| Acu, Adrian: "Time to Work for a Living. The Marvel Cinematic Universe and the Organized Superhero." In: Journal of Popular Film and Television 44.4 (2016), S. 195–205. |
|
| Last edited by: joachim 2021-04-25 18:04 |
|
| Ahern, Sean: "“Oh check it out! I learned the bass line from Final Fantasy II”. Scott Pilgrim vs. Geek Culture." In: Ol3Media 4.10 (2011). |
|
| Added by: joachim 2013-12-27 13:28 |
|
| Ahrens, Jörn: "A History of Violence. David Cronenberg, die Graphic Novel und die Repräsentation der Gewalt." In: Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Hrsg. v. Barbara Kainz. Wien: Löcker, 2009, S. 125–137. |
|
| Last edited by: joachim 2010-04-04 23:31 |
|
| ---: "Übersetzungsprobleme. Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." In: Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Hrsg. v. Thomas Becker. Bochum: Ch.A. Bachmann, 2011, S. 77–90. |
|
| Added by: joachim 2011-04-08 00:52 |
|
| Alaoui, Fatima Zahrae Chrifi und Shadee Abdi: "Wakanda for everyone. An invitation to an African Muslim perspective of Black Panther." In: Review of Communication 20.3 (2020), S. 229–235. |
|
| Last edited by: joachim 2020-08-08 16:34 |
|
| Albano, Antonella: "Autoreverse: Fumetto↔Film↔Telefilm." In: Ol3Media 4.10 (2011). |
|
| Added by: joachim 2013-12-27 13:11 |
|
| Allen, Marlene D. "If You Can See It, You Can Be It. Black Panther’s Black Woman Magic." In: Africology 11.9 (2018), S. 20–22, . |
|
| Added by: joachim 2019-09-05 13:33 |
|
| Alonso Jerez, Marta: "New Gender Identities in the Twenty-First Century. Blending Victorian and Steampunk Cultures." In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Hrsg. v. Simonetta Falchi, Greta Perletti und Maria Isabel Romero Ruiz. (Critica letteraria e linguistica, 100.) Milano: FrancoAngeli, 2015, S. 59–72. |
|
| Last edited by: joachim 2020-08-26 18:22 |
|
| Anders, Lou: "Two of a Kind." In: Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Hrsg. v. Dennis O’Neil und Leah Wilson. (Smart Pop.) Dallas: Benbella Books, 2008, S. 17–33. |
|
| Added by: joachim 2012-01-17 17:39 |
|
| Andersen, Gregers und Esben Bjerggaard Nielsen: "Biopolitics in the Anthropocene. On the Invention of Future Biopolitics in Snowpiercer, Elysium, and Interstellar." In: Journal of Popular Culture 51.3 (2018), S. 615–634. |
|
| Last edited by: joachim 2018-08-04 12:59 |
|
| Anderson, Emily R. "Sin City, Style, and the Status of Noir." In: Critical Approaches to the Films of Robert Rodriguez. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015, S. 81–102. |
|
| Added by: joachim 2016-02-28 02:21 |
|
| Asante, Godfried A. und Gloria Nziba Pindi: "(Re)imagining African futures. Wakanda and the politics of transnational Blackness." In: Review of Communication 20.3 (2020), S. 220–228. |
|
| Last edited by: joachim 2020-08-08 16:27 |
|
| Bacon-Smith, Camille und Tyrone Yarborough: "Batman: The Ethnography." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 90–116. |
|
| Last edited by: joachim 2009-07-29 14:26 |
|
| Bainbridge, Jason: "“You were the world’s first superhero”. Marvel Studio’s Superheroes, Law and the Pursuit of Justice." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 150–167. |
|
| Last edited by: joachim 2019-03-08 14:39 |
|
| Barker, Martin und Kate Brooks: Knowing Audiences. Judge Dredd, its Friends, Fans, and Foes. Luton: Univ. of Luton Press, 1998. (328 S.) |
|
| Added by: joachim 2016-09-03 11:23 |
|
| Baron, Lawrence: "X-Men as J-Men. The Jewish Subtext of a Comic Book Movie." In: Shofar 22.1 (2003), S. 44–52. |
|
| Last edited by: joachim 2016-06-02 16:51 |
|
| Bartlett, Myke: "A Mirror to Changing Times. X-Men and X2." In: Screen Education 58 (2010), S. 111–115. |
|
| Added by: joachim 2014-01-09 16:20 |
|
| ---: "The Adventures of Tintin. Drawn into Motion." In: Screen Education 65 (2012), S. 8–17. |
|
| Added by: joachim 2014-01-09 15:48 |
|
| Bartosch, Sebastian: "Genre und Comic." In: Filmwissenschaftliche Genreanalyse. Eine Einführung. Hrsg. v. Markus Kuhn, Irina Scheidgen und Nicola Valeska Weber. (De Gruyter Studium.) Berlin: de Gruyter, 2013, S. 381–408. |
|
| Last edited by: joachim 2016-04-14 12:29 |
|
| Bartosch, Sebastian und Andreas Stuhlmann: "Reconsidering adaptation as translation. The comic in between." In: Studies in Comics 4.1 (2013), S. 59–74. |
|
| Added by: joachim 2013-08-04 11:02 |
|
| Bateman, John A. und Francisco O. D. Veloso: "The semiotic resources of comics in movie adaptation. Ang Lee’s Hulk (2003) as a case study." In: Studies in Comics 4.1 (2013), S. 135–158. |
|
| Added by: joachim 2013-08-04 11:41 |
|
| Bauer, Matthias: "(Don’t) Say Yes to Another Excess. Ang Lees Transformation der Hulk-Legende." In: Ang Lee. Hrsg. v. Matthias Bauer-Funke. (Film-Konzepte, 5.) München: edition text + kritik, 2007, S. 81–96. |
|
| Added by: joachim 2011-10-02 13:19 |
|
| Bavlnka, Timothy: "The Joke’s On Him. Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." In: Intensities: The Journal of Cult Media 5 (2013), S. 111–133, . |
|
| Added by: joachim 2016-07-02 12:56 |
|
| ---: Superheroes and Shamanism. Magic and Participation in the Comics of Grant Morrison. Master of Arts (Thesis), Bowling Green State Univ. Popular Culture 2011 (96 S.). |
|
| Last edited by: joachim 2011-06-21 23:23 |
|
| Beaty, Bart: "The Blockbuster Superhero." In: The Wiley-Blackwell History of American Film. Hrsg. v. Roy Grundmann und Art Simon. Chichester: Wiley-Blackwell, 2011. |
|
| Last edited by: joachim 2014-06-15 00:59 |
|
| ---: David Cronenberg’s A History of Violence. Toronto, Buffalo, London: Univ. of Toronto Press, 2008. (138 S.) |
|
| Added by: joachim 2016-01-14 12:01 |
|
| ---: "Superhero fan service. Audience strategies in the contemporary interlinked Hollywood blockbuster." In: The Information Society 32.5 (2016), S. 318–325. |
|
| Last edited by: joachim 2016-09-07 16:36 |
|
| Becker, Richard A. "The Crisis of Confidence in Comics Adaptations. Why Comics Are So Rarely Faithfully Adapted to the Big Screen." In: International Journal of Comic Art 11.1 (2009), S. 436–456. |
|
| Added by: joachim 2012-09-26 11:13 |
|
| Beckett, Jennifer: "Acting with Limited Oversight. S.H.I.E.L.D. and the Role of Intelligence and Intervention in the Marvel Cinematic Universe." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 203–218. |
|
| Last edited by: joachim 2019-03-08 14:30 |
|
| Berger, Richard: "‘Are there anymore at home like you?’. Rewiring Superman." In: Journal of Adaptation in Film & Performance 1 (2008), S. 87–101. |
|
| Last edited by: joachim 2010-08-03 00:56 |
|
| Bergstrom, Signe: Wonder Woman. Ambassador of Truth. New York: Harper Design, 2017. (176 S.) |
|
| Last edited by: joachim 2017-09-05 11:48 |
|
| Bernardo, Susan M. "Recycling Victims and Villains in Batman Returns." In: Literature/Film Quarterly 22 (1994), S. 16–20. |
|
| Last edited by: joachim 2009-07-29 18:18 |
|
| Berra, John: "Deep, Deep, Down. The social satire of Mario Bava’s Danger: Diabolik." In: Film International 10.4–5 (2012), S. 44–51. |
|
| Last edited by: joachim 2014-01-12 12:33 |
|
| Bettinson, Gary: Superman: The Movie. The 40th Anniversary Interviews. Bristol, Chicago: Intellect Books, 2018. (134 S.) |
|
| Last edited by: joachim 2021-01-11 16:32 |
|
| Bevin, Phillip: Superman and Comic Book Brand Continuity. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. |
|
| Last edited by: joachim 2020-06-25 11:57 |
|
| Bickermann, Daniel: "Comic Relief." In: Schnitt 35 (2004). |
|
| Last edited by: joachim 2010-09-17 10:02 |
|
| Blum, Elizabeth D. "Tracing Views of Nature in the Marvel Cinematic Universe." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 127–140. |
|
| Last edited by: joachim 2019-03-08 14:26 |
|
| Boge, Chris: "Biopolitik, Hybridität und Fremdartigkeit im US-amerikanischen Superheldenfilm." In: Medienimpulse 2 (2012). |
|
| Last edited by: joachim 2016-06-21 11:18 |
|
| Bohrmann, Thomas: "»Aus großer Kraft folgt große Verantwortung«. Superhelden im Kino." In: Handbuch Theologie und Populärer Film. Hrsg. v. Thomas Bohrmann, Werner Veith und Stephan Zöller. Paderborn: Schöningh, 2009, S. 199–212. |
|
| Added by: joachim 2011-10-29 19:59 |
|
| Boillat, Alain (Hg.): Les cases à l’écran. Bande dessinée et cinéma en dialogue. (L’Équinoxe.) Chêne-Bourg: Georg, 2010. (356 S.) |
|
| Last edited by: joachim 2015-09-19 13:57 |
|
| Bolton, Matthew: "“Like Oil and Water”. Adaptation as Textuality, Intertextuality, and Metatextuality in Lady Snowblood (Fujita, 1973)." In: Studies in 20th & 21st Century Literature 42.1 (2017). |
|
| Added by: joachim 2021-05-04 14:25 |
|
| ---: "Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)." In: Miranda 8 (2013). |
|
| Last edited by: joachim 2014-10-06 16:14 |
|
| Bonifer, Mike: Dick Tracy. The Making of the Movie. New York: Bantam Books, 1990. (107 S.) |
|
| Last edited by: joachim 2010-06-08 08:27 |
|
| Bonilla Cerezo, Rafael und Javier Gutiérrez Parera: "El diablo dijo … “¡acción!”. Hellboy en el laberinto Del Toro." In: Caracteres 3.2 (2014), S. 51–80, . |
|
| Last edited by: joachim 2021-04-27 10:56 |
|
| Booker, M. Keith: May Contain Graphic Material. Comic Books, Graphic Novels, and Film. New York: Praeger, 2007. (210 S.) |
|
| Last edited by: joachim 2013-10-27 12:15 |
|
| Bordwell, David und Kristin Thompson: Christopher Nolan. A Labyrinth of Linkages. [Selbstverl.], 2013. (62 S.) |
|
| Added by: joachim 2014-11-24 14:04 |
|
| Bosch, Brandon: "Bat Meets Girl. Adapting the Dark Knight’s Love Life to the Big Screen." In: Quarterly Review of Film and Video 36.3 (2019), S. 239–251. |
|
| Added by: joachim 2021-06-13 14:47 |
|
| Bould, Mark: Film Noir. From Berlin to Sin City. (Short Cuts, 27.) London: Wallflower, 2005. (144 S.) |
|
| Last edited by: joachim 2016-03-27 15:38 |
|
| Braun, Michael: "Batman am Scheideweg. Der unglückliche Super-Held in Christopher Nolans The Dark Knight Rises (2012)." In: Medienobservationen (6. Sept. 2012). |
|
| Added by: joachim 2014-02-20 14:45 |
|
| von Brincken, Jörg: "Ganz schön gewaltige Bilder. Zack Snyder’s Film 300." In: Medienobservationen (29. Mai 2009). |
|
| Added by: joachim 2014-02-20 16:12 |
|
| Brinker, Felix: "On the Political Economy of the Contemporary (Superhero) Blockbuster Series." In: Post-Cinema. Theorizing 21st-Century Film. Hrsg. v. Shane Denson und Julia Leyda. Falmer: REFRAME, 2016, S. 433–473. |
|
| Added by: joachim 2018-04-03 12:18 |
|
| Broderick, James F. "From Hell." In: Now a Terrifying Motion Picture! Twenty-Five Classic Works of Horror Adapted from Book to Film. Jefferson, London: McFarland, 2012, S. 78–85. |
|
| Added by: joachim 2014-09-01 13:03 |
|
| Brogan, Jacob: "Stop/Watch. Repressing History, Adapting Watchmen." In: The Politics of Adaptation. Media Convergence and Ideology. Hrsg. v. Dan A. Hassler-Forest und Pascal Nicklas. New York [etc.]: Palgrave Macmillan, 2015, S. 214–226. |
|
| Added by: joachim 2019-02-10 10:47 |
|
| Bronfen, Elisabeth: "Der Heimatlose schlägt zurück." In: Heimweh. Illusionsspiele in Hollywood. Berlin: Volk und Welt, 1999, S. 465–526. |
|
| Added by: joachim 2016-09-05 16:45 |
|
| Brooker, Will: "Batman. One life, many faces." In: Adaptations. From Text to Screen, Screen to Text. Hrsg. v. Deborah Cartmell und Imelda Welehan. London, New York: Routledge, 1999, S. 185–198. |
|
| Last edited by: joachim 2010-07-28 08:33 |
|
| ---: Batman Unmasked. Analyzing a Cultural Icon. London, New York: Continuum, 2000. (358 S.) |
|
| Last edited by: joachim 2016-01-25 15:56 |
|
| ---: Hunting the Dark Knight. Twenty-First Century Batman. London, New York: I. B. Tauris, 2012. (256 S.) |
|
| Added by: joachim 2012-10-09 15:22 |
|
| Brown, Jeffrey A. "Gender, Sexuality, and Toughness. The Bad Girls of Action Film and Comic Books." In: Action Chicks. New Images of Tough Women in Popular Culture. Hrsg. v. Sherrie A. Inness. New York [etc.]: Palgrave Macmillan, 2004, S. 47–74. |
|
| Added by: joachim 2010-08-24 02:43 |
|
| Brown, Joseph F. "Hulk Smashed! The Rhetoric of Alcoholism in Television’s Incredible Hulk." In: Journal of Popular Culture 44 (2011), S. 1171–1190. |
|
| Added by: joachim 2012-01-10 03:53 |
|
| Brown, Jeffrey A. The Modern Superhero in Film and Television. Popular Genre and American Culture. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2016. (181 S.) |
|
| Last edited by: joachim 2020-06-25 11:58 |
|
| Bryan, Peter Cullen: "Geeking Out and Hulking Out. Toward an Understanding of Marvel Fan Communities." In: Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Hrsg. v. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018, S. 149–165. |
|
| Last edited by: joachim 2020-11-25 13:05 |
|
| Bukatman, Scott: "Why I Hate Superhero Movies." In: Cinema Journal 50.3 (2011), S. 118–122. |
|
| Added by: joachim 2011-07-02 13:45 |
|
| Buoye, Alexander et al. "Intellectual property extensions in entertainment services. Marvel and DC comics." In: Journal of Services Marketing 34.2 (2019), S. 239–251. |
|
| Last edited by: joachim 2021-07-17 18:06 |
|
| Burke, Liam: "A bigger universe. Marvel Studios and Transmedia Storytelling." In: Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Hrsg. v. Julian C. Chambliss, William Svitavsky und Daniel Fandino. Jefferson: McFarland, 2018, S. 32–51. |
|
| Last edited by: joachim 2019-01-30 11:42 |
|
| ---: The Comic Book Film Adaptation. Exploring Modern Hollywood’s Leading Genre. Jackson: Univ. Press of Mississippi, 2015. (372 S.) |
|
| Last edited by: joachim 2015-07-10 07:20 |
|
| ---: "Harley Quinn and the carnivalesque transformation of comic book fandom." In: Transformative Works and Cultures 36 (2021). |
|
| Last edited by: joachim 2021-10-12 11:36 |
|
| ---: "Special Effect. Have film adaptations changed mainstream comics?" In: Scan. Journal of media arts culture 9.1 (2012). |
|
| Added by: joachim 2013-05-03 10:08 |
|
| ---: Superhero Movies. Harpenden: Pocket Essentials, 2008. (160 S.) |
|
| Added by: joachim 2011-02-17 18:17 |
|
| ---: "‘Superman in Green’. An audience study of comic book film adaptations Thor and Green Lantern." In: Participations 9.2 (2012), S. 97–119, . |
|
| Last edited by: joachim 2016-09-05 13:52 |
|
| Byrne, Craig: The Dark Knight. Featuring Production Art and Full Shooting Script. New York: Universe, 2008. (239 S.) |
|
| Added by: joachim 2012-07-13 07:46 |
|
| Canavan, Gerry: "“If the Engine Ever Stops, We’d All Die”. Snowpiercer and Necrofuturism." In: Paradoxa 26 (2014), S. 41–66. |
|
| Last edited by: joachim 2018-08-04 13:00 |
|
| Carretero González, Margarita: "Sympathy for the Devil. The Hero is a Terrorist in V for Vendetta." In: Promoting and Producing Evil. Hrsg. v. Nancy Billias. (At the Interface, Probing the Boundaries, 63.) Amsterdam [etc.]: Rodopi, 2010, S. 207–218. |
|
| Last edited by: joachim 2014-04-06 13:53 |
|
| Cates, Isaac: "Dan Clowes, Terry Zwigoff and Isaac Cates." In: ImageTexT 1.1 (2004). |
|
| Last edited by: joachim 2020-05-24 12:16 |
|
| Cavallaro, Dani: CLAMP in Context. A Critical Study of the Manga and Anime. Jefferson, London: McFarland, 2012. (204 S.) |
|
| Added by: joachim 2013-06-04 18:04 |
|
| Cha, Julian: "The Fiendish Plots of Dr. Fu Manchu in the Twenty-First Century. The Yellow Peril in Christopher Nolan’s Dark Knight Trilogy." In: Americana 12.1 (2013). |
|
| Added by: joachim 2016-11-21 11:06 |
|
| Chambliss, Julian C., William Svitavsky und Daniel Fandino (Hgg.): Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Jefferson: McFarland, 2018. (254 S.) |
|
| Added by: joachim 2018-03-21 09:44 |
|
| Chapman, James: "The Extraordinary Career of Modesty Blaise." In: Comics and Pop Culture. Adaptation from Panel to Frame. Hrsg. v. Barry Keith Grant und Scott A. Henderson. Austin: Univ. of Texas Press, 2019, S. 199–213. |
|
| Last edited by: joachim 2020-08-22 17:33 |
|
| Chelebourg, Christian: Les Écofictions. Mythologies de la fin du monde. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2012. (253 S.) |
|
| Last edited by: joachim 2018-11-10 18:11 |
|
| Chemers, Michael M. "‘With Your Shield, or On It’. Disability Representation in 300." In: Disability Studies Quarterly 27.3 (2007). |
|
| Added by: joachim 2020-12-04 12:53 |
|
| Childress, Kirby: "Abjection of the bisexual self. How haptic visuality brings internalized biphobia to screen in Collard’s Les Nuits fauves and Kechiche’s La Vie d’Adèle." In: Queer Studies in Media & Popular Culture 3.3 (2018), S. 335–345. |
|
| Last edited by: joachim 2019-10-29 11:54 |
|
| Christen, Matthias: "Düstere Clowns. Figuren des Schreckens im Kino der Transgression." In: Über den Clown. Künstlerische und theoretische Perspektiven. Hrsg. v. Richard Weihe. Bielefeld: Transcript, 2016, S. 203–242. |
|
| Added by: joachim 2016-04-12 13:07 |
|
| Christiansen, Steen: "Hyper Attention Blockbusters. Christopher Nolan’s Batman Trilogy." In: Akademisk kvarter 7 (2013), S. 143–157, . |
|
| Last edited by: joachim 2014-09-08 11:46 |
|
| Cicci, Matthew: "Marvel Team-Up. Hawkeye, Loki and the Inescapable, Innate Resistance of the Female Superhero Comic Fan." In: Journal of Comics and Culture 1 (2016), S. 95–122. |
|
| Last edited by: joachim 2020-05-29 08:46 |
|
| Ciment, Gilles (Hg.): Cinéma et bande dessinée. (CinémAction.) Condé-sur-Noireau: Corlet, 1990. (280 S.) |
|
| Added by: joachim 2012-07-05 12:05 |
|
| Claverie, Ezra: "Ambiguous Mr. Fox. Black Actors and Interest Convergence in the Superhero Film." In: Journal of American Culture 40.2 (2017), S. 155–168. |
|
| Last edited by: joachim 2020-10-06 00:48 |
|
| ---: "Storm and the Angels of History. Blackness and Star Image in the X‐Men Films." In: Journal of American Culture 42.1 (2019), S. 55–69. |
|
| Added by: joachim 2019-09-10 11:57 |
|
| ---: "Storm and the Angels of History. Blackness and Star Image in the X-Men Films." In: Journal of American Culture 42.1 (2019), S. 55–69. |
|
| Last edited by: joachim 2020-10-06 00:35 |
|
| Clowes, Daniel und Terry Zwigoff: "Q & A with Dan Clowes and Terry Zwigoff." In: ImageTexT 1.1 (2004). |
|
| Last edited by: joachim 2020-05-24 12:17 |
|
| Cocca, Carolyn: Wonder Woman and Captain Marvel. Militarism and Feminism in Comics and Film. (Routledge Focus on Gender, Sexuality, and Comics.) London, New York: Routledge, 2020. |
|
| Last edited by: joachim 2020-06-03 11:50 |
|
| Cohen, Michael: "Dick Tracy. In Pursuit of a Comic Book Aesthetic." In: Film and Comic Books. Hrsg. v. Ian Gordon, Mark Jancovich und Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007, S. 13–36. |
|
| Last edited by: joachim 2010-06-07 22:55 |
|
| Coker, Catherine: "Earth 616, Earth 1610, Earth 3490—Wait, what universe is this again? The creation and evolution of the Avengers and Captain America/Iron Man fandom." In: Transformative Works and Cultures 13 (2013). |
|
| Last edited by: joachim 2013-06-17 11:51 |
|
| Collins, Jim: "Batman: Film, fortælling. Det hyperbevidste." In: MedieKultur 30 (1999), S. 51–61, . |
|
| Last edited by: joachim 2013-05-08 10:54 |
|
| ---: "Batman: the Movie, Narrative: The Hyperconscious." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 164–181. |
|
| Last edited by: joachim 2010-03-12 14:51 |
|
| Comiskey, Andrea: "The Hero We Read. The Dark Knight, Popular Allegoresis, and Blockbuster Ideology." In: Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Hrsg. v. Kevin K. Durand und Mary K. Leigh. Jefferson, London: McFarland, 2011, S. 124–146. |
|
| Added by: joachim 2016-04-16 17:10 |
|
| Connell, Daniel J. "The Simulacrum of Hypermasculinity in Comic Book Cinema." In: Toxic Masculinity. Mapping the Monstrous in Our Heroes. Hrsg. v. Esther De Dauw und Daniel J. Connell. Jackson: Univ. Press of Mississippi, 2020, S. 19–33. |
|
| Added by: joachim 2020-10-06 14:58 |
|
| Constandinides, Costas: From Film Adaptation to Post-Celluloid Adaptation. Rethinking the Transition of Popular Narratives and Characters across Old and New Media. London, New York: Continuum, 2010. (166 S.) |
|
| Last edited by: joachim 2011-02-14 18:20 |
|
| Crowell, Ellen: "Scarlet Carsons, Men in Masks. The Wildean Contexts of V for Vendetta." In: Neo-Victorian Studies 2.1 (2008/2009), S. 17–45, . |
|
| Added by: joachim 2014-02-16 17:33 |
|
| Cunningham, Phillip L. "Donald Glover for Spider-Man." In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 22–28. |
|
| Added by: joachim 2012-09-22 15:51 |
|
| Daeuber, Benjamin: "Mental Movies and Action Heroes. The Adaptation of Comics to Film." (2002). |
|
| Last edited by: joachim 2010-11-04 15:51 |
|
| Dalton, Russell W. "To Assemble or to Shrug? Power, Responsibility and Sacrifice in Marvel’s The Avengers." In: Joss Whedon and Religion. Essays on an Angry Atheist’s Explorations of the Sacred. Hrsg. v. Anthony R. Mills, John W. Morehead und J. Ryan Parker. Jefferson, London: McFarland, 2013, S. 165–182. |
|
| Added by: joachim 2015-11-18 00:19 |
|
