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Richardson, Niall. "The Gospel According to Spider-Man." Journal of Popular Culture 37.(2004): 694–703.   
Last edited by: joachim 07/12/2011, 15:53
Rickman, Lance. "Bande Dessinée and the Cinematograph: Visual Narrative in 1895." European Comic Art 1.(2008): 1–20.   
Last edited by: joachim 11/10/2013, 02:16
Riegler, Thomas. "Vom »dunklen Ritter« lernen." Die Zukunft (2012).   
Added by: joachim 15/07/2013, 11:32
Ritzer, Ivo. "Der Akt der Adaption – Zur transmedialen Autorenpolitik von Walter Hills Bullet to the Head." Daumenkino 2014. Accessed 21 Aug. 2019. <http://dkritik.de/schwe ... lls-bullet-to-the-head/>.   
Last edited by: joachim 13/12/2020, 17:20
Ritzer, Ivo. "Die Lust am Leib/Der Wille zur Wiederholung: Cheang Pou-Sois Shamo (Hongkong/Japan, 2008)." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 201–12.   
Last edited by: joachim 28/02/2010, 12:00
Ritzer, Ivo. "A Superhero Never Dies: Zur Transkulturalität einer plurimedialen Figur." Pop & Mystery. Spekulative Erkenntnisprozesse in Populärkulturen. Eds. Marcus S. Kleiner and Thomas Wilke. Bielefeld: Transcript, 2015. 133–53.   
Last edited by: joachim 26/08/2015, 16:11
Ritzer, Ivo. "Wicked City: Superhelden im transnationalen Hongkong-Kino." Superhelden zwischen Comic und Film. Eds. Thomas Koebner, et al. Film-Konzepte. München: edition text + kritik, 2007. 89–96.   
Last edited by: joachim 02/10/2011, 17:41
Ritzer, Ivo. "Badiou to the Head: Zur In-Ästhetik transmedialer Genre-Autoren-Politik oder Wie die Graphic Novel-Adaption Bullet to the Head eine materialistische Dialektik denkt." Transmediale Genre-Passagen. Interdisziplinäre Perspektiven. Eds. Ivo Ritzer and Peter W. Schulze. Neue Perspektiven der Medienästhetik. Wiesbaden: Springer VS, 2016. 89–135.   
Last edited by: joachim 13/12/2020, 17:19
Roberson, Chris, ed. Frank Miller’s Sin City: The Making of the Movie. Austin: Troublemaker, 2005.   
Last edited by: joachim 12/05/2014, 17:00
Roberts, Garyn G. Dick Tracy and American Culture: Morality and Mythology, Text and Context. 2nd ed. Jefferson, London: McFarland, 2003.   
Last edited by: joachim 27/07/2010, 01:06
Roberts, Garyn G. "Understanding the Sequential Art of Comic Strips and Comic Books and Their Descendants in the Early Years of the New Millennium." Journal of American Culture 27.(2004): 210–17.   
Last edited by: joachim 24/12/2011, 23:19
Robinson, Ashley Sufflé. "We Are Iron Man: Tony Stark, Iron Man, and American Identity in the Marvel Cinematic Universe’s Phase One Films." Journal of Popular Culture 51.(2018): 824–44.   
Last edited by: joachim 04/08/2018, 12:32
Roblou, Yann. "Complex Masculinities: The Superhero in Modern American Movies." Culture, Society & Masculinities 4.(2012): 76–91.   
Last edited by: joachim 20/05/2019, 20:38
Rodriguez, Mario. "Physiognomy and Freakery: The Joker on Film." Americana 13.2 2014. Accessed 21 Nov. 2016. <http://www.americanpopu ... fall_2014/rodriguez.htm>.   
Added by: joachim 21/11/2016, 11:10
Rolf, Carolin. "Not your friendly neighborhood Superhero! Deadpool (2016)." Störung, Verunsicherung, Destabilisierung. Filmanalysen. Eds. Irina Gradinari and Michael Niehaus. Schriften zur Literatur- und Medienwissenschaft. Hagen: Hagen Univ. Press, 2022. 223–40.   
Last edited by: joachim 06/03/2024, 19:16
Ross, Andrew. "Ballots, bullets, or Batmen: Can cultural studies do the right thing?." Screen 31.(1990): 26–44.   
Last edited by: joachim 24/05/2019, 11:28
Rossen, Jake. Superman vs. Hollywood: How Fiendish Producers, Devious Directors, and Warring Writers Grounded an American Icon. Chicago: Chicago Review Press, 2008.   
Added by: joachim 06/06/2010, 17:58
Roughan, M., L. Mitchell, and Tobin South. "How the Avengers assemble: Ecological modelling of effective cast sizes for movies." PLoS ONE 15.(2020).   
Last edited by: joachim 01/03/2021, 11:15
Round, Julia. "The Transformations of Harvey Pekar’s American Splendor: “Ordinary Life Is Pretty Complex Stuff”." Real Lives, Celebrity Stories. Narratives of Ordinary and Extraordinary People Across Media. Eds. Thomas Bronwen and Julia Round. New York: Bloomsbury Academic, 2014. 95–110.   
Last edited by: joachim 06/09/2022, 21:10
Rovira, James. " Silly Love Songs, Gender, Guardians of the Galaxy and Avengers: Age of Ultron." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 103–15.   
Last edited by: joachim 30/01/2019, 11:25
Rowson, Emily. "’We Are Not Things’ Infertility, Reproduction, and Rhetoric of Control in Avengers: Age of Ultron and Mad Max: Fury Road." Networking Knowledge 10.3 2017. Accessed 9 Mar. 2022. <https://ojs.meccsa.org. ... etknow/article/view/515>.   
Last edited by: joachim 09/03/2022, 15:50
Sachsse, Ulrich. "Heldendämmerung: Posttraumatische Belastungsstörung (ICD-10: F43.1)." Batman und andere himmlische Kreaturen. Nochmal 30 Filmcharaktere und ihre psychischen Störungen. Eds. Heidi Möller and Stephan Doering. Berlin, Heidelberg: Springer, 2010. 141–55.   
Last edited by: joachim 15/05/2016, 17:06
Sadri, Houman. "Mass Surveillance and the Negation of the Monomyth." Fafnir 5.1 2018. Accessed 13 Jun. 2019. <http://journal.finfar.o ... gation-of-the-monomyth/>.   
Added by: joachim 13/06/2019, 17:17
Saffou, Mazin. "Cartesian Dualism and the Orgasmatron: Interiority and Eroticism in Barbarella." Rediscovering French Science-Fiction in Literature, Film and Comics. From Cyrano to Barbarella. Eds. Philippe Mather and Sylvain Rheault. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 161–72.   
Added by: joachim 24/12/2023, 16:41
Sağlam, Berkem Gürenci. "Comic Books on Screen: Frank Miller’s and Robert Rodriguez’s Sin City." The Theme of Cultural Adaptation in American History, Literature and Film. Cases When the Discourse Changed. Eds. Laurence Raw, Tanfer Emin Tunç and Gülriz Büken. Lewiston: Edwin Mellen, 2009. 63–72.   
Last edited by: joachim 20/03/2013, 18:31
Salinas, Jason. "More than Storyboards: Maintaining a Space for Graphic Novels in the Face of Film Adaptation." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 117–30.   
Last edited by: joachim 21/03/2019, 12:25
Salter, Anastasia and Mel Stanfill. A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises. Jackson: Univ. Press of Mississippi, 2020.   
Last edited by: joachim 17/11/2020, 11:12
Sams, Jason Butco. "The Sartrean Struggle of Banner/Hulk in Marvel’s Cinematic Universe." The Phoenix Papers 4.1 2018. Accessed 21 Jul. 2021. <https://fansconference. ... ggle-of-Banner-Hulk.pdf>.   
Last edited by: joachim 21/07/2021, 10:18
Santo, Avi. "Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era." Cinema Journal 49.(2010): 63–85.   
Last edited by: joachim 17/03/2011, 00:32
Sanyal, Sudipto. "Introducing a Little Anarchy: The Dark Knight and Power Structures on the Verge of a Nervous Breakdown." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 70–78.   
Last edited by: joachim 16/04/2016, 15:26
Schäfer-Bossert, Stefanie. "Die Hellsing-Animés – ein Meilenstein in der Vampirgeschichte." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 185–220.   
Added by: joachim 26/02/2011, 15:41
Scheinert, Sebastian. "Frank Miller's »Sin City«: Filmsprache und Ästhetik." Magisterarbeit M.A. TU Dresden, 2006.   
Added by: joachim 21/08/2010, 14:43
Scheller, Jörg. "Philanthrokapitalheroismus: Der Unternehmer im Superheldenfilm." Medialität und Menschenbild. Eds. Jens Eder, Joseph Imorde and Maike Sarah Reinerth. Media Convergence / Medienkonvergenz. Berlin: de Gruyter, 2012. 219–34.   
Last edited by: joachim 05/12/2013, 16:36
Scherling, Carol Lynn. Blondie Goes To Hollywood: The Blondie Comic Strip in Films, Radio and Television. Duncan: BearManor Media, 2010.   
Last edited by: joachim 11/08/2018, 16:28
Schimmelpfennig, Annette. "Capitalism and Schizophrenia in Gotham City – The Fragile Masculinities of Christopher Nolan’s The Dark Knight Trilogy." Gender Forum 62 2017. Accessed 20 May. 2019. <http://genderforum.org/ ... uperheroes_Complete.pdf>.   
Added by: joachim 20/05/2019, 22:30
Schmidt, Johann N. "Schwierige Verwandtschaften." Schnitt (2007).   
Added by: joachim 17/09/2010, 03:31
Schmidt, Oliver. Hybride Räume: Filmwelten im Hollywood-Kino der Jahrtausendwende. Schriftenreihe zur Textualität des Films. Marburg: Schüren, 2012.   
Added by: joachim 10/09/2014, 07:46
Schoell, William. Comic Book Heroes of the Screen. New York: Carol, 1991.   
Last edited by: joachim 17/05/2013, 10:55
Schopp, Andrew. "Interrogating the Manipulation of Fear: V for Vendetta, Batman Begins, Good Night, and Good Luck, and America’s “War on Terror”." The War on Terror and American Popular Culture. September 11 and Beyond. Eds. Andrew Schopp and Matthew B. Hill. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2009. 259–86.   
Last edited by: joachim 06/04/2014, 10:30
Schott, Gareth and Andrew Burn. "RIPPED OFF! Cross-Media Convergence and ‘The Hulk’." Super/Heroes. From Hercules to Superman. Eds. Wendy Haslem, Angela Ndalianis and Chris Mackie. Washington: New Academia Publishing, 2007. 291–306.   
Added by: joachim 28/10/2011, 15:17
Schrackmann, Petra. "Heroes out of Time: Historisierte Action im Marvel Cinematic Universe." Action! Artefakt, Ereignis, Erlebnis. Eds. Ingrid Tomkowiak, Brigitte Frizzoni and Manuel Trummer. Kulturen populärer Unterhaltung und Vergnügung. Würzburg: Königshausen & Neumann, 2017.   
Added by: joachim 21/08/2017, 23:14
Schubart, Rikke. "Bulk, breast, and beauty: Negotiating the superhero body in Gal Gadot’s Wonder Woman." Continuum 33.(2019): 160–72.   
Last edited by: joachim 30/10/2020, 12:27
Schwarzer, Wolfgang. "Comicverfilmungen aus Frankreich." Verfilmte Kinderliteratur. Gattungen, Produktion, Distribution, Rezeption und Modelle für den Deutschunterricht. Eds. Petra Josting and Klaus Maiwald. kjl&m extra. München: kopaed, 2010.   
Last edited by: joachim 14/11/2010, 00:55
Scivally, Bruce. Superman on Film, Television, Radio and Broadway. Jefferson, London: McFarland, 2008.   
Last edited by: joachim 15/04/2021, 15:16
Scolari, Carlos, Paolo Bertetti, and Matthew Freeman. Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. New York [etc.]: Palgrave Macmillan, 2014.   
Last edited by: joachim 16/09/2020, 18:29
Scott, Suzanne. "Modeling the Marvel Everyfan: Agent Coulson and/as Transmedia Fan Culture." Palabra Clave 20.(2017): 1042–72.   
Added by: joachim 25/02/2020, 11:19
Scott, Cord and Robert G. Weiner. "A Selected Filmographic Essay." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 218–26.   
Added by: joachim 19/01/2010, 20:10
Sedgwick, Laura. "Islands of Horror: Nazi Mad Science and the Occult in Shock Waves (1977), Hellboy (2004), and The Devil’s Rock (2011)." Post Script 37.(2018): 27–39.   
Last edited by: joachim 26/04/2022, 11:22
Seeßlen, Georg. "Bilder für die Massen: Über die prekäre Beziehung von Comics und Film und die dunkle Romantik des Neoliberalismus im neueren Comic-Kino." Jungle World (2005).   
Last edited by: joachim 03/01/2010, 16:34
Seeßlen, Georg. Tintin, und wie er die Welt sah: Fast alles über Tim, Struppi, Mühlenhof & den Rest des Universums. Kultur & Kritik. Berlin: Bertz + Fischer, 2011.   
Added by: joachim 30/11/2011, 15:07
Seeßlen, Georg. "Comics & Film: (A Strange Love Affair)." Neue Rundschau 123.(2012): 148–64.   
Added by: joachim 04/11/2012, 12:27
Seeßlen, Georg. "Bilder für die Massen: Die prekäre Beziehung von Comic und Film und die dunkle Romantik des Neoliberalismus im neueren Comic-Kino." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 255–62.   
Added by: joachim 01/10/2011, 01:47
Sergi, Valentino. I demoni di Mike Mignola. L’arte delle Nuvole. Roma: NPE, 2014.   
Last edited by: joachim 24/05/2020, 15:46
Seydel, Olaf. Jüdisch-christliche Symbolik in der 70-jährigen Geschichte Supermans. POPKULT. Jena: IKS Garamond, 2009.   
Added by: joachim 08/02/2011, 17:43
Shadrack, Jasmine. "V versus Hollywood: A discourse on polemic thievery." Studies in Comics 2.(2011): 195–205.   
Last edited by: joachim 03/12/2012, 19:58
Sharkey, Rodney. "From Hell or Hollywood, or Ripper In Pieces: How Hollywood Slashed the Script." Reconstruction 2.2 2002. Accessed 31 Jul. 2009. <http://reconstruction.e ... ues/022/revFromHell.htm>.   
Last edited by: joachim 09/02/2010, 10:45
Silbermann, Alphons. "The Way Toward Visual Culture: Comics and Comic Films." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 11–27.   
Last edited by: joachim 02/10/2011, 17:46
Sina, Véronique. "Sin City: Von Comic und Film zum Comicfilm." Daumenkino 2014. Accessed 6 Oct. 2014. <http://dkritik.de/schwe ... und-film-zum-comicfilm/>.   
Added by: joachim 06/10/2014, 15:02
Sina, Véronique. Comic – Film – Gender: Zur (Re-)Medialisierung von Geschlecht im Comicfilm. Edition Medienwissenschaft. Bielefeld: Transcript, 2016.   
Last edited by: joachim 09/02/2016, 20:19
Sina, Véronique. "Von der Graphic Novel zum Film – Postmoderne und die Repräsentation von Gender in Frank Millers Sin City." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 67–91.   
Last edited by: joachim 05/04/2010, 00:00
Sina, Véronique. "Vom Comic zum Film: Mediale Grenzüberschreitungen und die Konstruktion von Gender in Comicverfilmungen." Film- und Fernsichten. Dokumentation des 24. Film- und Fernsehwissenschaftlichen Kolloquiums. Eds. Katharina Klung, Susie Trenka and Geesa Tuch. Marburg: Schüren, 2013. 143–53.   
Last edited by: joachim 05/08/2013, 15:30
Sina, Véronique. "Jill Bioskop und die mediale Konstruktion von Gender in Enki Bilals hybriden [sic] ›Comicfilm‹ IMMORTEL (AD VITAM)." Im Moment des ›Mehr‹ Mediale Prozesse jenseits des Funktionalen. Eds. Peter Spangenberg and Bianca Wetsermann. Berlin [etc.]: LIT, 2012. 193–216.   
Added by: joachim 01/06/2014, 14:43
Sitz, Verena. Die Heldenfigur als Erzählstrategie im populären Spielfilm: Sind Comic-Superhelden »mythische« Erzählfiguren? Stuttgart: ibidem, 2015.   
Last edited by: joachim 23/03/2016, 16:00
Smiljanić, Damir. "Sumrak pop idola ili Kako se filozofira Thorovim čekićem." In Medias Res 6.10 2017. Accessed 7 Mar. 2024. <http://www.centar-fm.or ... s-broj10#5inmediasres10>.   
Last edited by: joachim 07/03/2024, 17:13
Smith, Greg M. "Shaping The Maxx: Adapting the Comic Book Frame to Television." Animation Journal 8.(1999): 32–53.   
Last edited by: joachim 29/08/2011, 02:11
Smith, Daniel. "With Great Budgets Comes Great Responsibility." Ol3Media 4.10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>.   
Added by: joachim 27/12/2013, 13:16
Smith, Craig. "Motion comics: Modes of adaptation and the issue of authenticity." Animation Practice, Process & Production 1.(2012): 357–78.   
Last edited by: joachim 12/12/2013, 14:23
Smith, Iain Robert. "Batsploitation: Parodies, Fan-Films and Remakes." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 107–19.   
Added by: joachim 14/09/2016, 16:41
Smith, Benjamin. "Spandex Cinema: Conceptual and Theoretical Methods in Adapting Comic Books to Film." The Theme of Cultural Adaptation in American History, Literature and Film. Cases When the Discourse Changed. Eds. Laurence Raw, Tanfer Emin Tunç and Gülriz Büken. Lewiston: Edwin Mellen, 2009. 45–62.   
Added by: joachim 20/03/2013, 15:58
Smith-Rowsey, Daniel. Blockbuster Performances: How Actors Contribute to Cinema’s Biggest Hits. Palgrave Studies in Screen Industries and Performance. New York [etc.]: Palgrave Macmillan, 2018.   
Last edited by: joachim 20/01/2021, 14:50
Soares, Michael. "The Man of Tomorrow: Superman from American Exceptionalism to Globalization." Journal of Popular Culture 48.(2015): 747–61.   
Added by: joachim 12/10/2015, 16:07
Söll, Änne and Friedrich Weltzien. "Spider-Mans Heldenmaske: Kampf um Männlichkeit im Superhelden-Genre." Männlichkeit als Maskerade. Kulturelle Inszenierungen vom Mittelalter bis zur Gegenwart. Eds. Claudia Benthien and Inge Stephan. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 2003. 296–315.   
Last edited by: joachim 28/12/2013, 18:06
Soltysik Monnet, Agnieszka. "“I’ll Be Whatever Gotham Needs Me to Be” Batman, the Gothic and Popular Culture." The Gothic in Contemporary Literature and Popular Culture. Pop Goth. Eds. Justin D. Edwards and Agnieszka Soltysik Monnet. Routledge Interdisciplinary Perspectives on Literature. London, New York: Routledge, 2012. 96–113.   
Added by: joachim 28/12/2021, 17:18
Sommers, Joseph Michael. "When “One Bad Day” Becomes One Dark Knight: Love, Madness, and Obsession in the Adaptation of The Killing Joke into Christopher Nolan’s The Dark Knight." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 40–51.   
Added by: joachim 05/04/2012, 10:04
de Sousa Caetano, Joana Catarina. "Memories are Forever: Transhumanism and Cultural Memory in V for Vendetta, Oblivion and The Giver." Via Panorâmica 5 2016. Accessed 21 Oct. 2021. <https://ojs.letras.up.p ... hp/VP/article/view/3009>.   
Last edited by: joachim 22/10/2021, 00:40
Spanakos, Anthony Peter. "Exceptional Recognition: The U.S. Global Dilemma in The Incredible Hulk, Iron Man, and Avatar." The 21st Century Superhero. Essays on Gender, Genre and Globalization in Film. Eds. Richard J. Gray II and Betty Kaklamanidou. Jefferson, London: McFarland, 2011. 15–28.   
Added by: joachim 29/12/2012, 11:46
Sperb, Jason. "Ghost without a Machine: Enid’s Anxiety of Depth(lessness) in Terry Zwigoff’s Ghost World." Quarterly Review of Film and Video 21.(2004): 209–17.   
Last edited by: joachim 03/02/2020, 12:20
Sperb, Jason. "Removing the Experience: Simulacrum as an Autobiographical Act in American Splendor." Biography 29.(2006): 123–39.   
Last edited by: joachim 15/02/2015, 11:43
Spiegel, Simon. "Immer tiefer in die Dunkelheit: Eine kurze Geschichte der Batman-Filme." Das Science Fiction Jahr 8.(2009): 258–94.   
Last edited by: joachim 20/07/2017, 12:11
Spigel, Lynn and Henry Jenkins. "Same Bat Channel, Different Bat Times: Mass Culture and Popular Memory." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 117–48.   
Last edited by: joachim 22/01/2010, 12:30
American Splendor. 2004.   
Last edited by: joachim 22/04/2013, 21:41
Stabile, Carol A. "“Sweetheart, This Ain’t Gender Studies”: Sexism and Superheroes." Communication and Critical/Cultural Studies 6.(2009): 86–92.   
Added by: joachim 29/05/2012, 12:23
Standish, Isolde. "Akira, Postmodernism and Resistance." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores P. Martinez. 3rd ed. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 2001. 56–74.   
Added by: joachim 07/03/2018, 14:46
Stedman, Raymond William. The Serials: Suspense and Drama by Installment. 2nd ed. Norman: Univ. of Oklahoma Press, 1977.   
Last edited by: joachim 08/08/2022, 12:44
Stefanopoulou, Evdokia. "Iron Man as Cyborg: Between Masculinities." Gender Forum 62 2017. Accessed 20 May. 2019. <http://genderforum.org/ ... uperheroes_Complete.pdf>.   
Last edited by: joachim 22/05/2019, 16:53
Stein, Daniel. "Spoofin’ Spidey—Rebooting the Bat: Immersive Story Worlds and the Narrative Complexities of Video Spoofs in the Era of the Superhero Blockbuster." Film Remakes, Adaptations and Fan Productions. Remake/Remodel. Eds. Kathleen Loock and Constantine Verevis. New York [etc.]: Palgrave Macmillan, 2012. 231–47.   
Last edited by: joachim 10/02/2023, 06:36
Steller, Jonatan Jalle. "In the Aftermath of Catastrophe: The Case for Relational Agency in Captain America: Civil War (2016)." helden. heroes. héros. 5.1 2017. Accessed 6 Aug. 2020. <https://freidok.uni-freiburg.de/data/12927>.   
Added by: joachim 06/08/2020, 17:52
Stemmann, Anna. "Batmen: Konstruktionen der Heldenfigur »Batman« im intermedialen Kontext." Bachelorarbeit BA. Universität Oldenburg, 2010.   
Last edited by: joachim 24/04/2012, 13:17
Stemmann, Anna. "Der Held und sein Raum: Batmans Metamorphosen im Spiegel von Gotham City." Komparatistik online 1 2013. Accessed 11 Dec. 2015. <http://www.komparatistik-online.de/2013-1-12>.   
Added by: joachim 28/06/2017, 11:04
Stonebanks, Christopher Darius. "Spartan Superhunks and Persian Monsters: Responding to Truth and Identity as Determined by Hollywood." Studies in Symbolic Interaction 31.(2008): 207–21.   
Added by: joachim 21/01/2010, 15:45
Strencioch, Marion. "Adaption von Comics für Film und Theater." Magisterarbeit M.A. Ludwig-Maximilian-Universität München, 2001.   
Added by: joachim 02/04/2011, 15:21
Stuller, Jennifer K. Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology. London, New York: I. B. Tauris, 2010.   
Added by: joachim 08/01/2013, 00:10
Suzuki, Ayumi. "Animating the Chaos: Contemporary Japanese Anime, Cinema, and Postmodernity." Thesis Master of Arts. Southern Illinois University, 2008.   
Added by: joachim 29/05/2011, 15:29
Svitavsky, William L. "“Your ancestors called it magic”: Building Coherence in the MCU Through Continuity with the Past." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 76–88.   
Last edited by: joachim 05/03/2019, 16:09
Swartz-Levine, Jennifer A. "She-Hulk Crash! The Evolution of Jen Walters, or How Marvel Comics Learned to Stop Worrying About Feminism and Love the Gamma Bomb." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 78–92.   
Last edited by: joachim 18/07/2020, 17:55
Swayne, Steve. "So Much “More”: The Music of Dick Tracy (1990)." American Music 22.(2004): 50–63.   
Last edited by: joachim 23/11/2016, 00:46
Sweeney, David. "From Stories to Worlds: The Continuity of Marvel Superheroes from Comics to Film." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... -film-david-sweeney.pdf>.   
Added by: joachim 02/07/2016, 13:05
Swenson, Sharon Lee. "Guardian Demons in Hellboy: Hybridity in Contemporary American Horror Films." Hell and its Afterlife. Historical and Contemporary Perspectives. Eds. Margaret Toscano and Isabel Moreira. London, New York: Routledge, 2010.   
Last edited by: joachim 24/06/2021, 01:09
Taylor, Aaron. "Avengers dissemble! Transmedia superhero franchises and cultic management." Journal of Adaptation in Film & Performance 7.(2014): 181–94.   
Last edited by: joachim 03/02/2022, 11:09
Taylor, James. "Kick-Ass Version 2.0: The Superhero’s Navigation of Comic Books, Film and Digital Media." Writing Visual Culture 7 2015. Accessed 28 Sept. 2016. <http://www.herts.ac.uk/ ... 788/wvc-dc-7-taylor.pdf>.   
Added by: joachim 28/09/2016, 01:15
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