| Grant, Barry Keith and Scott A. Henderson, eds. Comics and Pop Culture: Adaptation from panel to frame. Austin: Univ. of Texas Press, 2019. |
 
|
| Added by: joachim 23/03/2020, 20:12 |
|
| Gray, Richard. Moving Target: The history and evolution of green arrow. Edwardsville: Sequart Research & Literacy Organization, 2017. |
|
| Last edited by: joachim 03/05/2021, 12:27 |
|
| Gray II, Richard J. and Betty Kaklamanidou, eds. The 21st Century Superhero: Essays on gender, genre and globalization in film. Jefferson, London: McFarland, 2011. |
|
| Last edited by: joachim 09/09/2013, 20:30 |
|
| Greenfield, Steve and Guy Osborn. "Film, law and the delivery of justice: The case of judge dredd and the disappearing courtroom." Journal of Criminal Justice and Popular Culture 6. 2 1999. Accessed 17 Jul. 2022. <https://jcjpc.org/s/1-Greenfield-1999.docx>. |
|
| Last edited by: joachim 17/07/2022, 13:29 |
|
| Greven, David William. "Throwing Down the Gauntlet: Defiant women, decadent men, objects of power, and witchblade." Action Chicks. New Images of Tough Women in Popular Culture. Ed. Sherrie A. Inness. New York [etc.]: Palgrave Macmillan, 2004. 123–51. |
|
| Added by: joachim 24/08/2010, 03:11 |
|
| Griffin, Rachel Alicia and Jonathan P. Rossing. "Black Panther in widescreen: Cross-disciplinary perspectives on a pioneering, paradoxical film." Review of Communication 20. (2020): 203–19. |
|
| Last edited by: joachim 08/08/2020, 16:04 |
|
| Gronsky, Daniel Gaines Edward. "Frame to Frame: A historical analysis of the evolution and propagation of the comic book film." Diss. Ph.D. University of Connecticut, 2008. |
|
| Added by: joachim 29/11/2012, 17:59 |
|
| Grossman, Gary H. Superman: Serial to cereal. Big Apple Film Series. New York: Popular Library, 1976. |
|
| Last edited by: joachim 09/02/2010, 18:50 |
|
| Gruteser, Michael. "Comic-Realismus in American Splendor." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 187–99. |
|
| Last edited by: joachim 08/05/2010, 18:01 |
|
| Gruteser, Michael. "Magic Marvel Moments." Superhelden zwischen Comic und Film. Eds. Thomas Koebner, et al. Film-Konzepte. München: edition text + kritik, 2007. 11–22. |
|
| Last edited by: joachim 02/10/2011, 12:55 |
|
| Guffey, Ensley F. "Joss Whedon Throws His Mighty Shield: marvel’s the avengers as war movie." Reading Joss Whedon. Eds. Rhonda V. Wilcox, et al. Television and Popular Culture. Syracuse: Syracuse Univ. Press, 2014. 280–93. |
|
| Last edited by: joachim 29/08/2015, 17:40 |
|
| Günther, Silke. Serienheldinnen multimedial: Content-universen zu nordamerikanischen fernsehserien. Beiträge zur Literatur- und Mediendidaktik. Frankfurt am Main [etc.]: Peter Lang, 2007. |
|
| Added by: joachim 11/04/2011, 19:02 |
|
| Gutiérrez, Peter. "Harnessing the ‘Powers’ of Superhero Movies." Screen Education (2011): 34–39. |
|
| Added by: joachim 09/01/2014, 15:53 |
|
| Gutiérrez, Peter. "The Dark Knight Trilogy: A study guide." Screen Education (2013): 66–80. |
|
| Last edited by: joachim 09/01/2014, 15:23 |
|
| Gwynne, Joel. "Warrior of Love: Japanese girlhood’s postfeminist asian body in cutie honey (hideaki anno, 2004)." International Cinema and the Girl. Local Issues, Transnational Contexts. Eds. Fiona Handyside and Kate Taylor-Jones. Global Cinema. New York [etc.]: Palgrave Macmillan, 2016. 49–60. |
|
| Last edited by: joachim 22/11/2018, 12:10 |
|
| Häcker, Peter. "Religiöse Bilder in Batman v Superman: Dawn of Justice." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 321–43. |
|
| Last edited by: joachim 25/08/2018, 13:29 |
|
| Hafçı, Büşra and Gül Erbay Aslıtürk. "Superheroes: Myths of Modern Age?." Idil 6. (2017): 497–510. |
|
| Added by: joachim 29/03/2021, 17:45 |
|
| Hagley, Annika and Michael Harrison. "Fighting the Battles We Never Could: the avengers and post-september 11 american political identities." PS: Political Science and Politics 47. (2014): 120–24. |
|
| Last edited by: joachim 08/01/2014, 18:53 |
|
| Hague, Ian. "Adapting Watchmen." Framing Film. Cinema and the Visual Arts. Eds. Steven Allen and Laura Hubner. Bristol, Chicago: Intellect Books, 2012. 37–55. |
|
| Last edited by: joachim 21/09/2012, 22:04 |
|
| Hanchey, Jenna N. "Decolonizing aid in Black Panther." Review of Communication 20. (2020): 260–68. |
|
| Last edited by: joachim 08/08/2020, 16:56 |
|
| Hanna, Erin. Only at Comic-Con: Hollywood, fans, and the limits of exclusivity. New Brunswick: Rutgers Univ. Press, 2019. |
|
| Last edited by: joachim 19/05/2023, 12:28 |
|
| Hansen, Christopher Joseph. World Construction via Networking: The storytelling mechanics of the marvel cinematic universe. Bielefeld: Transcript, 2024. |
|
| Last edited by: joachim 10/04/2024, 09:25 |
|
| Harris, Felicia L. "“Tell me the story of home”: Afrofuturism, eric killmonger, and black american malaise." Review of Communication 20. (2020): 278–85. |
|
| Last edited by: joachim 08/08/2020, 16:21 |
|
| Harris, Emma A. "“I’m always angry”: Super-hydes and the appropriation of edward hyde in superhero films." Neo-Victorian Villains. Adaptations and Transformations in Popular Culture. Ed. Benjamin Poore. Neo-Victorian Series. Leiden: Brill, 2017. |
|
| Added by: joachim 09/09/2019, 18:54 |
|
| Harvey, Colin B. Fantastic Transmedia: Narrative, play and memory across science fiction and fantasy storyworlds. New York [etc.]: Palgrave Macmillan, 2015. |
|
| Last edited by: joachim 27/09/2021, 17:13 |
|
| Hassler-Forest, Dan A. Capitalist Superheroes: Caped crusaders in the neoliberal age. Alresford: Zero, 2012. |
|
| Added by: joachim 15/10/2013, 09:41 |
|
| Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining superheroes in post–9/11 hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44. |
|
| Last edited by: joachim 10/12/2010, 02:21 |
|
| Hassler-Forest, Dan A. "From Flying Man to Falling Man: 9/11 discourse in superman returns and batman begins." Portraying 9/11. Essays on Representations in Comics, Literature, Film and Theatre. Eds. Véronique Bragard, Christophe Dony and Warren Rosenberg. Jefferson, London: McFarland, 2011. 134–46. |
|
| Last edited by: joachim 25/08/2019, 22:20 |
|
| Hassler-Forest, Dan A. "The 300 Controversy: A case study in the politics of adaptation." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 119–27. |
|
| Added by: joachim 29/11/2010, 02:17 |
|
| Hassler-Forest, Dan A. "Of Iron Men and Green Monsters: Superheroes and posthumanism." The Palgrave Handbook of Posthumanism in Film and Television. Eds. Michael Hauskeller, Thomas D. Philbeck and Curtis D. Carbonell. New York [etc.]: Palgrave Macmillan, 2015. 66–76. |
|
| Added by: joachim 19/04/2016, 17:35 |
|
| Hassler-Forest, Dan A. "Roads Not Taken in Hollywood’s Comic Book Movie Industry: popeye, dick tracy, and hulk." The Oxford Handbook of Adaptation Studies. Ed. Thomas Leitch. New York: Oxford Univ. Press, 2017. 407–23. |
|
| Last edited by: joachim 21/02/2020, 18:10 |
|
| Hausmanninger, Thomas. "Deconstructing Gilgul, Finding Identity: Captain america and the winter soldier in a judaistic perspective." Journal for Religion, Film and Media 3. 1 2017. Accessed 11 Oct. 2017. <http://jrfm.eu/index.php/ojs_jrfm/article/view/82>. |
|
| Last edited by: joachim 11/10/2017, 17:42 |
|
| Hausmanninger, Thomas. "Mythen von Religion: Comicverfilmungen in den usa." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Vol. 2. Paderborn: Schöningh, 2009. 31–51. |
|
| Added by: joachim 29/10/2011, 19:50 |
|
| Heimerl, Theresia. "Rampant Lechers, Chaste Heroes: (de-)sexualised violence in comic book screen adaptations." Journal for Religion, Film and Media 3. 1 2017. Accessed 14 Oct. 2017. <http://jrfm.eu/index.php/ojs_jrfm/article/view/79>. |
|
| Last edited by: joachim 18/08/2018, 17:40 |
|
| Heimerl, Theresia. "Heldinnen: Affirmation, verweigerung oder transgression von konventionellen geschlechterrollenbildern in ausgewählten comicverfilmungen." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 253–70. |
|
| Last edited by: joachim 25/08/2018, 13:31 |
|
| Heimerl, Theresia and Christian Wessely, eds. Weltentwürfe im Comic/film: Mensch, gesellschaft, religion. Religion, Film und Medien. Marburg: Schüren, 2018. |
|
| Last edited by: joachim 18/08/2018, 18:33 |
|
| Heinzelmann, Herbert. "Filme in Speedlines." Schnitt (2004). |
|
| Added by: joachim 17/09/2010, 10:02 |
|
| Helford, Elyce Rae. "Postfeminism and the Female Action-Adventure Hero: Positioning tank girl." Future Females, The Next Generation. New Voices and Velocities in Feminist Science Fiction Criticism. Ed. Marleen S. Barr. Lanham [etc.]: Rowman & Littlefield, 2000. 291–308. |
|
| Last edited by: joachim 22/08/2020, 20:16 |
|
| Henderson, Scott A. "Agency and Intertextuality: tank girl, subcultural aesthetics, and the strong female protagonist." Comics and Pop Culture. Adaptation from Panel to Frame. Eds. Barry Keith Grant and Scott A. Henderson. Austin: Univ. of Texas Press, 2019. 279–95. |
|
| Last edited by: joachim 22/08/2020, 17:37 |
|
| Henry King, Lorraine. "Black skin as costume in Black Panther." Film, Fashion {&} Consumption 10. (2021): 265–76. |
|
| Last edited by: joachim 06/04/2024, 13:15 |
|
| Herman, Janique. "An Interrogation of Morality, Power and Plurality as Evidenced in Superhero Comic Books: A postmodernist perspective." Thesis MA. 2013. |
|
| Last edited by: joachim 12/11/2014, 18:13 |
|
| Hernández, María Lorenzo. "A Film of One’s Own: The animated self-portraits of young contemporary female animators." Animation 5. (2010): 73–90. |
|
| Added by: joachim 11/08/2010, 13:09 |
|
| Hernando, David. Why Do We Fall? Examining christopher nolan’s the dark knight trilogy. Edwardsville: Sequart Research & Literacy Organization, 2022. |
|
| Last edited by: joachim 21/08/2022, 10:03 |
|
| Hight, Craig. "American Splendor: Translating comic autobiography into drama-documentary." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 180–98. |
|
| Last edited by: joachim 02/07/2011, 16:31 |
|
| Hilgers, Thomas. "Helden, Freaks und dunkle Ritter: Batman in hollywood." Hollywood im Zeitalter des Post Cinema. Eine kritische Bestandsaufnahme. Eds. Lisa Gotto and Sebastian Lederle. Bielefeld: Transcript, 2020. 177–214. |
|
| Last edited by: joachim 12/02/2020, 01:57 |
|
| Hogan, Patrick Colm. "Painterly Cinema: Three minutes of sin city." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 63–80. |
|
| Added by: joachim 28/02/2016, 01:29 |
|
| Högerle, Erin. "Comic to Film: The title sequence of comic book adaptations as transmedial transitional space." Magistra Artium Abschlussarbeit. Goethe-Universität Frankfurt a.M. 2013. |
|
| Added by: joachim 06/03/2017, 12:41 |
|
| Holderman, Lisa. "Hegemonic Implications of Science in Popular Media: Science narratives and representations of physics in the spider-man film trilogy." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 53–62. |
|
| Added by: joachim 22/09/2012, 16:19 |
|
| Hollings, Ken. "Flash Gordon Conquers the Universe: The superhero as camp enigma." kritische berichte 39. (2011): 124–34. |
|
| Last edited by: joachim 17/02/2019, 12:44 |
|
| Hollis, Erin. "Scott Pilgrim Vs. the World as Postmodern Parody of Parody: Allusion, exclusion, and consumption in the film adaptation." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
|
| Added by: joachim 27/12/2013, 17:16 |
|
| Höltgen, Stefan. "The Juwes are not the men That Will be Blamed for nothing: Über die agonie des profilers im jack the ripper-film." f.lm. texte zum film (2003): 15–22. |
|
| Last edited by: joachim 11/12/2009, 06:08 |
|
| von Holzen, Aleta-Amirée. "Marvel-lous Masked Men: Doppelidentitäten in superheldenfilmen." Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Eds. Lars Schmeink and Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012. 187–202. |
|
| Last edited by: joachim 03/07/2016, 23:48 |
|
| Honeyman, Susan. "Transforming Segar's Progressive Everyman into Fleischer's Depression-Era Supersalesman: The hidden powers of popeye's spinach." International Journal of Comic Art 10. (2008): 437–50. |
|
| Last edited by: joachim 18/11/2009, 09:15 |
|
| Horn, Maurice. "Comics and Cinema: The beginnings (1896–1913)." International Journal of Comic Art 9. (2007): 58–67. |
|
| Last edited by: joachim 16/11/2012, 00:09 |
|
| Howard, Sheena C., ed. Why Wakanda Matters: What black panther reveals about psychology, identity, and communication. Dallas: Smart Pop, 2021. |
|
| Added by: joachim 03/02/2021, 14:22 |
|
| Hoyle, Brian. "Irresponsible Pictures: Questions of adaptation and morality in the comic and film versions of road to perdition." International Journal of Comic Art 10. (2008): 62–67. |
|
| Last edited by: joachim 17/02/2011, 17:28 |
|
| Hroß, Gerhard. "Engel in Plastiktüten und Teufel ohne Hörner: Die filme von guillermo del toro." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Paderborn: Schöningh, 2009. 123–35. |
|
| Added by: joachim 29/10/2011, 19:54 |
|
| Hughes, David. "From Hell (2001)." Comic Book Movies. Virgin Film. London: Virgin, 2003. 188–200. |
|
| Added by: joachim 01/09/2014, 13:23 |
|
| Hughes, David. Comic Book Movies. Virgin Film. 2nd ed. London: Virgin, 2007. |
|
| Last edited by: joachim 01/09/2014, 13:29 |
|
| Hughes, David. "Who Watches the Watchmen? Mission impossible: wie alan moores watchmen doch noch verfilmt wurde." Das Science Fiction Jahr 8. (2009): 295–318. |
|
| Last edited by: joachim 20/07/2017, 12:15 |
|
| Hurd, Matthew. "Six Reasons Why Joss Whedon Is the Perfect Director for The Avengers." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 447–56. |
|
| Added by: joachim 24/08/2020, 15:20 |
|
| Iaccino, James F., Cory Barker, and Myc Wiatrowski, eds. Arrow and Superhero Television: Essays on themes and characters of the series. Jefferson: McFarland, 2017. |
|
| Last edited by: joachim 21/03/2018, 13:31 |
|
| Inouye, Charles Shirō. Evanescence and Form: An introduction to japanese culture. New York [etc.]: Palgrave Macmillan, 2008. |
|
| Added by: joachim 29/05/2011, 18:35 |
|
| Ioannidou, Elisavet. "Adapting Superhero Comics for the Big Screen: Subculture for the masses." Adaptation 6. (2013): 230–38. |
|
| Added by: joachim 11/12/2013, 15:51 |
|
| Ip, John. "The Dark Knight’s War on Terrorism." Ohio State Journal of Criminal Law 9. 1 2011. Accessed 11 Apr. 2016. <http://moritzlaw.osu.ed ... cl/files/2012/05/Ip.pdf>. |
|
| Last edited by: joachim 11/04/2016, 00:11 |
|
| Jaji, Tsitsi. "Fan mail: what Wakanda means to Zimerican me." Safundi 20. (2019): 30–32. |
|
| Last edited by: joachim 12/08/2023, 20:38 |
|
| Jeffries, Dru H. "From the Top of the Cowl to the Tip of the Cape: The cinematic superhero costume as impossible garment." Cinephile 9. (2013): 30–37. |
|
| Added by: joachim 02/02/2022, 10:24 |
|
| Jeffries, Dru H. "Comics at 300 Frames per Second: Zack snyder’s 300 and the figural translation of comics to film." Quarterly Review of Film and Video 31. (2014): 266–81. |
|
| Added by: joachim 26/11/2016, 18:22 |
|
| Jeffries, Dru H. "This looks like a blowjob for Superman: Servicing fanboys with superhero porn parodies." Porn Studies 3. (2016): 276–94. |
|
| Added by: joachim 25/09/2018, 20:36 |
|
| Jeffries, Dru H. Comic Book Film Style: Cinema at 24 panels per second. Austin: Univ. of Texas Press, 2017. |
|
| Added by: joachim 24/05/2018, 14:34 |
|
| Jeffries, Dru H. "The Worlds Align: Media convergence and complementary storyworlds in marvel’s thor: the dark world." World Building. Transmedia, Fans, Industries. Ed. Marta Boni. Transmedia. Amsterdam: Amsterdam Univ. Press, 2017. 287–303. |
|
| Last edited by: joachim 29/03/2021, 17:59 |
|
| Jenkins, Henry. "The cultural logic of media convergence." International Journal of Cultural Studies 7. (2004): 33–43. |
|
| Added by: joachim 02/03/2011, 09:56 |
|
| Jenkins, Tricia and Tom Secker. "Science, superheroes and the Science and Entertainment Exchange." Journal of Science & Popular Culture 4. (2021): 21–38. |
|
| Added by: joachim 26/10/2022, 18:55 |
|
| Joffe, Robyn. "Holding Out for a Hero(ine): an examination of the presentation and treatment of female superheroes in marvel movies." Panic at the Discourse 1. 1 2019. Accessed 17 Mar. 2022. <https://www.panicdiscou ... ding-out-for-a-heroine/>. |
|
| Added by: joachim 17/03/2022, 11:33 |
|
| Johnsen, Derek. "Will the Real Wolverine Please Stand Up? Marvel’s mutation from monthlies to movies." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 64–86. |
|
| Last edited by: joachim 02/10/2011, 12:58 |
|
| Johnson, Derek. "Cinematic Destiny: Marvel studios and the trade stories of industrial convergence." Cinema Journal 52. (2012): 1–24. |
|
| Last edited by: joachim 11/08/2021, 20:22 |
|
| Johnson, Vilja. "“It’s What You Do that Defines You”: Christopher nolan’s batman as moral philosopher." Journal of Popular Culture 47. (2014): 952–67. |
|
| Last edited by: joachim 31/10/2016, 00:43 |
|
| Johnson, Jordan L. and Kristen Hoerl. "Suppressing Black Power through Black Panther’s neocolonial allegory." Review of Communication 20. (2020): 269–77. |
|
| Last edited by: joachim 06/04/2024, 14:27 |
|
| Jones, Matthew T. Found in Translation: Structural and cognitive aspects of the adaptation of comic art to film. Saarbrücken: VDM, 2009. |
|
| Last edited by: joachim 11/05/2019, 11:30 |
|
| Jones, Pete. "Diana in the World of Men: A character network approach to analysing gendered vocal representation in wonder woman." Feminist Media Studies 20. (2020): 18–34. |
|
| Last edited by: joachim 30/10/2020, 12:33 |
|
| Joo, Suk Hee. "Du Transperceneige de Jacques Lob et Jean-Marc Rochette à Snowpiercer de Bong Joon-Ho: Une inspiration mutuelle entre arts visuels dans le domaine de la science-fiction." ReS Futurae 9 2017. Accessed 3 Dec. 2021. <https://journals.openedition.org/resf/1014>. |
|
| Added by: joachim 03/12/2021, 14:08 |
|
| Joy, Stuart. The Traumatic Screen: The films of christopher nolan. Bristol, Chicago: Intellect Books, 2020. |
|
| Last edited by: joachim 06/08/2020, 18:19 |
|
| Jüdt, Dieter. "»Take the Money and Run!« oder Die wechselseitigen Reibungen und Widersprüche in den medienspezifischen Erzählweisen von Comic und Film." Daumenkino 2014. Accessed 4 Oct. 2014. <http://dkritik.de/schwe ... sen-von-comic-und-film/>. |
|
| Added by: joachim 04/10/2014, 17:19 |
|
| Jung, Sun. Korean Masculinities and Transcultural Consumption: Yonsama, rain, oldboy, k-pop idols. Hong Kong: Hong Kong Univ. Press, 2011. |
|
| Last edited by: joachim 01/12/2019, 23:57 |
|
| Kager, Andrea. "Aufbruch ohne Ankunft - Persepolis, Vincent Paronnaud, Marjane Satrapi, F 2007." Cinépassion – The Sequel. Eine psychoanalytische Filmrevue. Eds. Yvonne Frenzel Ganz and Markus Fäh. 1st ed. Gießen: Psychosozial-Verlag, 2016. 77–86. |
|
| Last edited by: joachim 22/11/2021, 11:06 |
|
| Kainz, Barbara. "Antihelden in Comicverfilmungen: Transformationsanalyse ausgewählter graphic novels und deren verfilmungen." Diplomarbeit Universität Wien, 2006. |
|
| Added by: joachim 10/12/2010, 14:56 |
|
| Kainz, Barbara. From Hell – Vom Comic zum Film: Analyse des antihelden abberline und intermediale faktoren. München: Grin, 2006. |
|
| Last edited by: joachim 01/09/2014, 12:35 |
|
| Kainz, Barbara. Der Antiheld hat viele Gesichter: Motive und image einer heldenspezies in comicverfilmungen. Wien: Löcker, 2008. |
|
| Last edited by: joachim 24/05/2020, 12:22 |
|
| Kainz, Barbara, ed. Comic. Film. Helden: Heldenkonzepte und medienwissenschaftliche analysen. Wien: Löcker, 2009. |
|
| Added by: joachim 21/11/2009, 03:49 |
|
| Kainz, Barbara. "Ansichten und Entwürfe über Heldinnen-Figuren in Comicverfilmungen." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 93–123. |
|
| Last edited by: joachim 04/04/2010, 23:37 |
|
| von Kap-herr, Katrin. "Eingriff in 3D: Michel gondrys the green hornet als experiment." Raumdeutung. Zur Wiederkehr des 3D-Films. Eds. Jan Distelmeyer, Lisa Andergassen and Nora Johanna Werdich. Bielefeld: Transcript, 2012. 157–69. |
|
| Added by: joachim 15/02/2012, 09:35 |
|
| Kaplan, Richard L. "Spider-Man in Love: A psychoanalytic interpretation." Journal of Popular Culture 44. (2011): 291–313. |
|
| Last edited by: joachim 03/07/2011, 19:38 |
|
| Karatsu, Rie. "Female Voice and Occidentalism in Mika Ninagawa’s Helter Skelter (2012): Adapting kyoko okazaki to the screen." Journal of Popular Culture 49. (2016): 967–83. |
|
| Last edited by: joachim 09/01/2020, 11:08 |
|
| Kaveney, Roz. Superheroes! Capes and crusaders in comics and film. London, New York: I. B. Tauris, 2008. |
|
| Last edited by: joachim 08/07/2018, 00:35 |
|
| Ke Jinde, Kelvin. "On the Performance of Villainy and Evil in Joker (2019)." Performativity of Villainy and Evil in Anglophone Literature and Media. Ed. Nizar Zouidi. New York [etc.]: Palgrave Macmillan, 2021. 445–64. |
|
| Added by: joachim 20/02/2022, 15:13 |
|
| Keller, James R. V For Vendetta As Cultural Pastiche: A critical study of the graphic novel and film. Jefferson, London: McFarland, 2008. |
|
| Last edited by: joachim 06/04/2014, 10:01 |
|
| Kellner, Douglas. "Media Spectacle and Domestic Terrorism: The case of the batman/joker cinema massacre." Review of Education, Pedagogy, and Cultural Studies 35. (2013): 157–77. |
|
| Last edited by: joachim 04/08/2020, 00:18 |
|
| Kennedy-Karpat, Colleen. "Self-adaptation and Transnationality in Marjane Satrapi’s Poulet aux prunes (2011)." Adaptation 8. (2015): 68–88. |
|
| Added by: joachim 27/03/2016, 14:02 |
|
| Kepser, Matthis. "Persepolis: Einen animationsfilm im unterricht reflektieren." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 122–38. |
|
| Added by: joachim 28/12/2010, 01:38 |
|
| Kidman, Shawna Feldmar. Comic Books Incorporated: How the business of comics became the business of hollywood. Berkeley: Univ. of California Press, 2019. |
|
| Last edited by: joachim 13/01/2021, 15:31 |
|
