| Corleis, Gisela. Die Bildergeschichten des Genfer Zeichners Rodolphe Töpffer (1799–1846). Ein Beitrag zur Entstehung der Bildergeschichte im 19. Jahrhundert. Minerva-Fachserie Kunst. 2nd ed. München: Minerva Publ. 1979. |
 
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| Cosandey, Roland. "Töpffer, Lortac et Cavé, Histoire de Monsieur Vieux-Bois – en trois tableaux." 1895 59 2009. Accessed 3Sep. 2013. <http://1895.revues.org/3917>. |
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| Dicker, Barnaby. "Franciszka Themerson’s Ubu Comic Strip: Autography, Caricature, and the Avant-Garde." Avant Garde Critical Studies 25. (2010): 227–49. |
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| Dicker, Barnaby. "André Breton, Rodolphe Töpffer and the Automatic Message." Surrealism, Science Fiction, and Comics. Ed. Gavin Parkinson. Liverpool: Liverpool Univ. Press, 2015. 40–61. |
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| Dicker, Barnaby. "Franciszka Themerson’s Ubu Comic Strip: Autography, Caricature, and the Avant-Garde." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 227–49. |
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| Figueiredo, Sergio C. "The Rhetorical Invention of Comics: A Selection of Rodolphe Töpffer’s Late Reflections on Composing Image-Text Narratives." ImageTexT 8. 4 2016. Accessed 20Feb. 2017. <https://imagetextjourna ... -image-text-narratives/>. |
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| Gallati, Ernst. Rodolphe Töpffer und die deutschsprachige Kultur. Bonn: Bouvier, 1976. |
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| Gardner, Jared. "Antebellum Popular Serialities and the Transatlantic Birth of “American” Comics." Media of Serial Narrative. Ed. Frank Kelleter. Theory and Interpretation of Narrative. Columbus: Ohio State Univ. Press, 2017. 37–52. |
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| Glaude, Benoît. "Voyages et aventures dialogiques de l’Histoire de monsieur Cryptogame." Les racines populaires de la culture européenne. Eds. Stephanie Delneste, et al. Europe des Cultures. Bruxelles [etc.]: Peter Lang, 2014. 51–70. |
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| Gombrich, Ernst. Art and Illusion. London: Phaidon Press, 1950. |
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| Groensteen, Thierry. M. Töpffer invente la bande dessinée. Bruxelles: Les Impressions Nouvelles, 2014. |
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| Groensteen, Thierry. "Töpffer, the Originator of the Modern Comic Strip." Forging a New Medium. The Comic Strip in the Nineteenth Century. Eds. Charles Dierick and Pascal Lefèvre. Brussels: VUB Univ. Press, 1998. 105–14. |
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| Groensteen, Thierry and Benoît Peeters. Töpffer: L’invention de la bande dessinée. Collection savoir : Sur l’art. Paris: Hermann, 1994. |
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| Grove, Laurence. "BD Theory Before the Term ‘BD’ Existed." The Francophone Bande Dessinée. Eds. Charles Forsdick, Laurence Grove and Libbie McQuillan. Faux Titre. Amsterdam [etc.]: Rodopi, 2005. 39–49. |
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| Kaenel, Philippe. Le métier d’illustrateur 1830–1880: Rodolphe Töpffer, J.-J. Grandville, Gustave Doré. Paris: Éd. Messene, 1996. |
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| Kaenel, Philippe. "Paradoxe sur le comédien: Rodolphe Töpffer, la physiognomonie et le théâtre." De la rhétorique des passions à l’expression du sentiment. Cahiers du musée. Paris: Cité de la Musique, 2003. 131–41. |
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| Kuchenbuch, Thomas. Bild und Erzählung: Geschichten in Bildern. Vom frühen Comic Strip zum Fernsehfeature. Film- und Fernsehwissenschaftliche Arbeiten. Münster: MAkS Publ. 1992. |
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| Kunzle, David. Father of the Comic Strip: Rodolphe Töpffer. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2007. |
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| Kunzle, David. "The Gourary Töpffer Manuscript of Monsieur Jabot: A Question of Authenticity. With the Dating and Distribution of Rodolphe Töpffer's First Published Picture Story, and the World's First Modern Comic Strip." European Comic Art 2. (2009): 173–203. |
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| Kunzle, David. "Rodolphe Töpffer’s Aesthetic Revolution." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 17–24. |
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| Lindner, Walter. Bilder mit Geschichten. Geschichten mit Bildern: Die Glasbildsammlungen des Schloßmuseums Jever und die Bilderalben des Genfer Zeichners Rodolphe Töpffer. Oldenburg: Isensee, 1999. |
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| McKinney, Mark. "Les mésaventures de M. Bêton by Léonce Petit: Reflexivity and Satire in an Early French Comic Book Inspired by Rodolphe Töpffer." International Journal of Comic Art 15. (2013): 2–34. |
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| Ohno, Christine. Synkretistische Semiotik: Interpretationen zu Karikatur, Bildergeschichte und Comic nach der Zeichentheorie der Pariser Schule. Die semiotische Theorie der Pariser Schule. Würzburg: Königshausen & Neumann, 2003. |
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| Riha, Karl. "Zwei Bildergeschichten-Erzähler des 19. Jhs. Wilhelm Busch und Rodolphe Toepffer im Kontrast und Vergleich." Die boshafte Heiterkeit des Wilhelm Busch. Ed. Michael Vogt. Bielefeld: Aisthesis, 1988. 185–99. |
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| Rings, Guido. "Von Rodolphe Töpffer bis Gustave Doré: Parodierungen romantischer Ideale im graphischen Roman des 19. Jahrhunderts." Germanisch-Romanische Monatsschrift 64. (2014): 25–48. |
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| Rings, Guido. "Gebrochene Romantik: Töpffers »Les amours de M. Vieux-Bois« als Karikatur zeitgenössischer Tendenzen." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 207–28. |
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| Smolderen, Thierry. "Thackeray and Töpffer: The Weimar Connection." International Journal of Comic Art 7. (2005): 249–61. |
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| Smolderen, Thierry. "Töpffer Reloaded: A Reevaluation of Töpffer’s Invention." SIGNs. Studies in Graphic Narratives (2011). |
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| Smolderen, Thierry. The Origins of Comics: From William Hogarth to Winsor McCay. Jackson: Univ. Press of Mississippi, 2014. |
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| Töpffer, Rodolphe. Essay zur Physiognomonie. Siegen: Machwerk, 1982. |
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| Töpffer, Rodolphe. "Essay on Physiognomy." Enter: The Comics. Rodolphe Töpffer’s Essay on Physiognomy and the true Story of Monsieur Crépin. Ed. Ellen Wiese. Lincoln: Univ. of Nebraska Press, 1965. 1–36. |
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| Valta, Reijo. "Koipeliinin matka Suomeen: Miten Rodolphe Töpfferin sarjakuva Monsieur Cryptogame muuttui tekijättömäksi Koipeliini-kuvasarjaksi." Fafnir 3. 4 2016. Accessed 8Jul. 2017. <http://journal.finfar.o ... oipeliini-kuvasarjaksi/>. |
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| Weltzien, Friedrich. "Hybrider Legitimationsdruck: Zu Rodolphe Töpffers Bastardisierung von Text und Bild." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 115–36. |
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| Weltzien, Friedrich. "Zig Zag: Die Geburt des Comics als entfesselte Arabeske." Über Kritzeln. Graphismen zwischen Schrift, Bild, Text und Zeichen. Eds. Christian Driesen, et al. Zürich, Berlin: diaphanes, 2012. 147–64. |
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| Willems, Philippe. "Rodolphe Töpffer and Romanticism." Nineteenth Century French Studies 37. (2009): 227–46. |
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