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| Grennan, Simon, Roger Sabin, and Julian Waite. Marie Duval: Maverick victorian cartoonist. Interventions: Rethinking the Nineteenth Century. Manchester, New York: Manchester Univ. Press, 2020. |
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| Groensteen, Thierry. La Construction de La Cage. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2002. |
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| Groensteen, Thierry. "La Cage de Martin Vaughn-James et ses avatars contemporains." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 99–113. |
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| de Groot, Jerome. Consuming History: Historians and heritage in contemporary popular culture. London, New York: Routledge, 2008. |
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| Guillaume, Isabelle. "Les Figures du rêve dans The Sandman." Mémoire de Master 2 en recherche anglophone ENS de Lyon, 2012. |
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| Gutiérrez, Peter. "Identity and the Uncanny: A coraline study guide." Screen Education (2009): 86–89. |
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| Gutierrez, Anna Katrina. "Weaving New Dreams From Old Cloth: Conceptual blending and hybrid identities in neil gaiman's fairy-tale retellings." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 217–34. |
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| Hague, Ian. "Adapting Watchmen." Framing Film. Cinema and the Visual Arts. Eds. Steven Allen and Laura Hubner. Bristol, Chicago: Intellect Books, 2012. 37–55. |
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| Halsall, Alison. "“A Parade of Curiosities”: Alan moore’s the league of extraordinary gentlemen and lost girls as neo-victorian pastiches." Journal of Popular Culture 48. (2015): 252–68. |
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| Halsall, Alison. "“What Is the Use of a Book … Without Pictures or Conversations?” Incorporating the graphic novel into the university curriculum." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 87–101. |
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| Halsall, Alison. "Visualizing the Gothic in Neil Gaiman’s The Graveyard Book and Its Illustrated Adaptations." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 123–41. |
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| Harmon, Shawn HE. "Not foresighting, not answering: Using graphic fiction to interrogate social and regulatory issues in biomedicine." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 71–88. |
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| Harnett, John. "Shelley’s Progeny: Using the comic to re-animate frankenstein’s vision." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 11–21. |
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| Harnett, John. "Framing the Subconscious: Envisioning the polysemic narrative of the graphic novel as a reference point for psychoanalytical and semiotic discourse." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 73–83. |
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| Harris-Fain, Darren. "Putting the Graphic in Graphic Novel: P. craig russell’s adaptation of neil gaiman’s coraline." Studies in the Novel 47. (2015): 335–45. |
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| Harris-Fain, Darren. "Neil Gaiman and the Multifarious Approach to the Superhero." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 51–66. |
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| Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining superheroes in post–9/11 hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44. |
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| Hausmanninger, Thomas. "Cyberpunk und Open-Source-Religion: Douglas rushkoffs testament." Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Eds. Jörn Ahrens, Frank Thomas Brinkmann and Nathanael Riemer. Wiesbaden: Springer VS, 2015. 59–83. |
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| Helford, Elyce Rae. "Postfeminism and the Female Action-Adventure Hero: Positioning tank girl." Future Females, The Next Generation. New Voices and Velocities in Feminist Science Fiction Criticism. Ed. Marleen S. Barr. Lanham [etc.]: Rowman & Littlefield, 2000. 291–308. |
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| Hescher, Achim. "Metalepses, Mises en Abyme and Performativity in Bryan Talbot’s Alice in Sunderland." Representing Restoration, Enlightenment and Romanticism. Eds. Anja Müller, Achim Hescher and Anke Uebel. Trier: Wissenschaftlicher Verlag Trier, 2014. 229–50. |
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