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| Beaty, Bart. "Superhero fan service: Audience strategies in the contemporary interlinked Hollywood blockbuster." The Information Society 32.(2016): 318–25. |
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| Bell, Mark. "The Salvation of Comics: Digital Prophets and Iconoclasts." Review of Communication 6.(2006): 131–40. |
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| Clarke, M. J. "The production of the Marvel Graphic Novel series: The business and culture of the early direct market." Journal of Graphic Novels and Comics 5.(2014): 192–210. |
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| Claverie, Ezra. "Folklore, Fakelore, Scholars, and Shills Superheroes as “Myth”." Journal of Popular Culture 52.(2019): 976–98. |
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| Clements, Jonathan. Schoolgirl Milky Crisis: Adventures in the Anime and Manga Trade. London: Titan Books, 2009. |
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| Coogan, Peter. "From Love to Money: The First Decade of Comics Fandom." International Journal of Comic Art 12.(2010): 50–67. |
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| Dastidar, Diptarup Ghosh. "Prospects of Comics Studies in India." Gnosis Special Issue (2019): 113–28. |
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| Deppey, Dirk. "Suicide Club: How Greed and Stupidity Disemboweled the American Comic-Book Industry in the 1990s." The Comics Journal (2006): 68–75. |
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| Dony, Christophe, Tanguy Habrand, and Gert Meesters, eds. La bande dessinée en dissidence / Comics in Dissent: Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. ACME. Liège: Presses Univ. de Liège, 2014. |
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| Elliott, Timothy and Robert Dennis Watkins. "Sexy Art, Speculative Commerce The X-Men #1 Launch Extravaganza." The Ages of The X-Men. Essays on the Children of the Atom in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2014. 105–15. |
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| Falardeau, Mira. A History of Women Cartoonists. Oakville: Mosaic, 2018. |
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| Flanagan, Martin, Andrew Livingstone, and Mike McKenny. The Marvel Studios Phenomenon: Inside a Transmedia Universe. New York: Bloomsbury Academic, 2016. |
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| Fleischer, Sandra and Robert Seifert. "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Eds. Sebastian Schinkel and Ina Herrmann. Bielefeld: Transcript, 2017. 219–36. |
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| Flora, Cornelia Butler. "Fotonovelas: Message Creation and Reception." Journal of Popular Culture 14.(1980): 524–34. |
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| Foster, Caitlin. "Marvel vs. DC Mergers, Acquisitions and Corporate Rebranding in the New Millennium." Cinephile 9.(2013): 12–19. |
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| Gaiman, Neil. "Shameful Secrets of Comics Retailing: The Lingerie Connection." How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Ed. Deni Loubert. San Diego: Friends of Lulu, 1997. 3–5. |
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| García, Enrique. "Coon Imagery in Will Eisner’s The Spirit and Yolanda Vargas Dulché’s Memín Pinguín and Its Legacy in the Contemporary United States and Mexican Comic Book Industries." International Journal of Comic Art 12.(2010): 112–24. |
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| Gearino, Dan. Comic Shop: The Retail Mavericks Who Gave Us a New Geek Culture. Athens: Swallow, 2017. |
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| Klaehn, Jeffery. "‘Batman is all about contingency planning’: An interview with American comic-book writer Chuck Dixon." Journal of Graphic Novels and Comics 5.(2014): 118–22. |
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| Klaehn, Jeffery. "‘The important thing, always, is to tell a good story’ an interview with comic book creator Erik Larsen." Journal of Graphic Novels and Comics 7.(2016): 445–55. |
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| Klaehn, Jeffery. "An interview with comic book writer Fred Van Lente." Journal of Graphic Novels and Comics 8.(2017): 89–98. |
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