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Displaying 1 - 100 of 1101 (Bibliography: WIKINDX Master Bibliography)
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Acciaioli, Stefania: "William Blakes intertextueller Dialog zwischen Wort und Bild." In: Schrift und Graphisches im Vergleich. Hrsg. v. Monika Schmitz-Emans, Linda Simonis und Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019, S. 165–182.  
Added by: joachim 2021-05-08 12:58
Aggleton, Jen: "Defining digital comics. A British Library perspective." In: Journal of Graphic Novels and Comics (2018), S. 1–17.  
Last edited by: joachim 2018-08-02 10:41
Agland, Jamie: "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.  
Last edited by: joachim 2014-02-12 17:23
Ahmed, Maaheen und Martin Lund: "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." In: Scan. Journal of media arts culture 9.1 (2012).  
Added by: joachim 2013-05-04 10:36
Ahmed, Maaheen: "Collages in Comics. The Case of Dave McKean." In: Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Hrsg. v. Maaheen Ahmed, Stephanie Delneste und Jean-Louis Tilleuil. Paris: L’Harmattan, 2017, S. 53–74.  
Added by: joachim 2017-07-20 14:16
---: Monstrous Imaginaries. The Legacy of Romanticism in Comics. Jackson: University Pr. of Mississippi, 2019. (235 S.)  
Last edited by: joachim 2021-08-31 12:58
Alaniz, José: "Into Her Dead Body. Moore & Campbell’s From Hell." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 145–149.  
Last edited by: joachim 2012-02-29 23:33
---: "Rutting in Free Fall. Moore & Bissette/Zulli’s Act of Faith." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 129–134.  
Last edited by: joachim 2018-08-22 17:53
---: "“Rutting in Free-Fall”. Moore and Bissette/Zulli’s Act of Faith." In: International Journal of Comic Art 10.1 (2008), S. 407–419.  
Last edited by: joachim 2018-08-22 17:54
---: "Speaking the ‘Truth’ of Sex. Moore & Gebbie’s Lost Girls." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 273–276.  
Last edited by: joachim 2011-11-05 15:27
---: "Speaking the “Truth” of Sex. Moore & Gebbie’s Lost Girls." In: International Journal of Comic Art 8.2 (2006), S. 307–318.  
Last edited by: joachim 2011-11-05 16:15
---: "‘Will You Listen to That!’. (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." In: Comics Forum (7. Sept. 2012).  
Added by: joachim 2013-04-13 01:01
Aldridge, Alan und George Perry: The Penguin Book of Comics. A Slight History. 3. Aufl. New York: Penguin, 1989. (272 S.)  
Last edited by: joachim 2013-01-03 14:17
Alegría Sabogal, Diego Cristóbal: "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling. Intertextuelle Bedeutungsketten bei Neil Gaiman." In: Ketten. Hrsg. v. Petra Gehring. Essen: Blaue Eule, 2017, S. 111–128.  
Last edited by: joachim 2021-10-14 13:35
---: "Voices Staged and Shaded. Comic Collaborations between P. Craig Russell and Neil Gaiman." In: Cuadernos Literarios 9.12 (2015).  
Last edited by: joachim 2021-10-14 13:27
---: Von Endlosen, Ewigen und Anderen. Die Darstellung des Undarstellbaren bei Neil Gaiman. (Studia Comparatistica, 12.) Berlin: Ch.A. Bachmann, 2021. (396 S.)  
Last edited by: joachim 2021-10-04 13:36
Ali, Barish: "The Violence of Criticism. The Mutilation and Exhibition of History in From Hell." In: Journal of Popular Culture 38 (2005), S. 605–631.  
Last edited by: joachim 2009-10-18 22:30
Alonso Jerez, Marta: "New Gender Identities in the Twenty-First Century. Blending Victorian and Steampunk Cultures." In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Hrsg. v. Simonetta Falchi, Greta Perletti und Maria Isabel Romero Ruiz. (Critica letteraria e linguistica, 100.) Milano: FrancoAngeli, 2015, S. 59–72.  
Last edited by: joachim 2020-08-26 18:22
Alspaugh, Leann Davis: "Treading Upon the Shroud. Martin Rowson’s Graphic Novel Version of Tristram Shandy." In: The Shandean 20 (2009), S. 131–146.  
Last edited by: joachim 2013-01-20 14:58
Althouse, Matthew T. "Kevlar Armor, Heat-Seeking Bullets and Social Order. A Mythological Reading of Judge Dredd." In: Comics & Ideology. Hrsg. v. Matthew P. McAllister, Edward H. Sewell, Jr. und Ian Gordon. (Popular Culture and Everyday Life, 2.) 2001, S. 195–219.  
Last edited by: joachim 2010-05-08 18:18
Anderson, Leslie J. "Myth and the Superhero. Personal Choice in Batman, Arkham Asylum: A Serious House on Serious Earth." In: International Journal of Comic Art 14.1 (2012), S. 507–524.  
Added by: joachim 2013-01-08 16:29
Anderson, Kane: "V for Occupy. Transmedial Theatricality, V for Vendetta, and the Occupy Movement." In: International Journal of Comic Art 14.2 (2012), S. 143–168.  
Added by: Deleted user 2013-06-25 11:53
Angel, Christina C. "The Hermeneutics of Spider-Man. What Is Peter Parker Doing in Elizabethan England?" In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 74–80.  
Added by: joachim 2012-09-25 13:08
Antal, Frederick: Hogarth and His Place in European Art. London: Routledge & Paul, 1962. (270 S.)  
Added by: joachim 2013-09-14 13:59
---: Hogarth und seine Stellung in der europäischen Kunst. 2. Aufl. Dresden: Verl. d. Kunst, 1991. (607 S.)  
Added by: joachim 2013-09-14 14:06
von Arburg, Hans-Georg: Kunst-Wissenschaft um 1800. Studien zu Georg Christoph Lichtenbergs Hogarth-Kommentaren. Göttingen: Wallstein, 1998. (432 S.)  
Added by: joachim 2012-04-17 00:08
Arp, Robert: "Hooded Justice and Captain Metropolis. The Ambiguously Gay Duo." In: Watchmen and Philosophy. A Rorschach Test. Hrsg. v. Mark D. White. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2009, S. 185–196.  
Last edited by: joachim 2009-12-20 00:59
Atkinson, Doug und R. J. White: The Annotated Watchmen. Your Complete Guide to the Classic Series. 1995. (12. Juni 2018) .  
Added by: joachim 2018-06-12 16:02
Atkinson, Paul: "The Time of Heroes. Narrative, Progress, and Eternity in Miracleman." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 44–63.  
Last edited by: joachim 2010-04-24 09:41
Ault, Donald: "Re-Visioning William Blake's The Four Zoas." In: ImageTexT 3.2 (2007).  
Last edited by: Deleted user 2010-01-25 15:01
Ayres, Jackson: Alan Moore. A Critical Guide. (Bloomsbury Comics Studies.) New York: Bloomsbury Academic, 2021. (240 S.)  
Last edited by: joachim 2021-05-10 02:17
---: "The Integrity of the Work. Alan Moore, Modernism, and the Corporate Author." In: Journal of Modern Literature 39.2 (2016), S. 144–166.  
Added by: joachim 2017-02-25 01:04
Babilas, Dorota: "Her Majesty’s Own Murderer? Queen Victoria and Jack the Ripper in Popular Fiction." In: Crime Scenes. Modern Crime Fiction in an International Context. Hrsg. v. Urszula Elias und Agnieszka Sienkiewicz-Charlish. (Gdańsk Transatlantic Studies in British and North American Culture.) Frankfurt am Main [etc.]: Peter Lang, 2014, S. 213–228.  
Added by: joachim 2020-09-27 11:22
Bachmann, Holger: "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer Beispielinterpretation von Alan Moores »The Killing Joke«." In: Sprachwissenschaft 21.3 (1996), S. 337–366.  
Last edited by: joachim 2013-03-20 12:23
Backe, Hans-Joachim: "Alan Moores League of Extraordinary Gentlemen. Comics als/über/durch Literaturgeschichte." In: Literaturgeschichte und Bildmedien. Hrsg. v. Achim Hölter und Monika Schmitz-Emans. (Hermeia, 14.) Heidelberg: Synchron, 2015, S. 293–310.  
Added by: joachim 2016-05-22 14:09
---: "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." In: Breaking the Panel! Comics as a Medium. Hrsg. v. Rebecca Klütsch, Sina A. Nitzsche und Stefan Schlensag. (masteRResearch, 6.) Berlin [etc.]: LIT, 2015, S. 21–36.  
Added by: joachim 2017-06-05 14:05
---: "The League of Extraordinary Gentlemen as (Cultural) History." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen. Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 189–208.  
Last edited by: joachim 2018-08-25 14:03
---: "Transformation und Aneignung. Literarische Prätexte in Moores und Gibbons’ Watchmen." In: Comic und Literatur. Konstellationen. Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 187–202.  
Last edited by: joachim 2020-06-08 12:38
---: Under the Hood. Die Verweisstruktur der Watchmen. (yellow. Schriften zur Comicforschung, 4.) Bochum: Ch.A. Bachmann, 2010. (153 S.)  
Last edited by: joachim 2013-03-19 23:14
---: "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion. Watchmen und die Dekonstruktion des Heldentums." In: kritische berichte 39.1 (2011), S. 5–19.  
Last edited by: joachim 2011-11-03 13:18
Baetens, Jan: "Adapting and displaying multiple temporalities. What became of Trollope’s John Caldigate and Maupassant’s Boule de Suif in Simon Grennan’s Dispossession and Dino Battaglia’s Contes et nouvelles de guerre?" In: Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Hrsg. v. Simon Grennan und Laurence Grove. (Studies in European Comics and Graphic Novels, 4.) Leuven: Leuven Univ. Press, 2015, S. 15–32.  
Last edited by: joachim 2020-01-10 17:10
Baetens, Jan und Caren Litherland: "Latent Violence (Escher, Franc, Vaughn-James)." In: Yale French Studies 84 (1994), S. 222–241.  
Last edited by: joachim 2013-10-20 16:50
Baetens, Jan: "Uncaging and Reframing Martin Vaughn-James’s The Cage." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85.  
Last edited by: joachim 2014-07-28 09:52
Bailey, Peter: "Ally Sloper’s Half-Holiday. Comic Art in the 1880s." In: History Workshop 16 (1983), S. 4–31.  
Added by: joachim 2013-03-08 14:22
Baker, Bill (Hg.): Alan Moore On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (110 S.)  
Last edited by: joachim 2014-03-02 16:34
--- (Hg.): Alan Moore Spells It out. On Comics, Creativity, Magic and Much, Much More. Airwave Publ. 2005. (78 S.)  
Last edited by: joachim 2012-12-09 14:28
--- (Hg.): Alan Moore’s Exit Interview. Airwave Publ. 2007. (80 S.)  
Last edited by: joachim 2009-08-11 13:06
--- (Hg.): Neil Gaiman On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.)  
Last edited by: joachim 2014-03-02 17:04
Baker, James: "Satirising a Prince, or Making Light of a Culture of Errors." In: The Comics Grid 3.3 (2013).  
Added by: joachim 2016-04-04 12:45
Balinisteanu, Tudor: "Goddess Cults in Techno-Worlds. Tank Girl and the Borg Queen." In: Journal of Feminist Studies in Religion 28.1 (2012), S. 5–24.  
Last edited by: joachim 2020-08-22 20:15
Ballesteros, Antonio: "L’assassin multiple comme mythe moderne. From Hell d’Alan Moore et Eddie Campbell." In: Mythe et bande dessinée. Hrsg. v. Danielle Corrado und Viviane Alary. (Littératures.) Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006, S. 323–334.  
Last edited by: joachim 2016-08-28 13:35
Banhold, Lars: "»Yet Always Must it Love Sweet Music More«. Zur Funktion von Musik in V for Vendetta." In: Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Hrsg. v. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014, S. 129–147.  
Added by: joachim 2014-06-19 22:05
Banks, Amanda Carson und Elizabeth E. Wein: "Folklore and the Comic Book. The Traditional Meets the Popular." In: New Directions in Folklore 2 (1998).  
Last edited by: Joachim Trinkwitz 2010-03-21 01:04
Banta, Martha: Barbaric Intercourse. Caricature and the Culture of Conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. (433 S.)  
Last edited by: joachim 2019-10-21 18:26
Barbour, Chad A. "When Captain America Was an Indian. Heroic Masculinity, National Identity, and Appropriation." In: Journal of Popular Culture 48.2 (2015), S. 269–284.  
Added by: joachim 2017-01-19 11:38
Barker, Martin: Action. The Story of a Violent Comic. London: Titan Books, 1990. (285 S.)  
Last edited by: joachim 2017-08-12 15:30
---: Comics. Ideology, Power and the Critics. (Cultural Politics.) Manchester, New York: Manchester Univ. Press, 1989. (320 S.)  
Last edited by: joachim 2017-08-22 11:36
---: "Getting a Conviction. Or, How the British Horror Comics Campaign Only Just Succeeded." In: Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Hrsg. v. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999, S. 69–92.  
Last edited by: joachim 2013-02-22 16:26
---: A Haunt of Fears. The Strange History of the British Horror Comics Campaign. (Studies in Popular Culture.) Jackson: Pluto, 1992. (239 S.)  
Last edited by: joachim 2013-06-02 20:19
---: "Jackie and the Problem of Romance." In: A Comics Studies Reader. Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2009, S. 190–206.  
Added by: joachim 2011-01-03 02:50
Barker, Martin und Kate Brooks: Knowing Audiences. Judge Dredd, its Friends, Fans, and Foes. Luton: Univ. of Luton Press, 1998. (328 S.)  
Added by: joachim 2016-09-03 11:23
Barker, Martin: "Seeing how far you can see. On being a ‘fan’ of 2000 AD." In: Reading Audiences. Young people and the media. Hrsg. v. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993, S. 159–183.  
Last edited by: joachim 2010-05-08 18:11
---: "Taking the Extreme Case. Understanding a Fascist Fan of Judge Dredd." In: Trash Aesthetics. Popular Culture and its Audience. Hrsg. v. Deborah Cartmell et al. London: Pluto, 1997, S. 14–30.  
Last edited by: joachim 2010-05-08 23:14
Barnes, David: "Time in the Gutter. Temporal Structures in Watchmen." In: KronoScope 9 (2009), S. 51–60.  
Last edited by: joachim 2017-02-23 11:55
Barnet, Tully und Ben Kooyman: "The Cure Has Killed Us All. Dramatizing Medical Ethics through Zombie and Period Fiction Tropes in The New Deadwardians." In: The Walking Med. Zombies and The Medical Image. Hrsg. v. Lorenzo Servitje und Sherryl Vint. (Graphic Medicine.) University Park: Penn State Univ. Press, 2016.  
Last edited by: joachim 2019-09-07 20:12
Baroni, Raphaël: "Le récit dans l’image. Séquence, intrigue et configuration." In: Image [&] Narrative 12.1 (2011), S. 272–294, .  
Added by: joachim 2013-08-13 17:30
Bartual, Roberto: "William Hogarth’s A Harlot’s Progress. The beginnings of a purely pictographic sequential language." In: Studies in Comics 1.1 (2010), S. 83–105.  
Last edited by: joachim 2015-12-27 09:40
Basel, Marie-Catherine: "Jacky Fleming: “Falling in Love”." In: Image [&] Narrative 2.2 (2002).  
Added by: joachim 2011-01-03 14:36
Bates, Brian: "Graphic and Digital Keats. “La Belle Dame sans Merci” in Poetry Comics." In: Reconstruction 16.1 (2016).  
Added by: joachim 2016-06-01 15:47
Baurin, Camille: "Alan Moore. Métalepse et réflexivité." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 81–96.  
Last edited by: joachim 2017-02-19 12:27
---: Le metacomic. La réflexivité dans le comic book de super-héros contemporain.(Thèse de doctorat), Université de Poitiers, Ecole doctorale : Lettres, Pensée, Arts et Histoire 2012 (631 S.).  
Added by: joachim 2015-04-24 09:41
Bavlnka, Timothy: "/Co/operation and /co/mmunity in /co/mics. 4chan’s Hypercrisis." In: Transformative Works and Cultures 13 (2013).  
Last edited by: joachim 2013-06-19 21:10
---: "The Joke’s On Him. Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." In: Intensities: The Journal of Cult Media 5 (2013), S. 111–133, .  
Added by: joachim 2016-07-02 12:56
---: Superheroes and Shamanism. Magic and Participation in the Comics of Grant Morrison. Master of Arts (Thesis), Bowling Green State Univ. Popular Culture 2011 (96 S.).  
Last edited by: joachim 2011-06-21 23:23
Beckett, Chris: Reading Watchmen. 2015. (12. Juni 2018) .  
Added by: joachim 2018-06-12 15:45
Beineke, Colin: "“Her Guardiner”. Alan Moore’s Swamp Thing as the Green Man." In: ImageTexT 5.4 (2011).  
Last edited by: joachim 2013-03-13 21:23
Bell, Steve und Eli Valley: "Drawing truth to power. A conversation about cartoons between Steve Bell and Eli Valley." In: Jewish Quarterly 60.1 (2013), S. 28–33.  
Last edited by: joachim 2014-02-18 15:32
Bender, Hy: The Sandman Companion. A Dreamer’s Guide to the Award-Winning Comics Series. New York: DC Comics, 1999. (274 S.)  
Last edited by: joachim 2017-09-03 15:00
Bensam, Richard (Hg.): Minutes to Midnight. Twelve Essays on Watchmen. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010. (171 S.)  
Added by: joachim 2010-11-12 16:03
---: "Obsolete Models a Specialty. An Introduction." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 1–7.  
Added by: joachim 2010-11-13 23:46
Berlatsky, Eric (Hg.): Alan Moore. Conversations. (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2011. (240 S.)  
Last edited by: joachim 2013-04-24 01:55
---: "“Does That Change Anything?”. (Post)Feminist Implications of Gemma Bovery." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 127–146.  
Last edited by: joachim 2017-08-08 09:03
---: "Lone Woolf and Cubs. Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." In: The Gay Utopia (20. Dez. 2007).  
Added by: joachim 2014-02-27 16:45
---: "Time and Free Will. Bergson, Modernism, Superheroes, and Watchmen." In: Understanding Bergson, Understanding Modernism. Hrsg. v. Paul Ardoin, S. E. Gontarski und Laci Mattison. London, New York: Continuum, 2013, S. 256–280.  
Last edited by: joachim 2014-01-07 12:47
Bermudez Brataas, Delilah: "Gods and monsters. Authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare." In: Journal of Graphic Novels and Comics (2020), S. 1–24.  
Last edited by: joachim 2020-08-17 17:55
Bernard, Mark und James Bucky Carter: "Alan Moore and the Graphic Novel. Confronting the Fourth Dimension." In: ImageTexT 1.2 (2005).  
Last edited by: joachim 2012-07-06 12:55
Berninger, Mark: "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 253–264.  
Last edited by: joachim 2010-12-10 01:25
Besozzi, Michael T. “To Blaze Forever in a Blazing World”. Queer Reconstruction and Cultural Memory in the Works of Alan Moore. Master of Arts (Thesis), Georgia State University, College of Arts and Sciences 2011 (87 S.).  
Added by: joachim 2012-11-19 20:19
Bétan, Julien (Hg.): Alan Moore. Tisser l’invisible. (La bibliothèque des miroirs-BD, 3.) Lyon: Les moutons électriques, 2010. (307 S.)  
Last edited by: joachim 2014-10-09 10:19
Bevin, Phil: "Truth, Justice, and the Socialist Way? The Politics of Grant Morrison’s Superman." In: Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Hrsg. v. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018, S. 126–148.  
Last edited by: joachim 2018-09-01 00:38
Bishop, David und Karl Stock: Thrill-Power Overload. 2000 AD – the First Forty Years. Oxford: Rebellion, 2017. (301 S.)  
Last edited by: joachim 2017-09-12 12:55
Bissette, Stephen R. "Mr. Moore and Me." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 217–232.  
Added by: joachim 2009-08-15 00:41
Bjegac, Vesna und Anna Waczek: "Spiel mit Perspektiven. Hilda und der Mitternachtsriese von Luke Pearson." In: Praxis Deutsch 252 (2015), S. 15–18.  
Added by: joachim 2015-07-27 08:38
Blackbeard, Bill: Sherlock Holmes in America. New York: Abrams, 1981. (240 S.)  
Added by: joachim 2016-06-05 09:57
Blake, Charlie: "Pirate multiplicities. Aion, chronos and magical inscription in the graphic novels of Alan Moore." In: Studies in Comics 2.1 (2011), S. 121–134.  
Last edited by: joachim 2012-12-03 19:47
Blake, Brandy Ball: "Watchmen. The Graphic Novel as Trauma Fiction." In: ImageTexT 5.1 (2010).  
Last edited by: Deleted user 2010-02-01 14:06
Blank, Juliane: "Shaping the World. Dreams, Dreaming, and Dream-Worlds in Comics: Dream of the Rarebit Fiend (1904–1911), Little Nemo (1905–1911) and The Sandman (1989–1996)." In: Writing the Dream / Écrire le rêve. Hrsg. v. Bernard Dieterle und Manfred Engel. (Cultural Dream Studies, 1.) Würzburg: Königshausen & Neumann, 2017, S. 277–303.  
Last edited by: joachim 2021-02-22 16:23
Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013).  
Last edited by: joachim 2016-06-21 11:17
Boillat, Alain: "Douze minutes avant minuit. L’effet « graphic novel » du chapitrage dans Watchmen." In: Cahiers de Narratologie 34 (2018).  
Last edited by: joachim 2020-07-03 11:09
Bordeaux, Joel: "The Dark Knight of the Soul. Death as Initiatory Ordeal in Grant Morrison’s Batman R.I.P.." In: The Assimilation of Yogic Religions through Pop Culture. Hrsg. v. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017, S. 219–246.  
Last edited by: joachim 2018-12-02 11:34
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