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| Dyer Hoefer, Anthony: "A Re-Vision of the Record. The Demands of Reading Josh Neufeld’s A.D.: New Orleans After the Deluge." In: Comics and the U.S. South. Hrsg. v. Brannon Costello und Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012, S. 293–324. |
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| Glaser, Tim: "Homestuck as a game. A webcomic between playful participation, digital technostalgia, and irritating inventory systems." In: Comics and Videogames. From Hybrid Medialities to Transmedia Expansions. Hrsg. v. Andreas Rauscher, Daniel Stein und Jan-Noël Thon. London, New York: Routledge, 2020, S. 96–112. |
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| Gregersen, Andreas: "“You Wouldn’t Get It”. “Penny Arcade” as Gaming Communication Hub and Webcomic." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 23–43. |
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| Hembrough, Tara: "Rural and Native American Students’ Utilization of Autobiographical Comic Strips to Explore Their Identities through Digital Storytelling in the Multimodal Writing Classroom." In: Journal of Multimodal Rhetorics 3.1 (2019), S. 115–160, . |
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| Hicks, Marianne: "‘Teh Futar’. The Power of the Webcomic and the Potential of Web 2.0." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009, S. 11.1–11.20. |
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| Luiz, Lucio (Hrsg.): Os quadrinhos na era digital. HQtrônicas, webcomics e cultura participativa. Nova Iguaçu: Marsupial, 2013. (158 S.) |
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| Mandaville, Alison: "Working Around Words. Rauf Talishinsky’s Azerbaijani Web Cartoons." In: International Journal of Comic Art 11.2 (2009). |
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| Maser, Verena: "On the depiction of love between girls across cultures. Comparing the U.S.-American webcomic YU+ME: dream and the yuri manga “Maria-sama ga miteru”." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 61–71. |
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| McCloud, Scott: Comics neu erfinden. Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001. (242 S.) |
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| Nichols, Jayms Clifford: "Comics on Screen. Pages and Places in the Cloud." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 93–101. |
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| Nikolayenko, Olena: "Web Cartoons in a Closed Society. Animal Farm as an Allegory of Post-Communist Belarus." In: PS: Political Science and Politics 40.2 (2007), S. 307–310. |
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| Pagliassotti, Dru: "“People keep giving me rings, but I think a small death ray might be more practical”. Women and Mad Science in Steampunk Comics." In: Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Hrsg. v. Marie-Luise Kohlke und Christian Gutleben. (Neo-Victorian Series, 5.) Amsterdam [etc.]: Rodopi, 2017, S. 213–246. |
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| Pietrzak-Franger, Monika und Eckart Voigts: "Good Vibrations. Hysteria, Female Orgasm, and Medical Humour in Neo-Victorianism." In: Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Hrsg. v. Marie-Luise Kohlke und Christian Gutleben. (Neo-Victorian Series, 5.) Amsterdam [etc.]: Rodopi, 2017, S. 192–212. |
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| Rageul, Anthony: La bande dessinée saisie par le numérique. Formes et enjeux du récit reconfiguré par l’interactivité. Thèse de doctorat Université européenne de Bretagne, École doctorale Arts, Lettres, Langues 2014 (429 S.). |
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| Uhlig, Barbara: "Is this Iran? Depiction of the 2009 Iranian post-election protests in mass media and in the webcomic Zahra’s Paradise." In: estrema 5 (2014). |
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| Veith, Natalie: "The (In)Significance of Queen Victoria in Neo-Victorian Comics." In: Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Hrsg. v. Christina Jordan und Imke Polland. Bielefeld: Transcript, 2020, S. 193–210. |
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