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Bae, Keung Yoon ‘Becky’: "From underground to the palm of your hand. The spatiality and cultural practice of South Korean webtoons." In: East Asian Journal of Popular Culture 3.1 (2017), S. 73–84. |
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Banhold, Lars und David Freis: "Von postmodernen Katzen, abwesenden Katzen und Dinosaurier reitenden Banditen. Medienästhetik, Distribution und medialer Kontext von Webcomics." In: Comics intermedial. Hrsg. v. Christian A. Bachmann, Véronique Sina und Lars Banhold. Bochum: Ch.A. Bachmann, 2012, S. 159–177. |
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Batinić, Josip: "“Enhanced Webcomics1”. An Exploration of the Hybrid Form of Comics on the Digital Medium." In: Image [&] Narrative 17.5 (2016), S. 80–91, . |
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Baudry, Julien: Cases-Pixels. Une histoire de la BD numérique en France. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2018. (367 S.) |
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---: "Superhero comics and the digital communications circuit. A case study of Strong Female Protagonist." In: Journal of Graphic Novels and Comics 10.3 (2019), S. 306–319. |
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Bhadury, Poushali: "“There is no such thing as a straight woman”. Queer female representations in South Asian graphic narratives." In: Journal of Lesbian Studies 22.4 (2018), S. 424–434. |
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Blank, Juliane: "Schoko oder Vanille? Zur Rolle von zufälligen Leseentscheidungen im interaktiven (Web-)Comic." In: Ästhetik des Zufalls. Ordnungen des Unvorhersehbaren in Literatur und Theorie. Hrsg. v. Christoph Pflaumbaum et al. (Beihefte zum Euphorion, 78.) Heidelberg: Winter, 2015, S. 355–372. |
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Bramlett, Frank: "Linguistic Discourse in Web Comics. Extending Conversation and Narrative into Alt-Text and Hidden Comics." In: The Language of Pop Culture. Hrsg. v. Valentin Werner. (Routledge Studies in Linguistics.) London, New York: Routledge, 2018, S. 72–91. |
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Caboche, Elsa: "Narration numérique en images. Modes d’expression, spécificités, expérimentations." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 143–156. |
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Campbell, T. A History of Webcomics. The Golden Age: 1993–2005. Bd. 1. San Antonio: Antarctic Pr. 2006. (94 S.) |
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Chew, Evelyn und Alex Mitchell: "Multimodality and Interactivity in “Natively” Digital Life Stories." In: Poetics Today 40.2 (2019), S. 319–353. |
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Choi, Jinhee: "Webtoons to promote critical thinking in neo-liberal South Korea. A thematic analysis of Awl social justice themes." In: East Asian Journal of Popular Culture 3.1 (2018), S. 111–127. |
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Coby, Jim: "“—it’s pretty easy to forget what it’s like to be a have-not”. Envisioning and Experiencing Trauma in Josh Neufeld’s A.D.: New Orleans After the Deluge." In: South Central Review 32.3 (2015), S. 110–123. |
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Delporte, Julie: La bédé-réalité. La bande dessinée autobiographique à l’heure des technologies numériques. (Colosse/Essai, 1.) Montréal: Vincent Girard, 2011. (136 S.) |
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Díaz-Basteris, María Fernanda: "Traumatic Displacement in Puerto Rican Digital Graphic Narratives." In: a/b: Auto/Biography Studies 35.2 (2020), S. 467–474. |
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Dittmar, Jakob F. "Digital Comics." In: Scandinavian Journal of Comic Art 1.2 (2012), S. 82–91, . |
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Dubbati, Barkuzar: "The Woman in Hijab as a Freak. Super(Muslim)woman in Deena Mohamed’s Webcomic Qahera." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 433–449. |
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Adventures Into Digital Comics. USA 2008, Regie: Dumesnil, Sébastien (Laufzeit: 1:36 Min.). |
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Dyer Hoefer, Anthony: "A Re-Vision of the Record. The Demands of Reading Josh Neufeld’s A.D.: New Orleans After the Deluge." In: Comics and the U.S. South. Hrsg. v. Brannon Costello und Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012, S. 293–324. |
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Endres, Christian: "Rücksturz in die Anonymität. Brian K. Vaughans Comic »The Private Eye« thematisiert die Post-Snowden-Ära des Internets und beschreitet neue Wege des Selfpublishings." In: Das Science Fiction Jahr 10 (2014), S. 321–333. |
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Falgas, Julien: "Et si tous les fans ne laissaient pas de trace. Le cas d’un feuilleton de bande dessinée numérique inspiré par les séries télévisées." In: Études de communication 47 (2016), S. 151–166, . |
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---: "Not All Fans Leave a Trace. The Case of a Digital Comic Serial Inspired by Television Series." In: French Perspectives on Media, Participation and Audiences. Hrsg. v. Céline Ségur. New York [etc.]: Palgrave Macmillan, 2020, S. 149–164. |
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Fenty, Sean, Trena Houp und Laurie Taylor: "Webcomics. The Influence and Continuation of the Comix Revolution." In: ImageTexT 1.2 (2005). |
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Fong, Harmon: "Medthics Graphic Novel." In: Journal of Medical Humanities 33.4 (2012), S. 273–285. |
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Francis, Christina: "Playing with Gender in Arthur, King of Time and Space." In: Arthuriana 20.4 (2010), S. 31–47. |
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Frena, Bernhard: "Perspektiven des Bruches. Ein Blick auf Unstetigkeiten anhand des Webcomics YU+ME: dream." In: SYN 12 (2016), S. 21–31. |
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Garrity, Shaenon: "The History of Webcomics." In: The Comics Journal (15. Juli 2011). |
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Glaser, Tim: "Homestuck as a game. A webcomic between playful participation, digital technostalgia, and irritating inventory systems." In: Comics and Videogames. From Hybrid Medialities to Transmedia Expansions. Hrsg. v. Andreas Rauscher, Daniel Stein und Jan-Noël Thon. London, New York: Routledge, 2020, S. 96–112. |
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Goodbrey, Daniel Merlin: "Digital comics – new tools and tropes." In: Studies in Comics 4.1 (2013), S. 185–198. |
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---: "Foreword." In: Comic Book Geographies. Hrsg. v. Jason Dittmer. Stuttgart: Franz Steiner, 2014, S. 9–14. |
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---: "Images in Space. The Challenges of Architectural Spatiality in Comics." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 15–29. |
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---: The Impact of Digital Mediation and Hybridisation on the Form of Comics. Thesis (DDes), University of Hertfordshire, School of Creative Arts 2017 (181 S.). |
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---: "The Sound of Digital Comics." In: Writing Visual Culture 7 (2015). |
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Gregersen, Andreas: "“You Wouldn’t Get It”. “Penny Arcade” as Gaming Communication Hub and Webcomic." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 23–43. |
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Hammel, Björn: "Webcomics." In: Comics und Graphic Novels. Eine Einführung. Hrsg. v. Julia Abel und Christian Klein. Stuttgart: Metzler, 2015, S. 169–180. |
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---: Webcomics. Einführung und Typologie. Bochum: Ch.A. Bachmann, 2014. (120 S.) |
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Hembrough, Tara: "Rural and Native American Students’ Utilization of Autobiographical Comic Strips to Explore Their Identities through Digital Storytelling in the Multimodal Writing Classroom." In: Journal of Multimodal Rhetorics 3.1 (2019), S. 115–160, . |
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Hicks, Marianne: "‘Teh Futar’. The Power of the Webcomic and the Potential of Web 2.0." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009, S. 11.1–11.20. |
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Jacobs, Dale: "Webcomics, Multimodality, and Information Literacy." In: ImageTexT 7.3 (2014). |
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Johnston, Paddy: "Bad Machinery and the Economics of Free Comics. A Webcomic Case Study." In: Networking Knowledge 8.4 (2015). |
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Kashtan, Aaron. "Using Materiality to Teach Comics". Comic Arts Conference: San Diego, 18.–21. Juli, 2013. |
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Kauranen, Ralf: "Visions of Queer Places. Migration and Utopia in Finnish Queer Comics." In: European Comic Art 15.1 (2022), S. 26–45. |
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Kirchoff, Jeffrey S. J. "It’s Just Not the Same as Print (and It Shouldn’t Be). Rethinking the Possibilities of Digital Comics." In: technoculture 3 (2013). |
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Klaehn, Jeffery: "An interview with Canadian comic book writer Jim Zub." In: Journal of Graphic Novels and Comics 8.2 (2017), S. 203–209. |
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Kleefeld, Sean: Webcomics. (Bloomsbury Comics Studies.) New York: Bloomsbury Academic, 2020. (254 S.) |
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Kukkonen, Karin: "Web Comics." In: Johns Hopkins Guide to Digital Media. Hrsg. v. Marie-Laure Ryan, Lori Emerson und Benjamin J. Robertson. Baltimore: Johns Hopkins Univ. Press, 2014, S. 521–524. |
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Kwa, Shiamin: "Comics at the surface. Michael DeForge’s Ant Colony." In: Word & Image 32.4 (2016), S. 340–359. |
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Landis, Winona: "Ms Marvel, Qahera, and superheroism in the Muslim diaspora." In: Continuum 33.2 (2019), S. 185–200. |
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Ludtke, Laura: "Kate Beaton and the Irony of History-as-Comic." In: The Oxonian Review 23.6 (2013). |
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Luiz, Lucio (Hrsg.): Os quadrinhos na era digital. HQtrônicas, webcomics e cultura participativa. Nova Iguaçu: Marsupial, 2013. (158 S.) |
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Mandaville, Alison: "Working Around Words. Rauf Talishinsky’s Azerbaijani Web Cartoons." In: International Journal of Comic Art 11.2 (2009). |
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Maser, Verena: "On the depiction of love between girls across cultures. Comparing the U.S.-American webcomic YU+ME: dream and the yuri manga “Maria-sama ga miteru”." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 61–71. |
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McCloud, Scott: Comics neu erfinden. Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001. (242 S.) |
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---: Réinventer la bande dessinée. Paris: Vertige Graphic, 2006. (241 S.) |
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---: Reinventing Comics. How Imagination and Technology Are Revolutionizing an Art Form. New York: Harper, 2000. (250 S.) |
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---: La revolución de los cómics. (Biblioteca creativa.) Barcelona: Norma, 2001. (241 S.) |
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Miller, Ann und Kaveri Gopalakrishnan: "An Interview with Kaveri Gopalakrishnan." In: European Comic Art 9.1 (2016), S. 99–112. |
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Misemer, Leah: "A Historical Approach to Webcomics. Digital Authorship in the Early 2000s." In: The Comics Grid 9 (2019), S. 1–21, . |
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Mitrevski, Ivan: "Russian Komiks and the Internet "Underground"." In: International Journal of Comic Art 7.1 (2005), S. 67–74. |
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Mochnacki, Alex: "Calling All Copyfighters. Experts as Superheroes, Comic Books as Intervention and Boundary Making in Canadian Copyright Policy." In: Communication, Culture and Critique 6.4 (2013), S. 525–549. |
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Nichols, Jayms: "Comics and Control. Leading the Reading." In: Writing Visual Culture 7 (2015). |
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Nichols, Jayms Clifford: "Comics on Screen. Pages and Places in the Cloud." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 93–101. |
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Nikolayenko, Olena: "Web Cartoons in a Closed Society. Animal Farm as an Allegory of Post-Communist Belarus." In: PS: Political Science and Politics 40.2 (2007), S. 307–310. |
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Pagliassotti, Dru: "“People keep giving me rings, but I think a small death ray might be more practical”. Women and Mad Science in Steampunk Comics." In: Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Hrsg. v. Marie-Luise Kohlke und Christian Gutleben. (Neo-Victorian Series, 5.) Amsterdam [etc.]: Rodopi, 2017, S. 213–246. |
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Pannafino, James: "Sequential Art. Hand, Eye and Mind." In: International Journal of the Book 6.2 (2009), S. 1–4. |
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Park, Hyesu: "Joy of Ugly Feelings. Korean “Bad Taste” Webtoons as a Case Study." In: Studies in 20th & 21st Century Literature 42.1 (2017). |
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Pietrzak-Franger, Monika und Eckart Voigts: "Good Vibrations. Hysteria, Female Orgasm, and Medical Humour in Neo-Victorianism." In: Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Hrsg. v. Marie-Luise Kohlke und Christian Gutleben. (Neo-Victorian Series, 5.) Amsterdam [etc.]: Rodopi, 2017, S. 192–212. |
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Pizzino, Christopher: "Juvenile, Cruel, and MAD. In Defense of Immature Comics." In: Comics Studies Here and Now. Hrsg. v. Frederick Luis Aldama. (Routledge Advances in Comics Studies, 5.) London: Routledge, 2018, S. 317–332. |
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Priego Ramirez, Ernesto F. "Sin Titulo, by Cameron Stewart, page 1." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 16–18. |
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Puentedura, Ruben R. "The Infinite Canvas Reloaded. Digital Storytelling, Webcomics, and Web 2.0". NMC Summer Conference: Monterey Bay, 9.–13. Juni, 2009. |
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Rageul, Anthony: La bande dessinée saisie par le numérique. Formes et enjeux du récit reconfiguré par l’interactivité. Thèse de doctorat Université européenne de Bretagne, École doctorale Arts, Lettres, Langues 2014 (429 S.). |
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---: "On the Pleasure of Coding Interface Narratives." In: The Comics Grid 8.3 (2018). |
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Reichert, Ramón: "Die Medienästhetik der Webcomics." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 121–141. |
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Romaguera, Gabriel: "Waiting for the Next Part. How the Temporal Dimensions of Digital Serialisation Have Changed Author-Reader Dynamics." In: Networking Knowledge 8.4 (2015). |
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Sabin, Roger: "Comics on the Web." In: electronic book review 7 (1998). |
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---: "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 43–57. |
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Sackmann, Eckart: "Kindergeschichten." In: Deutsche Comicforschung 1 (2005), S. 117–120. |
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Salmi, Charlotta: "A Canvas for Popular Dissent: Zahra’s Paradise." In: The Oxonian Review 26.3 (2013). |
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Sanders, Joe Sutliff: "Coda: Whether We Want Them or Not. Building an Aesthetic of Children’s Digital Comics." In: Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Hrsg. v. Michelle Ann Abate und Gwen Athene Tarbox. (Children’s Literature Association Series.) Jackson: Univ. Press of Mississippi, 2017, S. 332–342. |
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Singer, Marc: "A Critique of Bagge’s Reason." In: Indy Magazine Autumn (2004). |
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Slipp, Nicole: "Ménage à 3. Webcomics, Creative Freedom, and Sexual Diversity." In: Journal of Comics and Culture 2 (2017), S. 29–46. |
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Thoss, Jeff: "“This Strip Doesn’t Have a Fourth Wall”. Webcomics and the Metareferential Turn." In: The Metareferential Turn in Contemporary Arts and Media. Forms, Functions, Attempts at Explanation. Hrsg. v. Werner Wolf und Katharina Bantleon. (Studies in Intermediality, 5.) Amsterdam [etc.]: Rodopi, 2011, S. 551–568. |
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Thurmond, Joseph Austin: Gaming The Comic Book. Turning The Page on How Comics and Videogames Intersect as Interactive, Digital Experiences. Thesis (Master of Arts), Gardner-Webb University, Department of English 2017 (103 S.). |
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Uhlig, Barbara: "Is this Iran? Depiction of the 2009 Iranian post-election protests in mass media and in the webcomic Zahra’s Paradise." In: estrema 5 (2014). |
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Veith, Natalie: "The (In)Significance of Queen Victoria in Neo-Victorian Comics." In: Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Hrsg. v. Christina Jordan und Imke Polland. Bielefeld: Transcript, 2020, S. 193–210. |
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Vera, Denise Angela De und Marie Rose Arong: "Cracking the Filipino sequence. Two factors that shaped contemporary Philippine komiks." In: Journal of Graphic Novels and Comics 10.1 (2019), S. 106–121. |
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Wilde, Lukas R. A. "»Backwards and batshit-fucking-bonkers«. Das innovative Kommunikationsgefüge non-narrativer Webcomics." In: Closure 4 (2017), S. 68–104, . |
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---: "Distinguishing Mediality. The Problem of Identifying Forms and Features of Digital Comics." In: Networking Knowledge 8.4 (2015), S. 1–14, . |
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---: Komische Inkongruenz und diagrammatisches Schlussfolgern. Das witzige Diagramm im Webcomic XKCD als Grenzphänomen des Verstehens. M.A. (Magisterarbeit), Universität Erlangen-Nürnberg 2011 (119 S.). |
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---: Der Witz der Relationen. Komische Inkongruenz und diagrammatisches Schlussfolgern im Webcomic XKCD. Stuttgart: ibidem, 2012. (167 S.) |
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Yuan, Ting: "Technology in the Classroom: From Ponyo to “My Garfield Story”. Using Digital Comics as an Alternative Pathway to Literary Composition." In: Childhood Education 87.4 (2011), S. 297–301. |
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Zanfei, Anna: "Defining Webcomics and Graphic Novels." In: International Journal of Comic Art 10.1 (2008), S. 55–61. |
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