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Round, Julia. "From Hell." Icons of the American Comic Book. From Captain America to Wonder Woman. Eds. Randy Duncan and Matthew J. Smith. Greenwood Icons. Santa Barbara: Greenwood, 2013. 287–94.   
Added by: joachim 23/10/2013, 02:20
Round, Julia. "Transforming Shakespeare: Neil Gaiman and The Sandman." Beyond Adaptation. Essays on Radical Transformations of Original Works. Eds. Phyllis Frus and Christy Williams. Jefferson, London: McFarland, 2010. 95–110.   
Last edited by: joachim 31/07/2010, 16:12
Round, Julia. "“Be vewy vewy quiet. We’re hunting wippers”: A Barthesian Analysis of the Construction of Fact and Fiction in Alan Moore and Eddie Campbell’s From Hell." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 188–201.   
Last edited by: joachim 29/11/2010, 02:40
Round, Julia. "Medium, Spirits and Embodiment in Voice of the Fire." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 235–53.   
Last edited by: joachim 22/06/2014, 12:23
Round, Julia. "Fantastic Alterities and The Sandman." Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres. Eds. Jake Jakaitis and James F. Wurtz. Jefferson, London: McFarland, 2012. 71–92.   
Added by: joachim 18/12/2021, 00:07
Round, Julia. "“Can I call you Mommy?”: Myths of the feminine and superheroic in Neil Gaiman and Dave McKean’s Black Orchid." Debating the Difference. Gender, Representation and Self-Representation. Ed. Rachel Jones. Dundee: Duncan of Jordanstone College, University of Dundee, 2010.   
Added by: joachim 11/04/2012, 09:59
Round, Julia. "From Comic to Graphic and from Book to Novel: Sandman’s Invisible Authors and the Quest for Literariness." The Novel as Network. Forms, Ideas, Commodities. Eds. Tim Lanzendörfer and Corinna Norrick-Rühl. New Directions in Book History. New York [etc.]: Palgrave Macmillan, 2020. 137–62.   
Last edited by: joachim 20/10/2021, 12:36
Round, Julia. "“The Apocalypse of Adolescence”: Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010.   
Added by: joachim 27/08/2011, 12:40
Round, Julia. "Subverting Shakespeare? The Sandman #19: “A Midsummer Night’s Dream”." Sub/versions. Cultural Status, Genre and Critique. Eds. Pauline MacPherson, et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008. 18–33.   
Last edited by: joachim 03/08/2010, 02:04
Round, Julia. "Gothic and the Graphic Novel." A New Companion to the Gothic. Ed. David Punter. Chichester: Wiley-Blackwell, 2012. 335–49.   
Last edited by: joachim 23/04/2012, 22:03
Round, Julia. "Anglo-American Graphic Narrative." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 325–45.   
Last edited by: joachim 14/10/2013, 01:51
Rowson, Martin. "Hyperboling Gravity’s Ravelin: A Comic Book Version of Tristram Shandy." The Shandean 7.(1995): 62–86.   
Last edited by: joachim 24/01/2013, 11:20
Rowson, Martin. "Re Richter’s Rowson." The Shandean 11.(1999–2000): 90–91.   
Last edited by: joachim 20/01/2013, 15:20
Rowson, Martin. "A Comic Book Version of Tristram Shandy." The Shandean 14.(2003): 104–21.   
Last edited by: joachim 20/01/2013, 14:59
Runacres, Ian and Michael K. Mackenzie. "Classical Allusion in Modern British Political Cartoons." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 161–78.   
Last edited by: joachim 21/06/2020, 13:09
Rutherford, Lara. "Victorian Genres at Play: Juvenile Fiction and The League of Extraordinary Gentlemen." Neo-Victorian Studies 5.1 2012. Accessed 17 Sept. 2013. <http://www.neovictorian ... 05-1-6%20Rutherford.pdf>.   
Added by: joachim 17/09/2013, 15:39
Sabeti, Shari. "The irony of ‘cool club’: The place of comic book reading in schools." Journal of Graphic Novels and Comics 2.(2011): 137–49.   
Added by: joachim 19/12/2011, 10:54
Sabin, Roger. Adult Comics: An Introduction. New Accents. London, New York: Routledge, 1993.   
Last edited by: joachim 23/11/2013, 01:03
Sabin, Roger. "Ally Sloper: ‘Our bibulous hero’: Possible readings of a comedy type." SIGNs. Studies in Graphic Narratives 1.(2008): 3–16.   
Last edited by: joachim 14/06/2010, 19:36
Sabin, Roger. "Ally Sloper on Stage." European Comic Art 2.(2009): 205–25.   
Added by: joachim 30/09/2010, 01:14
Sabin, Roger. "Wokker: Notes on a Surrealist comic strip." Comicalités 2012. Accessed 9 Nov. 2012. <http://comicalites.revues.org/918>.   
Added by: joachim 09/11/2012, 21:42
Sabin, Roger. "Barefoot Gen in the US and UK: Activist Comic, Graphic Novel, Manga." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 39–57.   
Last edited by: joachim 14/05/2010, 20:56
Sabin, Roger. "Ally Sloper: Der erste Comic-Superstar?." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 16–32.   
Last edited by: joachim 03/01/2011, 02:43
Sabin, Roger. "Ally Sloper: The First Comics Superstar?." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 177–89.   
Last edited by: joachim 03/01/2011, 02:41
Sabin, Roger. "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 43–57.   
Last edited by: joachim 23/10/2011, 17:02
Saklofske, Jon. "‘Tales Worked in Blood and Bone’: Words and Images as Scalpel and Suture in Graphic Narratives." ImageTexT 4.1 2008. Accessed 6 Jul. 2012. <http://www.english.ufl. ... rchives/v4_1/saklofske/>.   
Last edited by: joachim 06/07/2012, 18:51
Salanova Garrosa, Daniel. "A vueltas con la novela gráfica: Rasgos genéricos y estudio en From Hell de Allan [sic] Moore." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 453–60.   
Added by: joachim 22/01/2014, 11:10
Sancken, Renata. "The King is Dead, Long Live the King: Orientalism, The Sandman, and Humanity." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 55–63.   
Added by: joachim 20/11/2010, 15:34
Sanders, Joe. "Of Storytellers and Stories in Gaiman and Vess’s “A Midsummer Night’s Dream”." Extrapolation 45.(2004): 237–48.   
Added by: joachim 25/01/2013, 16:19
Sanders, Joe, ed. The Sandman Papers: An Exploration of the Sandman Mythology. Seattle: Fantagraphics, 2006.   
Last edited by: joachim 21/08/2017, 16:18
Sanders, Joe Sutliff. "Sandman, the Ephemeral, and the Permanent." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 337–52.   
Last edited by: joachim 17/02/2019, 17:52
Sanders, Joe Sutliff. "Lesbian Language, Queer Imaginings, and Death: The Time of Your Life." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 185–96.   
Added by: joachim 23/11/2010, 11:52
Sanders, Joe. "Of Parents and Children and Dreams in Mr. Punch and The Sandman." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 115–32.   
Added by: joachim 20/11/2010, 18:03
Sanders, Joe. "Of Storytellers and Stories in Gaiman and Vess’s “A Midsummer Night’s Dream”." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 25–39.   
Last edited by: joachim 14/07/2012, 07:25
Sanderson, Peter. "Bringing Light to the World: Watchmen from Hiroshima to Manhattan." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 109–31.   
Added by: joachim 14/11/2010, 02:44
Sandifer, Philip. The Last War in Albion: The Early Work of Alan Moore and Grant Morrison. Vol. 1. o.O. Eruditorum, 2016.   
Last edited by: joachim 27/08/2018, 14:31
dos Santos Rodrigues, Márcio and Matheus da Cruz e Zica. "Dilemmas of Animal Rights in the Animal Man Comic Book Series." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 69–82.   
Last edited by: joachim 22/08/2018, 17:02
Saunders, Andy. Jane: A Pinup at War. Barnsley: Leo Cooper, 2004.   
Last edited by: joachim 06/06/2020, 16:16
Saxton, Julie Myers. "Dreams and Fairy Tales: Themes of Rationality and Love in A Midsummer Night’s Dream and The Sandman." The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville: Wildside, 2007. 22–29.   
Added by: joachim 30/01/2018, 19:03
Schechter, Russell. "Kat and Maus." Communication Research 16.(1989): 552–62.   
Last edited by: joachim 20/08/2009, 19:13
Scheller, Jörg. "Philanthrokapitalheroismus: Der Unternehmer im Superheldenfilm." Medialität und Menschenbild. Eds. Jens Eder, Joseph Imorde and Maike Sarah Reinerth. Media Convergence / Medienkonvergenz. Berlin: de Gruyter, 2012. 219–34.   
Last edited by: joachim 05/12/2013, 16:36
Schiff, Dan. "James Joyce and cartoons." Joyce in Context. Eds. Vincent J. Cheng and Timothy Martin. Cambridge [etc.]: Cambridge Univ. Press, 2009. 201–19.   
Added by: joachim 31/05/2012, 08:21
Schlichting, Laura. "Formen und Funktionen von Fotografie in Graphic Novels: Medialisierung und Fiktionalisierung am Beispiel ausgewählter zeitgenössischer Werke." Masterarbeit MA. Justus-Liebig-Universität Gießen, 2014.   
Last edited by: joachim 24/02/2019, 10:11
Schmalzer, Matthew. "Framing Super-Vision: Panoptic Vision and Controlling Frames in Alan Moore and Dave Gibbons’ Watchmen." ImageTexT 10.1 2018. Accessed 17 Jan. 2021. <https://imagetextjourna ... -dave-gibbons-watchmen/>.   
Added by: joachim 17/01/2021, 17:45
Schmitz-Emans, Monika. "Spiel mit Ähnlichkeiten: Emma Bovary und Gemma Bovery." Von der Liebe und anderen schrecklichen Dingen. Ed. Yvonne-Patricia Alefeld. Bielefeld: Aisthesis, 2007. 191–208.   
Last edited by: joachim 09/04/2010, 20:02
Schmitz-Emans, Monika. "Kanonische Werke und ihre graphische Nacherzählung: Der Literaturcomic und die Diskussion über Hoch- und Populärkultur." Zwischen Kanon und Unterhaltung. Interkulturelle und intermediale Aspekte von hoher und niederer Literatur. Between Canon and Entertainment. Intercultural and Intermedial Aspects of Highbrow and Lowbrow Literature. Eds. Annie Bourguignon, Konrad Harrer and Franz Hintereder-Emde. Berlin: Frank & Timme, 2016. 25–43.   
Last edited by: joachim 28/05/2016, 00:46
Schnackertz, Hermann Josef. Form und Funktion medialen Erzählens: Narrativität in Bildsequenz und Comicstrip. München: Fink, 1980.   
Last edited by: joachim 15/08/2010, 23:21
Schneider, Christian W. Framing Fear: The Gothic Mode in Graphic Literature. ELCH - Studies in English Literary and Cultural History. Trier: Wissenschaftlicher Verlag Trier, 2014.   
Last edited by: joachim 31/08/2021, 13:51
Schneider, Christian W. "‘Nothing ever ends’: Facing the apocalypse in Watchmen." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 84–102.   
Added by: joachim 22/06/2014, 11:43
Schneider, Greice. "Walking the Dog – David Hughes." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 102–04.   
Added by: joachim 21/01/2013, 00:25
Schopp, Andrew. "Interrogating the Manipulation of Fear: V for Vendetta, Batman Begins, Good Night, and Good Luck, and America’s “War on Terror”." The War on Terror and American Popular Culture. September 11 and Beyond. Eds. Andrew Schopp and Matthew B. Hill. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2009. 259–86.   
Last edited by: joachim 06/04/2014, 10:30
Schröder, Horst. Framtiden i serierutor: Science fiction-serier i USA, Frankrike och England. En serie om serier. Stockholm: Carlsen, 1981.   
Added by: joachim 25/09/2009, 10:20
Schröder, Horst. Bildwelten und Weltbilder: Science-Fiction-Comics in den USA, in Deutschland, England und Frankreich. Medium Comic. Reinbek bei Hamburg: Carlsen, 1982.   
Last edited by: joachim 25/09/2009, 10:19
Schüwer, Martin. "The UFOs Have Landed: Parodie amerikanischer Pop-Mythologie im Comic Jack B. Quick." Praxis Englisch 4.(2010): 34–38.   
Added by: joachim 05/09/2013, 00:11
Schweitzer, Darrell, ed. The Neil Gaiman Reader. Rockville: Wildside, 2007.   
Last edited by: joachim 20/11/2017, 01:53
Scott, Keith. "No Guru, No Method, No Teacher: “Grant Morrison” and Grant Morrison™." ImageTexT 8.2 2015. Accessed 10 Aug. 2017. <http://www.english.ufl. ... xt/archives/v8_2/scott/>.   
Added by: joachim 10/08/2017, 10:01
Scullion, Adrienne. "Byrne and The Bogie Man: Experiencing American popular culture in Scotland." Atlantic Studies 1.(2004): 210–27.   
Last edited by: joachim 08/08/2020, 12:55
Scully, Richard. British Images of Germany: Admiration, Antagonism and Ambivalence, 1860–1914. New York [etc.]: Palgrave Macmillan, 2012.   
Last edited by: joachim 12/01/2016, 12:42
Scully, Richard. "Constructing the Colossus: The Origins of Linley Sambourne’s Greatest Punch Cartoon." International Journal of Comic Art 14.(2012): 120–42.   
Last edited by: Deleted user 25/06/2013, 11:50
Scully, Richard. "The Lion and the Unicorn -- William Gladstone and Benjamin Disraeli through William Empson’s Looking-Glass." International Journal of Comic Art 15.(2013): 323–37.   
Last edited by: joachim 06/01/2015, 22:11
Scully, Richard. "‘A Pettish Little Emperor’: Images of Kaiser Wilhelm II in Punch, 1888–1901." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:55
Setz, Clemens J. "And when at last poor Emblus died, the Osbick Bird was by his side." Neue Rundschau 123.(2012): 78–81.   
Added by: joachim 04/11/2012, 11:54
Shadrack, Jasmine. "V versus Hollywood: A discourse on polemic thievery." Studies in Comics 2.(2011): 195–205.   
Last edited by: joachim 03/12/2012, 19:58
Shail, Robert. "Anarchy in the UK: Reading Beryl the Peril via historic conceptions of childhood." Journal of Graphic Novels and Comics 5.(2014): 257–65.   
Last edited by: joachim 11/09/2014, 10:53
Shapira, Tom. Curing the Postmodern Blues: Reading Grant Morrison and Chris Weston’s The Filth in the 21st Century. Edwardsville: Sequart Research & Literacy Organization, 2013.   
Added by: joachim 13/12/2014, 22:10
Sharkey, Rodney. "From Hell or Hollywood, or Ripper In Pieces: How Hollywood Slashed the Script." Reconstruction 2.2 2002. Accessed 31 Jul. 2009. <http://reconstruction.e ... ues/022/revFromHell.htm>.   
Last edited by: joachim 09/02/2010, 10:45
Sharkey, Rodney. "‘Being’ Decentered in Sandman: History, Dreams, Gender, and the ‘Prince of Metaphor and Allusion’." ImageTexT 4.1 2008. Accessed 9 Dec. 2009. <https://imagetextjourna ... -metaphor-and-allusion/>.   
Last edited by: joachim 09/03/2010, 02:51
Shaviro, Steven. "If I Only Had a Brain." Postmodern Culture 4.1 1993. Accessed 31 Jul. 2009. <http://muse.jhu.edu/jou ... re/v004/4.1shaviro.html>.   
Last edited by: joachim 31/07/2009, 10:55
Sheppeard, Sallye. "Entering the Green: Imaginal Space in Black Orchid." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 205–15.   
Last edited by: joachim 04/08/2010, 14:40
Sheridan, Claire. "Radical coterie and the idea of sole survival in St Leon, Frankenstein and Watchmen." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 179–94.   
Added by: joachim 22/06/2014, 12:11
Sillars, Stuart. Visualisation in Popular Fiction 1860–1960: Graphic Narratives, Fictional Images. Narrative forms and social formations. London, New York: Routledge, 1995.   
Last edited by: joachim 23/08/2015, 08:50
Sillars, Stuart. "Defining spaces in eighteenth-century Shakespeare illustration." Shakespeare 9.(2013): 149–67.   
Added by: joachim 23/08/2013, 14:26
da Silva, Nadilson Manoel. "Viz Comic: Carnival and Commercialization." International Journal of Comic Art 4.(2002): 248–68.   
Added by: Deleted user 04/08/2009, 16:41
Simmons, David. "‘Nothing too heavy or too light’: Negotiating Moore’s Tom Strong and the academic establishment." Studies in Comics 2.(2011): 57–67.   
Last edited by: joachim 03/12/2012, 19:26
Simon, Robin. "Hogarth and the popular theatre." Renaissance and Modern Studies 22.(1978): 13–25.   
Added by: joachim 06/10/2015, 14:18
Sims, Harley J. "Consorting with the Gods: Exploring Gaiman’s Pan-pantheon." The Mythological Dimensions of Neil Gaiman. Eds. Anthony S. Burdge, Jessica Burke and Kristine Larsen. Crawfordville: Kitsune, 2012. 94–108.   
Last edited by: joachim 27/10/2021, 15:12
Singer, Marc. "Unwrapping The Birth Caul: Word, Performance, and Image in the Comics Text." International Journal of Comic Art 6.(2004): 236–49.   
Last edited by: joachim 05/04/2012, 07:12
Singer, Marc. "“A Serious House on Serious Earth”: Rehabilitating Arkham Asylum." International Journal of Comic Art 8.(2006): 269–82.   
Last edited by: joachim 05/03/2010, 02:17
Singer, Marc. "Dark Genesis: Falls from language and returns to Eden from ‘Pog’ to Promethea." Studies in Comics 2.(2011): 93–104.   
Last edited by: joachim 03/12/2012, 19:38
Singer, Marc. Grant Morrison: Combining the Worlds of Contemporary Comics. Jackson: Univ. Press of Mississippi, 2011.   
Last edited by: joachim 05/04/2012, 08:31
Singer, Marc. Breaking the Frames: Populism and Prestige in Comics Studies. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2019.   
Last edited by: joachim 13/05/2019, 14:14
Singer, Marc. "Time and Narrative: Unity and Discontinuity in The Invisibles." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 55–70.   
Last edited by: joachim 11/03/2014, 17:33
Singer, Marc. "Unwrapping the Birth Caul." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 41–46.   
Added by: joachim 15/08/2009, 00:19
Siromski, Michał. "Dave McKean Says …: based on an individual interview and meeting with the audience of MFKiG 2012." KZ. Magazyn miłośników komiksu 72 2013. Accessed 6 Jul. 2013. <http://kzet.pl/2012/11/dave-mckean-says.html>.   
Added by: joachim 06/07/2013, 21:17
Skoble, Aeon J. "Superhero Revisionism in Watchmen and The Dark Knight Returns." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 29–41.   
Last edited by: joachim 07/09/2010, 12:09
Slade, Paul. "Andy & Flo meet Maggie & Hopey." PlanetSlade.com 2017. Accessed 27 Sept. 2021. <http://www.planetslade. ... e-jaimie-hernandez.html>.   
Added by: joachim 27/09/2021, 18:26
Smida, Megan Alice. "(Re)Telling Ripper in Alan Moore’s From Hell: History and Narrative in the Graphic Novel." Thesis Master of Arts. University of Dayton, 2010.   
Last edited by: joachim 13/02/2017, 14:53
Smith, Clay. "Get Gaiman? PolyMorpheus Perversity in Works by and about Neil Gaiman." ImageTexT 4.1 2008. Accessed 5 Jun. 2013. <https://imagetextjourna ... -and-about-neil-gaiman/>.   
Last edited by: joachim 05/06/2013, 18:17
Smith, Matthew J. "Lost [and Found] Girls: Teaching a College Course in Alan Moore." SANE journal 1.2 2011. Accessed 11 Jul. 2016. <http://digitalcommons.unl.edu/sane/vol1/iss2/3>.   
Added by: joachim 11/07/2016, 11:24
Smith, Craig. "Motion comics: Modes of adaptation and the issue of authenticity." Animation Practice, Process & Production 1.(2012): 357–78.   
Last edited by: joachim 12/12/2013, 14:23
Smith, Dan. "Architecture, Violence and Sensation: A Visitor’s Guide to Mega City One." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... -city-one-dan-smith.pdf>.   
Added by: joachim 02/07/2016, 12:36
Smith, Michael. "Embracing Dionysius in Alan Moore’s Swamp Thing." Studies in the Novel 47.(2015): 365–80.   
Added by: joachim 25/04/2016, 08:14
Smith, Craig. "Motion Comics: The Emergence of a Hybrid Medium." Writing Visual Culture 7 2015. Accessed 28 Sept. 2016. <http://www.herts.ac.uk/ ... 00791/wvc-dc7-smith.pdf>.   
Added by: joachim 28/09/2016, 00:57
Smith, Dan. "The Anorexic as Zombie Witness: Illness and Recovery in Katie Green’s Lighter Than My Shadow." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016.   
Last edited by: joachim 08/09/2019, 10:34
Smith, Matthew J. "Auteur Criticism: The Re-Visionary Works of Alan Moore." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 178–88.   
Last edited by: joachim 11/03/2014, 17:09
Smolderen, Thierry. Naissances de la bande dessinée: De William Hogarth à Winsor McCay. Bruxelles: Les Impressions Nouvelles, 2009.   
Last edited by: joachim 16/08/2013, 16:43
Smolderen, Thierry. The Origins of Comics: From William Hogarth to Winsor McCay. Jackson: Univ. Press of Mississippi, 2014.   
Last edited by: joachim 01/04/2014, 14:25
Sobel, Marc. "Alan Moore’s Lost Treasures: ‘The Bowing Machine’." Comics Forum 2012. Accessed 12 Apr. 2013. <http://comicsforum.org/ ... -machine-by-marc-sobel/>.   
Last edited by: joachim 12/04/2013, 18:01
Sobel, Marc. "Alan Moore’s Lost Treasures: ‘The Hasty Smear of My Smile …’." Comics Forum 2012. Accessed 12 Apr. 2013. <http://comicsforum.org/ ... my-smile-by-marc-sobel/>.   
Last edited by: joachim 12/04/2013, 18:01
Sommers, Joseph Michael. "When “One Bad Day” Becomes One Dark Knight: Love, Madness, and Obsession in the Adaptation of The Killing Joke into Christopher Nolan’s The Dark Knight." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 40–51.   
Added by: joachim 05/04/2012, 10:04
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