| Aarons, Victoria. Holocaust Graphic Narratives: Generation, trauma, and memory. New Brunswick: Rutgers Univ. Press, 2020. |
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| Ahmed, Maaheen. "Historicizing in Graphic Novels: The welcome subjective g(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 184–202. |
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| Ahrens, Jörn. "Neun Thesen zur Möglichkeit einer Rekonfiguration von Geschichte im Comic." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 45–56. |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the historical imagination in the united states. Vol. 1. Jackson: Univ. Press of Mississippi, 2022. |
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| Last edited by: joachim 11/8/21, 2:37 PM |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the historical imagination in the world. Vol. 2. Jackson: Univ. Press of Mississippi, 2022. |
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| Ali, Barish. "The Violence of Criticism: The mutilation and exhibition of history in from hell." Journal of Popular Culture 38.(2005): 605–31. |
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| Alsina, Jean. "La narración en El Artefacto perverso: Algunas calas en un objeto inagotable." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 210–28. |
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| Alsina, Jean. "Lope de Aguirre, trilogie du scénariste Felipe Hernández Cava Promotion du lecteur et exténuation du mythe." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 453–69. |
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| Aman, Robert. "Swedish Colonialism, Exotic Africans and Romantic Anti-Capitalism Notes on the comic series johan vilde." Third Text 30.(2016): 60–75. |
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| Amihay, Ofra. "Passing under separation: Comics representations of the holocaust and the berlin wall." Journal of Graphic Novels and Comics 4.(2013): 278–96. |
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| Artinger, Kai. "Graphic Novels und Fotografie: Das geschichts- und frauenbild in zwei deutschen graphic novels." Virtuelles Magazin 2000 64 2012. Accessed 4 June. 2012. <http://www.vm2000.net/64/Artinger.pdf>. |
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| Baetens, Jan. "History Against the Grain? On the relationship between visual aesthetics and historical interpretation in the contemporary spanish graphic novel." Rethinking History 6.(2002): 345–56. |
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| Baetens, Jan. "Comics and characterization: The case of fritz haber (david vandermeulen)." Journal of Graphic Novels and Comics 4.(2013): 84–91. |
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| Ballis, Anja. "Die Überlebenden und ihre Kinder: Die graphic novel »ich war das kind von holocaust-überlebenden« als unterrichtslektüre (klassenstufen 9–10)." Deutschunterricht 65.(2012): 9–10. |
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit Zeitgeschichte im comic." Geschichte und Gesellschaft 37.(2011): 47–71. |
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| Bancaud, Florence. "Le Roman graphique: Une nouvelle écriture du traumatisme ?." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 73–84. |
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| Barrera-Vidal, Albert. "Le Moyen Âge dans la bande dessinée." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 25–43. |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9.(2010): 81–98. |
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| Last edited by: joachim 5/31/17, 9:44 AM |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe kubert’s children of the warsaw ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Baumann, Uwe. "»Populäre Inszenierung des Grauens«: Attila und die hunnen-einfälle im modernen geschichts-comic." Die Völkerwanderung. Mythos – Forschung – Vermittlung. Eds. Peter Geiss and Konrad Vössing. Wissenschaft und Lehrerbildung. Bonn: Bonn Univ. Press, 2021. 183–229. |
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| Beadling, Laura L. "Twin Turns: Art spiegelman’s in the shadow of no towers and history." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 37–54. |
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| Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17.(2013): 99–116. |
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| Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im comic. Marburg: Tectum, 2009. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the reality of sexual slavery." Journal of Popular Culture 31.(1997): 177–87. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11.(2004): 13–19. |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted Revisiting the 2014 manhwa exhibit in angoulême from the perspective of manga studies." Orientaliska Studier (2016): 143–69. |
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| Berndt, Jaqueline. "Eine zeitlos schöne Nation: Das neue geschichtslehrbuch als bildergeschichte." Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan. Ed. Steffi Richter. 2003. 191–217. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo suehiro's historically ambiguous comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's wartime past as represented in manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Berthel, Teresa. "Geschichtsbewusstsein wecken: Ein besonderer zugang zum thema nationalsozialismus anhand der graphic novel die suche." Praxis Deutsch (2012): 28–34. |
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| Birkmeyer, Jens. "Bildersuche nach dem Krieg: Eignet sich der holocaust-comic die suche für den deutschunterricht?." kjl&m 62.(2010): 56–63. |
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| Blancher, Marc. "On affame bien les rats! Oder: ein ästhetischer bericht über die unterdrückung in den 70er jahren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 327–43. |
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| Blank, Juliane. "»Aber wir dürfen uns vor dem Bösen nicht verstecken«: Die vergegenwärtigung historischer mordfälle in der »serienmörder-trilogie« von peer meter." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 101–17. |
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| Bock, Dennis. "»Gezeichnete Fluchtromantik? Auf keinen Fall« – Die Geschichte des Fluchtversuchs ›Tunnel 57‹ im Comic zwischen bildungspolitischer Wissensvermittlung und Abenteuererzählung." Trauma-Erfahrungen und Störungen des ›Selbst‹. Mediale und literarische Konfigurationen lebensweltlicher Krisen. Ed. Carsten Gansel. Untersuchungen zur deutschen Literaturgeschichte. Berlin u. Boston: de Gruyter, 2020. 421–48. |
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| Börnchen, Stefan. "Marcel Beyer im Gespräch mit der Comiczeichnerin Ulli Lust: Roman in sprechblasen." Marcel Beyer. Eds. Torsten Hahn and Christof Hamann. transLIT. Köln: Buchhandl. Klaus Bittner, 2016. 49–80. |
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| Boykin, Jessica. "Filling in the Gutters: Graphic biographies disrupting dominant narratives of the civil rights movement." Journal of Multimodal Rhetorics 3.1 2019. Accessed 29 May. 2019. <http://journalofmultimo ... cs.com/3-1-issue-boykin>. |
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| Bridges, Elizabeth. "Bridging the Gap: A literacy-oriented approach to teaching the graphic novel der erste frühling." Die Unterrichtspraxis/Teaching German 42.(2009): 152–61. |
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| Bridges, Elizabeth. "Schiller Reading Comics: The aesthetics of nostalgia and the wende-narrative in contemporary graphic novels." Colloquia Germanica 48.(2015): 343–56. |
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| Britten, Bob. "Picturing Terror: Visual and verbal rhetoric in the 9/11 report graphic adaptation." International Journal of Comic Art 12.(2010): 355–69. |
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| Brizzi, Giovanni and Sergio Tisselli. "Ein Streifzug durch einen historischen Comic: Die abenteuer von ducarius dem gallier." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 22–31. |
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| Brock, Jennifer. "‘One Should Never Forget’ : The tangling of history and memory in persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 223–41. |
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| Brodersen, Kai, ed. Asterix und seine Zeit: Die große welt des kleinen galliers. Beck’sche Reihe. 3rd ed. München: C.H. Beck, 2008. |
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| Brodersen, Kai. "Die kleine Welt des großen Galliers." Asterix und seine Zeit. Die große Welt des kleinen Galliers. Ed. Kai Brodersen. 3rd ed. Beck’sche Reihe. München: C.H. Beck, 2008. 12–18. |
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| Brown, Joshua. "Every Picture Tells a Story, Don’t It?." Radical History Review 46–47.(1990): 425–35. |
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| Bruttmann, Tal. "The Holocaust through Comic Books." Re-examining the Holocaust through Literature. Eds. Aukje Kluge and Benn E. Williams. Newcastle upon Tyne: Cambridge Scholars Publ, 2009. 173–200. |
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| Budick, Emily Miller. "Forced Confessions: The case of art spiegelman’s maus." Prooftexts 21.(2001): 379–98. |
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| Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13.(2012): 623–38. |
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| Candel, Daniel. "The rhythms of narrative tension and its cultural satisfaction: Frank miller’s 300." English Text Construction 11.(2018): 169–98. |
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| Carlà, Filippo. "Messalina und die anderen »Girls« – römische Erotik im italienischen Comic." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 62–75. |
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| Castello, Maria G. "Kaiser Julian: Apostasie und Comics." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 94–104. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer. "Introduction: Comics and memory in latin america." Comics and Memory in Latin America. Eds. Jorge L. Catalá-Carrasco, Paulo Drinot and James Scorer. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. 3–32. |
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| Cerri, Chiara. "Comics zu aktuellen zeitgeschichtlichen Sujets: Eine visuell-sprachliche herausforderung für den landeskundlichen daf-unterricht." Visuelle Medien im DaF-Unterricht. Materialien Deutsch als Fremdsprache. Göttingen: Universitätsverl. Göttingen, 2014. 119–52. |
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| Chandra, Nandini. The Classic Popular: Amar chitra katha, 1967–2007. New Delhi: Yoda Press, 2008. |
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| Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." Melus 32.(2007): 175–200. |
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| Chaney, Michael A. "Slave Memory Without Words in Kyle Baker’s Nat Turner." Callaloo 36.(2013): 279–97. |
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| Chaney, Michael A. "Misreading with the President: Re-reading the covers of john lewis’s march." International Journal of Comic Art 20.(2018): 25–42. |
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| Chaney, Michael A. "Not Just a Theme: Transnationalism and form in visual narratives of us slavery." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 15–31. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chapman, Jane, et al.. Comics and the World Wars: A cultural record. Palgrave Studies in the History of the Media. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chappelow, Christian. "Hitler und die Moral der Geschichte: Über mizuki shigeru und seinen manga gekiga hittorâ." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 293–306. |
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| Cheng Chua, Karl Ian Uy. "Representing the war in manga." Controversial History Education in Asian Contexts. Eds. Mark Baildon, et al.. London, New York: Routledge, 2014. 123–39. |
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| Chisholm, James S., Ashley L. Shelton, and Caroline C. Sheffield. "Mediating Emotive Empathy With Informational Text: Three students’ think-aloud protocols of gettysburg: the graphic novel." Journal of Adolescent & Adult Literacy (2017). |
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| Chopelin, Paul and Tristan Martine, eds. Le Siècle des Lumières en bande dessinée: De poudre et de dentelles. Esprit BD. Paris: Karthala, 2014. |
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| Chute, Hillary. "“The Shadow of a Past Time”: History and graphic representation in maus." Twentieth Century Literature 52.(2006): 199–230. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Clark, J. Spencer. "“Your Credibility Could Be Shot”: Preservice teachers’ thinking about nonfiction graphic novels, curriculum decision making, and professional acceptance." The Social Studies 104.(2013): 38–45. |
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| Colin, Mariella. "La guerre civile espagnole vue dans les bandes dessinées de l’Italie fasciste." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 27–46. |
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| Colin, Nicole. "Triviale Einsichten? Die darstellung brisanter deutsch-französischer themen in der graphic novel." Populärkultur und deutsch-französische Mittler/Culture de masse et médiateurs franco-allemands. Akteure, Medien, Ausdrucksformen/Acteurs, médias, articulations. Eds. Dietmar Hüser and Ulrich Pfeil. Bielefeld: Transcript, 2015. 53–72. |
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| Coudouy, Josiane. Le phénomène Astérix. Toulouse: Inst. de Recherches sur la Bande Dessinée, 1972. |
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| Cromer, Michael and Penney Clark. "Getting Graphic with the Past: Graphic novels and the teaching of history." Theory & Research in Social Education 35.(2007): 574–91. |
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| Cutrara, Samantha. "Drawn out of History: The representation of women in chester brown’s louis riel: a comic strip biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 121–43. |
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| Last edited by: joachim 12/20/18, 2:10 AM |
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| Cutter, Martha J. and Cathy J. Schlund-Vials, eds. Redrawing the Historical Past: History, memory, and multiethnic graphic novels. Athens: Univ. of Georgia Press, 2018. |
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| Danesin, Maxime. "Beyond Time & Culture The revitalisation of old norse literature and history in yukimura makoto’s vinland saga." Mutual Images 2 2017. Accessed 12 February. 2018. <https://www.mutualimage ... /mi/article/view/Vol2-7>. |
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| Daugherty, Gregory X. "“The Greatest Story Ever Drawn!” Cleopatra in American Comics." International Journal of Comic Art 11.(2009): 208–30. |
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| Davies, Dominic and Candida Rifkind, eds. Documenting Trauma in Comics: Traumatic pasts, embodied histories, and graphic reportage. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020. |
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| Davis-McElligatt, Joanna C. "Walk Together, Children The function of interplay of comics, history, and memory in martin luther king and the montgomery story and john lewis’s march: book one." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 298–311. |
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| Davis-McElligatt, Joanna. "Confronting the Intersections of Race, Immigration, and Representation in Chris Ware’s Comics." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 135–45. |
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| Davo, Yves. "September 11, 2001 Witnessing history, demythifying the story in american widow." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 237–49. |
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| de Groot, Jerome. Consuming History: Historians and heritage in contemporary popular culture. London, New York: Routledge, 2008. |
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| Demers, Hugo. "La biographie historique en bande dessinée : une histoire alternative: Une étude de cas sur louis riel." Maîtrise ès arts Mémoire. Université de Saint-Boniface, 2012. |
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| de Syon, Guillaume. "Did You Learn Your Strip? The history of france as comic fad in the 1970s." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 33–46. |
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| Dey, Arunima. "Women in the Partition of India: Graphic narratives." Visual Past 3.1 2016. Accessed 16 August. 2016. <http://www.visualpast.d ... ive/pdf/vp2016_0109.pdf>. |
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| Dhariwal, Kultej. "How Do Comics Tell History?." Journal of Comics and Culture 1.(2016): 49–76. |
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| Dickason, Renée. "Entre mémoire et histoire: La fabrique d’un imaginaire de la grande guerre en bande dessinée. le cas de jacques tardi." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. Chêne-Bourg: Georg, 2011. 185–203. |
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| Dickason, Renée. "Histoire/histoire(s) ou la construction fictionnelle de la Seconde Guerre mondiale dans les bandes dessinnées britanniques." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 47–64. |
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| Dittmar, Jakob F. "Comics and History: Myth-making in nazi references." International Journal of Comic Art 15.(2013): 270–86. |
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| Dittmar, Jakob F. "Comic und Geschichtsbewusstsein: Mythisierung im gegensatz zur historisierung." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 419–27. |
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| Dohm, Annekatrin. Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. Oldenburger Vor-Drucke. Oldenburg: ZpB, 1999. |
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| Dolle-Weinkauff, Bernd. "Das »Dritte Reich« im Comic: Geschichtsbilder und darstellungsästhetische strategien einer rekonstruierten gattung." Jahrbuch für Antisemitismusforschung 2.(1993): 298–332. |
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| Dolle-Weinkauff, Bernd. "Was ist ein »Geschichtscomic«? Über historisches erzählen in comic, manga und graphic novel." Comparativ 24.(2014): 29–46. |
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| Dolle-Weinkauff, Bernd, ed. Geschichte im Comic: Befunde – theorien – erzählweisen. Berlin: Ch.A. Bachmann, 2018. |
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| Dolle-Weinkauff, Bernd. "What Are »Historical Comics«? On historical storytelling in comics, manga and graphic novels." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 11–28. |
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| Last edited by: Okwuchi Mba 8/21/18, 6:18 PM |
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| Dolle-Weinkauff, Bernd. "Danach, das Ende und der Anfang Aktuelle comic-schlaglichter auf die zeit der ns-herrschaft und des ii. weltkrieges." Bücher haben ihre Geschichte. Kinder- und Jugendliteratur, Literatur und Nationalsozialismus, Deutschdidaktik. Eds. Petra Joosting and Jan Wirrer. Hildesheim, New York: Olms, 1996. 161–76. |
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| Added by: joachim 9/28/09, 2:22 PM |
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| Dolle-Weinkauff, Bernd. "Autofiktion als Geschichtsschreibung? Historisches und autobiografisches erzählen im comic." Autobiografie intermedial. Fallstudien zur Literatur und zum Comic. Eds. Kalina Kupczyńska and Jadwiga Kita-Huber. Bielefeld: Aisthesis, 2019. 391–404. |
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| Added by: joachim 4/13/19, 7:53 PM |
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| Dolle-Weinkauff, Bernd. "Geschichte zwischen Grandiosität und Gag: Historisches erzählen in bildgeschichte und comic." GeschichtsBilder. Historische Jugendbücher aus vier Jahrhunderten. Eds. Carola Pohlmann and Rüdiger Steinlein. Wiesbaden: Reichert, 2000. 301–16. |
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| Added by: joachim 11/13/09, 3:29 AM |
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| Dong, Lan. "Autobiography, Documentary, and History in Comics the four immigrants manga and citizen13660." Journal of Comics and Culture 2.(2017): 3–28. |
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| Donnelly, Kevin. "“Well, Anyway” The marvelous and the mundane in jimmy corrigan, the smartest kid on earth." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 89–108. |
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| Dunker, Axel. "»Time Flies«: Mediale selbstreflexität in art spiegelmans holocaust-comic maus." Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Ed. Matías Martínez. Schrift und Bild in Bewegung. Bielefeld: Aisthesis, 2004. 79–98. |
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| Added by: joachim 10/7/10, 2:39 AM |
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| Eaglestone, Robert. "Madness or Modernity? The holocaust in two anglo-american comics." Rethinking History 6.(2002): 319–30. |
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| Last edited by: joachim 1/6/10, 6:49 PM |
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