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| Rifas, Leonard. "Race and Comix." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 27–38. |
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| Rifas, Leonard. "Ideology: The construction of race and history in tintin in the congo." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 221–34. |
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| Risner, Jonathan. "“Authentic” Latinas/os and Queer Characters in Mainstream and Alternative Comics." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 39–54. |
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| Serriere, Jérôme. Zum Bild des tirailleur sénégalais im französischen Comic: Repräsentation einer kolonialen figur in der erinnerungskultur des 1. weltkriegs. Wiesbaden: Springer VS, 2022. |
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| Sommers, Joseph Michael. "Crooked Appalachia: The laughter of the melungeon witches in mike mignola’s hellboy: the crooked man." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 214–41. |
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| Tyree, Tia C. M. and Adrian Krishnasamy. "Bringing Afrocentricity to the Funnies: An analysis of afrocentricity within aaron mcgruder’s the boondocks." Journal of Black Studies 42. (2011): 23–42. |
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| Venkatesan, Sathyaraj and Ishani Anwesha Joshi. "“I AM NOT A VIRUS”: Covid-19, anti-asian hate, and comics as counternarratives." Journal of Medical Humanities 45. (2024): 35–41. |
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| Whitby, Christopher. "“The Southern Thing”: Doug marlette, identity consciousness, and the commodification of the south." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 89–112. |
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