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| Dyrenfurth, Nick and Marian Quartly. "‘All the World Over’: The transnational world of australian radical and labour cartoonists." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Eder, Barbara. "Zeit der Revolution – Revolution der Zeit: Figuren der zeitlichkeit in marjane satrapis persepolis." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 283–302. |
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| Eder, Barbara. "Images sans Papiers: Zur darstellung von exklusionsmomenten in comic-visualisierungen des alltagslebens eines jugendlichen sans-papiers." Differenzen leben. Kulturwissenschaftliche und geschlechterkritische Perspektiven auf Inklusion und Exklusion. Eds. Utta Isop and Viktorija Ratković. Kultur & Konflikt. Bielefeld: Transcript, 2011. 110–27. |
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| Eder, Barbara. "Politische Amnesien: Zu verfilmung und bewerbungspolitik von marjane satrapis iranisch-österreichisch-französischer migrationsbiografie persepolis." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 167–85. |
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| Feierstein, Liliana Ruth. "»El Proceso«: De kafka a oesterheld." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 183–203. |
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| Fernández L’Hoeste, Héctor D. Lalo Alcaraz: Political cartooning in the latino community. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2017. |
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| Francescutti, Pablo. "Del Eternauta al “Nestornauta”: La transformación de un icono cultural en un símbolo político." Cuadernos de Información y Comunicación 20 2015. Accessed 19 Jan. 2016. <http://revistas.ucm.es/ ... CIYC/article/view/49477>. |
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| Frenzel, Martin. "Das »Empört Euch!«-Credo von Hergé bis Baru: Über das widerständige des politischen in der frankobelgischen bande dessinée." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 133–56. |
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| Gerstenberg, Micha Johann. "»The Justice Society of America Pursues Victory for America and Democracy«: Der amerikanische superhelden-comic als propagandamedium im spannungsfeld von antisemitismus und amerikanischer außenpolitik 1940–45." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 227–51. |
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| Goldstein, Kalman. "American Political Cartoons and Comics." Comedy. A Geographic and Historical Guide. Ed. Maurice Charney. Vol. 1. Westport: Greenwood, 2005. 121–34. |
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| Goodrum, Michael. Superheroes and American Self Image: From war to watergate. The Cultural Politics of Media and Popular Culture. London, New York: Routledge, 2016. |
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| Graf, Rachel. "Comics Explosion: Representations of persecution in graphic narrative, 1995–2015." PhD Thesis. University of Washington, 2016. |
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| Grande Branger, Luis A. "Aquaman and American White Supremacy." The Cinema of James Wan. Critical Essays. Eds. Fernando Gabriel Pagnoni Berns and Matthew Edwards. Jefferson: McFarland, 2021. 71–90. |
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| Gravett, Paul and John Harris Dunning. Comics Unmasked: Art and anarchy in the uk. London: British Library, 2014. |
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| Gray, Maggie. Alan Moore, Out from the Underground: Cartooning, performance, and dissent. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2017. |
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| Green, Matthew J. A. "‘An altered view regarding the relationship between dreams and reality’: Magic, politics and the comics medium in alan moore and jacen burrow’s providence." Studies in Comics 8. (2018): 135–56. |
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| Grünangerl, Manuela. "Comic-Visionen im Umbruch: Politische und gesellschaftliche wandlungsprozesse in der portugiesischen comicproduktion der 1970er jahre." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 289–310. |
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| Grünewald, Dietrich. "Macht der Bilder: Die politisch-poetische parabel im land der verlorenen erinnerung (stéphane poulin, 2011)." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 461–87. |
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| von Hagen, Markus. "Barks contra Flix, oder: Politik, als es unvermeidbar war: 20 jahre »micky maus« als jugendzeitschrift (1956–1975)." Comics zwischen Zeitgeschehen und Politik. Eds. Thomas Hausmanninger and H. Jürgen Kagelmann. Comic Cultur. München, Wien: Profil, 1994. 70–85. |
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| Hampton, Mark. "The Political Cartoon as Educationalist Journalism: David low’s portrayal of mass unemployment in interwar britain." Journalism Studies (2013). |
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| Hanchey, Jenna N. "Decolonizing aid in Black Panther." Review of Communication 20. (2020): 260–68. |
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| Hansen, Lene. "Reading comics for the field of International Relations: Theory, method and the bosnian war." European Journal of International Relations 23. (2017): 581–608. |
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| Harkins, Anthony A. "Commies, H-Bombs, and the National Security State: The cold war in the comics." Understanding the Funnies. Critical Interpretations of Comic Strips. Eds. Gail W. Pieper, Kenneth D. Nordin and Joseph Ursitti. Lisle: Procopian Pr. 1997. 12–36. |
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| Hartmann, Nicholas. "Don’t Laugh at Kim-Il Sung: Anecdote, occupational narrative and representation in guy delisle’s pyongyang." New Directions in Folklore 10. 1 2012. Accessed 18 Mar. 2014. <https://scholarworks.iu ... /ndif/article/view/1928>. |
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| Harvey, Jessamy. "Depuración de un género: Los tebeos »maravillosos« en el primer franquismo (1942–1955)." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 45–60. |
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| Hausmanninger, Thomas and H. Jürgen Kagelmann, eds. Comics zwischen Zeitgeschehen und Politik. Comic Cultur. München, Wien: Profil, 1994. |
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| Havas, Harald and Eckart Sackmann. "Ladislaus Kmoch." Deutsche Comicforschung 6. (2010): 46–60. |
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| Hechelhammer, Bodo V. Fürst der Füchse: Das leben des rolf kauka. München: Langen-Müller, 2022. |
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| Henningsen, Lena. "‘Maple’ as Comic Book Adaptation: Introduction to text and translation." MCLC Resource Center 2021. Accessed 7 Mar. 2022. <https://u.osu.edu/mclc/online-series/maple-intro/>. |
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| Hicks, Marianne. "‘Teh Futar’: The power of the webcomic and the potential of web 2.0." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. 11.1–20. |
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| Hiley, Nicholas. "Showing politics to the people: Cartoons, comics and satirical prints." Using Visual Evidence. Eds. Richard Howells and Robert Matson. Philadelphia: Open University Pr. 2009. 24–42. |
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| Hinds Jr., Harold E. "Chanoc: Adventure and slapstick on mexico's southeast coast." Journal of Popular Culture 14. (1980): 424–36. |
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| Hoberek, Andrew. Considering Watchmen: Poetics, property, politics. Comics Culture. New Brunswick: Rutgers Univ. Press, 2014. |
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| Høigilt, Jacob. Comics in Contemporary Arab Culture: Politics, language and resistance. Library of Modern Middle East Studies. London, New York: I. B. Tauris, 2018. |
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| Holm, Nicholas. "Excalibur, aesthetics and an other Britain: From whimsical tradition to tabloid aesthetic." Journal of Graphic Novels and Comics (2020): 1–12. |
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| Holmberg, Ryan. "Hear no, speak no: Sasaki maki manga and nansensu, circa 1970." Japan Forum 21. (2009): 115–41. |
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| Howell, Jennifer. "Comics and the Demystification of France’s Immigration ‘Problem’: Reading christophe dabitch’s immigrants." Modern & Contemporary France 24. (2016): 15–34. |
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| Humphrey, Aaron. "Emotion and Secrecy in Australian Asylum-Seeker Comics: The politics of visual style." International Journal of Cultural Studies (2017). |
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| Huxley, David. "Buffalo Bill and William Gladstone: The ‘champion scalper’ and the ‘g.o.m’ in moonshine magazine, april–november 1887." Early Popular Visual Culture 9. (2011): 353–62. |
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| Hwang, Yih-Jye. "Japan as “Self” or “the Other” in Yoshinori Kobayashi’s On Taiwan." China Information 24. (2010): 75–98. |
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| Iadonisi, Richard. "“A Man Has Risen”: Hard bodies, reaganism, and the dark knight returns." International Journal of Comic Art 14. (2012): 543–53. |
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| Iadonisi, Richard. "‘A Man Has Risen’: Hard bodies, reaganism, and the dark knight returns." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 72–88. |
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| Iwasaki, Minoru and Steffi Richter. "The Topology of Post-1990s Historical Revisionism." positions. east asia cultures critique 16. (2008): 507–38. |
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| Jallow, Baba G. "From Saint to Devil: The visual transformations of kwame nkrumah in accra evening news cartoons, 1961–1966." Stichproben 13. (2014): 79–103. |
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| Jansen, Willy. What Happened to Zina Diali? Gender in algerian cartoons. The Politics of Dissent in North Africa: New Haven, 20—22 Feb, 2009. |
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| Jimoh, Ganiyu Akinloye. "I Voted Only for the Head Too: visual satire and democratic governance in africa." International Journal of Comic Art 16. (2014): 431–44. |
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| Jobs, Richard Ivan. "Tarzan under Attack: Youth, comics, and cultural reconstruction in postwar france." French Historical Studies 26. (2003): 687–725. |
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| Johnson, Jordan L. and Kristen Hoerl. "Suppressing Black Power through Black Panther’s neocolonial allegory." Review of Communication 20. (2020): 269–77. |
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| Johnson, Greg and Gregory Hood, eds. Dark Right: Batman viewed from the right. San Francisco: Counter-Currents, 2018. |
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| Johnson, David Kyle. "The Boys as Philosophy: Superheroes, fascism, and the american right." The Palgrave Handbook of Popular Culture as Philosophy 2023. Accessed 11 Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_118-1>. |
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| Johnston, Patrick James. "Working with Comics: Labour, neoliberalism and alternative cartooning." PhD Thesis. University of Sussex, 2016. |
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| Added by: joachim 22/07/2013, 18:55 |
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| Kartalopoulos, Bill. "Drawing the Body Politic: The ethics of groups and types." Indy Magazine Autumn 2004. Accessed 12 Jan. 2013. <http://web.archive.org/ ... ulos_drawing/index.html>. |
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| Added by: joachim 12/01/2013, 13:04 |
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