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| Kukkonen, Karin. Contemporary Comics Storytelling. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2013. |
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| Kupczyńska, Kalina. "Queer am Rand des literarischen Kanons: Nicolas mahlers alice in sussex und der fremde! störenfried der ruhe eines sommerabends der ruhe eines friedhofs." Journal of Austrian Studies 55. (2022): 101–28. |
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| Kutch, Lynn Marie. "From Visual Literacy to Literary Proficiency: An instructional and assessment model for the graphic novel version of kafka’s die verwandlung." Die Unterrichtspraxis/Teaching German 47. (2014): 56–68. |
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| Kutch, Lynn Marie and Damianos Grammatikopoulos. "Intertextual References in Eickmeyer’s Im Westen nichts Neues: Eine Graphic Novel." Colloquia Germanica 48. (2015): 267–91. |
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| Labarre, Nicolas. "A fragmentary past: Karasik and mazuchelli’s city of glass." Comics Forum 2012. Accessed 12 Jan. 2013. <http://comicsforum.org/ ... ass-by-nicolas-labarre/>. |
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| Labarre, Nicolas. "Adapting Coppola’s Dracula." The Comics Grid 2012. Accessed 28 Dec. 2020. <http://web.archive.org/ ... pting-coppolas-dracula/>. |
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| Labarre, Nicolas. "WildC.A.T.S./Aliens: A meaningful death." The Comics Grid 2012. Accessed 18 Jul. 2012. <http://blog.comicsgrid. ... log/wildc-a-t-s-aliens/>. |
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| Labarre, Nicolas. "Ghost World(s) – couleur, espace, verbe et esthétique." Miranda 8 2013. Accessed 6 Oct. 2014. <http://miranda.revues.org/3363>. |
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| Labarre, Nicolas. "Alien as a Comic Book: Adaptation and genre shifting." Extrapolation 55. (2014): 75–94. |
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| Labarre, Nicolas. "Adapter Macbeth, du comic book au roman graphique." Revue de recherche en civilisation américaine 5 2015. Accessed 20 Feb. 2017. <https://rrca.revues.org/660>. |
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| LaRue, Robert. "‘I Remember You Was Conflicted’ Reflections on black panther, the african american/african divide, and scholarly positionings." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 1.9-special-9-LaRue.pdf>. |
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| Lauwers, Joran. "Intertextuality and Adaptation as a Narrative Framework: Creating the new from the inexplicable in neil gaiman’s “the sandman”." Master in de taal- en letterkunde Masterproef. Universiteit Gent, 2016. |
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| Lee, Peter W. Mirroring the Medieval Modern: Dc comics’ beowulf, dragon slayer. Joint Conference of the National Popular Culture and American Culture Associations: 19—22 Mar, 2008. |
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| Levet, Natacha. "Sherlock Holmes, du surhomme au superhéros." Mythologies du superhéros. Histoire, physiologie, géographie, intermédialités. Eds. François-Emmanuël Boucher, Sylvain David and Maxime Prévost. ACME. Liège: Presses Univ. de Liège, 2014. 69–84. |
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| Lizardi, Ryan. "The Apocalyptic Mental Time Travel Film: Erasing disaster in edge of tomorrow and x-men: days of future past." The Last Midnight. Essays on Apocalyptic Narratives in Millennial Media. Eds. Leisa A. Clark, Amanda Firestone and Mary F. Pharr. Critical Explorations in Science Fiction and Fantasy. Jefferson: McFarland, 2016. 134–43. |
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| Lohse, Rolf. "Sfars Le petit prince als kreative Literaturadaptation." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 84–115. |
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| Lyons, James. "“It Rhymes with Lust”: The twisted history of noir comics." A Companion to Film Noir. Eds. Andrew Spicer and Helen Hanson. Chichester: Wiley-Blackwell, 2013. 258–66. |
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| MacArthur, Sian. Gothic Science Fiction: 1818 to the present. New York [etc.]: Palgrave Macmillan, 2015. |
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| MacDonald, Tanis. "Voice of the Gutter: Comics in the academy." From Text to Txting. New Media in the Classroom. Eds. Paul Budra and Clint Burnham. Bloomington: Indiana Univ. Press, 2012. 43–68. |
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| MacInnes, Iain A. "“I Can Piss on Calais from Dover” Adaptation and medievalism in graphic novel depictions of the hundred years’ war (1337–1453)." From Medievalism to Early-Modernism. Adapting the English Past. Eds. Marina Gerzic and Aidan Norrie. London, New York: Routledge, 2018. 154–70. |
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| Macnaughtan, Don. The Buffyverse Catalog: A complete guide to buffy the vampire slayer and angel in print, film, television, comics, games and other media, 1992–2010. Jefferson, London: McFarland, 2011. |
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| Makela, LeeRay. "From Metropolis to Metoroporisu: The changing role of the robot in japanese and western cinema." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 91–113. |
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| Makoveeva, Irina. "Crime and Punishment as a Comic Book." Dostoevskii's Overcoat. Influence, Comparison, and Transposition. Eds. Joe Andrew and Robert Reid. Studies in Slavic Literature and Poetics. Amsterdam [etc.]: Rodopi, 2013. 335–54. |
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| Malone, Paul M. "From Blockbuster to Flop? The apparent failure (or possible transcendence) of ralf könig's queer comics aesthetic in maybe … maybe not and killer condom." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 221–45. |
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| Malone, Paul M. "Hybrides Spielfeld Manga: Adaption und transformation japanischer comics in deutschland." Nipponspiration. Japonismus und japanische Populärkultur im deutschsprachigen Raum. Eds. Michiko Mae and Elisabeth Scherer. Köln, Weimar, Wien: Böhlau, 2013. 233–58. |
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| Mälzer, Nathalie. "Vom Comicübersetzen und -adaptieren als Umcodierungsprozess komplexer Zeichengebilde: Zur einführung." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 11–21. |
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| Mancini, C. Bruna. "From The Lodger (1913) to From Hell (2001)." Journal of Literature and Art Studies 4. (2014): 1025–36. |
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| Manivannan, Vyshali. "Interplay Amidst the Strangeness and the Charm: Under-language and the attenuation of meaning in the film adaptation of watchmen." ImageTexT 5. 4 2011. Accessed 13 Mar. 2013. <http://www.english.ufl. ... chives/v5_4/manivannan/>. |
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| Manthey, Dirk and Jörg Altendorf, eds. Fantasy & Comic: Monster, mythen und magie: grosse filmereignisse neoromantischer zauberwelten. cartoons, cels und collagen: die faszinierenden geheimnisse des zeichentricks. Ein Filmbuch von Cinema. Hamburg: Kino-Verl. 1990. |
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| Marek, Michael W. and Pin-hsiang Natalie Wu. "20th Century Boys: Blending eastern and western storytelling." Myth in the Modern World. Essays on Intersections with Ideology and Culture. Eds. David Whitt and John Perlich. Jefferson, London: McFarland, 2014. 33–59. |
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| Marjanovic, Lucia. "Literaturadaptionen in Walt Disneys Lustigen Taschenbüchern." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 43–60. |
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| Marmo, Jennifer. "Who Am I? A discovery of self through comics with buffy, the vampire slayer." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 55–72. |
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| Marran, Christine. "Empire through the Eyes of a Yapoo: Male abjection in the cult classic beast yapoo." Mechademia 4. (2009): 259–73. |
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| Marshall, Elizabeth and Leigh Gilmore. "Girlhood in the Gutter: Feminist graphic knowledge and the visualization of sexual precarity." Women's Studies Quarterly 43. (2015): 95–114. |
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| Marshall, Bridget M. "Comics as Primary Sources: The case of journey into mohawk country." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 26–39. |
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| Martin, Elaine. "Graphic Novels or Novel Graphics? The evolution of an iconoclastic genre." The Comparatist 35. (2011): 170–81. |
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