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| Bramlett, Frank: "Linguistic Discourse in Web Comics. Extending Conversation and Narrative into Alt-Text and Hidden Comics." In: The Language of Pop Culture. Hrsg. v. Valentin Werner. (Routledge Studies in Linguistics.) London, New York: Routledge, 2018, S. 72–91. |
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| Díaz-Basteris, María Fernanda: "Traumatic Displacement in Puerto Rican Digital Graphic Narratives." In: a/b: Auto/Biography Studies 35.2 (2020), S. 467–474. |
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| Dubbati, Barkuzar: "The Woman in Hijab as a Freak. Super(Muslim)woman in Deena Mohamed’s Webcomic Qahera." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 433–449. |
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| Adventures Into Digital Comics. USA 2008, Regie: Dumesnil, Sébastien (Laufzeit: 1:36 Min.). |
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| Dyer Hoefer, Anthony: "A Re-Vision of the Record. The Demands of Reading Josh Neufeld’s A.D.: New Orleans After the Deluge." In: Comics and the U.S. South. Hrsg. v. Brannon Costello und Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012, S. 293–324. |
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| Falgas, Julien: "Et si tous les fans ne laissaient pas de trace. Le cas d’un feuilleton de bande dessinée numérique inspiré par les séries télévisées." In: Études de communication 47 (2016), S. 151–166, . |
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| Fenty, Sean, Trena Houp und Laurie Taylor: "Webcomics. The Influence and Continuation of the Comix Revolution." In: ImageTexT 1.2 (2005). |
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| ---: "Images in Space. The Challenges of Architectural Spatiality in Comics." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 15–29. |
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| ---: The Impact of Digital Mediation and Hybridisation on the Form of Comics. Thesis (DDes), University of Hertfordshire, School of Creative Arts 2017 (181 S.). |
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| ---: "The Sound of Digital Comics." In: Writing Visual Culture 7 (2015). |
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| Gregersen, Andreas: "“You Wouldn’t Get It”. “Penny Arcade” as Gaming Communication Hub and Webcomic." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 23–43. |
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| ---: Webcomics. Einführung und Typologie. Bochum: Ch.A. Bachmann, 2014. (120 S.) |
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| Hembrough, Tara: "Rural and Native American Students’ Utilization of Autobiographical Comic Strips to Explore Their Identities through Digital Storytelling in the Multimodal Writing Classroom." In: Journal of Multimodal Rhetorics 3.1 (2019), S. 115–160, . |
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| Hicks, Marianne: "‘Teh Futar’. The Power of the Webcomic and the Potential of Web 2.0." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009, S. 11.1–11.20. |
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| Landis, Winona: "Ms Marvel, Qahera, and superheroism in the Muslim diaspora." In: Continuum 33.2 (2019), S. 185–200. |
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| Ludtke, Laura: "Kate Beaton and the Irony of History-as-Comic." In: The Oxonian Review 23.6 (2013). |
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| Luiz, Lucio (Hg.): Os quadrinhos na era digital. HQtrônicas, webcomics e cultura participativa. Nova Iguaçu: Marsupial, 2013. (158 S.) |
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| Mandaville, Alison: "Working Around Words. Rauf Talishinsky’s Azerbaijani Web Cartoons." In: International Journal of Comic Art 11.2 (2009). |
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| Maser, Verena: "On the depiction of love between girls across cultures. Comparing the U.S.-American webcomic YU+ME: dream and the yuri manga “Maria-sama ga miteru”." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 61–71. |
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| McCloud, Scott: Comics neu erfinden. Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001. (242 S.) |
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| ---: Reinventing Comics. How Imagination and Technology Are Revolutionizing an Art Form. New York: Harper, 2000. (250 S.) |
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| ---: La revolución de los cómics. (Biblioteca creativa.) Barcelona: Norma, 2001. (241 S.) |
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| Miller, Ann und Kaveri Gopalakrishnan: "An Interview with Kaveri Gopalakrishnan." In: European Comic Art 9.1 (2016), S. 99–112. |
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| Misemer, Leah: "A Historical Approach to Webcomics. Digital Authorship in the Early 2000s." In: The Comics Grid 9 (2019), S. 1–21, . |
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| Mitrevski, Ivan: "Russian Komiks and the Internet "Underground"." In: International Journal of Comic Art 7.1 (2005), S. 67–74. |
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| Mochnacki, Alex: "Calling All Copyfighters. Experts as Superheroes, Comic Books as Intervention and Boundary Making in Canadian Copyright Policy." In: Communication, Culture and Critique 6.4 (2013), S. 525–549. |
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| Nichols, Jayms Clifford: "Comics on Screen. Pages and Places in the Cloud." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 93–101. |
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| Nikolayenko, Olena: "Web Cartoons in a Closed Society. Animal Farm as an Allegory of Post-Communist Belarus." In: PS: Political Science and Politics 40.2 (2007), S. 307–310. |
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| Pagliassotti, Dru: "“People keep giving me rings, but I think a small death ray might be more practical”. Women and Mad Science in Steampunk Comics." In: Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Hrsg. v. Marie-Luise Kohlke und Christian Gutleben. (Neo-Victorian Series, 5.) Amsterdam [etc.]: Rodopi, 2017, S. 213–246. |
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| Pietrzak-Franger, Monika und Eckart Voigts: "Good Vibrations. Hysteria, Female Orgasm, and Medical Humour in Neo-Victorianism." In: Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Hrsg. v. Marie-Luise Kohlke und Christian Gutleben. (Neo-Victorian Series, 5.) Amsterdam [etc.]: Rodopi, 2017, S. 192–212. |
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| Rageul, Anthony: La bande dessinée saisie par le numérique. Formes et enjeux du récit reconfiguré par l’interactivité. Thèse de doctorat Université européenne de Bretagne, École doctorale Arts, Lettres, Langues 2014 (429 S.). |
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| Salmi, Charlotta: "A Canvas for Popular Dissent: Zahra’s Paradise." In: The Oxonian Review 26.3 (2013). |
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| Sanders, Joe Sutliff: "Coda: Whether We Want Them or Not. Building an Aesthetic of Children’s Digital Comics." In: Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Hrsg. v. Michelle Ann Abate und Gwen Athene Tarbox. (Children’s Literature Association Series.) Jackson: Univ. Press of Mississippi, 2017, S. 332–342. |
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| Thoss, Jeff: "“This Strip Doesn’t Have a Fourth Wall”. Webcomics and the Metareferential Turn." In: The Metareferential Turn in Contemporary Arts and Media. Forms, Functions, Attempts at Explanation. Hrsg. v. Werner Wolf und Katharina Bantleon. (Studies in Intermediality, 5.) Amsterdam [etc.]: Rodopi, 2011, S. 551–568. |
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| Thurmond, Joseph Austin: Gaming The Comic Book. Turning The Page on How Comics and Videogames Intersect as Interactive, Digital Experiences. Thesis (Master of Arts), Gardner-Webb University, Department of English 2017 (103 S.). |
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| Uhlig, Barbara: "Is this Iran? Depiction of the 2009 Iranian post-election protests in mass media and in the webcomic Zahra’s Paradise." In: estrema 5 (2014). |
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| Veith, Natalie: "The (In)Significance of Queen Victoria in Neo-Victorian Comics." In: Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Hrsg. v. Christina Jordan und Imke Polland. Bielefeld: Transcript, 2020, S. 193–210. |
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| ---: Komische Inkongruenz und diagrammatisches Schlussfolgern. Das witzige Diagramm im Webcomic XKCD als Grenzphänomen des Verstehens. M.A. (Magisterarbeit), Universität Erlangen-Nürnberg 2011 (119 S.). |
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