) Magazine and the “Adventure” and “Science Fiction” Traditions (Pratt, Tardi, Moebius)." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 251–268. |
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| Lettkemann, Gerd: "Paul Peroffs Spezialreporter." In: Deutsche Comicforschung 6 (2010), S. 61–64. |
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| Madrid, Mike: Divas, Dames & Daredevils. Lost Heroines of Golden Age Comics. Ashland: Exterminating Angel Pr. 2013. (236 S.) |
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| Malmström, Bertil: Ungdom. Seriehjälten prins Valiants tidiga äventyr 1937–1938.(Magisteruppsats), Göteborgs Universitet, Institutionen för litteratur, idéhistoria och religion 2013. |
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| Manea, Dragoş: "Western nightmares. Manifest Destiny and the representation of genocide in weird fiction." In: Studies in Comics 8.2 (2018), S. 157–170. |
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| Marchese, Giovanni: Leggere Hugo Pratt. L'autore di Corto Maltese tra fumetto e letteratura. (Lapilli, 8.) Latina: Tunué, 2006. (145 S.) |
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| Mikkonen, Kai: "Remediation and the Sense of Time in Graphic Narratives." In: The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Hrsg. v. Joyce Goggin und Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010, S. 74–86. |
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| Miller, Ann: "Les héritiers d’Hergé. The figure of the aventurier in a post-colonial context." In: Shifting Frontiers of France and Francophonie. Hrsg. v. Yvette Rocheron und Christopher Rolfe. Bern [etc.]: Peter Lang, 2004, S. 307–324. |
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| Mintz, Lawrence E. "Fantasy, Formula, Realism, and Propaganda in Milton Caniff’s Comic Strips." In: Journal of Popular Culture 12 (1979), S. 653–680. |
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| Mousset, Kilian und Jean-Nicolas Renaud: "Rahan. A hero at the service of physical and moral education." In: Loisir et Société / Society and Leisure 41.2 (2018), S. 181–191. |
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| Neumann, Hans-Joachim: Abenteuer & Action in Literatur, Film und Comic. (Ullstein-Sachbuch Populäre Kultur.) Frankfurt am Main, Berlin: Ullstein, 1987. (351 S.) |
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| Nouailhat, René: Jacobs, la marque du fantastique. Mythologie, politique et religion dans la bande dessinée Blake et Mortimer. Saint-Egrève: Mosquito, 2004. (182 S.) |
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| ---: Olrik ou le secret du mystère Jacobs. Saint-Egrève: Mosquito, 2014. (112 S.) |
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| Pendleton, Thomas A. "Tarzan of the Papers." In: Journal of Popular Culture 12 (1979), S. 691–701. |
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| Pierre, Michel: Corto Maltese. Aus dem Leben eines Abenteurers. Hamburg: Carlsen, 1992. (143 S.) |
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| Potsch, Elisabeth und Robert F. Williams: "Image Schemas and Conceptual Metaphor in Action Comics." In: Linguistics and the Study of Comics. Hrsg. v. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012, S. 13–36. |
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| Remonato, Giovanni: "Corto Maltese tra fumetto e letteratura disegnata." In: Belphégor 13.1 (2015), (16. Mai 2016) |
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| Saba, Arn: "Russ Manning. The Conscientious Craftsman." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library.) Seattle: Fantagraphics, 2005, S. 64–77. |
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| Sabin, Roger: "The comics connection. Low culture meets even lower culture." In: Action TV. Tough Guys, Smooth Operators and Foxy Chicks. Hrsg. v. Bill Osgerby und Anna Gough-Yates. London, New York: Routledge, 2001, S. 205–220. |
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| Sackmann, Eckart: "Addenda [zu: Der Papagei – zwei deutsche Jungens auf großer Fahrt]." In: Deutsche Comicforschung 7 (2011), S. 140–141. |
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| ---: "Addenda [zu: Ritter Sigurd. Das Streifenheft als Gattung, Muster und Mythos]." In: Deutsche Comicforschung 7 (2011), S. 142. |
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| ---: "Der Papagei – zwei deutsche Jungens auf großer Fahrt." In: Deutsche Comicforschung 3 (2007), S. 32–44. |
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| ---: "Ritter Sigurd. Das Streifenheft als Gattung, Muster und Mythos." In: Deutsche Comicforschung 6 (2010), S. 101–119. |
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| Savramis, Demosthenes: "Der moderne Mensch zwischen Tarzan und Superman." In: Communications. The European Journal of Communication Research 9.2–3 (1983), S. 227–239. |
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| Sievers, Melissa A. Brains, Brawn and Breasts. How Women are Depicted in Today’s Action/Adventure Comic Books. Master of Science (Master’s paper), University of North Carolina, Library Science 2003 (64 S.). |
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| Smolderen, Thierry: "La métalepse-attraction dans l’œuvre feuilletonesque de Milton Caniff." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 55–80. |
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| Stark, Jessica: "My Most Secret Boredom. (Dis)Affective Narrative in Julie Doucet’s “A Day in Julie Doucet’s Life” and Hergé’s “Adventures with Tintin: The Broken Ear”." In: The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Hrsg. v. Tahneer Oksman und Seamus O’Malley. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 23–44. |
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| Streb, Markus: "Early Representations of Concentration Camps in Golden Age Comic Books. Graphic Narratives, American Society, and the Holocaust." In: Scandinavian Journal of Comic Art 3.1 (2016), (9. Aug. 2017) |
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| de Syon, Guillaume: "Don’t Read those ’Toons! French Comics, Government Censorship, and Perceptions of American Military Aviation." In: Contemporary French Civilization 28.2 (2004), S. 273–291. |
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| Tucker, Michael: "The Dragon Lady’s Well Favoured Children. The Transition from Corporatist to Individualist in Comic Strips of 1930s." In: Belphégor 4.1 (2004), (6. Apr. 2010) |
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| Vilson, Björn: Boken om Bovil. (Magister Lämpels Bibliotek.) Stockholm: Carlsen, 1992. (64 S.) |
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| Violle, Nicolas: "Une présence italienne en Afrique. Hugo Pratt et le mythe des origines." In: Mythe et bande dessinée. Hrsg. v. Danielle Corrado und Viviane Alary. (Littératures.) Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006, S. 217–232. |
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| Welke, Manfred: Die Sprache der Comics. 4. Aufl. (Jugend- und Pädagogische Probleme, 3.) Frankfurt am Main: dipa, 1974. (74 S.) |
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| Young Jr., William H. "The Serious Funnies. Adventure Comics During the Depression, 1929–1938." In: Journal of Popular Culture 3.3 (1969), S. 404–427. |
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| ---: "The Serious Funnies. Adventure Comics During the Depression, 1929–1938." In: Things in the Driver's Seat. Readings in Popular Culture. Hrsg. v. Harry Russell Huebel. (Rand McNally History of American Thought and Culture Series.) Chicago: Rand McNally, 1972. |
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| Added by: joachim 10/04/2009 09:56:29 PM |
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