| Enzyklopädie Deutscher Piccolo-Bilderhefte. Bd. 1: Die Anfangs-Jahre 1953 & 1954.Bergisch Gladbach: ComicSelection/C. Kuhlewind, 2015. (208 S.) |
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| Aeschimann, Éric und Nicoby: La révolution Pilote 1968–1972. Les années Goscinny, quand la bande dessinée est devenue adulte! Paris: Dargaud, 2015. (142 S.) |
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| van den Anker, Marinus J. J. und Piet Verhoeven: "Corporate communication. Analysing Marvel and DC." In: Studies in Comics 5.1 (2014), S. 117–129. |
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| [anon.]: "»Welcher Boom?«. Interview mit Dirk Rehm (Reprodukt) über den Comicmarkt." In: Neue Rundschau 123.3 (2012), S. 200–204. |
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| Aquatias, Sylvain: "Collection et patrimoine. La réédition dans la bande dessinée comme processus de légitimation." In: Image [&] Narrative 21.1 (2020). |
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| Arffman, Päivi: "Comics from the Underground. Publishing Revolutionary Comic Books in the 1960s and Early 1970s." In: Journal of Popular Culture 52.1 (2019), S. 169–198. |
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| Bachmann, Christian A. "Comic und Comicbuch." In: Literatur, Buchgestaltung und Buchkunst. Ein Kompendium. Hrsg. v. Monika Schmitz-Emans. Berlin u. Boston: de Gruyter, 2019, S. 574–586. |
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| Bailey, Alan R. "Invited Dialogue. Nonfiction Graphic Novels in Children’s Literature. An Interview with Maris Wicks and Calista Brill." In: Language Arts 95.5 (2018). |
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| Balzer, Jens und Jens R. Nielsen: "Am Scheideweg der Kultur. Ein Interview mit Hartmut Becker." In: Comic Almanach (1993), S. 30–41. |
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| Barrier, Michael: Funnybooks. The Improbable Glories of the Best American Comic Books. Berkeley: Univ. of California Press, 2014. (432 S.) |
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| Batchelor, Bob: Stan Lee. The Man behind Marvel. Lanham [etc.]: Rowman & Littlefield, 2017. (228 S.) |
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| Beaty, Bart: "Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 426–442. |
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| Bell, Blake und Michael J. Vassallo: The Secret History of Marvel Comics. Jack Kirby and the Moonlighting Artists at Martin Goodman’s Empire. Seattle: Fantagraphics, 2013. (304 S.) |
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| Bellefroid, Thierry (Hrsg.): Les éditeurs de bande dessinée. Entretiens avec Thierry Bellefroid. Bruxelles: Niffle-Cohen, 2005. (165 S.) |
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| Benson, John: Confessions, Romances, Secrets, and Temptations. Archer St. John and the St. John Romance Comics. Seattle: Fantagraphics, 2007. (112 S.) |
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| Berg, Christian: Web-Tracking im E-Commerce. Erfolgsmessung von Retargeting- und Prospecting Maßnahmen mit Google und Facebook. Baden-Baden: Nomos, 2018. (250 S.) |
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| ---: Web-Tracking im E-Commerce. Erfolgsmessung von Retargeting- und Prospecting-Maßnahmen mit Google und Facebook. (Online-Medien-Management, 7.) Baden-Baden: Nomos, 2018. (250 S.) |
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| Berres, Werner P. 2019, 20. Aug. Fachmagazin-Index – Das ICOM-Magazin. Mit Verweisen zur gesamten deutschsprachigen periodischen Comic-Fachpresse 1989–1995. [Online]. Available: http://www.comic-i.com/Index/Index.html |
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| Best, Daniel: The 1955 Romance Comics Trial. Norwood: Blaq Books, 2013. |
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| ---: The World vs Todd McFarlane. Norwood: Blaq Books, 2019. (205 S.) |
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| Bregel, Michael und Isabel Klink: "„Der Mangamarkt scheint sich etwas zu überhitzen”. Interview mit Stefan Heitzmann." In: COMIC!-Jahrbuch (2007), S. 62–65. |
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| Brienza, Casey E. "Manga is for Girls. American publishing houses and the localization of Japanese comic books." In: Logos 22.4 (2011), S. 41–53. |
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| Brown, Jeffrey A. Black Superheroes, Milestone Comics, and Their Fans. (Studies in Popular Culture.) Jackson: Univ. Press of Mississippi, 2000. (256 S.) |
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| ---: "Comic Book Masculinity and the New Black Superhero." In: African American Review 33.1 (1999), S. 25–42. |
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| Brown, Nicky Heron: "Major Malcolm Wheeler-Nicholson, Cartoon Character or Real Life Hero? Correcting Hajdu’s The Ten Cent Plague." In: International Journal of Comic Art 10.2 (2008), S. 242–253. |
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| Campbell, Eddie: "Comics on the Main Street of Culture." In: ImageTexT 1.2 (2005). |
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| Capart, Philippe: "Store Memory." In: Comics Memory. Archives and Styles. Hrsg. v. Maaheen Ahmed und Benoît Crucifix. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2018, S. 277–280. |
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| Caraco, Benjamin: "La communication éditoriale. Un outil de légitimation. Le cas de L’Association." In: Comicalités (28. Sept. 2013). |
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| Carpenter, Stanford W. "Alex Simmons and the African-American Soldier of Fortune Known as Blackjack. A Case Study in Independent Comic Book Publishing." In: International Journal of Comic Art 4.1 (2002), S. 228–238. |
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| ---: "Ethnography of Production. Editor Axel Alonso and the Sale of Ideas." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 167–177. |
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| Cassidy, Paul Henry: An Approach to the Profession of Comic Strip Cartooning Based upon an Analytical Survey of Current Trends and Personal Experiences. Thesis (M.S.), University of Wisconsin 1942 (156 S.). |
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| Cestac, Florence: La Véritable Histoire de Futuropolis. Paris: Dargaud, 2007. (102 S.) |
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| Cichon, Melina: Die kulturelle Akzeptanz der Comics in Österreich. Eine Untersuchung der österreichischen Comic-Kultur. M.A. (Diplomarbeit), Akademie der Bildenden Künste Wien, Institut für das künstlerische Lehramt 2008 (212 S.). |
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| Clarke, M. J. "The production of the Marvel Graphic Novel series. The business and culture of the early direct market." In: Journal of Graphic Novels and Comics 5.2 (2014), S. 192–210. |
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| Comtois, Pierre: Marvel Comics in the 1960s. An Issue-By-Issue Field Guide to a Pop Culture Phenomenon. Raleigh: TwoMorrows, 2009. (223 S.) |
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| ---: Marvel Comics in The 1970s. An Issue-by-Issue Field Guide to A Pop Culture Phenomenon. Raleigh: TwoMorrows, 2011. (223 S.) |
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| Cooke, Jon B. "A Spirited Relationship. Will Eisner discusses his experiences with Warren." In: Comic Book Artist 4 (1999), S. 100–102. |
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| Cox, Jack: Take a Cold Tub, Sir! The Story of The Boy’s Own Paper. Guildford: Lutterworth, 1982. (128 S.) |
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| Crucifix, Benoît und Pedro Moura: "Bertoyas dans la jungle. Bande dessinée et édition sauvage." In: Mémoires du livre / Studies in Book Culture 8.1 (2016). |
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| Dakin, Brett: American Daredevil. Comics, Communism and the Battles of Lev Gleason. Toronto: Chapterhouse, 2020. |
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| Dallas, Keith und John Wells: Comic Book Implosion. An Oral History of DC Comics circa 1978. Raleigh: TwoMorrows, 2018. (135 S.) |
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| Dallavalle, Sara: "Alcuni dati sull'andamento dell'editoria fumettistica in Italia tra graphic novel e fumetto seriale." In: Simultanea 1.2 (2020). |
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| Daniels, Les: DC Comics. A Celebration of the World’s Favorite Comic Book Heroes. 2. Aufl. New York: Watson-Guptill, 2003. (272 S.) |
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| ---: Marvel. Five Fabulous Decades of the Word’s Greatest Comics. New York: Abrams, 1991. (287 S.) |
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| Davidson, Sol M. "Love Affair with a Unique Medium: Big Little Books." In: International Journal of Comic Art 8.2 (2006), S. 200–227. |
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| Dejasse, Erwin, Tanguy Habrand und Gert Meesters (Hrsg.): L’Association. Une utopie éditoriale et esthétique. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2011. (224 S.) |
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| Delisle, Philippe: "Les albums de bande dessinée édités par Dupuis au cours des années 1940–1950. Miroir d’un imaginaire colonial européen?" In: Les racines populaires de la culture européenne. Hrsg. v. Stephanie Delneste et al. (Europe des Cultures, 8.) Bruxelles [etc.]: Peter Lang, 2014, S. 159–173. |
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| Deppey, Dirk: "Suicide Club. How Greed and Stupidity Disemboweled the American Comic-Book Industry in the 1990s." In: The Comics Journal 277 (2006), S. 68–75. |
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| Devlin, Tom (Hrsg.): Drawn & Quarterly. Twenty-Five Years Of Contemporary Cartooning, Comics, And Graphic Novels. Montreal: Drawn & Quarterly, 2015. (776 S.) |
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| DiMenno, Francis S. The Rise and Fall of EC Comics, 1950–1956. Cold War or Cultural War Casualty? Master of Arts (Thesis), University of Rhode Island 2005 (238 S.). |
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| Dony, Christophe, Tanguy Habrand und Gert Meesters (Hrsg.): La bande dessinée en dissidence / Comics in Dissent. Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. (ACME, 1.) Liège: Presses Univ. de Liège, 2014. (220 S.) |
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| Dony, Christophe: "Entre Références et Irrévérence. 20 ans de bandes dessinées made in Vertigo." In: Culture, le magazine culturel en ligne de l'Université de Liège (Nov. 2013). |
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| ---: "The rewriting ethos of the Vertigo imprint. Critical perspectives on memory-making and canon formation in the American comics field." In: Comicalités (18. Apr. 2014). |
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| ---: "Vertigo’s Archival Impulse as Memorious Discourse." In: Comics Forum (18. Okt. 2013). |
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| Dozo, Björn-Olav: "De la logique de guerre à la patrimonialisation, ou comment faire catalogue en faisant collection." In: L’Association. Une utopie éditoriale et esthétique. Hrsg. v. Erwin Dejasse, Tanguy Habrand und Gert Meesters. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2011, S. 36–57. |
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| Duncan, Randy und Matthew J. Smith (Hrsg.): Icons of the American Comic Book. From Captain America to Wonder Woman. Bd. 1–2. (Greenwood Icons.) Santa Barbara: Greenwood, 2013. (920 S.) |
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| Finet, Nicolas: L’Aventure (À Suivre). (Mémoire vive, 22.) Montrouge: PLG, 2017. (224 S.) |
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| Flegel, Monica und Judith Leggatt: Superhero Culture Wars. Politics, Marketing, and Social Justice in Marvel Comics. (Bloomsbury Comics Studies.) New York: Bloomsbury Academic, 2021. (200 S.) |
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| Friedenthal, Andrew J. The World of Marvel Comics. (Imaginary Worlds.) London, New York: Routledge, 2022. (207 S.) |
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| Gaete, Tomás: Produciendo Condorito. Génesis y Desarrollo del Trabajo Artístico en la revista. Santiago de Chile: Ocho Libros, 2018. |
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| Gasser, Christian: "Von uns aus kann es Strapazin ewig geben, aber …. Ein Blick hinter die Kulissen von Strapazin." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 133–137. |
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| Gaumer, Patrick: Les Années Pilote : 1959–1989. Paris: Dargaud, 1996. (303 S.) |
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| Geissman, Grant: The History of EC Comics. Köln: Taschen, 2020. (596 S.) |
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| Geissman, Grant und Fred Von Bernewitz: Tales of Terror! The EC Companion. Seattle: Fantagraphics, 2000. (296 S.) |
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| Geuzaine, Fanny: "“I like to think of it as a bridge across”. The Tight Association between Neil Gaiman and DC’s Vertigo Imprint." In: Leaves 11 (2021), S. 77–95, . |
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| Gibson, Mel: "What you read and where you read it, how you get it, how you keep it. Children, comics and historical cultural practice." In: Popular Narrative Media 1 (2008), S. 151–167. |
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| Groensteen, Thierry: "A Few Words about The System of Comics and More …." In: European Comic Art 1 (2008), S. 87–93. |
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| Groth, Gary: "Black and White and Dead All Over." In: The Comics Journal 277 (2006), S. 60–67. |
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| Guardigli, Glauco, Alino und Antonio Iannotta (Hrsg.): L’audace Bonelli. L’avventura del fumetto italiano. (Libri di Comicon.) COMICON, 2010. (248 S.) |
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| Guilbert, Xavier: Numérologie. Une analyse du marché de la bande dessinée. Édition 2014. Versailles: Éditions H, 2014. (172 S.) |
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| Habrand, Tanguy: "La « récupération » dans la bande dessinée contemporaine. Par-delà récupérateurs et récupérés." In: Textyles 36–37 (2010), S. 75–90. |
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| Hahn, Joel: "A Librarian’s Guide to DC Comics." In: Serials Review 24.2 (1998), S. 65–78. |
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| Harkham, Sammy und Dan Nadel: "New Art Comics Panel." In: The Best American Comics Criticism. Hrsg. v. Ben Schwartz. Seattle: Fantagraphics, 2010, S. 343–348. |
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| Hatfield, Charles: "Do Independent Comics Still Exist in the US and Canada?" In: La bande dessinée en dissidence / Comics in Dissent. Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. Hrsg. v. Christophe Dony, Tanguy Habrand und Gert Meesters. (ACME, 1.) Liège: Presses Univ. de Liège, 2014, S. 59–78. |
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| Haverkemper, Petra: Manga in deutschen Bibliotheken. Hintergründe, Marktsituation, Perspektiven. Saarbrücken: VDM, 2006. (100 S.) |
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| Hechelhammer, Bodo V. Fürst der Füchse. Das Leben des Rolf Kauka. München: Langen-Müller, 2022. (392 S.) |
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| Heer, Jeet: In Love with Art. Françoise Mouly’s Adventures in Comics with Art Spiegelman. Toronto: Coach House, 2013. (136 S.) |
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| Heinkow, Joachim: Walter Lehning in Berlin. [Selbstverl.], 2013. (48 S.) |
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| Hill, Michael: "Outside Influence / Local Color. The Australian Small Press." In: International Journal of Comic Art 2.1 (2000), S. 117–132. |
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| Howe, Sean: Marvel Comics. The Untold Story. New York: HarperCollins, 2012. (484 S.) |
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| Irvine, Alex: The Vertigo Encyclopedia. New York: DK, 2008. (240 S.) |
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| ---: Die Vertigo Enzyklopädie. Nettetal: Panini, 2008. (240 S.) |
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| Johnson, Derek: "Cinematic Destiny. Marvel Studios and the Trade Stories of Industrial Convergence." In: Cinema Journal 52.1 (2012), S. 1–24. |
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| Johnston, Paddy: "From Random House to Rehab. Julia Wertz, The Small Press, Auteurism and Alternative Comics." In: Comics Forum (16. Sept. 2014). |
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| Kagelmann, H. Jürgen: "Das Comic-Angebot. Kunst und Unterhaltung nicht nur für Kinder." In: Handbuch Medienerziehung im Kindergarten. Bd. 1: Pädagogische Grundlagen. Hrsg. v. Christine Feil et al. Opladen: Leske + Budrich, 1994, S. 307–322. |
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| Kerekes, David: "Banned, Torn & Quartered. The Story of Savoy." In: Critical Vision. Random Essays and Tracts Concerning Sex Religion Death. Hrsg. v. David Kerekes und Derek Slater. Manchester: Critical Vision, 2002, S. 145–170. |
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| Klaehn, Jeffery: "An interview with Chris Ryall, Chief Creative Officer and Editor-in-Chief of IDW Publishing." In: Journal of Graphic Novels and Comics 7.1 (2016), S. 88–92. |
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| ---: "Synergy and synthesis. An interview with comic book creator Benjamin Marra." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 284–292. |
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| Knigge, Andreas C. "Die Chancen der Moderne. Ein Werkstattgespräch mit Reprodukt-Verleger Dirk Rehm." In: Comics, Mangas, Graphic Novels. Hrsg. v. Heinz Ludwig Arnold und Andreas C. Knigge. (Text + Kritik Sonderband, V/09.) München: edition text + kritik, 2009, S. 248–257. |
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| Last edited by: joachim 2020-03-29 11:04 |
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| Knigge, Andreas C. und Gerd Lettkemann: Fortsetzung folgt. Comic-Kultur in Deutschland. Mit einem Beitrag über die Comics in der DDR. (Ullstein-Bücher; Ullstein-Sachbuch Geschichte, 36523.) Frankfurt am Main, Berlin: Ullstein, 1986. (399 S.) |
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| Knigge, Andreas C. "Programm: Nostalgie. Ein Porträt des Norbert Hethke Verlages." In: Comic Jahrbuch (1987), S. 89–95. |
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| ---: "»Wir sind alle Wellenreiter«. Ein Porträt des Condor Verlages." In: Comic Jahrbuch (1988), S. 103–113. |
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| Kocmarek, Ivan: "Truth, Justice, and the Canadian Way. The War-Time Comics of Bell Features Publications." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 148–165. |
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| Koolman, Mike und Jim Amash: The Quality Companion. Raleigh: TwoMorrows, 2011. (223 S.) |
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| Kranz, Armin: Verzeichnis der im Carlsen Verlag erschienenen Comics. Köln: Adlib, 1996. (102 S.) |
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| Labarre, Nicolas: "Vertigo outside Vertigo." In: Leaves 11 (2021), S. 63–76, . |
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| Larew, Karl G. "Planet Women. The Image of Women in Planet Comics, 1940–1953." In: The Historian 59.3 (1997), S. 591–612. |
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| Lavin, Michael R. "Comics Publishers in Decline. A Tale of Two Companies." In: Serials Review 24.3-4 (1998), S. 94–106. |
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| ---: "A Librarian’s Guide to Dark Horse Comics." In: Serials Review 24.3-4 (1998), S. 76–93. |
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| Last edited by: joachim 2013-09-01 16:23 |
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