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| Abbott, Stacey. "It (Re-)Started with a Girl: The Creative Interplay Between TV and Comics in Angel: After the Fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
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| Adamson, Jennifer L. "Genji in Graphic Form: The Tale of Genji in Manga, and the bond between Japan’s Past and Present in Popular Art." Thesis Master of Arts. University of Cincinnati, 2008. |
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| Addis, Victoria. "The musicalization of graphic narratives and P. Craig Russell’s graphic novel operas, The Magic Flute and Salomé." Studies in Comics 8. (2017): 7–28. |
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| Agüera Santiago, Laura. "Superhero Representation in Netflix Produced Serial Fiction: The Case of Daredevil, Jessica Jones, Luke Cage, Iron Fist and the Punisher." In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Eds. Mario-Paul Martínez Fabre and Fran Mateu. Elche: Fantaelx, 2019. 177–201. |
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| Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90. |
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| Ahrens, Jörn. "A History of Violence: David Cronenberg, die Graphic Novel und die Repräsentation der Gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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| Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for Africa South of the Sahara African Movie Industries." Africology 11. 9 2018. Accessed 10Jun. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
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| Albano, Antonella. "Autoreverse: Fumetto↔Film↔Telefilm." Ol3Media 4. 10 2011. Accessed 27Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Albarrán-Torres, César and Liam Burke. "Postcolonial Superheroes: Unmasking Black Panther: Wakanda Forever and Namor, Its Mesoamerican Antihero." Quarterly Review of Film and Video (2023). |
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| Albertsen, Anita Nell Bech. "Palimpsest characters in transfictional storytelling: On migrating Penny Dreadful characters from television to comic books." Continuum 33. (2019): 242–57. |
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| Albes, Claudia. "Groteske und Karikatur in Thomas Bernhards Erzählung Alte Meister und Nicolas Mahlers gleichnamiger Graphic Novel." Literatur und Malerei. Eds. Joanna Godlewicz-Adamiec, et al. Literatura – Konteksty. 2018. 251–67. |
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| Albrecht, Christian. "Die Kunst des Unsichtbaren: Darstellung von Emotionen in Comicadaptionen von Die Leiden des jungen Werther." Praxis Deutsch (2012): 46–54. |
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| Aldous, Steve. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series. Jefferson, London: McFarland, 2015. |
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| Alegría Sabogal, Diego Cristóbal. "Voices Staged and Shaded: Comic Collaborations between P. Craig Russell and Neil Gaiman." Cuadernos Literarios 9. (2015). |
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| Aletta, Alessio. "From the dark wood to the asphalt jungle: Adaptation and appropriation in Detective Dante." Between 10. 20 2020. Accessed 2Jan. 2021. <https://ojs.unica.it/in ... tween/article/view/4220>. |
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| Alexander, Torin Dru. "Africana Religion, Black Panther, and the Marvel Cinematic Universe (MCU)." Africology 11. 9 2018. Accessed 9Jun. 2022. <http://www.jpanafrican. ... pecial-12-Alexander.pdf>. |
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| Alexius, Christian. "Mit Franz Kafka im Wachsfigurenkabinett des Dr. Caligari: Ein cinephiler Fancomic von SeSar und seine Funktion als Gedächtnisraum." apropos [Perspektiven auf die Romania] 10. (2023): 94–115. |
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| Allen, Marlene D. "If You Can See It, You Can Be It: Black Panther’s Black Woman Magic." Africology 11. 9 2018. Accessed 5Sep. 2019. <http://www.jpanafrican. ... 1.9-special-3-Allen.pdf>. |
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| Allie, Scott. Buffy the Vampire Slayer Panel to Panel: The Art[u] of the Comics[u], the [u]First Seven Seasons[u]. Milwaukie: Dark Horse, 2007. |
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| Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending Victorian and Steampunk Cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
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| Alspaugh, Leann Davis. "Treading Upon the Shroud: Martin Rowson’s Graphic Novel Version of Tristram Shandy." The Shandean 20. (2009): 131–46. |
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| Ambühl, Annemarie. "Die Coma Berenices im Comic." thersites 1 2015. Accessed 20May. 2019. <http://www.thersites.un ... .php/thr/article/view/6>. |
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| Anders, Lisann, ed. The Force of The Umbrella Academy: Essays on Voices and Violence in the Comics and Netflix Series. Jefferson: McFarland, 2021. |
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| Anders, Lou. "Two of a Kind." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 17–33. |
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| Andersen, Gregers and Esben Bjerggaard Nielsen. "Biopolitics in the Anthropocene: On the Invention of Future Biopolitics in Snowpiercer, Elysium, and Interstellar." Journal of Popular Culture 51. (2018): 615–34. |
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| Anderson, Emily R. "Sin City, Style, and the Status of Noir." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 81–102. |
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| Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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| Anderst, Leah. "“It Both Is and Isn’t My Life”: Autobiography, Adaptation and Emotion in Fun Home, the Musical." The Comics of Alison Bechdel. From the Outside In. Ed. Janine Utell. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2020. 105–18. |
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| Angel, Christina C. "The Hermeneutics of Spider-Man: What Is Peter Parker Doing in Elizabethan England?." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 74–80. |
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| Antola, Laura. "Transnational Adaptation of a Marvel comic book event: The case of X-Men: ‘fatal attractions’ in Finland." Journal of Graphic Novels and Comics (2021): 1–14. |
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| Arnott, Luke. "Arkham Epic: Batman Video Games as Totalizing Texts." Contemporary Research on Intertextuality in Video Games. Eds. Christophe Duret and Christian-Marie Pons. IGI Global, 2016. 1–21. |
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| Asante, Godfried A. and Gloria Nziba Pindi. "(Re)imagining African futures: Wakanda and the politics of transnational Blackness." Review of Communication 20. (2020): 220–28. |
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| Asimakoulas, Dimitris. "Synchrony issues in comics: Language transfer and gender-specific characterisation in English translations of Greek Aristophanic comics." Journal of Graphic Novels and Comics (2017): 1–23. |
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| Asimakoulas, Dimitris. Rewriting Humour in Comic Books: Cultural Transfer and Translation of Aristophanic Adaptations[u]. Palgrave Studies in Translating and Interpreting. New York [etc.]: Palgrave Macmillan, 2019. |
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| Atkinson, Paul. "Movements within Movements: Following the Line in Animation and Comic Books." Animation 4. (2009): 265–81. |
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| Atkinson, Paul. "The graphic novel as metafiction." Studies in Comics 1. (2010): 107–25. |
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| Aust, Robin-M. »Es ist ja auch eine Methode, alles zur Karikatur zu machen«: Nicolas Mahlers Literatur-Comics Alte Meister und Alice in Sussex nach Thomas Bernhard und H.C. Artmann. Germanistische Literaturwissenschaft. Würzburg: Ergon, 2016. |
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| Aust, Robin M. "Transformationstechniken und intermediale Zitate in Karasiks und Mazzucchellis Paul Austers Stadt aus Glas." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 285–300. |
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| Ayres, Jackson. "“A very, very bad mood” The turn to horror in Alan Moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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| Bachmann, Rebecca. "All of Your Choices Matter: Charakterbildungsrelevante Entscheidungen in Videospielen am Beispiel von Telltales The Walking Dead." Vom Binge Watching zum Binge Thinking. Untersuchungen im Wechselspiel zwischen Wissenschaften und Popkultur. Eds. Martin Böhnert and Paul Reszke. Bielefeld: Transcript, 2019. |
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| Bachmann, Christian A. " In der Bastardzone: Hybridität als Schnittstelle von Kinder- und Jugendmedienforschung und Comicforschung am Beispiel der Serien Big Little Books und Weltliteratur für Junge Leser." Schnittstellen der Kinder- und Jugendmedienforschung. Aktuelle Positionen und Perspektiven. Eds. Ute Dettmar, Caroline Roeder and Ingrid Tomkowiak. Stuttgart: Metzler, 2019. |
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| Bachmann, Christian A. "Der Comic als Labor semiotischer Interpiktorialitätsforschung: Paul Karasiks und David Mazzucchellis City of Glass." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 299–318. |
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| Backe, Hans-Joachim. "Narrative Feedback: Computer Games, Comics, and the James Bond Franchise." The Cultures of James Bond. Eds. Joachim Frenk and Christian Krug. Trier: Wissenschaftlicher Verlag Trier, 2011. 221–33. |
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| Bacon-Smith, Camille and Tyrone Yarborough. "Batman: The Ethnography." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 90–116. |
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| Baetens, Jan. "M comme main: Une lecture du Château de Kafka adapté par Olivier Deprez." Image [&] Narrative 4. 2 2004. Accessed 27Jul. 2009. <http://www.imageandnarr ... 8/janbaetens_deprez.htm>. |
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| Baetens, Jan. "Olivier Deprez's Storytelling in Le Château de Kafka." The California Printmaker (2006): 8–15. |
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| Baetens, Jan. "Of Graphic Novels and Minor Cultures: The Fréon Collective." Yale French Studies 114. (2008): 95–115. |
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| Baetens, Jan. "Littérature et bande dessinée: Enjeux et limites." Cahiers de Narratologie 16 2009. Accessed 1Jun. 2013. <http://narratologie.revues.org/974>. |
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| Baetens, Jan. "Remediation in the Era of Hybridization: The Example of the Film Photonovel." Leaves 7 2019. Accessed 15Jan. 2021. <https://climas.u-bordea ... -photonovel-jan-baetens>. |
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| Baetens, Jan. "Alfred Hitchcock’s Rear Window as “Cineromanzo”." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 90–101. |
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| Baetens, Jan. "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." Internationale neerlandistiek: een vak in beweging. Eds. Jane Fenoulhet and Jan Renkema. Lage Landen Studies. Gent: Academia, 2010. 255–68. |
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| Baetens, Jan. "« Bandes dessinées écrites »: La question des rapports texte/image en bande dessinée à la lumière du Château d’Olivier Deprez (Olivier Deprez, Le Château de Kafka)." Déconstruire l’image. Ed. Christophe Genin. Esthétique. Paris: Publications de la Sorbonne, 2011. 37–50. |
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| Baetens, Jan. "Adapting and displaying multiple temporalities: What became of Trollope’s John Caldigate and Maupassant’s Boule de Suif in Simon Grennan’s Dispossession and Dino Battaglia’s Contes et nouvelles de guerre?." Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Eds. Simon Grennan and Laurence Grove. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. 15–32. |
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| Baetens, Jan. "L’adaptation, une stratégie d’écrivain ?." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 41–60. |
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| Baetens, Jan. "A Cultural Approach to Nonnarrative Graphic Novels: A Case Study from Flanders." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 281–87. |
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| Bahl, Erin Kathleen. "“Sung Reading”: An Operatic Approach to P. Craig Russell’s Graphic Novel The Ring of the Nibelung." 期刊介绍 / Signs and Media (2016): 131–58. |
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| Bainbridge, Jason. "“You were the world’s first superhero”: Marvel Studio’s Superheroes, Law and the Pursuit of Justice." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 150–67. |
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| Baker, Kaysee and Arthur A. Raney. "Equally Super? Gender-Role Stereotyping of Superheroes in Children’s Animated Programs." Mass Communication and Society 10. (2007): 25–41. |
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| Barker, Martin and Kate Brooks. Knowing Audiences: Judge Dredd, its Friends, Fans, and Foes. Luton: Univ. of Luton Press, 1998. |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical Essays on the Series and Its Characters. Jefferson, London: McFarland, 2014. |
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| Barman, Daisy. "Comics beyond Fun and Thrill: A Critical Reflection on Gender Dynamics and Public Imagination in Select Popular Comics-based Movies." Gnosis Special Issue (2019): 81–91. |
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| Bartlett, Myke. "The Adventures of Tintin: Drawn into Motion." Screen Education (2012): 8–17. |
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| Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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