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| Kidder, Orion Ussner. "Historicizing the Superhero: Alan moore’s supreme and warren ellis/john cassaday’s planetary." Journal of the Fantastic in the Arts 21. (2010): 77–96. |
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| Kikendall, Stacey. "Learning “Stuff” and Using V for Vendetta in the Composition Classroom." SANE journal 1. 2 2011. Accessed 21 Aug. 2017. <http://digitalcommons.unl.edu/sane/vol1/iss2/4>. |
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| Kilgore, Christopher D. "At the Edge of the Barely Perceptible: Temporality and masculinity in mr. punch and violent cases." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 69–92. |
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| Kitson, Niall. "Rebel Yells: Genre hybridity and irishness in garth ennis & steve dillon’s preacher." Irish Journal of Gothic and Horror Studies 2 2007. Accessed 15 Aug. 2010. <https://irishgothichorr ... 018/03/niall-kitson.pdf>. |
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| Klähr, Alexander. "Die Leuchttürme und die Frauen: Gedanken zum frauenbild im comic am beispiel alan moores und frank millers – knapp 25 jahre nach watchmen und the dark knight returns." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 48–52. |
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| Klar, Elisabeth. "Der Körper und seine strukturelle Parodie in Literatur und Comic, gezeigt anhand von erotischen Literaturadaptationen." Diplomarbeit Mag.phil. Universität Wien, 2012. |
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| Klęczar, Aleksandra. "The Revenge of Augustus: Caesar, octavian and history in neil gaiman’s august." Classica Cracoviensia 21 2018. Accessed 10 Oct. 2021. <https://journals.akademicka.pl/cc/article/view/890>. |
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| Kleiman Lafon, Sylvie. "Redéfinir le canon: Portrait du héros romanesque en super-héros." Revue de recherche en civilisation américaine 5 2015. Accessed 19 Jan. 2017. <http://rrca.revues.org/649>. |
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| Koch, Christina Maria. "Occupying Popular Culture: Anonymous, occupy wall street, and the guy fawkes mask as a political icon." REAL. Yearbook of Research in English and American Literature 30. (2014): 445–82. |
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| Kodencheri, Anupama and Gandhapodi K. Chithra. "Carnivalesque, creativity, and the becomings: A critical assessment of the politics of resistance in batman: arkham asylum." Creativity Studies 17. (2024): 59–72. |
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| Kohns, Oliver. "Guy Fawkes in the 21st Century: A contribution to the political iconography of revolt." Image [&] Narrative 14. 1 2013. Accessed 1 Jun. 2013. <http://www.imageandnarr ... ve/article/view/300/251>. |
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| Koller, Barbara. "“The League of Extraordinary Gentlemen”." Diplomarbeit Universität Wien, 2008. |
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| Kozikoski Valereto, Deneb. "Philosophy in the fairground: Thoughts on madness and madness in thought in the killing joke." Studies in Comics 2. (2011): 69–80. |
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| Kraemer, Christine Hoff. "The Creative Apocalypse: Post-wwii narratives of death, rebirth, and transformation." Thesis B.A. Univ. of Texas, 2000. |
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| Kraemer, Christine Hoff. "The Undying Fire: Erotic love as divine grace in promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 150–62. |
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| Kraemer, Christine Hoff and J. Lawton Winslade. "“The Magic Circus of the Mind”: Alan moore’s promethea and the transformation of consciousness through comics." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Kruschwitz, Hans. Utopische Sehnsucht nach Angst: Von morus’ utopia zu moores watchmen. Comiqheft / Comiqbook. Berlin: Ch.A. Bachmann, 2017. |
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| Kukkonen, Karin. Contemporary Comics Storytelling. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2013. |
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| Kukkonen, Karin. "Metalepsis in Comics and Graphic Novels." Metalepsis in Popular Culture. Eds. Karin Kukkonen and Sonja Klimek. Narratologia. Berlin u. New York: de Gruyter, 2011. 213–29. |
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| Kukkonen, Karin and Anja Müller-Wood. "Whatever Happened to All the Heroes? British perspectives on superheroes." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 153–63. |
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| Kukkonen, Taneli. "What's So Goddamned Funny? The Comedian and Rorschach on Life's Way." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 197–213. |
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| Kunzle, David. "Between Broadsheet Caricature and “Punch”: Cheap newspaper cuts for the lower classes in the 1830s." Art Journal 43. (1983): 339–46. |
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| Kunzle, David. "Busch Abroad: How a german caricaturist willy nilly helped launch the new cheap comic magazines in britain and the united states." Victorian Periodicals Review 25. (1992): 99–108. |
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| Kunzle, David. Rebirth of the English Comic Strip: A kaleidoscope, 1847–1870. Jackson: University Pr. of Mississippi, 2021. |
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| Kuskin, William. "Vulgar Metaphysicians: William s. burroughs, alan moore, art spiegelman, and the medium of the book." Intermediality and Storytelling. Eds. Marina Grishakova and Marie-Laure Ryan. Narratologia. Berlin u. New York: de Gruyter, 2010. 49–77. |
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| Kwitney, Alisa. The Sandman: King of dreams. San Francisco: Chronicle Books, 2003. |
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| Labarre, Nicolas. "Reading the 2016 US presidential election through Transmetropolitan." Journal of Graphic Novels and Comics (2018): 1–13. |
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| Lafortune, Lauriane. "Justiciers masqués et médias de masse." Pop en stock 2012. Accessed 16 May. 2016. <http://popenstock.ca/do ... ques-et-medias-de-masse>. |
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| Laity, Kathryn A. "Moore vs. Albarn: ‘between the angels and the apes’." Comics Forum 2012. Accessed 13 Jan. 2013. <http://comicsforum.org/ ... -the-apes-by-k-a-laity/>. |
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| Laity, Kathryn A. "“Avast, Land-Lubbers!”: Reading lost girls as a post-sadeian text." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 138–49. |
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| Laity, Kathryn A. "Illusory Adversaries? Images of female power in sandman: the kindly ones." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 65–76. |
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| Lanza, Carmela Delia. "Tales and Dreams: Neil gaiman’s the sandman and critical and creative thinking in the english classroom." Comic Connections. Building Character and Theme. Ed. Sandra Eckard. Lanham [etc.]: Rowman & Littlefield, 2019. 7–22. |
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| Lapointe, André-Philippe. "Gunm [sic] et V pour Vendetta: Des sociétés dépassées." Pop en stock 2012. Accessed 16 May. 2016. <http://popenstock.ca/do ... -des-societes-depassees>. |
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| Lapointe, André-Philippe. "Une époque éventrée: La société victorienne dans from hell." Pop en stock 2014. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... e-victorienne-dans-hell>. |
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| Larance, Jeremy. "Alan Moore’s Miracleman: Harbinger of the modern age of comics." Works & Days 32. (2014–15): 117–38. |
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| Latxague, Claire. "L’image dans le récit: la cage ou la mise en abyme iconique." Textimage 4 2012. Accessed 25 Jul. 2014. <http://www.revue-textim ... ge_recit/latxague1.html>. |
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| Lauwers, Joran. "Intertextuality and Adaptation as a Narrative Framework: Creating the new from the inexplicable in neil gaiman’s “the sandman”." Master in de taal- en letterkunde Masterproef. Universiteit Gent, 2016. |
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| Leary, Patrick. The Punch Brotherhood: Table talk and print culture in mid-victorian london. London: British Library, 2010. |
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| Lee, Peter W. Mirroring the Medieval Modern: Dc comics’ beowulf, dragon slayer. Joint Conference of the National Popular Culture and American Culture Associations: 19—22 Mar, 2008. |
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| Leishman, David. "Drawing National Boundaries in Barr’s Ba-Bru Comic Strip Advertising." European Comic Art 12. (2019): 65–87. |
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| Lenk, Hartmut. "Politische Karikaturen in deutschen, englischen und finnischen Tageszeitungen: Vorkommen – themen – sprache und bild." Pressetextsorten jenseits der ›News‹. Medienlinguistische Perspektiven auf journalistische Kreativität. Eds. Christian Grösslinger, Gudrun Held and Hartmut Stöckl. Frankfurt am Main [etc.]: Peter Lang, 2012. |
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| Lent, John A. "Fear [of] and Loafing [with] Ralph Steadman in Turkey." International Journal of Comic Art 4. (2002): 84–123. |
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| Last edited by: Deleted user 15/01/2018, 23:28 |
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| Leogrande, Cathy. "Alan Moore and David Lloyd’s V for Vendetta." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 108–22. |
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| Added by: joachim 23/02/2017, 18:11 |
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| Leslie, Esther. "Blake's Lines: Seven digressions through time and space." ImageTexT 3. 2 2007. Accessed 25 Jan. 2010. <http://www.english.ufl. ... t/archives/v3_2/leslie/>. |
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| Added by: Deleted user 25/01/2010, 14:53 |
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