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| Fujimoto, Yukari. "Where Is My Place in the World? Early shōjo manga portrayals of lesbianism." Mechademia 9. (2014): 25–42. |
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| Fujiwara, Erika. "An analysis of Contemporary Manga Culture in Japan and Sweden: With a study of the works of naoki urasawa." Master thesis Master. Lunds universitet, 2010. |
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| Fuse, Hideto. "Notes on the Color Pink in Japanese Art." Pink. The Exposed Color in Contemporary Art and Culture. Ed. Barbara Nemitz. Ostfildern-Ruit: Hatje Cantz, 2006. 54–63. |
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| Galbraith, Patrick W. "Moe: Exploring virtual potential in post-millennial japan." electronic journal of contemporary japanese studies 2009. Accessed 18 Nov. 2009. <http://www.japanesestud ... les/2009/Galbraith.html>. |
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| Galbraith, Patrick W. The Otaku Encyclopedia: An insider's guide to the subculture of cool japan. Tokyo: Kodansha Int. 2009. |
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| Galbraith, Patrick W. "Fujoshi: Fantasy play and transgressive intimacy among “rotten girls” in contemporary japan." Signs. Journal of Women in Culture and Society 37. (2011): 211–32. |
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| Galbraith, Patrick W. "Lolicon: The reality of ‘virtual child pornography’ in japan." Image [&] Narrative 12. 1 2011. Accessed 5 Sept. 2011. <http://www.imageandnarr ... ive/article/view/127/98>. |
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| Galeani, Giuseppe. "Archimedes and the Human Folly in Hitoshi Iwaaki’s Eureka." Ancient Violence in the Modern Imagination. The Fear and the Fury. Eds. Irene Berti, Maria G. Castello and Carla Scilabra. IMAGINES – Classical Receptions in the Visual and Performing Arts. New York: Bloomsbury Academic, 2020. |
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| Gallacher, Lesley-Anne. "(Fullmetal) alchemy: The monstrosity of reading words and pictures in shonen manga." Cultural Geographies 18. (2011): 457–73. |
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| Gan, Sheuo Hui. "To Be or Not to Be – Anime: The controversy in japan over the “anime” label." Animation Studies 2010. Accessed 19 Apr. 2011. <http://journal.animatio ... over-the-“anime”-label/>. |
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| Gan, Sheuo Hui. "Manga in Malaysia: An approach to its current hybridity through the career of the shōjo mangaka kaoru." International Journal of Comic Art 13. (2011): 164–78. |
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| Gangnes, Madeline B. "Static action, silent sound: Translating visual techniques from manga to film in katsuhiro ōtomo’s akira." Studies in Comics 5. (2014): 155–85. |
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| García Pacheco, Juan A. and Francisco J. López Rodríguez. "La representación icónica y narrativa de la mujer en el cómic japonés masculino: El shounen manga y el horror manga." Cuestiones de género: de la igualdad y la diferencia 7 2012. Accessed 24 Jun. 2019. <http://revpubli.unileon ... genero/article/view/906>. |
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| Gardner, Richard A. "Aum Shinrikyō and a Panic About Manga and Anime." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 200–18. |
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| Gariglio, Stefano. "Neon Genesis Evangelion e la nuova animazione seriale giapponese." Tesi datt. Universita degli studi, 2003. |
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| Garnar, Andrew Wells. "It’s the End of the Species as We Know It, and I Feel Anxious." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 287–99. |
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| Gaschler, Peter M. "Noch einmal von vorne anfangen: Hayao miyazaki, meister des anime." Das Science Fiction Jahr 8. (2009): 1025–39. |
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| Gazi, Jeeshan. "De/facing race: Towards a model for a universal world comics." Journal of Graphic Novels and Comics 8. (2017): 119–38. |
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| Gelfand, Lynn. "“Moon Prism Power, Make-Up!”: Sailor moon and the transformation of the multiform story in modern media." Scan. Journal of media arts culture 9. 1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... mber1/Lynn-Gelfand.html>. |
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| Gibbs, Christy. "In the Eye of the Beholder: Bishounen as fantasy and reality." Refractory 20 2012. Accessed 27 Oct. 2013. <http://refractory.unime ... 12/11/07/christy-gibbs/>. |
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| Gibson, Alicia. "Astro Boy and the Atomic Age." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 181–91. |
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| Giddens, Thomas. "Law and the machine: Fluid and mechanical selfhood in the ghost in the shell." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 89–105. |
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| Giesa, Felix and Jens Meinrenken. "Das Auge des Bildes: Popkultur und intermedialität in naoki urasawas manga-erzählung 20th century boys." Kinder- und Jugendliteraturforschung 19. (2012/2013): 91–104. |
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| Giesa, Felix and Jens Meinrenken. "The Eye of the Image: Transcultural characteristics and intermediality in urasawa naoki’s transcultural narrative 20th century boys." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 93–106. |
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| Gildenhard, Bettina. "History as Faction: Historiography within japanese comics as seen through tezuka osamu's manga adolf." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 95–106. |
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| Gill, Tom. "Fetuses in the Sewer: A comparative study of classic 1960s manga tatsumi yoshihiro and tsuge yoshiharu." International Journal of Comic Art 13. (2011): 325–43. |
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| Gill, Tom. "“Chiko,” “A View of the Seaside,” and “Mister Ben of the Igloo”: Visual and verbal narrative technique in three classic manga by yoshiharu tsuge." International Journal of Comic Art 14. (2012): 169–90. |
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| Gill, Tom. "Transformational Magic: Some japanese super-heroes and monsters." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores Martinez. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 1998. 33–55. |
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| Glasspool, Lucy Hannah. "Simulation and database society in Japanese role-playing game fandoms: Reading boys’ love dōjinshi online." Transformative Works and Cultures 12 2013. Accessed 2 May. 2013. <http://journal.transfor ... wc/article/view/433/360>. |
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| Göhlen, Josef. "Suspect, Yet Successfull: Anime’s way onto german television." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 234–39. |
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| Göhlen, Josef. "Suspekt, doch erfolgreich: Der weg der anime ins zdf." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 234–39. |
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| Goldberg, Wendy. "Transcending the Victim’s History: Takahata isao’s grave of the fireflies." Mechademia 4. (2009): 39–52. |
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| Gossin, Pamela. "Interdisciplinary Meets Cross-Cultural: Teaching anime and manga on a science and technology campus." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 288–98. |
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| Gössmann, Hilaria. "Einführung: ›Fukushima‹ in Medien, Populärkultur und Literatur." Dokumentation, Trostspende oder Anklage? Die Atomkatastrophe von Fukushima in japanischen Medien, Populärkultur und Literatur. Ed. Hilaria Gössmann. Schriften der Gesellschaft für Japanforschung. Gesellschaft für Japanforschung, 2021. 7–46. |
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| Gottschalg, Rainer. "Digitalisierung und »Post-Schöpfung« in Ghost in the Shell (1995): Der japanische animationsfilm: ein (theologisch-)anthropologischer diskursort." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 214–35. |
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| Grabbe, Lars. "Die Evolution des Cyborgs: Künstliche lebensformen im japanischen anime ergo proxy (2006)." Japan — Europa. Wechselwirkungen zwischen den Kulturen im Film und den darstellenden Künsten. Eds. Kayo Adachi-Raabe, Andreas Becker and Florian Mundhenke. Darmstadt: Büchner, 2010. 213–30. |
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| Graillat, Ludovic. "America vs. Japan: The influence of american comics on manga." Refractory 10 2006/07. Accessed 16 Nov. 2011. <http://refractory.unime ... manga-ludovic-graillat/>. |
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| Grassmuck, Volker. "»Allein, aber nicht einsam« – die otaku-Generation: Zu einigen neueren trends in der japanischen populär- und medienkultur." Computer als Medium. Eds. Norbert Bolz, Friedrich Kittler and Christoph Tholen. Literatur- und Medienanalysen. München: Fink, 1994. 267–96. |
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| Gravett, Paul. Manga. 60 Years of Japanese Comics. 3rd ed. New York: Collins Design, 2010. |
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| Gravett, Paul. Mangasia: The definitive guide to asian comics. London u. New York: Thames & Hudson, 2017. |
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| Grein, Marion. "Die Rezeption japanischer Comics (Manga) in der deutschen Literatur." Interkulturalität. Aktuelle Entwicklungstendenzen in Literatur, Sprache und Gesellschaft. Eds. Yasuo Ariizumi, Kōichi Kazamatsu and Konrad Meisig. East Asia Intercultural Studies/Interkulturelle Ostasienstudien. Wiesbaden: Harassowitz, 2006. 135–56. |
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| Grennan, Simon. "The Influence of Manga on the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 320–36. |
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| Grigsby, Mary. "Sailormoon: Manga (Comics) and Anime (Cartoon) Superheroine Meets Barbie: Global entertainment commodity comes to the united states." Journal of Popular Culture 32. (1998): 59–80. |
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| Grigsby, Mary. "The Social Production of Gender as Reflected in Two Japanese Culture Industry Products: sailormoon and crayon shin-chan." Themes and Issues in Asian Cartooning. Cute, Cheap, Mad, and Sexy. Ed. John A. Lent. Bowling Green: Bowling Green State Univ. Popular Press, 1999. 183–210. |
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| Gronsky, Daniel Gaines Edward. "Frame to Frame: A historical analysis of the evolution and propagation of the comic book film." Diss. Ph.D. University of Connecticut, 2008. |
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| Groth, Gary. "“My Strategy Was To Create The Opposite”: An interview with yoshihiro tatsumi." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 310–19. |
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| Guden, Mireille. "Tagawa Suihos ›Norakuro‹: Eine analyse unter berücksichtigung der entwicklung des manga in der taishô- und der frühen meiji-zeit." Magisterarbeit M.A. Universität Trier, 1997. |
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| Guilbert, Xavier. "Le manga et son histoire vus de France: Entre idées reçues et approximations." Comicalités 2012. Accessed 11 Nov. 2012. <http://comicalites.revues.org/733>. |
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| Guilbert, Xavier. "Matsumoto Taiyô." du9 2013. Accessed 21 Aug. 2013. <http://www.du9.org/entretien/matsumoto-taiyo/>. |
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| Guilbert, Xavier. "Matsumoto Taiyou." du9 2013. Accessed 21 Aug. 2013. <http://www.du9.org/en/entretien/matsumoto-taiyou/>. |
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| Gunston, John. "The Inverted Quest of Ashitaka: A jungian analysis of princess mononoke." Ecclectica 2003. Accessed 3 Jun. 2011. <http://www.ecclectica.ca/issues/2003/1/gunston.asp>. |
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| Gwynne, Joel. "Warrior of Love: Japanese girlhood’s postfeminist asian body in cutie honey (hideaki anno, 2004)." International Cinema and the Girl. Local Issues, Transnational Contexts. Eds. Fiona Handyside and Kate Taylor-Jones. Global Cinema. New York [etc.]: Palgrave Macmillan, 2016. 49–60. |
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| Haas, Daniel. "Why Nice Princesses Don’t Always Finish Last." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 121–30. |
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| Hahn Aquila, Meredith Suzanne. "Ranma 1/2 Fan Fiction Writers: New narrative themes or the same old story?." Mechademia 2. (2007): 34–47. |
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| Hairston, Marc. "The Reluctant Messiah: Miyazaki hayao's nausicaä of the valley of the wind manga." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 173–84. |
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| Hall, Alexis. "Gay or Gei? Reading “realness” in japanese yaoi manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 211–20. |
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| Hammonds, Kyle A. and Garrett Hammonds. "Seeing with Shinigami Eyes: death note as a case study in narrative, naming, and control." The Phoenix Papers 3. 1 2017. Accessed 13 Jan. 2019. <http://fansconf.a-kon.c ... ami-Eyes-Death-Note.pdf>. |
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| Hanaki, Toru. "A Gift from Tiger Mask: Performing goodwill in the guise of comic book heroes." Communication, Culture and Critique 5. (2012): 409–26. |
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| Hand, Richard J. "Dissecting the Gash: Sexual horror in the 1980s and the manga of suehiro maruo." M/C Journal 7. 4 2004. Accessed 22 Nov. 2011. <http://journal.media-cu ... g.au/0410/05_horror.php>. |
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| Hand, Jung-Sun N. "Empire of Comic Visions: Japanese cartoon journalism and its pictorial statements on korea, 1876–1910." Japanese Studies 26. (2006): 283–302. |
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| Hartung, John. "The CPU Has Its Reasons." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 55–66. |
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| Haruo Eikenaar, Jannik. "Otaku Dreams: The re-membering of japan in murakami takashi’s “earth at my window”." Forum for World Literature Studies 3. (2011): 94–106. |
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| Hatano, Kanji. "Children’s Comics in Japan." Japanese Popular Culture. Ed. Hidetoshi Kato. Tokyo: Charles E. Tuttle, 1959. 103–08. |
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| Haverkemper, Petra. Manga in deutschen Bibliotheken: Hintergründe, marktsituation, perspektiven. Saarbrücken: VDM, 2006. |
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| Hayley, Emma. "Manga Shakespeare." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 267–80. |
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| Heinrich, Karen. "Kostümwechsel: Weibliche rollendarstellungen im cosplay." Japanische Populärkultur und Gender. Ein Studienbuch. Eds. Michiko Mae, Elisabeth Scherer and Katharina Hülsmann. Geschlecht und Gesellschaft. Wiesbaden: Springer VS, 2016. 237–72. |
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| Heinricy, Shana. "Take a Ride on the Catbus." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 3–11. |
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| Heinze, Ulrich. "kankei nai-Schrift: jukugo und manga." Japanische Bruchkanten. Konturen der kankei nai-Kultur. Soziologie. Berlin [etc.]: LIT, 2006. 19–36. |
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| Heinze, Ulrich. "Time travel topoi in Japanese manga." Japan Forum 24. (2012): 163–84. |
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| Heinze, Ulrich. Japanische Blickwelten: Manga, medien und museen im zeichen künstlicher realität. Bielefeld: Transcript, 2013. |
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| Hemmann, Kathryn. Manga Cultures and the Female Gaze. East Asian Popular Culture. New York [etc.]: Palgrave Macmillan, 2020. |
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| Herget, Miriam. "Die Figur Hitler im japanischen Manga: Mizuki shigerus gekika hittorâ." Magisterarbeit M.A. Goethe-Universität Frankfurt a.M. 2011. |
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| Hernández, Álvaro David Hernández. "The Anime Industry, Networks of Participation, and Environments for the Management of Content in Japan." Arts 7. 3 2018. <https://www.mdpi.com/2076-0752/7/3/42>. |
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| Hernandez-Perez, Manuel. "Looking into the “Anime Global Popular” and the “Manga Media”: Reflections on the scholarship of a transnational and transmedia industry." Arts 8. 2 2019. Accessed 28 Jun. 2020. <https://www.mdpi.com/2076-0752/8/2/57>. |
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| Hernandez-Perez, Manuel, Kevin Corstorphine, and Darren Stephens. "Cartoons vs. Manga Movies: A brief history of anime in the uk." Mutual Images 2 2017. Accessed 12 Feb. 2018. <www.mutualimages-journa ... .php/MI/article/view/36>. |
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| Heuman, Josh and Richard Burt. "Suggested for Mature Readers? Deconstructing shakespearean value in comic books." Shakespeare after Mass Media. Ed. Richard Burt. New York [etc.]: Palgrave Macmillan, 2002. 151–71. |
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| Hiebler, Heinz. "Wissens- und Kulturvermittlung in Graphic Novels und Comic Guides: Mediale praktiken der welterschließung am beispiel der themenbereiche sexualität und japan." Germanistische Mitteilungen 38. (2012): 45–66. |
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| Hirota, Akiko. "The Tale of Genji: From heian classic to heisei comic." Journal of Popular Culture 31. (1997): 29–68. |
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| Ho, Elizabeth. "Victorian Maids and Neo-Victorian Labour in Kaoru Mori’s Emma: A Victorian Romance." Neo-Victorian Studies 6. 2 2013. Accessed 28 Nov. 2019. <http://www.neovictorian ... /NVS%206-2-2%20E-Ho.pdf>. |
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| Holmberg, Ryan. "For Your Words, I Shall Rip Out Your Tongue: Shirato sanpei and the talking head of manga." International Journal of Comic Art 8. (2006): 426–55. |
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| Holmberg, Ryan. "Let We Go: An interview with hiroki otsuka." International Journal of Comic Art 10. (2008): 200–17. |
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| Holmberg, Ryan. "Hear no, speak no: Sasaki maki manga and nansensu, circa 1970." Japan Forum 21. (2009): 115–41. |
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| Holmberg, Ryan. Garo Manga: The first decade, 1964–1973. New York: The Center for Book Arts, 2010. |
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| Holmberg, Ryan. "The Manga of Garo, 1964–1973." Orientations. The Monthly Magazine for Collectors and Connoisseurs of Asian Art 41. (2010): 55–61. |
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| Holmberg, Ryan. "Eye Drum: Yokoyama yuichi and audiovisual abstraction in comics." The Comics Journal 2017. Accessed 28 Nov. 2023. <https://www.tcj.com/eye ... -abstraction-in-comics/>. |
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| Holmberg, Ryan. The Translator Without Talent. Richmond: Bubbles Zine, 2020. |
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| Horbinski, Andrea. "Record of Dying Days: The alternate history of ōoku." Mechademia 10. (2015): 63–79. |
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| Hori, Hikari. "Views from Elsewhere: Female shoguns in yoshinaga fumi’s ōoku and their precursors in japanese popular culture." Japanese Studies 32. (2012): 77–95. |
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| Hori, Akiko. "On the response (or lack thereof) of Japanese fans to criticism that yaoi is antigay discrimination." Transformative Works and Cultures 12 2013. Accessed 2 May. 2013. <http://journal.transfor ... wc/article/view/463/388>. |
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