Althouse, Matthew T. "Kevlar Armor, Heat-Seeking Bullets and Social Order: A Mythological Reading of Judge Dredd." Comics & Ideology. Eds. Matthew P. McAllister, Edward H. Sewell, Jr. and Ian Gordon. Popular Culture and Everyday Life. 2001. 195–219. |
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Barnett, Stuart. "Astérix and the Dream of Autochthony." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 131–42. |
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Cadrette, Ryan. "S/Z in Panels: Adaptation, Polysemous Textuality and the Graphic Novel." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 31–38. |
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Elliot, Scott S. "Transrendering Biblical Bodies: Reading Sex in The Action Bible and Genesis Illustrated." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 132–48. |
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Geppert, Hans Vilmar. "Dreistellig-semiotische Erzähltheorie: Entwurf einer Orientierung." Theorien der Literatur. Grundlagen und Perspektiven. Bd IV. Eds. Günter Butzer and Hubert Zapf. Tübingen: Francke, 2009. 305–37. |
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Hahn, Hans-Joachim. "»Reality beats out surrealism every time!«: Realitätseffekte reconsidered: Comics als Reflexionen von Wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88. |
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Hörner, Fernand. "Beflügelte Fantasie: Asterix, die unbeugsamen Gallier und der Widerstandsmythos." Inflation der Mythen? Zur Vernetzung und Stabilität eines modernen Phänomens. Eds. Stephanie Wodianka and Juliane Ebert. Bielefeld: Transcript, 2016. 163–94. |
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Kluver, Randy. "Comic Effects: Postcolonial Political Mythologies in The World of Lily Wong." Journal of Communication Inquiry 24. (2000): 195–215. |
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Kluver, Randy. "Comic Effects: Postkoloniale politische Mythen in The World of Lily Wong." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 237–54. |
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Peeters, Benoît. Lire Tintin: Les bijoux ravis. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2007. |
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Rommens, Aarnoud. "C Stands for Censorship: “Dirty War” Comics, Camouflage and Buscavidas." Image [&] Narrative 6. 2 2005. Accessed 29Sep. 2009. <http://www.imageandnarr ... /tulseluper/rommens.htm>. |
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Round, Julia. "“Be vewy vewy quiet. We’re hunting wippers”: A Barthesian Analysis of the Construction of Fact and Fiction in Alan Moore and Eddie Campbell’s From Hell." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 188–201. |
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Sillars, Stuart. Visualisation in Popular Fiction 1860–1960: Graphic Narratives, Fictional Images. Narrative forms and social formations. London, New York: Routledge, 1995. |
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Szczepaniak, Angela. "Minding the Gaps: A Cannulated Reading Process Developed through the Works of bpNichol, Chris Ware, and Art Spiegelman." PhD Diss. University at Buffalo, State University of New York, 2011. |
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Weingart, Brigitte. "Where is your rupture? Zum Transfer zwischen Text- und Bildtheorie." Die Adresse des Mediums. Eds. Stefan Andriopoulos, Gabriele Schabacher and Eckhard Schumacher. Mediologie. Köln: DuMont, 2001. 136–57. |
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