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| Asante, Godfried A. und Gloria Nziba Pindi: "(Re)imagining African futures. Wakanda and the politics of transnational Blackness." In: Review of Communication 20.3 (2020), S. 220–228. |
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| de la Batelière, Jean-Loup: Comment Hergé a créé Tintin au Congo. Bédéstory, 2009. (45 S.) |
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| Beard, David und John Moffatt: "Pimitamon. Conceptualizing a New Canadian North through the Graphic Narratives of Jeff Lemire." In: Nordlit 46 (2020), S. 160–183, . |
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| Blanc-Hoàng, Henri-Simon: "Colonialism, postcolonialism and science fiction comics in the Southern Cone." In: Studies in Comics 8.1 (2017), S. 29–49. |
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| Bragard, Véronique: "Conrad’s Two Visions. Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness." In: European Comic Art 6.1 (2013), S. 45–65. |
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| Buch, Hans Christoph: "Tarzan oder der Anteil des Imperialismus an der Menschenwerdung des Affen." In: Kritische Wälder. Essays, Kritiken, Glossen. (Das neue Buch, 4.) Reinbek bei Hamburg: Rowohlt, 1972, S. 50–65. |
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| Bumatay, Michelle: "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." In: European Comic Art 5.2 (2012), S. 45–66. |
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| ---: "Postcolonial Interjections. Jean-Philippe Stassen Illustrates Heart of Darkness and We Killed Mangy Dog." In: Alternative Francophone 1.8 (2015), S. 18–36, . |
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| Calargé, Carla: "Monsters and Spectacles. A Lesson to Learn and Remember." In: European Comic Art 5.2 (2012), S. 23–44. |
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| Capoferro, Riccardo: "Individual Soldier. Corto Maltese e l’immaginario coloniale." In: Fictions 9 (2010), S. 59–79. |
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| Cheng Chua, Karl Ian Uy: "Pinoy Manga in Philippine Komiks." In: Global Manga. “Japanese” Comics without Japan? Hrsg. v. Casey E. Brienza. 2. Aufl. London, New York: Routledge, 2016, S. 185–197. |
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| Cone, Annabelle: "Strange Encounters during Wartime. Bécassine chez les Turcs." In: European Comic Art 4.2 (2011), S. 181–197. |
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| Crucifix, Benoît und Gert Meesters: "The Medium Is the Message. Olivier Schrauwen’s Arsène Schrauwen beyond Expectations of Autobiography, Colonial History and the Graphic Novel." In: European Comic Art 9.1 (2016), S. 24–62. |
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| Delisle, Philippe: "Les albums de bande dessinée édités par Dupuis au cours des années 1940–1950. Miroir d’un imaginaire colonial européen?" In: Les racines populaires de la culture européenne. Hrsg. v. Stephanie Delneste et al. (Europe des Cultures, 8.) Bruxelles [etc.]: Peter Lang, 2014, S. 159–173. |
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| ---: Bande dessinée franco-belge et imaginaire colonial. Des années 1930 aux années 1980. (Esprit BD.) Paris: Karthala, 2008. (200 S.) |
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| ---: De Tintin au Congo à Odilon Verjus. Le missionnaire, héros de la BD belge. (Esprit BD.) Paris: Karthala, 2011. (215 S.) |
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| ---: Tintin et Spirou contre les négriers. La BD Franco-Belge : une littérature antiesclavagiste ? (Esprit BD.) Paris: Karthala, 2013. (225 S.) |
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| Dorfman, Ariel und Armand Mattelart: "The Great Parachutist." In: American Media and Mass Culture. Left Perspectives. Hrsg. v. Donald Lazere. Berkeley: Univ. of California Press, 1987, S. 530–539. |
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| ---: How to Read Donald Duck. Imperialist Ideology in the Disney Comic. 4. Aufl. London: Pluto, 2019. (192 S.) |
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| Dorfman, Ariel. "How we roasted Donald Duck, Disney’s agent of imperialism." The Guardian 5. Okt.2018. |
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| Dorfman, Ariel und Armand Mattelart: Walt Disneys »Dritte Welt«. Massenkommunikation und Kolonialismus bei Micky Maus und Donald Duck. (Basis Theorie, 7.) Berlin: Basis, 1977. (160 S.) |
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| Filc, Dani: "Tintin and Corto Maltese. The European Adventurer Meets the Colonial Other." In: European Comic Art 13.1 (2020), S. 95–121. |
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| Fillitz, Thomas: "Populärkultur und Kongo. Zwischen der Bande Dessinée von Hergé und den Bildern von Chéri Samba." In: Medien & Zeit 16.3 (2001), S. 22–30. |
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| Frey, Hugo: "Contagious colonial diseases in Hergé’s The Adventures of Tintin." In: Modern and Contemporary France 12.2 (2004), S. 177–188. |
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| Gavaler, Chris: "The Imperial Superhero." In: PS: Political Science and Politics 47.1 (2014), S. 108–111. |
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| Girard, Eudes: "Une relecture de Tintin au Congo." In: Études 417.7 (2012), S. 75–86. |
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| Gray, Jonathan W. "“Commence the Great Work”. The Historical Archive and Unspeakable Violence in Kyle Baker’s Nat Turner." In: Afterimages of Slavery. Essays on Appearances in Recent American Films, Literature, Television and Other Media. Hrsg. v. Marlene D. Allen und Seretha D. Williams. Jefferson, London: McFarland, 2012, S. 183–200. |
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| Hanchey, Jenna N. "Decolonizing aid in Black Panther." In: Review of Communication 20.3 (2020), S. 260–268. |
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| Harrison, Richard: "Seeing and Nothingness. Michael Nicoll Yahgulanaas, Haida Manga, and a Critique of the Gutter." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 51–74. |
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| Horton, Ian: "Colonialist Heroes and Monstrous Others. Stereotype and Narrative Form in British Adventure Comic Books." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 130–145. |
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| ---: "Colonialist Stereotypes in Innovative European Comic Books." In: Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Hrsg. v. Frank Leinen und Guido Rings. München: Meidenbauer, 2007, S. 125–141. |
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| Huh, Jang Wook: "Josephine Baker Meets a Korean Housewife. Narrative Cartoons, Women’s Labor, and the Circulation of Modern Fetish." In: Literature Compass 13.5 (2016), S. 311–323, . |
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| Jahncke, Heiner: "Mit Gottvertrauen und einer guten Flinte." In: Deutsche Comicforschung 1 (2005), S. 47–51. |
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| Johnson, Jordan L. und Kristen Hoerl: "Suppressing Black Power through Black Panther’s neocolonial allegory." In: Review of Communication 20.3 (2020), S. 269–277. |
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| Kalbe, Horst-Joachim und Eckart Sackmann: "Zehn kleine Negerlein. Afrikaner im deutschen Kolonialcomic." In: Deutsche Comicforschung 7 (2001), S. 15–34. |
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| Khanduri, Ritu G. "Vernacular Punches. Cartoons and Politics in Colonial India." In: History and Anthropology 20.4 (2009), S. 459–486. |
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| Kunzle, David: "Dispossession by Ducks. The Imperialist Treasure Hunt in Southeast Asia." In: Art Journal 49.2 (1990), S. 159–166. |
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| ---: "Introduction to How to Read Donald Duck." In: American Media and Mass Culture. Left Perspectives. Hrsg. v. Donald Lazere. Berkeley: Univ. of California Press, 1987, S. 516–529. |
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| Laemmerhirt, Iris-Aya: "“Trying to Recapture the Front”. A Transnational Perspective on Hawaii in R. Kikuo Johnson’s Night Fisher." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 83–94. |
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| Langford, Rachael: "Photography, Belgian colonialism and Hergé’s Tintin au Congo." In: Journal of Romance Studies 8.1 (2008), S. 77–89. |
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| Lefèvre, Pascal: "The Congo Drawn in Belgium." In: History and Politics in French-Language Comics and Graphic Novels. Hrsg. v. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008, S. 166–185. |
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| ---: "Not just Black and White. Divergent Colonial Period Representations of Africans in French and Belgian Broadsheets (1880–1914)." In: SIGNs. Studies in Graphic Narratives 2 (2011), S. 3–14. |
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| Lund, Martin: "‘Introducing the Sensational Black Panther!’. Fantastic Four #52–53, the Cold War, and Marvel’s Imagined Africa." In: The Comics Grid 6.7 (2016). |
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| Maisonville, Derek J. "Bibles, Guns, and … Comic Books? Re-Conceptualizing (Non-)Violent Selves and Others in a Postcolonial Era". Canadian Political Science Association Annual Conference: 4.–6. Juni, 2008. |
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| McKinney, Mark: "The Algerian War in Road to America (Baru, Thévenet, and Ledran)." In: History and Politics in French-Language Comics and Graphic Novels. Hrsg. v. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008, S. 139–165. |
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| ---: "Framing the Banlieue." In: Contemporary French and Francophone Studies 8.2 (2004), S. 113–126. |
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| ---: Redrawing French Empire in Comics. (Studies in Comics and Cartoons.) Columbus: Ohio State Univ. Press, 2013. (288 S.) |
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| ---: "The Representation of Ethnic Minority Women in Comic Books." In: Women, Immigration and Identities in France. Hrsg. v. Jane Freedman und Carrie Tarr. Oxford, New York: Berg, 2000, S. 85–102. |
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| ---: "‘Tout cela, je ne voulais pas laisser perdre’. Colonial lieux de mémoire in the comic books of Jacques Ferrandez." In: Modern and Contemporary France 9.1 (2001), S. 43–50. |
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| Merino, Ana: "Comic Art at the Margins of Hierarchy. The Mexican Multicultural Expression of La Familia Burrón and Los Supermachos." In: Latin American Literature and Mass Media. Hrsg. v. Edmundo Paz Soldán und Debra A. Castillo. (Hispanic Issues, 22.) New York: Garland, 2001, S. 152–168. |
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| Miller, Ann: "Comic Art and Commitment. An Interview with Morvandiau." In: European Comic Art 4.1 (2011), S. 105–123. |
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| ---: "Postcolonial Identities." In: International Journal of Comic Art 9.2 (2007), S. 258–274. |
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| Obiang, Ludovic: "Le Dipoula de Sti et Pahé : un Titeuf mal noirci ? Endroits et envers de la Francophonie à travers une bande dessinée franco-gabonaise." In: Alternative Francophone 1.3 (2011), S. 114–127, . |
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| Okamoto, Rei: "“Fuku-chan” Goes to Java. Images of Indonesia in a Japanese Wartime Newspaper Comic Strip." In: Southeast Asian Journal of Social Science 25.1 (1997), S. 111–123. |
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| Olaniyan, Tejumola: "Cartooning Nigerian Anticolonial Nationalism." In: Images and Empires. Visuality in Colonial and Postcolonial Africa. Hrsg. v. Paul S. Landau und Deborah D. Kaspin. Berkeley: Univ. of California Press, 2002, S. 124–140. |
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| Orban, Peter: "Untertanen und Schurken. Die Dritte Welt im Comic." In: Die Dritte Welt im Kinderbuch. Hrsg. v. Jörg Becker und Rosemarie Rauter. Wiesbaden: Akademische Verlagsgesellschaft, 1978, S. 205–223. |
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| Pigeon, Gérard G. "Black Icons of Colonialism. African Characters in French Children’s Comic Strip Literature." In: Social Identities 2 (1996), S. 135–159. |
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| ---: "Black icons of colonialism. African characters in French children’s comic strip literature." In: Social Identities 2.1 (1996), S. 135–160. |
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| Provost, René: "Magic and Modernity in Tintin au Congo (1930) and the Sierra Leone Special Court." In: Law Text Culture 16 (2012), S. 183–216. |
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| Sadjadi-Nasab, Kurosch: "Tim und Struppi am Kongo. Rassistische Stereotype in Hergés Afrika." In: Blätter für deutsche und internationale Politik 43.1 (1998), S. 94–103. |
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| Scorer, James: "Imitating Incas and becoming llama. Tintin in Latin America — or the Latin American in Tintin?" In: International Journal of Cultural Studies 11 (2008), S. 139–156. |
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| Sipp, Geo: "Wolves in the City – The Algerian War and Colonialism in Comics." In: Journal of Comics and Culture 1 (2016), S. 175–189. |
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| Sugg, Katherine: "The Walking Dead. Late Liberalism and Masculine Subjection in Apocalypse Fictions." In: Journal of American Studies 49.4 (2015), S. 793–811. |
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| Vann, Michael G. "Caricaturing ‘The Colonial Good Life’ in French Indochina." In: European Comic Art 2.1 (2009), S. 83–108. |
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| Walker, Gavin: "The Filmic Time of Coloniality. On Shinkai Makoto’s The Place Promised in Our Early Days." In: Mechademia 4 (2009), S. 3–18. |
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| Wong, Wendy Siuyi: The Disappearance of Hong Kong in Comics, Advertising and Graphic Design. (East Asian Popular Culture.) New York [etc.]: Palgrave Macmillan, 2018. (245 S.) |
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