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| Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject: Femininity and the Disavowal of Homosexuality in Transnational Boys’ Love Manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 159–76. |
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| Azuma, Hiroki. Otaku: Japan’s Database Animals. Minneapolis: Univ. of Minnesota Press, 2009. |
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| Bachmayer, Eva. "»Gequälter Engel« – Das Frauenbild in den erotischen Comics in Japan: Versuch einer psychoanalytischen und feministischen Interpretation." Aspekte japanischer Comics. Eds. Megumi Maderdonner and Eva Bachmayer. Beiträge zur Japanologie. Wien: Inst. f. Japanologie, Univ. Wien, 1986. 95–223. |
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| Bailey, Catherine E. "Prince Charming by Day, Superheroine by Night? Subversive Sexualities and Gender Fluidity in Revolutionary Girl Utena and Sailor Moon." Colloquy 24 2012. Accessed 11Mar. 2013. <http://artsonline.monas ... twenty-four_/bailey.pdf>. |
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| Bainbridge, Jason. "Seduction of the Serial Killer: Representing Justice with Lecter, Dexter and the Death Note." The Australian Journal of Crime Fiction 1. 2 2015. Accessed 8Jan. 2016. <http://www.australiancr ... on-of-the-serial-killer>. |
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| Bainbridge, Jason and Craig Norris. "Hybrid Manga: Implications for the Global Knowledge Economy." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 235–52. |
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| Balzer, Jens. "The Roses of Coconino: Reading the shōjo in Krazy Kat." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 167–77. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige Motive in den Comics von Miyazaki Hayao, Moebius und Chris Ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Ban, Toshio. The Osamu Tezuka Story: A Life in Manga and Anime. Berkeley: Stone Bridge Press, 2016. |
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| Baraniak-Hirata, Zuzanna and Agata Włodarczyk. "Bending Gender in Japanese Arts: Queering Girls Culture, Takarazuka Revue and Boys’ Love Manga." Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Eds. Barbara Braid, Ewa Glapka and Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ. 2019. 295–316. |
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| Barber, Christie, Mio Bryce, and Jason Davis. "The Making of Killer Cuties." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 13–25. |
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| Barbieri, Daniele. "Fumetti – Samurai allo specchio." Golem L’Indispensabile 2004. Accessed 2Dec. 2012. <http://www.golemindispe ... ?_idnodo=7958&_idfrm=62>. |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese Manga, European Mythology and Ultimate Reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Baudinette, Thomas. "Japanese gay men’s attitudes towards ‘gay manga’ and the problem of genre." East Asian Journal of Popular Culture 3. (2017): 59–72. |
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| Bauer, Thomas. "When an energy drink exalts a table tennis hero: Brand placement and subvertising in the manga Ping-Pong Dash!! by Honda Shingo." Loisir et Société / Society and Leisure 41. (2018): 233–49. |
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| Bauwens-Sugimoto, Jessica. "Queering Black Jack: A Look at How the Manga Industry Adapts to Changing Reader Demographics." Orientaliska Studier (2016): 111–40. |
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| Bauwens-Sugimoto, Jessica. "The “Monstrous Feminine” in the work of Sakamoto Shin'ichi." 国際文化研究 (Kokusai Bunka) (2018): 3–16. |
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| Bazylewicz, Tomasz. "Transfer of Japanese Culture Patterns on the Example of a Comic Book: How Manga Conquered the World and Became an Integral Part of the Polish Publishing market?." Studia Historiae Oeconomicae 36. (2018): 105–23. |
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| Beaty, Bart. "Jirō Taniguchi: France’s Mangaka." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 144–60. |
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| Beaty, Bart. "Some Classics." The Cambridge Companion to the Graphic Novel. Ed. Stephen E. Tabachnick. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2017. 175–91. |
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| Beaty, Bart and Stephen Weiner, eds. Manga. Critical Survey of Graphic Novels. Englewood Cliffs: Salem Pr. 2012. |
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| Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
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| Becker, Andreas. "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami): Ein Vergleich zwischen weiblicher und männlicher Rache im Manga und in der Filmadaption." Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Eds. Hyunseon Lee and Isabel Maurer Queipo. Bielefeld: Transcript, 2013. 197–218. |
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| Behr, Maiko. "Undefining Gender in Shimizu Reiko’s Kaguyahime." U.S.-Japan Women's Journal (2003): 8–29. |
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| Berkowitz, Drew Emanuel. Framing School Violence and Bullying in Young Adult Manga: Fictional Perspectives on a Pedagogical Problem. New York [etc.]: Palgrave Macmillan, 2020. |
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| Berndt, Jaqueline. "Japanische Massenkultur im Wandel: Ästhetisch-kulturelle Prozesse im gegenwärtigen Japan am Beispiel massenliterarischer Bestseller und Manga." Dissertation Dr. phil. Humboldt-Universität zu Berlin, 1990. |
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| Berndt, Jaqueline. Phänomen Manga: Comic-Kultur in Japan. Japan-Edition. Berlin: edition q, 1995. |
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| Berndt, Jaqueline. El fenómeno manga. Ediciones Martínez Roca, 1996. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the Reality of Sexual Slavery." Journal of Popular Culture 31. (1997): 177–87. |
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| Berndt, Jaqueline. "»Verkunstung« des Comics. Wo japanische Kunstwissenschaft und Mangastudien sich bislang begegnen." Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar (1998): 52–73. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11. (2004): 13–19. |
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| Berndt, Jaqueline. "Beweglich, flächig, glatt: »Japan« und »Manga« in den Arbeiten des Künstlers Murakami Takashi." Facetten der japanischen Populär- und Medienkultur 1. (2005): 5–36. |
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| Berndt, Jaqueline. "Comics an der Uni: Japanisch-deutsche Erfahrungen mit Japanologie und Kunstwissenschaft. Erfahrungsbericht zur DAAD-Gastdozentur, Universität Leipzig/Japanologie, SS 2005." 2005. Accessed 4Aug. 2011. <http://www.uni-leipzig. ... daad_bericht_berndt.pdf>. |
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| Berndt, Jaqueline. "Etikett »Manga«: Comics als Alltagsreferenz und Exotikum bei gegenwärtigen japanischen Künstlern." Ostasiatische Zeitschrift (2006): 19–28. |
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| Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54. (2006): 28–41. |
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| Berndt, Jaqueline. "Traditions of Contemporary Manga (1). Relating Comics to Premodern Art." SIGNs. Studies in Graphic Narratives 1. (2008): 33–47. |
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| Berndt, Jaqueline. "Shōjo global: Japanische Mädchenmanga zwischen Kitsch und Kritik." kjl&m 61. (2009): 32–38. |
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| Berndt, Jaqueline, ed. Comics Worlds and the World of Comics: Towards Scholarship on a Global Scale. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. |
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| Berndt, Jaqueline. "Facing the Nuclear Issue in a “Mangaesque” Way: The Barefoot Gen Anime." Cinergie 2 2012. Accessed 20Apr. 2013. <http://www.cinergie.it/?p=1840>. |
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| Berndt, Jaqueline, ed. Intercultural Crossovers, Transcultural Flows: Manga/Comics. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2012. |
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| Berndt, Jaqueline, ed. Manhwa, Manga, Manhua: East Asian Comics Studies. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. |
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| Berndt, Jaqueline. "Manga ist nicht gleich Manga: Plädoyer für eine Differenzierung." Aus Politik und Zeitgeschichte 64. (2014): 49–54. |
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| Berndt, Jaqueline. Manga: Medium, Kunst und Material: Manga: Medium, Art and Material. Leipzig: Leipziger Universitätsverlag, 2015. |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted: Revisiting the 2014 Manhwa Exhibit in Angoulême from the Perspective of Manga Studies." Orientaliska Studier (2016): 143–69. |
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| Berndt, Jaqueline. "Manga als Kunst: Zur Sprache des Comic in der Bildenden Kunst der 90er Jahre." Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München. Eds. Ulrich Apel, Josef Holzapfel and Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997. 336–41. |
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| Berndt, Jaqueline. "Hand in Hand: Kouno Fumiyos Mangaserie Kono sekai no katasumi ni (In This Corner of the World) im Vergleich zur Anime-Adaptation durch Katabuchi Sunao." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 53–84. |
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| Berndt, Jaqueline. "Introduction: Attempts at cross-cultural comics studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 5–16. |
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| Berndt, Jaqueline. "Manga x Museum in Contemporary Japan." Manhwa, Manga, Manhua. East Asian Comics Studies. Ed. Jaqueline Berndt. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. 141–50. |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting Manga Studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo Suehiro's Historically Ambiguous Comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Berndt, Jaqueline. "Skim as Girl: Reading a Japanese North American Graphic Novel through Manga Lenses." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. 257–78. |
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| Berndt, Jaqueline. "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 128–42. |
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| Berndt, Jaqueline. "‘Real’ Manga: Diversity, Hybridity, Relationalities." Shinjigen. Manga hyōgen no genzai. Manga Realities. Exploring the Art of Japanese Comics Today. Eds. Yasuko Furuichi and Mito Geijutsukan. Tōkyō: Kokusai Kōryū Kikin, 2010. 203–09. |
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| Added by: joachim Last edited by: joachim 8/29/13, 4:54 PM |
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| Berndt, Jaqueline. "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." Nacktheit. Ästhetische Inszenierungen im Kulturvergleich. Ed. Kerstin Gernig. Literatur – Kultur – Geschlecht. Kleine Reihe. Köln, Weimar, Wien: Böhlau, 2002. 327–48. |
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| Added by: joachim Last edited by: joachim 7/30/09, 3:00 PM |
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| Berndt, Jaqueline. "Manga and ‘Manga’: Contemporary Japanese Comics and their Dis/similarities with Hokusai Manga." Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000. Eds. Arkadiusz Jabłoński, Stanisław Meyer and Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009. 210–22. |
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| Added by: joachim Last edited by: joachim 2/20/11, 11:27 PM |
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| Berndt, Jaqueline and Bettina Kümmerling-Meibauer, eds. Manga’s Cultural Crossroads. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. |
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| Added by: joachim Last edited by: joachim 6/25/20, 11:57 AM |
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| Berndt, Jaqueline. "Considering Manga Discourse: Location, Ambiguity, Historicity." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 351–69. |
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| Added by: joachim Last edited by: joachim 12/15/10, 2:25 AM |
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| Berndt, Jaqueline. "Permeability and Othering: The Relevance of “Art” in Contemporary Japanese Manga Discourse." Critical Perspectives on Twentieth Century Japanese Thought. Ed. Livia Monnet. Montreal: Montreal Univ. Press, 2001. 349–75. |
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| Added by: joachim Last edited by: joachim 5/14/10, 10:47 PM |
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| Berndt, Jaqueline. "Mangamania: Dis/Continuities, Perspective Changes and Diversity." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Added by: joachim 2/15/11, 11:41 AM |
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| Berndt, Jaqueline. "Mangamania: Dis/kontinuitäten, Perspektivenwechsel, Vielfalt." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Added by: joachim Last edited by: joachim 2/15/11, 11:14 AM |
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| Berndt, Jaqueline and Steffi Richter, eds. Reading Manga. Local and Global Perceptions of Japanese Comics. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. |
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| Added by: joachim Last edited by: joachim 8/21/09, 2:50 AM |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's Wartime Past as Represented in Manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Added by: joachim Last edited by: joachim 10/24/10, 3:02 AM |
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| Berndt, Jaqueline. "Bilderwelten: Popularität des Manga und Visualitätskultur." Ästhetik und Ästhetisierung in Japan. Ed. Werner Schaumann. München: iudicium, 1993. 41–53. |
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| Added by: joachim 4/1/19, 1:05 PM |
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| Berndt, Jaqueline. "Ghostly: ‘Asian Graphic Narratives,’ Nonnonba, and Manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Added by: joachim Last edited by: joachim 10/14/13, 1:54 AM |
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| Berndt, Jaqueline. "A Manifold ‘Flat Battlefield’: The Critical Potential of Manga as Seen through Okazaki Kyoko’s Works." LIFE, English Supplement to Exhibition Catatalogue. Ed. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006. 23–26. |
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| Added by: joachim Last edited by: joachim 8/11/15, 10:17 AM |
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