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| Fjellestad, Danuta. "Nesting – Braiding – Weaving: Photographic Interventions in Three Contemporary American Novels." Handbook of Intermediality. Literature – Image – Sound – Music. Ed. Gabriele Rippl. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 193–218. |
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| Kunz Westerhoff, Dominique. "La photographie au révélateur littéraire: De Denis Roche à Anne-Marie Garat." Études de Lettres (2013): 183–204. |
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| Langford, Rachael. "Photography, Belgian colonialism and Hergé’s Tintin au Congo." Journal of Romance Studies 8. (2008): 77–89. |
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| Nijdam, Elizabeth. "Towards a Graphic Historicity: Authenticity and Photography in the German Graphic Novel." Comics of the New Europe. Reflections and Intersections. Eds. Martha Kuhlman and José Alaniz. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2020. 177–97. |
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| Tison, Hélène. "Loss, Revision, Translation: Re-Membering the Father’s Fragmented Self in Alison Bechdel’s Graphic Memoir Fun Home: A Family Tragicomic." Studies in the Novel 47. (2015): 346–64. |
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| Watson, Julia. "Autographic Disclosures and Genealogies of Desire in Alison Bechdel’s Fun Home." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 123–56. |
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| Yoshimura, Kazuma. "Manga is the Face: Manga, Photography and Portraiture." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 198–207. |
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| Yoshimura, Kazuma. "Manga ist Gesicht: Manga, Fotografie und Porträtbild." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 198–207. |
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