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| Childress, Kirby. "Abjection of the bisexual self: How haptic visuality brings internalized biphobia to screen in collard’s les nuits fauves and kechiche’s la vie d’adèle." Queer Studies in Media & Popular Culture 3. (2018): 335–45. |
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| Chiu, Monica. "Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom: Delisle’s burma chronicles and guibert, lefèvre, and lemercier’s the photographer." Asian American Literature 5 2014. Accessed 14 Jan. 2021. <https://scholarworks.sjsu.edu/aaldp/vol5/iss1/5>. |
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| Cirella-Urrutia, Anne. "Heroes and Heroines of the Great War: The aesthetics of horror in bandes dessinées." Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildnerischen Gedächtnis der europäischen Kulturen. Eds. Gislinde Seybert and Thomas Stauder. Stuttgart: Hirzel, 2012. 1553–73. |
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| Claudio, Esther. "The cruel beauty of a world without words: Winshluss’ pinocchio." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 94–97. |
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| Colin, Nicole. "Triviale Einsichten? Die darstellung brisanter deutsch-französischer themen in der graphic novel." Populärkultur und deutsch-französische Mittler/Culture de masse et médiateurs franco-allemands. Akteure, Medien, Ausdrucksformen/Acteurs, médias, articulations. Eds. Dietmar Hüser and Ulrich Pfeil. Bielefeld: Transcript, 2015. 53–72. |
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| Cone, Annabelle. "Strange Encounters during Wartime: bécassine chez les turcs." European Comic Art 4. (2011): 181–97. |
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| Cornell, Carl. "Past into future: The “rewriting” of angoulême’s identity." Contemporary French Civilization 43. (2018): 185–211. |
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| Cornilliat, François. "How Do You Pronounce a Pictogram? On “visible writing” in comics." Visible Writings. Cultures, Forms, Readings. Eds. Marija Dalbello and Mary Shaw. New Brunswick: Rutgers Univ. Press, 2011. 195–210. |
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