| van den Anker, Marinus J. J. und Piet Verhoeven: "Corporate communication. Analysing Marvel and DC." In: Studies in Comics 5.1 (2014), S. 117–129. |
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| Auer, Christina: D-Manga. Der japanische Comic und seine deutsche Adaption. (Initialen, 1.) München: Grin, 2013. (182 S.) |
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| Balzer, Jens und Jens R. Nielsen: "»Der Autorencomic ist ein mißlungenes Experiment«. Christian Gorny." In: Comic Almanach (1993), S. 43–48. |
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| Baur, Elisabeth K. Der Comic. Strukturen, Vermarktung, Unterricht. (Schriften für Deutschlehrer.) Düsseldorf: Schwann, 1977. (96 S.) |
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| Beaty, Bart: "The Concept of “Patrimoine” in Contemporary Franco-Belgian Comics Production." In: History and Politics in French-Language Comics and Graphic Novels. Hrsg. v. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008, S. 69–93. |
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| ---: "The European Comic Book Industry. A Guided Tour." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 141–143. |
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| ---: "The Recession and the American Comic Book Industry. From Inelastic Cultural Good to Economic Integration." In: Popular Communication 8 (2010), S. 203–207. |
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| ---: "Superhero fan service. Audience strategies in the contemporary interlinked Hollywood blockbuster." In: The Information Society 32.5 (2016), S. 318–325. |
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| Beerbohm, Robert: "“There’s A Whole Lot of Myth Out There!”." In: Alter Ego 26 (2003). |
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| Bell, Mark: "The Salvation of Comics. Digital Prophets and Iconoclasts." In: Review of Communication 6.1–2 (2006), S. 131–140. |
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| Berthou, Benoît: "La bande dessinée franco-belge. Quelle industrie culturelle ?" In: Textyles 36–37 (2010), S. 43–57. |
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| Bevin, Phillip: "Batman Versus Superman. A Conversation." In: Many More Lives of the Batman. Hrsg. v. Roberta E. Pearson, William Uricchio und Will Brooker. London: BFI Palgrave, 2015, S. 123–133. |
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| ---: Superman and Comic Book Brand Continuity. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. |
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| Bissette, Stephen R. Teen Angels & New Mutants. Rick Veitch’s Brat Pack and the Art, Karma, and Commerce of Killing Sidekicks. Encino: Black Coat, 2011. (405 S.) |
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| Blackbeard, Bill: "The Four Color Paper Trail. A Look Back." In: International Journal of Comic Art 5.2 (2003), S. 205–215. |
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| Boltanski, Luc: "The Constitution of the Comics Field." In: The French Comics Theory Reader. Hrsg. v. Ann Miller und Bart Beaty. (Studies in European Comics and Graphic Novels, 1.) Leuven: Leuven University Press, 2014, S. 281–301. |
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| Bouissou, Jean-Marie et al. "Manga in Europe. A Short Study of Market and Fandom." In: Manga. An Anthology of Global and Cultural Perspectives. Hrsg. v. Toni Johnson-Woods. London, New York: Continuum, 2010, S. 253–266. |
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| Brandl, Katharina und Anne Elizabeth Moore: "Bound to fail. Living and working conditions in the comics industry." In: Closure 5 (2019), S. 5–30, . |
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| Brienza, Casey E. "Books, Not Comics. Publishing Fields, Globalization, and Japanese Manga in the United States." In: Publishing Research Quarterly 25 (2009), S. 101–117. |
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| Brienza, Casey E. und Paddy Johnston (Hgg.): Cultures of Comics Work. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2016. (308 S.) |
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| Brienza, Casey E. "Paratexts in Translation. Reinterpreting “Manga” for the United States." In: International Journal of the Book 6.2 (2009), S. 13–20. |
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| ---: "Producing comics culture. A sociological approach to the study of comics." In: Journal of Graphic Novels and Comics 1.2 (2010), S. 105–119. |
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| ---: "Sociological Perspectives on Japanese Manga in America." In: Sociology Compass 8.5 (2014), S. 468–477. |
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| Brooker, Will: "Fifth Dimensional Batman. An Interview with Grant Morrison." In: Many More Lives of the Batman. Hrsg. v. Roberta E. Pearson, William Uricchio und Will Brooker. London: BFI Palgrave, 2015, S. 43–52. |
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| Buoye, Alexander et al. "Intellectual property extensions in entertainment services. Marvel and DC comics." In: Journal of Services Marketing 34.2 (2019), S. 239–251. |
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| Byrne, Eleanor und Martin McQuillan: Deconstructing Disney. London: Pluto, 1999. (209 S.) |
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| Carano, Ranieri: "Comics in Italy." In: Comics and Visual Culture. Research Studies from ten Countries. Hrsg. v. Alphons Silbermann und Hans-Dieter Dyroff. München [etc.]: Saur, 1986, S. 96–108. |
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| Carlson, Mark: "A Quick Business History of Comic Books: Part One (1934–1960)." In: The Nostalgia Zine 1.1 (2005). |
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| ---: "A Quick Business History of Comic Books Part Two: 1960–2005." In: The Nostalgia Zine 1.2 (2005). |
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| Cassidy, Paul Henry: An Approach to the Profession of Comic Strip Cartooning Based upon an Analytical Survey of Current Trends and Personal Experiences. Thesis (M.S.), University of Wisconsin 1942 (156 S.). |
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| Clarke, M. J. "The production of the Marvel Graphic Novel series. The business and culture of the early direct market." In: Journal of Graphic Novels and Comics 5.2 (2014), S. 192–210. |
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| Clements, Jonathan: "The Mechanics of the U.S. Anime and Manga Industry." In: Foundation 64 (1995), S. 32–44. |
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| ---: Schoolgirl Milky Crisis. Adventures in the Anime and Manga Trade. London: Titan Books, 2009. (272 S.) |
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| Condry, Ian: The Soul of Anime. Collaborative Creativity and Japan’s Media Success Story. (Experimental Futures.) Durham: Duke Univ. Press, 2013. (256 S.) |
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| Coogan, Peter: "From Love to Money. The First Decade of Comics Fandom." In: International Journal of Comic Art 12.1 (2010), S. 50–67. |
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| Cooper-Chen, Anne und Miiko Kodama: Mass Communication in Japan. Ames: Iowa State Univ. Press, 1997. (263 S.) |
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| Cotta Vaz, Mark: Empire of the Superheroes. America’s Comic Book Creators and the Making of a Billion-Dollar Industry. New Brunswick: Rutgers Univ. Press, 2021. |
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| Courtebras, Marilou: Hybridations et mutations dans l’imaginaire Disney. Saarbrücken: Éd. universitaires européennes, 2013. (100 S.) |
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| Dallavalle, Sara: "Alcuni dati sull'andamento dell'editoria fumettistica in Italia tra graphic novel e fumetto seriale." In: Simultanea 1.2 (2020). |
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| Dean, Michael: "Fine Young Cannibals. How Phil Seuling and a Generation of Teenage Entrepreneurs Created the Direct Market and Changed the Face of Comics." In: The Comics Journal 277 (2006), S. 49–59. |
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| Deppey, Dirk: "Suicide Club. How Greed and Stupidity Disemboweled the American Comic-Book Industry in the 1990s." In: The Comics Journal 277 (2006), S. 68–75. |
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| Dony, Christophe, Tanguy Habrand und Gert Meesters (Hgg.): La bande dessinée en dissidence / Comics in Dissent. Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. (ACME, 1.) Liège: Presses Univ. de Liège, 2014. (220 S.) |
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| Ecke, Jochen: The British Comic Book Invasion. Alan Moore, Warren Ellis, Grant Morrison and the Evolution of the American Style. (Critical Explorations in Science Fiction and Fantasy, 64.) Jefferson: McFarland, 2019. (273 S.) |
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| Eisner, Will: "»Man hat bemerkt, daß sich die Comics mit relevanten Themen beschäftigen können …«. Will Eisner im Gespräch mit Neal Adams." In: Comic Jahrbuch (1988), S. 195–211. |
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| Elliott, Timothy und Robert Dennis Watkins: "Sexy Art, Speculative Commerce. The X-Men #1 Launch Extravaganza." In: The Ages of The X-Men. Essays on the Children of the Atom in Changing Times. Hrsg. v. Joseph J. Darowski. Jefferson, London: McFarland, 2014, S. 105–115. |
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| Falardeau, Mira: A History of Women Cartoonists. Oakville: Mosaic, 2018. (298 S.) |
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| Flanagan, Martin, Andrew Livingstone und Mike McKenny: The Marvel Studios Phenomenon. Inside a Transmedia Universe. New York: Bloomsbury Academic, 2016. (268 S.) |
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| Fleischer, Sandra und Robert Seifert: "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." In: Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Hrsg. v. Sebastian Schinkel und Ina Herrmann. Bielefeld: Transcript, 2017, S. 219–236. |
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| Flora, Cornelia Butler: "Fotonovelas. Message Creation and Reception." In: Journal of Popular Culture 14 (1980), S. 524–534. |
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| Frahm, Ole: "Produktion, Distribution und Rezeption von Comics und Graphic Novels." In: Comics und Graphic Novels. Eine Einführung. Hrsg. v. Julia Abel und Christian Klein. Stuttgart: Metzler, 2015, S. 38–55. |
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| Freeman, Matthew: "Branding consumerism. Cross-media characters and story-worlds at the turn of the 20th century." In: International Journal of Cultural Studies (2014). |
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| Friedlander, Keith: "The editor, the author function, and the social function. A methodological survey." In: Journal of Graphic Novels and Comics 9.2 (2018), S. 157–172. |
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| Fujiwara, Erika: An analysis of Contemporary Manga Culture in Japan and Sweden. With a study of the works of Naoki Urasawa. Master (Master thesis), Lunds universitet, Institutionen för kulturvetenskaper 2010 (55 S.). |
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| Gabilliet, Jean-Paul: Des comics et des hommes. Histoire culturelle des comic books aux Etats-Unis. Nantes: Édition du Temps, 2004. (478 S.) |
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| ---: Of Comics and Men. A Cultural History of American Comic Books. Jackson: Univ. Press of Mississippi, 2010. (390 S.) |
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| ---: "Reading Facsimile Reproductions of Original Artwork. The Comics Fan as Connoisseur." In: Image [&] Narrative 17.4 (2016), S. 16–25, . |
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| Gaiman, Neil: "Shameful Secrets of Comics Retailing: The Lingerie Connection." In: How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Hrsg. v. Deni Loubert. San Diego: Friends of Lulu, 1997, S. 3–5. |
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| García, Enrique: "Coon Imagery in Will Eisner’s The Spirit and Yolanda Vargas Dulché’s Memín Pinguín and Its Legacy in the Contemporary United States and Mexican Comic Book Industries." In: International Journal of Comic Art 12.2–3 (2010), S. 112–124. |
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| Gearino, Dan: Comic Shop. The Retail Mavericks Who Gave Us a New Geek Culture. Athens: Swallow, 2017. (251 S.) |
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| Goetz, Ann: "Beyond Wonder Woman – Choosing Product for Children and Women." In: How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Hrsg. v. Deni Loubert. San Diego: Friends of Lulu, 1997, S. 21–23. |
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| ---: "Share Your Experience." In: How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Hrsg. v. Deni Loubert. San Diego: Friends of Lulu, 1997, S. 30–31. |
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| ---: "Why Sell to Women, Parents, and Children?" In: How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Hrsg. v. Deni Loubert. San Diego: Friends of Lulu, 1997, S. 6–10. |
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| Gordon, Ian: "Comics, Creators, and Copyright. On the Ownership of Serial Narratives by Multiple Authors." In: A Companion to Media Authorship. Hrsg. v. Jonathan Gray und Derek Johnson. Chichester: Wiley-Blackwell, 2013, S. 221–236. |
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| ---: "Culture of Consumption. Commodification through Superman: Return to Krypton." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 157–166. |
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| ---: Superman. The Persistence of an American Icon. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2017. (210 S.) |
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| Groensteen, Thierry: La bande dessinée au tournant. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2017. (128 S.) |
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| Groth, Gary: "Black and White and Dead All Over." In: The Comics Journal 277 (2006), S. 60–67. |
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| Grünangerl, Manuela: "Comic-Visionen im Umbruch. Politische und gesellschaftliche Wandlungsprozesse in der portugiesischen Comicproduktion der 1970er Jahre." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 289–310. |
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| Guynes, Sean: "Worlds Will Live, Worlds Will Die. Crisis on Infinite Earths and the Anxieties and Calamities of the Comic-Book Event." In: Inks 3.2 (2019), S. 171–190. |
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| Hall, Marny: "Ordinary insurrections. Alison Bechdel interviewed by Marny Hall." In: Journal of Lesbian Studies 5.3 (2001), S. 15–21. |
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| Hassler-Forest, Dan A. Science Fiction, Fantasy, and Politics. Transmedia World-Building Beyond Capitalism. (Radical Cultural Studies.) London: Rowman and Littlefield International, 2016. (233 S.) |
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| Hatfield, Charles: "Do Independent Comics Still Exist in the US and Canada?" In: La bande dessinée en dissidence / Comics in Dissent. Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. Hrsg. v. Christophe Dony, Tanguy Habrand und Gert Meesters. (ACME, 1.) Liège: Presses Univ. de Liège, 2014, S. 59–78. |
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| Hernandez-Perez, Manuel: "Looking into the “Anime Global Popular” and the “Manga Media”. Reflections on the Scholarship of a Transnational and Transmedia Industry." In: Arts 8.2 (2019). |
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| Hinds Jr., Harold E. und Charles Tatum: Not Just For Children. The Mexican Comic Book in the Late 1960s and 1970s. (Contributions to the Study of Popular Culture, 30.) Westport: Greenwood, 1992. (264 S.) |
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| Howell, Charlotte E. "“Tricky” Connotations. Wonder Woman as DC’s Brand Disruptor." In: Cinema Journal 55.1 (2015), S. 141–149. |
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| Huston, Shaun: "Live/Work. Portland, Oregon as a Place for Comics Creation." In: Comic Book Geographies. Hrsg. v. Jason Dittmer. (Media Geography at Mainz, 4.) Stuttgart: Franz Steiner, 2014, S. 59–71. |
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| de la Iglesia, Martin: "Geographical Classification in Comics." In: International Journal of Comic Art 9.2 (2007), S. 330–339. |
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| Jaeok, Yoo: "Trends in Korean Comic Publishing." In: ABD. Asian/Pacific Book Development 34.1 (2003), S. 8–9. |
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| Jenkins, Henry: "The cultural logic of media convergence." In: International Journal of Cultural Studies 7 (2004), S. 33–43. |
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| Johnsen, Derek: "Will the Real Wolverine Please Stand Up? Marvel’s Mutation from Monthlies to Movies." In: Film and Comic Books. Hrsg. v. Ian Gordon, Mark Jancovich und Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007, S. 64–86. |
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| Johnson, Derek: "Cinematic Destiny. Marvel Studios and the Trade Stories of Industrial Convergence." In: Cinema Journal 52.1 (2012), S. 1–24. |
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| Kagelmann, H. Jürgen: "Comic-Themenparks." In: Comics Anno 3 (1995), S. 250–279. |
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| Kaplan, Arie: "How Jews Transformed the Comic Book Industry. Part II: The Silver Age (1956–1978)." In: Reform Judaism 32.2 (2003), S. 10–16. |
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| ---: "How Jews Transformed the Comic Book Industry. Part III: The Bronze Age: (1979– )." In: Reform Judaism 32.3 (2004), S. 12–18. |
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| ---: "How the Jews Created the Comic Book Industry. Part I: The Golden Age (1933–1955)." In: Reform Judaism 32.1 (2003), S. 14–23. |
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| Kidman, Shawna Feldmar: Comic Books Incorporated. How the Business of Comics Became the Business of Hollywood. Berkeley: Univ. of California Press, 2019. (313 S.) |
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| ---: "Five Lessons for New Media from the History of Comics Culture." In: International Journal of Learning and Media 3.4 (2011), S. 41–54. |
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| ---: "Self-Regulation through Distribution. Censorship and the Comic Book Industry in 1954." In: The Velvet Light Trap 75 (2015), S. 21–37. |
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| Kinsella, Sharon: "Pro-establishment manga. Pop-culture and the balance of power in Japan." In: Media, Culture & Society 21 (1999), S. 567–572. |
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| Klaehn, Jeffery: "‘Batman is all about contingency planning’. An interview with American comic-book writer Chuck Dixon." In: Journal of Graphic Novels and Comics 5.1 (2014), S. 118–122. |
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| ---: "An interview with comic book writer Fred Van Lente." In: Journal of Graphic Novels and Comics 8.1 (2017), S. 89–98. |
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| ---: "‘The important thing, always, is to tell a good story’. an interview with comic book creator Erik Larsen." In: Journal of Graphic Novels and Comics 7.4 (2016), S. 445–455. |
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| Klock, Geoff: The Future of Comics, the Future of Men. Matt Fraction’s Casanova. Edwardsville: Sequart Research & Literacy Organization, 2015. (136 S.) |
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| Knigge, Andreas C. "Das Studio Hergé nach Hergés Tod. Andreas C. Knigge im Gespräch mit Alain Baran." In: Comic Jahrbuch (1987), S. 118–124. |
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| Knilli, Friedrich et al. "Aspekte der Entwicklung zu einer visuellen Kultur am Beispiel der Comics. Der Stand der Comicsforschung in der Bundesrepublik." In: Communications. The European Journal of Communication Research 9.2–3 (1983), S. 149–189. |
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| Lackaff, Derek und Michael Sales: "Black comics and social media economics. New media, new production models." In: Black Comics. Politics of Race and Representation. Hrsg. v. Sheena C. Howard und Ronald L. Jackson II. New York: Bloomsbury, 2013, S. 65–78. |
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| Ladd, Fred: Astro Boy and Anime Come to the Americas. An Insider’s View of the Birth of a Pop Culture Phenomenon. Jefferson, London: McFarland, 2009. (222 S.) |
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| Lainé, Jean-Marc: Stan Lee. Homère du XXe siècle. (La bibliothèque des miroirs-BD, 9.) Lyon: Les moutons électriques, 2013. (244 S.) |
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| Laqua, Carsten: Wie Micky unter die Nazis fiel. Walt Disney und Deutschland. (rororo Sachbuch.) Reinbek bei Hamburg: Rowohlt, 1992. (250 S.) |
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