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Acciaioli, Stefania: "William Blakes intertextueller Dialog zwischen Wort und Bild." In: Schrift und Graphisches im Vergleich. Hrsg. v. Monika Schmitz-Emans, Linda Simonis und Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019, S. 165–182.  
Added by: joachim 05/08/2021 12:58:48 PM
Aggleton, Jen: "Defining digital comics. A British Library perspective." In: Journal of Graphic Novels and Comics (2018), S. 1–17.  
Last edited by: joachim 08/02/2018 10:41:35 AM
Agland, Jamie: "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.  
Last edited by: joachim 02/12/2014 05:23:09 PM
Ahmed, Maaheen und Martin Lund: "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." In: Scan. Journal of media arts culture 9.1 (2012), (3. Mai 2013)  
Added by: joachim 05/04/2013 10:36:00 AM
Ahmed, Maaheen: "Collages in Comics. The Case of Dave McKean." In: Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Hrsg. v. Maaheen Ahmed, Stephanie Delneste und Jean-Louis Tilleuil. Paris: L’Harmattan, 2017, S. 53–74.  
Added by: joachim 07/20/2017 02:16:14 PM
Alaniz, José: "Into Her Dead Body. Moore & Campbell’s From Hell." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 145–149.  
Last edited by: joachim 02/29/2012 11:33:54 PM
---: "Rutting in Free Fall. Moore & Bissette/Zulli’s Act of Faith." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 129–134.  
Last edited by: joachim 08/22/2018 05:53:21 PM
---: "“Rutting in Free-Fall”. Moore and Bissette/Zulli’s Act of Faith." In: International Journal of Comic Art 10.1 (2008), S. 407–419.  
Last edited by: joachim 08/22/2018 05:54:21 PM
---: "Speaking the ‘Truth’ of Sex. Moore & Gebbie’s Lost Girls." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 273–276.  
Last edited by: joachim 11/05/2011 03:27:22 PM
---: "Speaking the “Truth” of Sex. Moore & Gebbie’s Lost Girls." In: International Journal of Comic Art 8.2 (2006), S. 307–318.  
Last edited by: joachim 11/05/2011 04:15:09 PM
---: "‘Will You Listen to That!’. (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." In: Comics Forum (7. Sept. 2012), (13. Apr. 2013)  
Added by: joachim 04/13/2013 01:01:22 AM
Aldridge, Alan und George Perry: The Penguin Book of Comics. A Slight History. 3. Aufl. New York: Penguin, 1989. (272 S.)  
Last edited by: joachim 01/03/2013 02:17:38 PM
Alegría Sabogal, Diego Cristóbal: Von Endlosen, Ewigen und Anderen. Die Darstellung des Undarstellbaren bei Neil Gaiman. (Studia Comparatistica, 12.) Berlin: Ch.A. Bachmann, 2021.  
Last edited by: joachim 05/03/2021 11:53:14 AM
Ali, Barish: "The Violence of Criticism. The Mutilation and Exhibition of History in From Hell." In: Journal of Popular Culture 38 (2005), S. 605–631.  
Last edited by: joachim 10/18/2009 10:30:01 PM
Alonso Jerez, Marta: "New Gender Identities in the Twenty-First Century. Blending Victorian and Steampunk Cultures." In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Hrsg. v. Simonetta Falchi, Greta Perletti und Maria Isabel Romero Ruiz. (Critica letteraria e linguistica, 100.) Milano: FrancoAngeli, 2015, S. 59–72.  
Last edited by: joachim 08/26/2020 06:22:55 PM
Alspaugh, Leann Davis: "Treading Upon the Shroud. Martin Rowson’s Graphic Novel Version of Tristram Shandy." In: The Shandean 20 (2009), S. 131–146.  
Last edited by: joachim 01/20/2013 02:58:17 PM
Althouse, Matthew T. "Kevlar Armor, Heat-Seeking Bullets and Social Order. A Mythological Reading of Judge Dredd." In: Comics & Ideology. Hrsg. v. Matthew P. McAllister, Edward H. Sewell, Jr. und Ian Gordon. (Popular Culture and Everyday Life, 2.) 2001, S. 195–219.  
Last edited by: joachim 05/08/2010 06:18:18 PM
Anderson, Leslie J. "Myth and the Superhero. Personal Choice in Batman, Arkham Asylum: A Serious House on Serious Earth." In: International Journal of Comic Art 14.1 (2012), S. 507–524.  
Added by: joachim 01/08/2013 04:29:35 PM
Anderson, Kane: "V for Occupy. Transmedial Theatricality, V for Vendetta, and the Occupy Movement." In: International Journal of Comic Art 14.2 (2012), S. 143–168.  
Added by: Deleted user 06/25/2013 11:53:56 AM
Angel, Christina C. "The Hermeneutics of Spider-Man. What Is Peter Parker Doing in Elizabethan England?" In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 74–80.  
Added by: joachim 09/25/2012 01:08:34 PM
Antal, Frederick: Hogarth and His Place in European Art. London: Routledge & Paul, 1962. (270 S.)  
Added by: joachim 09/14/2013 01:59:18 PM
---: Hogarth und seine Stellung in der europäischen Kunst. 2. Aufl. Dresden: Verl. d. Kunst, 1991. (607 S.)  
Added by: joachim 09/14/2013 02:06:41 PM
von Arburg, Hans-Georg: Kunst-Wissenschaft um 1800. Studien zu Georg Christoph Lichtenbergs Hogarth-Kommentaren. Göttingen: Wallstein, 1998. (432 S.)  
Added by: joachim 04/17/2012 12:08:06 AM
Arp, Robert: "Hooded Justice and Captain Metropolis. The Ambiguously Gay Duo." In: Watchmen and Philosophy. A Rorschach Test. Hrsg. v. Mark D. White. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2009, S. 185–196.  
Last edited by: joachim 12/20/2009 12:59:52 AM
Atkinson, Doug und R. J. White: The Annotated Watchmen. Your Complete Guide to the Classic Series. 1995. (12. Juni 2018) .  
Added by: joachim 06/12/2018 04:02:33 PM
Atkinson, Paul: "The Time of Heroes. Narrative, Progress, and Eternity in Miracleman." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 44–63.  
Last edited by: joachim 04/24/2010 09:41:30 AM
Ault, Donald: "Re-Visioning William Blake's The Four Zoas." In: ImageTexT 3.2 (2007), (25. Jan. 2010)  
Last edited by: Deleted user 01/25/2010 03:01:56 PM
Ayres, Jackson: Alan Moore. A Critical Guide. (Bloomsbury Comics Studies.) New York: Bloomsbury Academic, 2021. (240 S.)  
Last edited by: joachim 05/10/2021 02:17:04 AM
---: "The Integrity of the Work. Alan Moore, Modernism, and the Corporate Author." In: Journal of Modern Literature 39.2 (2016), S. 144–166.  
Added by: joachim 02/25/2017 01:04:59 AM
Babilas, Dorota: "Her Majesty’s Own Murderer? Queen Victoria and Jack the Ripper in Popular Fiction." In: Crime Scenes. Modern Crime Fiction in an International Context. Hrsg. v. Urszula Elias und Agnieszka Sienkiewicz-Charlish. (Gdańsk Transatlantic Studies in British and North American Culture.) Frankfurt am Main [etc.]: Peter Lang, 2014, S. 213–228.  
Added by: joachim 09/27/2020 11:22:13 AM
Bachmann, Holger: "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer Beispielinterpretation von Alan Moores »The Killing Joke«." In: Sprachwissenschaft 21.3 (1996), S. 337–366.  
Last edited by: joachim 03/20/2013 12:23:06 PM
Backe, Hans-Joachim: "Alan Moores League of Extraordinary Gentlemen. Comics als/über/durch Literaturgeschichte." In: Literaturgeschichte und Bildmedien. Hrsg. v. Achim Hölter und Monika Schmitz-Emans. (Hermeia, 14.) Heidelberg: Synchron, 2015, S. 293–310.  
Added by: joachim 05/22/2016 02:09:48 PM
---: "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." In: Breaking the Panel! Comics as a Medium. Hrsg. v. Rebecca Klütsch, Sina A. Nitzsche und Stefan Schlensag. (masteRResearch, 6.) Berlin [etc.]: LIT, 2015, S. 21–36.  
Added by: joachim 06/05/2017 02:05:36 PM
---: "The League of Extraordinary Gentlemen as (Cultural) History." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen. Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 189–208.  
Last edited by: joachim 08/25/2018 02:03:10 PM
---: "Transformation und Aneignung. Literarische Prätexte in Moores und Gibbons’ Watchmen." In: Comic und Literatur. Konstellationen. Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 187–202.  
Last edited by: joachim 06/08/2020 12:38:26 PM
---: Under the Hood. Die Verweisstruktur der Watchmen. (yellow. Schriften zur Comicforschung, 4.) Bochum: Ch.A. Bachmann, 2010. (153 S.)  
Last edited by: joachim 03/19/2013 11:14:20 PM
---: "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion. Watchmen und die Dekonstruktion des Heldentums." In: kritische berichte 39.1 (2011), S. 5–19.  
Last edited by: joachim 11/03/2011 01:18:21 PM
Baetens, Jan: "Adapting and displaying multiple temporalities. What became of Trollope’s John Caldigate and Maupassant’s Boule de Suif in Simon Grennan’s Dispossession and Dino Battaglia’s Contes et nouvelles de guerre?" In: Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Hrsg. v. Simon Grennan und Laurence Grove. (Studies in European Comics and Graphic Novels, 4.) Leuven: Leuven Univ. Press, 2015, S. 15–32.  
Last edited by: joachim 01/10/2020 05:10:50 PM
Baetens, Jan und Caren Litherland: "Latent Violence (Escher, Franc, Vaughn-James)." In: Yale French Studies 84 (1994), S. 222–241.  
Last edited by: joachim 10/20/2013 04:50:27 PM
Baetens, Jan: "Uncaging and Reframing Martin Vaughn-James’s The Cage." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85.  
Last edited by: joachim 07/28/2014 09:52:17 AM
Bailey, Peter: "Ally Sloper’s Half-Holiday. Comic Art in the 1880s." In: History Workshop 16 (1983), S. 4–31.  
Added by: joachim 03/08/2013 02:22:17 PM
Baker, Bill (Hg.): Alan Moore On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (110 S.)  
Last edited by: joachim 03/02/2014 04:34:25 PM
--- (Hg.): Alan Moore Spells It out. On Comics, Creativity, Magic and Much, Much More. Airwave Publ. 2005. (78 S.)  
Last edited by: joachim 12/09/2012 02:28:29 PM
--- (Hg.): Alan Moore’s Exit Interview. Airwave Publ. 2007. (80 S.)  
Last edited by: joachim 08/11/2009 01:06:21 PM
--- (Hg.): Neil Gaiman On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.)  
Last edited by: joachim 03/02/2014 05:04:38 PM
Baker, James: "Satirising a Prince, or Making Light of a Culture of Errors." In: The Comics Grid 3.3 (2013), (4. Apr. 2016)  
Added by: joachim 04/04/2016 12:45:41 PM
Balinisteanu, Tudor: "Goddess Cults in Techno-Worlds. Tank Girl and the Borg Queen." In: Journal of Feminist Studies in Religion 28.1 (2012), S. 5–24.  
Last edited by: joachim 08/22/2020 08:15:09 PM
Ballesteros, Antonio: "L’assassin multiple comme mythe moderne. From Hell d’Alan Moore et Eddie Campbell." In: Mythe et bande dessinée. Hrsg. v. Danielle Corrado und Viviane Alary. (Littératures.) Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006, S. 323–334.  
Last edited by: joachim 08/28/2016 01:35:49 PM
Banhold, Lars: "»Yet Always Must it Love Sweet Music More«. Zur Funktion von Musik in V for Vendetta." In: Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Hrsg. v. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014, S. 129–147.  
Added by: joachim 06/19/2014 10:05:49 PM
Banks, Amanda Carson und Elizabeth E. Wein: "Folklore and the Comic Book. The Traditional Meets the Popular." In: New Directions in Folklore 2 (1998), (21. März 2010)  
Last edited by: Joachim Trinkwitz 03/21/2010 01:04:50 AM
Banta, Martha: Barbaric Intercourse. Caricature and the Culture of Conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. (433 S.)  
Last edited by: joachim 10/21/2019 06:26:21 PM
Barbour, Chad A. "When Captain America Was an Indian. Heroic Masculinity, National Identity, and Appropriation." In: Journal of Popular Culture 48.2 (2015), S. 269–284.  
Added by: joachim 01/19/2017 11:38:22 AM
Barker, Martin: Action. The Story of a Violent Comic. London: Titan Books, 1990. (285 S.)  
Last edited by: joachim 08/12/2017 03:30:40 PM
---: Comics. Ideology, Power and the Critics. (Cultural Politics.) Manchester, New York: Manchester Univ. Press, 1989. (320 S.)  
Last edited by: joachim 08/22/2017 11:36:41 AM
---: "Getting a Conviction. Or, How the British Horror Comics Campaign Only Just Succeeded." In: Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Hrsg. v. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999, S. 69–92.  
Last edited by: joachim 02/22/2013 04:26:12 PM
---: A Haunt of Fears. The Strange History of the British Horror Comics Campaign. (Studies in Popular Culture.) Jackson: Pluto, 1992. (239 S.)  
Last edited by: joachim 06/02/2013 08:19:22 PM
---: "Jackie and the Problem of Romance." In: A Comics Studies Reader. Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2009, S. 190–206.  
Added by: joachim 01/03/2011 02:50:50 AM
Barker, Martin und Kate Brooks: Knowing Audiences. Judge Dredd, its Friends, Fans, and Foes. Luton: Univ. of Luton Press, 1998. (328 S.)  
Added by: joachim 09/03/2016 11:23:48 AM
Barker, Martin: "Seeing how far you can see. On being a ‘fan’ of 2000 AD." In: Reading Audiences. Young people and the media. Hrsg. v. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993, S. 159–183.  
Last edited by: joachim 05/08/2010 06:11:11 PM
---: "Taking the Extreme Case. Understanding a Fascist Fan of Judge Dredd." In: Trash Aesthetics. Popular Culture and its Audience. Hrsg. v. Deborah Cartmell et al. London: Pluto, 1997, S. 14–30.  
Last edited by: joachim 05/08/2010 11:14:26 PM
Barnes, David: "Time in the Gutter. Temporal Structures in Watchmen." In: KronoScope 9 (2009), S. 51–60.  
Last edited by: joachim 02/23/2017 11:55:41 AM
Barnet, Tully und Ben Kooyman: "The Cure Has Killed Us All. Dramatizing Medical Ethics through Zombie and Period Fiction Tropes in The New Deadwardians." In: The Walking Med. Zombies and The Medical Image. Hrsg. v. Lorenzo Servitje und Sherryl Vint. (Graphic Medicine.) University Park: Pennsylvania State Univ. Press, 2016.  
Last edited by: joachim 09/07/2019 08:12:38 PM
Baroni, Raphaël: "Le récit dans l’image. Séquence, intrigue et configuration." In: Image [&] Narrative 12.1 (2011), (6. Sept. 2011)  
Added by: joachim 08/13/2013 05:30:45 PM
Bartual, Roberto: "William Hogarth’s A Harlot’s Progress. The beginnings of a purely pictographic sequential language." In: Studies in Comics 1.1 (2010), S. 83–105.  
Last edited by: joachim 12/27/2015 09:40:57 AM
Basel, Marie-Catherine: "Jacky Fleming: “Falling in Love”." In: Image [&] Narrative 2.2 (2002), (3. Jan. 2011)  
Added by: joachim 01/03/2011 02:36:23 PM
Bates, Brian: "Graphic and Digital Keats. “La Belle Dame sans Merci” in Poetry Comics." In: Reconstruction 16.1 (2016), (1. Juni 2016)  
Added by: joachim 06/01/2016 03:47:24 PM
Baurin, Camille: "Alan Moore. Métalepse et réflexivité." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 81–96.  
Last edited by: joachim 02/19/2017 12:27:18 PM
---: Le metacomic. La réflexivité dans le comic book de super-héros contemporain.(Thèse de doctorat), Université de Poitiers, Ecole doctorale : Lettres, Pensée, Arts et Histoire 2012 (631 S.).  
Added by: joachim 04/24/2015 09:41:57 AM
Bavlnka, Timothy: "/Co/operation and /co/mmunity in /co/mics. 4chan’s Hypercrisis." In: Transformative Works and Cultures 13 (2013), (19. Juni 2013)  
Last edited by: joachim 06/19/2013 09:10:36 PM
---: "The Joke’s On Him. Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." In: Intensities: The Journal of Cult Media 5 (2013), (2. Juli 2016)  
Added by: joachim 07/02/2016 12:56:27 PM
---: Superheroes and Shamanism. Magic and Participation in the Comics of Grant Morrison. Master of Arts (Thesis), Bowling Green State Univ. Popular Culture 2011 (96 S.).  
Last edited by: joachim 06/21/2011 11:23:31 PM
Beckett, Chris: Reading Watchmen. 2015. (12. Juni 2018) .  
Added by: joachim 06/12/2018 03:45:51 PM
Beineke, Colin: "“Her Guardiner”. Alan Moore’s Swamp Thing as the Green Man." In: ImageTexT 5.4 (2011), (7. Aug. 2011)  
Last edited by: joachim 03/13/2013 09:23:02 PM
Bell, Steve und Eli Valley: "Drawing truth to power. A conversation about cartoons between Steve Bell and Eli Valley." In: Jewish Quarterly 60.1 (2013), S. 28–33.  
Last edited by: joachim 02/18/2014 03:32:40 PM
Bender, Hy: The Sandman Companion. A Dreamer’s Guide to the Award-Winning Comics Series. New York: DC Comics, 1999. (274 S.)  
Last edited by: joachim 09/03/2017 03:00:04 PM
Bensam, Richard (Hg.): Minutes to Midnight. Twelve Essays on Watchmen. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010. (171 S.)  
Added by: joachim 11/12/2010 04:03:48 PM
---: "Obsolete Models a Specialty. An Introduction." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 1–7.  
Added by: joachim 11/13/2010 11:46:48 PM
Berlatsky, Eric (Hg.): Alan Moore. Conversations. (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2011. (240 S.)  
Last edited by: joachim 04/24/2013 01:55:48 AM
---: "“Does That Change Anything?”. (Post)Feminist Implications of Gemma Bovery." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 127–146.  
Last edited by: joachim 08/08/2017 09:03:26 AM
---: "Lone Woolf and Cubs. Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." In: The Gay Utopia (20. Dez. 2007), (27. Febr. 2014)  
Added by: joachim 02/27/2014 04:45:32 PM
---: "Time and Free Will. Bergson, Modernism, Superheroes, and Watchmen." In: Understanding Bergson, Understanding Modernism. Hrsg. v. Paul Ardoin, S. E. Gontarski und Laci Mattison. London, New York: Continuum, 2013, S. 256–280.  
Last edited by: joachim 01/07/2014 12:47:45 PM
Bernard, Mark und James Bucky Carter: "Alan Moore and the Graphic Novel. Confronting the Fourth Dimension." In: ImageTexT 1.2 (2005), (6. Juli 2012)  
Last edited by: joachim 07/06/2012 12:55:44 PM
Berninger, Mark: "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 253–264.  
Last edited by: joachim 12/10/2010 01:25:36 AM
Besozzi, Michael T. “To Blaze Forever in a Blazing World”. Queer Reconstruction and Cultural Memory in the Works of Alan Moore. Master of Arts (Thesis), Georgia State University, College of Arts and Sciences 2011 (87 S.).  
Added by: joachim 11/19/2012 08:19:34 PM
Bétan, Julien (Hg.): Alan Moore. Tisser l’invisible. (La bibliothèque des miroirs-BD, 3.) Lyon: Les moutons électriques, 2010. (307 S.)  
Last edited by: joachim 10/09/2014 10:19:58 AM
Bevin, Phil: "Truth, Justice, and the Socialist Way? The Politics of Grant Morrison’s Superman." In: Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Hrsg. v. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018, S. 126–148.  
Last edited by: joachim 09/01/2018 12:38:48 AM
Bishop, David und Karl Stock: Thrill-Power Overload. 2000 AD – the First Forty Years. Oxford: Rebellion, 2017. (301 S.)  
Last edited by: joachim 09/12/2017 12:55:47 PM
Bissette, Stephen R. "Mr. Moore and Me." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 217–232.  
Added by: joachim 08/15/2009 12:41:29 AM
Bjegac, Vesna und Anna Waczek: "Spiel mit Perspektiven. Hilda und der Mitternachtsriese von Luke Pearson." In: Praxis Deutsch 252 (2015), S. 15–18.  
Added by: joachim 07/27/2015 08:38:26 AM
Blackbeard, Bill: Sherlock Holmes in America. New York: Abrams, 1981. (240 S.)  
Added by: joachim 06/05/2016 09:57:29 AM
Blake, Charlie: "Pirate multiplicities. Aion, chronos and magical inscription in the graphic novels of Alan Moore." In: Studies in Comics 2.1 (2011), S. 121–134.  
Last edited by: joachim 12/03/2012 07:47:11 PM
Blake, Brandy Ball: "Watchmen. The Graphic Novel as Trauma Fiction." In: ImageTexT 5.1 (2010), (1. Febr. 2010)  
Last edited by: Deleted user 02/01/2010 02:06:46 PM
Blank, Juliane: "Shaping the World. Dreams, Dreaming, and Dream-Worlds in Comics: Dream of the Rarebit Fiend (1904–1911), Little Nemo (1905–1911) and The Sandman (1989–1996)." In: Writing the Dream / Écrire le rêve. Hrsg. v. Bernard Dieterle und Manfred Engel. (Cultural Dream Studies, 1.) Würzburg: Königshausen & Neumann, 2017, S. 277–303.  
Last edited by: joachim 02/22/2021 04:23:39 PM
Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013), (21. Juni 2016)  
Last edited by: joachim 06/21/2016 11:17:46 AM
Boillat, Alain: "Douze minutes avant minuit. L’effet « graphic novel » du chapitrage dans Watchmen." In: Cahiers de Narratologie 34 (2018), (3. Juli 2020)  
Last edited by: joachim 07/03/2020 11:09:25 AM
Bordeaux, Joel: "The Dark Knight of the Soul. Death as Initiatory Ordeal in Grant Morrison’s Batman R.I.P.." In: The Assimilation of Yogic Religions through Pop Culture. Hrsg. v. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017, S. 219–246.  
Last edited by: joachim 12/02/2018 11:34:08 AM
Borsellino, Mary: "Blue and Pink. Gender in Neil Gaiman’s Work." In: The Neil Gaiman Reader. Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 51–53.  
Added by: joachim 01/30/2018 06:54:10 PM
---: "How the Ghost of You Clings. Watchmen and Music." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 24–37.  
Added by: joachim 11/13/2010 11:55:24 PM
Bradshaw, Michael: "‘The sleep of reason’. Swamp Thing and the intertextual reader." In: Alan Moore and the Gothic Tradition. Hrsg. v. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013, S. 121–139.  
Added by: joachim 06/22/2014 11:49:58 AM
Bragard, Véronique: "Conrad’s Two Visions. Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness." In: European Comic Art 6.1 (2013), S. 45–65.  
Last edited by: joachim 07/18/2013 10:19:57 PM
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WIKINDX 6.4.10 | Total resources: 13464 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)

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Total elapsed time: 0.24667 s
Peak memory usage: 2.8134 MB
Memory at close: 2.2753 MB
Database queries: 134