| Acu, Adrian: "Time to Work for a Living. The Marvel Cinematic Universe and the Organized Superhero." In: Journal of Popular Film and Television 44.4 (2016), S. 195–205. |
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| Ahern, Sean: "“Oh check it out! I learned the bass line from Final Fantasy II”. Scott Pilgrim vs. Geek Culture." In: Ol3Media 4.10 (2011). |
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| Ahrens, Jörn: "A History of Violence. David Cronenberg, die Graphic Novel und die Repräsentation der Gewalt." In: Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Hrsg. v. Barbara Kainz. Wien: Löcker, 2009, S. 125–137. |
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| ---: "Übersetzungsprobleme. Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." In: Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Hrsg. v. Thomas Becker. Bochum: Ch.A. Bachmann, 2011, S. 77–90. |
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| Aiyesimoju, Ayodeji Boluwatife: "Black Panther as Afro-complementary Cinematic Intervention. Lessons for Africa South of the Sahara African Movie Industries." In: Africology 11.9 (2018), S. 96–102, . |
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| Alaoui, Fatima Zahrae Chrifi und Shadee Abdi: "Wakanda for everyone. An invitation to an African Muslim perspective of Black Panther." In: Review of Communication 20.3 (2020), S. 229–235. |
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| Albano, Antonella: "Autoreverse: Fumetto↔Film↔Telefilm." In: Ol3Media 4.10 (2011). |
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| Alexander, Torin Dru: "Africana Religion, Black Panther, and the Marvel Cinematic Universe (MCU)." In: Africology 11.9 (2018), S. 64–67, . |
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| Allen, Marlene D. "If You Can See It, You Can Be It. Black Panther’s Black Woman Magic." In: Africology 11.9 (2018), S. 20–22, . |
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| Alonso Jerez, Marta: "New Gender Identities in the Twenty-First Century. Blending Victorian and Steampunk Cultures." In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Hrsg. v. Simonetta Falchi, Greta Perletti und Maria Isabel Romero Ruiz. (Critica letteraria e linguistica, 100.) Milano: FrancoAngeli, 2015, S. 59–72. |
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| Anders, Lou: "Two of a Kind." In: Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Hrsg. v. Dennis O’Neil und Leah Wilson. (Smart Pop.) Dallas: Benbella Books, 2008, S. 17–33. |
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| Andersen, Gregers und Esben Bjerggaard Nielsen: "Biopolitics in the Anthropocene. On the Invention of Future Biopolitics in Snowpiercer, Elysium, and Interstellar." In: Journal of Popular Culture 51.3 (2018), S. 615–634. |
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| Anderson, Emily R. "Sin City, Style, and the Status of Noir." In: Critical Approaches to the Films of Robert Rodriguez. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015, S. 81–102. |
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| Asante, Godfried A. und Gloria Nziba Pindi: "(Re)imagining African futures. Wakanda and the politics of transnational Blackness." In: Review of Communication 20.3 (2020), S. 220–228. |
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| Bacon-Smith, Camille und Tyrone Yarborough: "Batman: The Ethnography." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 90–116. |
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| Bainbridge, Jason: "Beyond the Law. What is so “Super” About Superheroes and Supervillains?" In: International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30.3 (2017), S. 367–388. |
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| ---: "“You were the world’s first superhero”. Marvel Studio’s Superheroes, Law and the Pursuit of Justice." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 150–167. |
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| Barker, Martin und Kate Brooks: Knowing Audiences. Judge Dredd, its Friends, Fans, and Foes. Luton: Univ. of Luton Press, 1998. (328 S.) |
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| Barman, Daisy: "Comics beyond Fun and Thrill. A Critical Reflection on Gender Dynamics and Public Imagination in Select Popular Comics-based Movies." In: Gnosis Special Issue 3 (2019), S. 81–91. |
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| Baron, Lawrence: "X-Men as J-Men. The Jewish Subtext of a Comic Book Movie." In: Shofar 22.1 (2003), S. 44–52. |
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| Bartlett, Myke: "A Mirror to Changing Times. X-Men and X2." In: Screen Education 58 (2010), S. 111–115. |
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| ---: "The Adventures of Tintin. Drawn into Motion." In: Screen Education 65 (2012), S. 8–17. |
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| Bartosch, Sebastian: "Genre und Comic." In: Filmwissenschaftliche Genreanalyse. Eine Einführung. Hrsg. v. Markus Kuhn, Irina Scheidgen und Nicola Valeska Weber. (De Gruyter Studium.) Berlin: de Gruyter, 2013, S. 381–408. |
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| Bartosch, Sebastian und Andreas Stuhlmann: "Reconsidering adaptation as translation. The comic in between." In: Studies in Comics 4.1 (2013), S. 59–74. |
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| Bateman, John A. und Francisco O. D. Veloso: "The semiotic resources of comics in movie adaptation. Ang Lee’s Hulk (2003) as a case study." In: Studies in Comics 4.1 (2013), S. 135–158. |
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| Bauer, Matthias: "(Don’t) Say Yes to Another Excess. Ang Lees Transformation der Hulk-Legende." In: Ang Lee. Hrsg. v. Matthias Bauer-Funke. (Film-Konzepte, 5.) München: edition text + kritik, 2007, S. 81–96. |
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| Bavlnka, Timothy: "The Joke’s On Him. Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." In: Intensities: The Journal of Cult Media 5 (2013), S. 111–133, . |
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| ---: Superheroes and Shamanism. Magic and Participation in the Comics of Grant Morrison. Master of Arts (Thesis), Bowling Green State Univ. Popular Culture 2011 (96 S.). |
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| Beaty, Bart: "The Blockbuster Superhero." In: The Wiley-Blackwell History of American Film. Hrsg. v. Roy Grundmann und Art Simon. Chichester: Wiley-Blackwell, 2011. |
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| ---: David Cronenberg’s A History of Violence. Toronto, Buffalo, London: Univ. of Toronto Press, 2008. (138 S.) |
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| ---: "Superhero fan service. Audience strategies in the contemporary interlinked Hollywood blockbuster." In: The Information Society 32.5 (2016), S. 318–325. |
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| Becker, Richard A. "The Crisis of Confidence in Comics Adaptations. Why Comics Are So Rarely Faithfully Adapted to the Big Screen." In: International Journal of Comic Art 11.1 (2009), S. 436–456. |
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| Beckett, Jennifer: "Acting with Limited Oversight. S.H.I.E.L.D. and the Role of Intelligence and Intervention in the Marvel Cinematic Universe." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 203–218. |
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| Berger, Richard: "‘Are there anymore at home like you?’. Rewiring Superman." In: Journal of Adaptation in Film & Performance 1 (2008), S. 87–101. |
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| Bergstrom, Signe: Wonder Woman. Ambassador of Truth. New York: Harper Design, 2017. (176 S.) |
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| Bernardo, Susan M. "Recycling Victims and Villains in Batman Returns." In: Literature/Film Quarterly 22 (1994), S. 16–20. |
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| Berra, John: "Deep, Deep, Down. The social satire of Mario Bava’s Danger: Diabolik." In: Film International 10.4–5 (2012), S. 44–51. |
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| Bettinson, Gary: Superman: The Movie. The 40th Anniversary Interviews. Bristol, Chicago: Intellect Books, 2018. (134 S.) |
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| Bevin, Phillip: Superman and Comic Book Brand Continuity. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. |
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| Bickermann, Daniel: "Comic Relief." In: Schnitt 35 (2004). |
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| Blum, Elizabeth D. "Tracing Views of Nature in the Marvel Cinematic Universe." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 127–140. |
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| Boge, Chris: "Biopolitik, Hybridität und Fremdartigkeit im US-amerikanischen Superheldenfilm." In: Medienimpulse 2 (2012). |
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| Bohrmann, Thomas: "»Aus großer Kraft folgt große Verantwortung«. Superhelden im Kino." In: Handbuch Theologie und Populärer Film. Hrsg. v. Thomas Bohrmann, Werner Veith und Stephan Zöller. Paderborn: Schöningh, 2009, S. 199–212. |
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| Boillat, Alain (Hrsg.): Les cases à l’écran. Bande dessinée et cinéma en dialogue. (L’Équinoxe.) Chêne-Bourg: Georg, 2010. (356 S.) |
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| Bolton, Matthew: "“Like Oil and Water”. Adaptation as Textuality, Intertextuality, and Metatextuality in Lady Snowblood (Fujita, 1973)." In: Studies in 20th & 21st Century Literature 42.1 (2017). |
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| ---: "Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)." In: Miranda 8 (2013). |
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| Bonifer, Mike: Dick Tracy. The Making of the Movie. New York: Bantam Books, 1990. (107 S.) |
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| Bonilla Cerezo, Rafael und Javier Gutiérrez Parera: "El diablo dijo … “¡acción!”. Hellboy en el laberinto Del Toro." In: Caracteres 3.2 (2014), S. 51–80, . |
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| Booker, M. Keith: May Contain Graphic Material. Comic Books, Graphic Novels, and Film. New York: Praeger, 2007. (210 S.) |
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| Bordwell, David und Kristin Thompson: Christopher Nolan. A Labyrinth of Linkages. [Selbstverl.], 2013. (62 S.) |
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| Bosch, Brandon: "Bat Meets Girl. Adapting the Dark Knight’s Love Life to the Big Screen." In: Quarterly Review of Film and Video 36.3 (2019), S. 239–251. |
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| Boudreaux, Armond und Corey Latta: Titans. How Superheroes Can Help Us Make Sense of a Polarized World. Eugene: Cascade, 2017. (134 S.) |
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| Bould, Mark: Film Noir. From Berlin to Sin City. (Short Cuts, 27.) London: Wallflower, 2005. (144 S.) |
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| Braun, Michael: "Batman am Scheideweg. Der unglückliche Super-Held in Christopher Nolans The Dark Knight Rises (2012)." In: Medienobservationen (6. Sept. 2012). |
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| von Brincken, Jörg: "Ganz schön gewaltige Bilder. Zack Snyder’s Film 300." In: Medienobservationen (29. Mai 2009). |
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| Brinker, Felix: "On the Political Economy of the Contemporary (Superhero) Blockbuster Series." In: Post-Cinema. Theorizing 21st-Century Film. Hrsg. v. Shane Denson und Julia Leyda. Falmer: REFRAME, 2016, S. 433–473. |
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| Broderick, James F. "From Hell." In: Now a Terrifying Motion Picture! Twenty-Five Classic Works of Horror Adapted from Book to Film. Jefferson, London: McFarland, 2012, S. 78–85. |
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| Brogan, Jacob: "Stop/Watch. Repressing History, Adapting Watchmen." In: The Politics of Adaptation. Media Convergence and Ideology. Hrsg. v. Dan A. Hassler-Forest und Pascal Nicklas. New York [etc.]: Palgrave Macmillan, 2015, S. 214–226. |
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| Bronfen, Elisabeth: "Der Heimatlose schlägt zurück." In: Heimweh. Illusionsspiele in Hollywood. Berlin: Volk und Welt, 1999, S. 465–526. |
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| Brooker, Will: "Batman. One life, many faces." In: Adaptations. From Text to Screen, Screen to Text. Hrsg. v. Deborah Cartmell und Imelda Welehan. London, New York: Routledge, 1999, S. 185–198. |
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| ---: Batman Unmasked. Analyzing a Cultural Icon. London, New York: Continuum, 2000. (358 S.) |
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| ---: Hunting the Dark Knight. Twenty-First Century Batman. London, New York: I. B. Tauris, 2012. (256 S.) |
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| Brown, Jeffrey A. "Gender, Sexuality, and Toughness. The Bad Girls of Action Film and Comic Books." In: Action Chicks. New Images of Tough Women in Popular Culture. Hrsg. v. Sherrie A. Inness. New York [etc.]: Palgrave Macmillan, 2004, S. 47–74. |
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| Brown, Joseph F. "Hulk Smashed! The Rhetoric of Alcoholism in Television’s Incredible Hulk." In: Journal of Popular Culture 44 (2011), S. 1171–1190. |
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| Brown, Jeffrey A. The Modern Superhero in Film and Television. Popular Genre and American Culture. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2016. (181 S.) |
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| Bryan, Peter Cullen: "Geeking Out and Hulking Out. Toward an Understanding of Marvel Fan Communities." In: Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Hrsg. v. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018, S. 149–165. |
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| Bukatman, Scott: "Why I Hate Superhero Movies." In: Cinema Journal 50.3 (2011), S. 118–122. |
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| Bullen, David: "Dionysus Comes to Gotham. Forces of Disorder in The Dark Knight." In: Classical Myth on Screen. Hrsg. v. Monica S. Cyrino und Meredith E. Safran. New York [etc.]: Palgrave Macmillan, 2015, S. 183–193. |
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| Buoye, Alexander et al. "Intellectual property extensions in entertainment services. Marvel and DC comics." In: Journal of Services Marketing 34.2 (2019), S. 239–251. |
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| Burke, Liam: "A bigger universe. Marvel Studios and Transmedia Storytelling." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 32–51. |
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| ---: The Comic Book Film Adaptation. Exploring Modern Hollywood’s Leading Genre. Jackson: Univ. Press of Mississippi, 2015. (372 S.) |
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| ---: "Harley Quinn and the carnivalesque transformation of comic book fandom." In: Transformative Works and Cultures 36 (2021). |
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| ---: "Special Effect. Have film adaptations changed mainstream comics?" In: Scan. Journal of media arts culture 9.1 (2012). |
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| ---: Superhero Movies. Harpenden: Pocket Essentials, 2008. (160 S.) |
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| ---: "‘Superman in Green’. An audience study of comic book film adaptations Thor and Green Lantern." In: Participations 9.2 (2012), S. 97–119, . |
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| Byrne, Craig: The Dark Knight. Featuring Production Art and Full Shooting Script. New York: Universe, 2008. (239 S.) |
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| Canavan, Gerry: "“If the Engine Ever Stops, We’d All Die”. Snowpiercer and Necrofuturism." In: Paradoxa 26 (2014), S. 41–66. |
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| Carretero González, Margarita: "Sympathy for the Devil. The Hero is a Terrorist in V for Vendetta." In: Promoting and Producing Evil. Hrsg. v. Nancy Billias. (At the Interface, Probing the Boundaries, 63.) Amsterdam [etc.]: Rodopi, 2010, S. 207–218. |
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| Cates, Isaac: "Dan Clowes, Terry Zwigoff and Isaac Cates." In: ImageTexT 1.1 (2004). |
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| Catsam, Derek Charles: "If You’re (Concerned About) White You’re Alt-Right. Racialized Conservative Responses to Black Panther." In: Africology 11.9 (2018), S. 53–60, . |
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| Cavallaro, Dani: CLAMP in Context. A Critical Study of the Manga and Anime. Jefferson, London: McFarland, 2012. (204 S.) |
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| Cha, Julian: "The Fiendish Plots of Dr. Fu Manchu in the Twenty-First Century. The Yellow Peril in Christopher Nolan’s Dark Knight Trilogy." In: Americana 12.1 (2013). |
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| Chambliss, Julian C., William Svitavsky und Daniel Fandino (Hrsg.): Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Jefferson: McFarland, 2018. (254 S.) |
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| Chapman, James: "The Extraordinary Career of Modesty Blaise." In: Comics and Pop Culture. Adaptation from Panel to Frame. Hrsg. v. Barry Keith Grant und Scott A. Henderson. Austin: Univ. of Texas Press, 2019, S. 199–213. |
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| Chelebourg, Christian: Les Écofictions. Mythologies de la fin du monde. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2012. (253 S.) |
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| Chemers, Michael M. "‘With Your Shield, or On It’. Disability Representation in 300." In: Disability Studies Quarterly 27.3 (2007). |
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| Childress, Kirby: "Abjection of the bisexual self. How haptic visuality brings internalized biphobia to screen in Collard’s Les Nuits fauves and Kechiche’s La Vie d’Adèle." In: Queer Studies in Media & Popular Culture 3.3 (2018), S. 335–345. |
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| Christen, Matthias: "Düstere Clowns. Figuren des Schreckens im Kino der Transgression." In: Über den Clown. Künstlerische und theoretische Perspektiven. Hrsg. v. Richard Weihe. Bielefeld: Transcript, 2016, S. 203–242. |
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| Christiansen, Steen: "Hyper Attention Blockbusters. Christopher Nolan’s Batman Trilogy." In: Akademisk kvarter 7 (2013), S. 143–157, . |
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| Cicci, Matthew: "Marvel Team-Up. Hawkeye, Loki and the Inescapable, Innate Resistance of the Female Superhero Comic Fan." In: Journal of Comics and Culture 1 (2016), S. 95–122. |
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| Cicci, Matthew Alan: Turning the Page. Fandoms, Multimodality, and the Transformation of the “Comic Book” Superhero. Dissertation (Doctor of Philosophy), Wayne State University 2015 (205 S.). |
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| Ciment, Gilles (Hrsg.): Cinéma et bande dessinée. (CinémAction.) Condé-sur-Noireau: Corlet, 1990. (280 S.) |
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| Claverie, Ezra: "Ambiguous Mr. Fox. Black Actors and Interest Convergence in the Superhero Film." In: Journal of American Culture 40.2 (2017), S. 155–168. |
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| ---: "Storm and the Angels of History. Blackness and Star Image in the X‐Men Films." In: Journal of American Culture 42.1 (2019), S. 55–69. |
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| ---: "Storm and the Angels of History. Blackness and Star Image in the X-Men Films." In: Journal of American Culture 42.1 (2019), S. 55–69. |
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| Clowes, Daniel und Terry Zwigoff: "Q & A with Dan Clowes and Terry Zwigoff." In: ImageTexT 1.1 (2004). |
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| Cocca, Carolyn: Wonder Woman and Captain Marvel. Militarism and Feminism in Comics and Film. (Routledge Focus on Gender, Sexuality, and Comics.) London, New York: Routledge, 2021. (102 S.) |
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| Cohen, Michael: "Dick Tracy. In Pursuit of a Comic Book Aesthetic." In: Film and Comic Books. Hrsg. v. Ian Gordon, Mark Jancovich und Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007, S. 13–36. |
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| Coker, Catherine: "Earth 616, Earth 1610, Earth 3490—Wait, what universe is this again? The creation and evolution of the Avengers and Captain America/Iron Man fandom." In: Transformative Works and Cultures 13 (2013). |
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| Collins, Jim: "Batman: Film, fortælling. Det hyperbevidste." In: MedieKultur 30 (1999), S. 51–61, . |
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