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Atkinson, Doug and R. J. White. "The Annotated Watchmen: Your Complete Guide to the Classic Series." 1995. Accessed 12Jun. 2018. <http://www.capnwacky.com/rj/watchmen/>. |
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Backe, Hans-Joachim. Under the Hood: Die Verweisstruktur der Watchmen. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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Backe, Hans-Joachim. "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion: Watchmen und die Dekonstruktion des Heldentums." kritische berichte 39. (2011): 5–19. |
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Backe, Hans-Joachim. "Transformation und Aneignung: Literarische Prätexte in Moores und Gibbons’ Watchmen." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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Barnes, David. "Time in the Gutter: Temporal Structures in Watchmen." KronoScope 9. (2009): 51–60. |
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Barnholden, Neale. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics. Jackson: Univ. Press of Mississippi, 2024. |
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Baroni, Raphaël. "Le récit dans l’image: Séquence, intrigue et configuration." Image [&] Narrative 12. 1 2011. Accessed 6Sep. 2011. <http://www.imageandnarr ... rticle/viewFile/136/107>. |
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Beckett, Chris. "Reading Watchmen." 2015. Accessed 12Jun. 2018. <http://www.readingwatchmen.com>. |
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Bensam, Richard, ed. Minutes to Midnight: Twelve Essays on Watchmen. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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Bensam, Richard. "Obsolete Models a Specialty: An Introduction." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–7. |
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Berlatsky, Eric. "Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen." Understanding Bergson, Understanding Modernism. Eds. Paul Ardoin, S. E. Gontarski and Laci Mattison. London, New York: Continuum, 2013. 256–80. |
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Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the Fourth Dimension." ImageTexT 1. 2 2005. Accessed 6Jul. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>. |
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Blake, Brandy Ball. "Watchmen: The Graphic Novel as Trauma Fiction." ImageTexT 5. 1 2010. Accessed 1Feb. 2010. <http://www.english.ufl. ... xt/archives/v5_1/blake/>. |
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Blake, Charlie. "Pirate multiplicities: Aion, chronos and magical inscription in the graphic novels of Alan Moore." Studies in Comics 2. (2011): 121–34. |
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Boge, Chris. "Visualizing Histories and Stories: Revisionary Graphic Novels of the 1980s and 1990s." Medienimpulse 51. 3 2013. Accessed 21Jun. 2016. <http://www.medienimpulse.at/articles/view/571>. |
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Boillat, Alain. "Douze minutes avant minuit: L’effet « graphic novel » du chapitrage dans Watchmen." Cahiers de Narratologie 34 2018. Accessed 3Jul. 2020. <https://journals.openedition.org/narratologie/8757>. |
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Borsellino, Mary. "How the Ghost of You Clings: Watchmen and Music." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 24–37. |
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Brogan, Jacob. "Stop/Watch: Repressing History, Adapting Watchmen." The Politics of Adaptation. Media Convergence and Ideology. Eds. Dan A. Hassler-Forest and Pascal Nicklas. New York [etc.]: Palgrave Macmillan, 2015. 214–26. |
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Callahan, Timothy. "Somebody Has to Save the World: Captain Metropolis and Role-Playing Watchmen." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 132–46. |
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Carlson, A. Cheree. "Burke in the Gutter: Dramatistic Criticism of Comics." ImageTexT 9. 3 2018. Accessed 27Feb. 2018. <http://www.english.ufl. ... /archives/v9_3/carlson/>. |
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Carter, James Bucky. "Teaching Watchmen in the Wake of 9/11." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 99–108. |
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Cates, Isaac. "On the Literary Use of Superheroes; or, Batman and Superman Fistfight in Heaven." American Literature 83. (2011): 831–57. |
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Cloyd, Aaron A. "Voices from the Margins: The Place of Wilderness in Watchmen." International Journal of Comic Art 16. (2014): 223–43. |
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Collins, Jim. "Batman: Film, fortælling: Det hyperbevidste." MedieKultur 30 1999. Accessed 20Jan. 2010. <http://ojs.statsbibliot ... /article/view/1147/1052>. |
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Cormier, Jon. "Nothing Ever Ends: Structural Symmetries in Watchmen." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 85–96. |
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Dapena, Xavier Morón. "El Caso Rorschach: Raymond Chandler y Alan Moore." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 461–68. |
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Darius, Julian. "58 Varieties: Watchmen and Revisionism." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 97–108. |
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Davidson, Rjurik. "Fighting the Good Fight? Watching Watchmen." Screen Education (2009): 18–23. |
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Davis, Blair. "Beyond Watchmen." Cinema Journal 56. (2017): 114–19. |
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Davis, Phillip. "The Watchmen, Neo-Noir and Pastiche." The 21st Century Superhero. Essays on Gender, Genre and Globalization in Film. Eds. Richard J. Gray II and Betty Kaklamanidou. Jefferson, London: McFarland, 2011. 144–60. |
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De Dobbeleer, Michel. "Googling ‘Vice-President Ford’ and the ‘Keene Act’: The discovery of Watchmen’s uchronical universe, twenty years after publication." Studies in Comics 2. (2011): 159–75. |
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Derbyshire, Kayla. "It’s a (Fe)Male World: Male-Orientated Revisionism in Watchmen." Occam’s Razor 4 2014. Accessed 9Feb. 2020. <https://cedar.wwu.edu/orwwu/vol4/iss1/3/>. |
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Di Liddo, Annalisa. Alan Moore: Comics as Performance, Fiction as Scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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Dietrich, Bryan D. "The Human Stain: Chaos and the Rage for Order in Watchmen." Extrapolation 50. (2009): 120–44. |
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DiGiovanna, James. "Dr. Manhattan, I Presume?." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 103–14. |
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Dittmer, Jason. "The Tyranny of the Serial: Popular Geopolitics, the Nation, and Comic Book Discourse." Antipode (2007): 247–68. |
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Dittmer, Jason. "Serialization and Displacement in Graphic Narrative." Serialization in Popular Culture. Eds. Rob Allen and Thijs van den Berg. London: Routledge, 2014. 125–40. |
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Donovan, Sarah and Nick Richardson. "Watchwomen." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 173–84. |
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Drohan, Christopher M. "A Timely Encounter: Dr. Manhattan and Henri Bergson." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 115–24. |
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Elmwood, Victoria A. "Fictional Auto/Biography and Graphic Lives in Watchmen." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 265–78. |
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Fehrle, Johannes and Philipp Fidler. "‘What’s happened to the American Dream?’: Transnationalism and Intertexts in Alan Moore and Dave Gibbons’s Watchmen." International Journal of Comic Art 13. (2013): 495–527. |
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de Figueiredo, Camila Augusta Pires. "Hollywood goes Graphic: The Intermedial Transposition of Graphic Novels to Films." Thesis Mestre em Estudos Literários. Universidade Federal de Minas Gerais, 2010. |
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Figueiredo, Camila. "Tunes Across Media: The Intermedial Transposition of Music in Watchmen." International Journal of Comic Art 12. (2010): 543–51. |
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Fishbaugh, Brent. "Moore and Gibbons’s Watchmen: Exact Personification of Science." Extrapolation 39. (1998): 189–99. |
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Flynn, Tyler. "Discovering the Literary Relevancy of Watchmen: A Review of the Graphic Novel’s Philosophical Themes." Senior Thesis. Liberty University, 2012. |
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Francis, Catherine. "From Superman to Super-Being: Dr. Manhattan and the Nuclear Sublime." 1999. Accessed 11Aug. 2009. <http://ginka.armageddon.org/~sanvean/watchmen.html>. |
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Francis, Fred. "‘Footnotes to Miller and Moore’: Monomyth and Transnationality in the 1986 Superhero Comics." Comparative American Studies 14. (2016): 289–301. |
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Frenz, Dietmar. "A Brother to Dragons: Zu Alan Moores Watchmen VII." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 176–94. |
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Furlong, Michael. "Drawing Desires Performance: Dominance and Submission in Will Eisner’s The Spirit and Alan Moore’s Watchmen." Thesis Master of Arts. Florida Atlantic University, 2011. |
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Gaiman, Neil. "A Portal to Another Dimension." The Comics Journal (1987): 80–87. |
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Gaiman, Neil. "A Portal to Another Dimension: Alan Moore, Dave Gibbons, and Neil Gaiman." The Comics Journal (1987): 80–87. |
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Gaiman, Neil. "Alan Moore and Dave Gibbons." The New Comics. Interviews from the pages of The Comics Journal. Eds. Gary Groth and Robert Fiore. New York: Berkley, 1988. 94–104. |
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Gervais, Bertrand. "Le tressage à portée interprétative comme modalité de lecture: Étude du roman graphique Watchmen de Dave Gibbons et Alan Moore." Mémoire Maîtrise. Université de Québec, 2010. |
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Gibbons, Dave. Watching the Watchmen. London: Titan Books, 2008. |
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Gibbons, Dave. Watching the Watchmen: Die Entstehung einer Graphic Novel. Nettetal: Panini, 2009. |
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Gibbons, Dave. Confabulation: An Anecdotal Autobiography. Milwaukie: Dark Horse, 2023. |
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Gilmore, Shawn. "On Comics: “A Dream of Rorschach” in The Question #17 (1988)." The Vault of Culture 2021. Accessed 16Dec. 2023. <https://www.vaultofcult ... omics/questionrorschach>. |
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Goldberg, Nathaniel and Chris Gavaler. "Watchmen as Philosophy: Illustrating Time and Free Will." The Palgrave Handbook of Popular Culture as Philosophy 2021. Accessed 11Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_89-1>. |
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Groensteen, Thierry. "De Watchmen à From Hell: Quelques obsessions et procédés récurrents dans l’œuvre d’Alan Moore." Neuvième art (2001): 102–07. |
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Großhans, Sven. "Who watches the Watchm... – Verschwörungstheoretische Symbolhaftigkeit im Comic." Konspiration. Soziologie des Verschwörungsdenkens. Eds. Andreas Anton, Michael Schetsche and Michael K. Walter. Wiesbaden: Springer VS, 2014. 221–38. |
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Hague, Ian. "Adapting Watchmen." Framing Film. Cinema and the Visual Arts. Eds. Steven Allen and Laura Hubner. Bristol, Chicago: Intellect Books, 2012. 37–55. |
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Handley, Rich. Watching Time: The Unauthorized Watchmen Chronology. New York: Hasslein, 2016. |
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"Watchmen Wiki." 2008. Accessed 12Jun. 2018. <http://watchmen.wikia.com/wiki/Watchmen_Wiki>. |
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Harris-Fain, Darren. "Revisionist Superhero Graphic Novels: Teaching Alan Moore's Watchmen and Frank Miller's Dark Knight Books." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 147–54. |
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Held, Jacob M. "Can We Steer This Rudderless World? Kant, Rorschach, Retributivism, and Honor." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 19–31. |
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Hescher, Achim. "Schrecken ohne Ende: Apokalyse(n) in englischsprachiger Narrativik und der Graphic Novel Watchmen." Untergangsszenarien. Apokalyptische Denkbilder in Literatur, Kunst und Wissenschaft. Eds. Lothar Blum, et al. Berlin: Akademie Verl. 2013. 167–94. |
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Hoberek, Andrew. Considering Watchmen: Poetics, Property, Politics. Comics Culture. New Brunswick: Rutgers Univ. Press, 2014. |
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Hochschild, Björn. "Superhero Comics and the Potential for Continuation: Identity and Temporality in Alan Moore’s Watchmen." Literatur in Wissenschaft und Unterricht 47. (2014): 55–66. |
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Horstkotte, Silke and Nancy Pedri. "Focalization in Graphic Narrative." Narrative 19. (2011): 330–57. |
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Hudsick, Walter. "Reassembling the Components in the Correct Sequence: Why You Shouldn’t Read Watchmen First." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 8–23. |
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Hughes, Jamie A. "“Who Watches the Watchmen?”: Ideology and “Real World” Superheroes." Journal of Popular Culture 39. (2006): 546–57. |
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Hughes, David. "Who Watches the Watchmen? Mission impossible: Wie Alan Moores Watchmen doch noch verfilmt wurde." Das Science Fiction Jahr 8. (2009): 295–318. |
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Imray, Kathryn. "Shall Not the Judge of All the Earth Do Right? Theodicies in Watchmen." Journal of Religion and Popular Culture 29. (2017): 119–31. |
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Kaveney, Roz. Superheroes! Capes and Crusaders in Comics and Film. London, New York: I. B. Tauris, 2008. |
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Keating, Erin M. "The Female Link: Citation and Continuity in Watchmen." Journal of Popular Culture 45. (2012): 1266–88. |
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Keeping, J. "Superheroes and Supermen: Finding Nietzsche's Übermensch in Watchmen." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 47–60. |
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Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels." Digital Humanities Quarterly 8. 3 2014. Accessed 30Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>. |
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Klähr, Alexander. "Die Leuchttürme und die Frauen: Gedanken zum Frauenbild im Comic am Beispiel Alan Moores und Frank Millers – knapp 25 Jahre nach Watchmen und The Dark Knight Returns." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 48–52. |
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Klock, Geoff. "The End is Nigh: The Limits of Watchmen." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 147–56. |
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Konstantinou, Lee. "Watching Watchmen: A Riposte to Stuart Moulthrop." electronic book review 2012. Accessed 14Jan. 2014. <http://www.electronicbo ... /firstperson/mammothrip>. |
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Kraemer, Christine Hoff. "The Creative Apocalypse: Post-WWII Narratives of Death, Rebirth, and Transformation." Thesis B.A. Univ. of Texas, 2000. |
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Kruschwitz, Hans. Utopische Sehnsucht nach Angst: Von Morus’ Utopia zu Moores Watchmen. Comiqheft / Comiqbook. Berlin: Ch.A. Bachmann, 2017. |
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Kukkonen, Karin. Neue Perspektiven auf die Superhelden: Polyphonie in Alan Moores »Watchmen«. Marburg: Tectum, 2008. |
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Kukkonen, Taneli. "What's So Goddamned Funny? The Comedian and Rorschach on Life's Way." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 197–213. |
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Lafortune, Lauriane. "Justiciers masqués et médias de masse." Pop en stock 2012. Accessed 16May. 2016. <http://popenstock.ca/do ... ques-et-medias-de-masse>. |
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Levy, Matthew and Heather Mathews. "The Abyss Gazes Also: The Self-Referential Cynicism of Watchmen." ImageTexT 7. 2 2013. Accessed 11Feb. 2014. <http://www.english.ufl. ... ext/archives/v7_2/levy/>. |
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Lewis, Jeffrey. "The Dual Nature of Apocalypse in Watchmen." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 139–43. |
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Link, Alex. "Psychogeography’s Legacy in From Hell and Watchmen." European Comic Art 9. (2016): 79–99. |
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Liu, Yen-Lian. "The Masculine Masquerade of Superheroes in Watchmen." Gender Forum 62 2017. Accessed 20May. 2019. <http://genderforum.org/ ... uperheroes_Complete.pdf>. |
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Lopes, Paul. Growing Up: The Popular Genre Strategy in Transforming Mainstream Comic Books. Public Sociologies: San Francisco, 14–17 Aug, 2004. |
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Loyd, John. "The Last Laugh: Understanding Watchmen’s Big Joke." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 74–84. |
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Lucas, Justin. "Beneath the Cape and Cowl: Batman and the Revitalization of Comic Book Films." Thesis Bachelor of Science. Ohio University, 2009. |
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Ludwig, Logan. Moving Panels: Translating Comics to Film. Edwardsville: Sequart Research & Literacy Organization, 2015. |
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Mahmutovic, Adnan. "Chronotope in Moore and Gibbons’s Watchmen." Studies in the Novel 50. (2018): 255–76. |
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Maisonville, Derek J. Bibles, Guns, and … Comic Books? Re-Conceptualizing (Non-)Violent Selves and Others in a Postcolonial Era. Canadian Political Science Association Annual Conference: 4–6 Jun, 2008. |
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Manivannan, Vyshali. "Interplay Amidst the Strangeness and the Charm: Under-language and the Attenuation of Meaning in the Film Adaptation of Watchmen." ImageTexT 5. 4 2011. Accessed 13Mar. 2013. <http://www.english.ufl. ... chives/v5_4/manivannan/>. |
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