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Alaniz, José. "Into Her Dead Body: Moore & Campbell’s From Hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 145–49.   
Last edited by: joachim 2/29/12, 11:33 PM
Ali, Barish. "The Violence of Criticism: The Mutilation and Exhibition of History in From Hell." Journal of Popular Culture 38.(2005): 605–31.   
Last edited by: joachim 10/18/09, 10:30 PM
Babilas, Dorota. "Her Majesty’s Own Murderer? Queen Victoria and Jack the Ripper in Popular Fiction." Crime Scenes. Modern Crime Fiction in an International Context. Eds. Urszula Elias and Agnieszka Sienkiewicz-Charlish. Gdańsk Transatlantic Studies in British and North American Culture. Frankfurt am Main [etc.]: Peter Lang, 2014. 213–28.   
Added by: joachim 9/27/20, 11:22 AM
Ballesteros, Antonio. "L’assassin multiple comme mythe moderne: From Hell d’Alan Moore et Eddie Campbell." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 323–34.   
Last edited by: joachim 8/28/16, 1:35 PM
Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the Fourth Dimension." ImageTexT 1.2 2005. Accessed 6 Jul. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>.   
Last edited by: joachim 7/6/12, 12:55 PM
Brigley-Thompson, Zoë. "Theorizing Sexual Domination in From Hell and Lost Girls: Jack the Ripper versus Wonderlands of Desire." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 76–87.   
Added by: joachim 4/23/12, 9:32 PM
Broderick, James F. "From Hell." Now a Terrifying Motion Picture! Twenty-Five Classic Works of Horror Adapted from Book to Film. Jefferson, London: McFarland, 2012. 78–85.   
Added by: joachim 9/1/14, 1:03 PM
Campbell, Eddie. "Comics on the Main Street of Culture." ImageTexT 1.2 2005. Accessed 6 Jul. 2012. <http://www.english.ufl. ... archives/v1_2/campbell/>.   
Last edited by: joachim 7/6/12, 12:52 PM
Campbell, Eddie. From Hell Companion: Eddie Campbell presenta guiones, bocetos, notas y otras misceláneas de Alan Moore, así como originales, aportaciones, anécdotas y reflexiones académicas de su propia cosecha. Trazado. Barcelona: bPlaneta DeAgostini, 2013.   
Added by: joachim 10/9/14, 9:43 AM
Carney, Sean. "The Tides of History: Alan Moore’s Historiographic Vision." ImageTexT 2.2 2006. Accessed 5 Oct. 2009. <http://www.english.ufl. ... t/archives/v2_2/carney/>.   
Last edited by: joachim 1/16/15, 10:47 PM
Coppin, Lisa. "Looking Inside Out: The vision as particular gaze in From Hell (Alan Moore & Eddie Campbell)." Image [&] Narrative 3.1 2003. Accessed 27 Jul. 2009. <http://www.imageandnarr ... /uncanny/lisacoppin.htm>.   
Last edited by: joachim 10/9/14, 9:23 AM
Dawe, Ian. "The Moore film adaptations and the erotic-grotesque." Studies in Comics 2.(2011): 177–93.   
Last edited by: joachim 12/3/12, 7:56 PM
Di Liddo, Annalisa. Alan Moore: Comics as Performance, Fiction as Scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009.   
Last edited by: joachim 5/20/19, 5:38 PM
Ecke, Jochen. "‘Is that you, our Jack?’: An anatomy of Alan Moore’s doubling strategies." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 65–83.   
Added by: joachim 6/22/14, 11:40 AM
Ferguson, Christine. "Victoria-Arcana and the Misogynistic Poetics of Resistance in Iain Sinclair’s White Chappell, Scarlet Tracings and Alan Moore’s From Hell." LIT. Literature Interpretation Theory 20.(2009): 45–64.   
Last edited by: joachim 7/22/15, 4:09 PM
Ferguson, Christine. "Steam Punk and the Visualization of the Victorian: Teaching Alan Moore's The League of Extraordinary Gentlemen and From Hell." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 200–07.   
Added by: joachim 10/4/10, 1:03 AM
Fitch, Alex. "One Soul, From Hell and Here: The Graphic Novel Page as Time Machine." Visions of the Future in Comics. International Perspectives. Eds. Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett. Jefferson: McFarland, 2017. 30–48.   
Last edited by: joachim 2/6/23, 1:02 PM
Germanà, Monica. "Madness and the City: The collapse of reason and sanity in Alan Moore’s From Hell." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 140–58.   
Added by: joachim 6/22/14, 11:53 AM
Groensteen, Thierry. "De Watchmen à From Hell: Quelques obsessions et procédés récurrents dans l’œuvre d’Alan Moore." Neuvième art (2001): 102–07.   
Added by: joachim 2/11/18, 1:14 PM
de Groot, Jerome. Consuming History: Historians and Heritage in Contemporary Popular Culture. London, New York: Routledge, 2008.   
Added by: joachim 3/29/16, 11:28 PM
Harnett, John. "Framing the Subconscious: Envisioning the Polysemic Narrative of the Graphic Novel as a Reference Point for Psychoanalytical and Semiotic Discourse." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 73–83.   
Added by: joachim 1/20/18, 5:39 PM
Ho, Elizabeth. "Postimperial Landscapes: “Psychogeography” and Englishness in Alan Moore’s Graphic Novel From Hell: A Melodrama in Sixteen Parts." Cultural Critique 63.(2006): 99–121.   
Last edited by: joachim 2/5/17, 2:46 AM
Ho, Elizabeth. Neo-Victorianism and the Memory of Empire. Continuum Literary Studies. London, New York: Continuum, 2012.   
Last edited by: joachim 12/1/19, 3:40 PM
Höltgen, Stefan. "The Juwes are not the men That Will be Blamed for nothing: Über die Agonie des Profilers im Jack the Ripper-Film." f.lm. texte zum film (2003): 15–22.   
Last edited by: joachim 12/11/09, 6:08 AM
Hughes, David. "From Hell (2001)." Comic Book Movies. Virgin Film. London: Virgin, 2003. 188–200.   
Added by: joachim 9/1/14, 1:23 PM
Kainz, Barbara. "Antihelden in Comicverfilmungen: Transformationsanalyse ausgewählter Graphic Novels und deren Verfilmungen." Diplomarbeit Universität Wien, 2006.   
Added by: joachim 12/10/10, 2:56 PM
Kainz, Barbara. From Hell – Vom Comic zum Film: Analyse des Antihelden Abberline und intermediale Faktoren. München: Grin, 2006.   
Last edited by: joachim 9/1/14, 12:35 PM
Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels." Digital Humanities Quarterly 8.3 2014. Accessed 30 Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>.   
Added by: joachim 3/30/15, 10:17 PM
Krawczyk-Żywko, Lucyna. "Neo-Victorian Revisions of Inspector Abberline: From Hell & Ripper Street." Crime Fiction. A Critical Casebook. Eds. Stephen Butler and Agnieszka Sienkiewicz-Charlish. Berlin [etc.]: Peter Lang, 2018. 197–210.   
Added by: joachim 9/27/20, 11:07 AM
Lapointe, André-Philippe. "Une époque éventrée: La société victorienne dans From Hell." Pop en stock 2014. Accessed 29 Nov. 2015. < ... e-victorienne-dans-hell>.   
Added by: joachim 11/29/15, 1:16 PM
Link, Alex. "Psychogeography’s Legacy in From Hell and Watchmen." European Comic Art 9.(2016): 79–99.   
Last edited by: joachim 8/11/18, 11:39 AM
Locke, Simon. "Considering comics as medium, art, and culture – the case of From Hell." Scan. Journal of media arts culture 6.1 2009. Accessed 1 Oct. 2009. < ... play.php?journal_id=127>.   
Added by: joachim 10/1/09, 11:51 PM
Lukić, Marko and Tijana Parezanović. "Strolling through Hell – the birth of the aggressive flâneur." Journal of Graphic Novels and Comics 7.(2016): 322–33.   
Last edited by: joachim 5/7/18, 12:44 PM
Mancini, C. Bruna. "From The Lodger (1913) to From Hell (2001)." Journal of Literature and Art Studies 4.(2014): 1025–36.   
Last edited by: joachim 9/27/20, 12:25 PM
Marchetto Santorun, María Cecilia. "“The War ‘twixt Sun and Moon”: Evil and Gender in William Blake’s Early Illuminated Books and Alan Moore’s From Hell." English Studies 100.(2019): 387–406.   
Last edited by: joachim 8/12/20, 1:14 AM
Marchetto Santorun, María Cecilia. "‘Terrible monsters Sin-bred’: Blakean monstrosity in Alan Moore’s graphic novels." Palgrave Communications 6.91 2020. Accessed 17 Jan. 2021. <>.   
Last edited by: joachim 6/28/21, 12:49 PM
Masserano, Erica. "“An Act of Social Magic”: Class, Gender and Modernity in Alan Moore’s “From Hell”." Thesis Roskilde Universitet, 2011.   
Last edited by: joachim 5/4/14, 10:23 AM
Merriman, Emily Taylor. "London (& the Mind) as Sacred-Desecrated Place in Alan Moore’s From Hell." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010.   
Added by: joachim 8/27/11, 12:38 PM
Meteling, Arno. "Jack the Ripper und die Verschwörung des Raums: Psychogeographisches Mapping bei Alan Moore, Peter Ackroyd und Iain Sinclair." The Parallax View. Zur Mediologie der Verschwörung. Eds. Markus Krause, Arno Meteling and Markus Stauff. Mediologie. München: Fink, 2011. 295–312.   
Last edited by: joachim 4/24/12, 12:29 PM
Mieszkowski, Sylvia. "The Elephant Man: Visualisierungen eines Phantasmas." MenschenFormen. Visualisierungen des Humanen in der Neuzeit. Eds. Felix Holtschoppen and Susanne Scholz. Kulturwissenschaftliche Gender Studies. Sulzbach/Ts. Ulrike Helmer, 2007. 137–65.   
Added by: joachim 2/23/10, 8:16 PM
Miettinen, Mervi. "“Do you understand how I have loved you?”: Terrible Loves and Divine Visions in From Hell." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 88–99.   
Added by: joachim 4/23/12, 9:36 PM
Milburn, Colin. "Wissenschaft aus der Hölle: Jack the Ripper und die viktorianische Vivisektion." Frosch und Frankenstein. Bilder als Medium der Popularisierung von Wissenschaft. Eds. Bernd Hüppauf and Peter Weingart. Bielefeld: Transcript, 2009. 165–203.   
Last edited by: joachim 6/9/14, 6:03 PM
Moore, Alan and Eddie Campbell. The From Hell Companion. Marietta: Top Shelf, 2013.   
Added by: joachim 5/28/13, 2:31 AM
Moore, Alan and Dave Sim. "Correspondence: From Hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 303–45.   
Added by: joachim 8/15/09, 1:04 AM
Murray, Christopher. "‘These are not our Promised Resurrections’: Unearthing the uncanny in Alan Moore’s A Small Killing, From Hell, and A Disease of Language." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 215–34.   
Added by: joachim 6/22/14, 12:17 PM
O’Malley, Seamus. "Speculative History, Speculative Fiction: Alan Moore and Eddie Campbell’s From Hell." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 162–83.   
Last edited by: joachim 3/12/13, 10:13 PM
Pietrzak-Franger, Monika. "Envisioning the Ripper’s Visions: Adapting Myth in Alan Moore and Eddie Campbell’s From Hell." Neo-Victorian Studies 2.2 2009/2010. Accessed 17 Sep. 2013. <http://www.neovictorian ... er%20with%20CAUTION.pdf>.   
Last edited by: joachim 9/17/13, 5:16 PM
Pietrzak-Franger, Monika. "Intermedialitäts- und Adaptionsprozesse in grafischer Literatur." Übersetzen und Rahmen. Praktiken medialer Transformationen. Eds. Claudia Benthien and Gabriele Klein. München: Fink, 2017. 89–101.   
Last edited by: joachim 10/27/20, 4:25 PM
Powell, Anna. "Jack the Ripper’s Bodies-without-Organs: Affect and Psychogeography under the scalpel in From Hell." Irish Journal of Gothic and Horror Studies 7 2009. Accessed 15 Aug. 2010. <https://irishgothichorr ... 2018/03/anna-powell.pdf>.   
Last edited by: joachim 2/28/18, 6:33 PM
Prince, Michael J. "The magic of patriarchal oppression in Alan Moore and Eddie Campbell’s From Hell." Journal of Graphic Novels and Comics 8.(2017): 252–63.   
Last edited by: joachim 8/11/18, 1:15 AM
Quiring, Björn. "“A Fiction That We Must Inhabit” – Sense Production in Urban Spaces According to Alan Moore and Eddie Campbell’s From Hell." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 199–213.   
Added by: joachim 3/25/10, 12:31 AM
Rantala, Oskari. "Superhuman Cognitions, Fourth Dimension and Speculative Comics Narrative: Panel Repetition in Watchmen and From Hell." Fafnir 3.4 2016. Accessed 9 Mar. 2017. <http://journal.finfar.o ... watchmen-and-from-hell/>.   
Last edited by: joachim 3/9/17, 1:55 AM
Rocha, James and Mona Rocha. "From Hell as Philosophy: Ripping Through Structural Violence." The Palgrave Handbook of Popular Culture as Philosophy 2023. Accessed 11 Jan. 2024. <>.   
Last edited by: joachim 1/11/24, 3:36 PM
Romero-Jódar, Andrés. "A hammer to shape reality: Alan Moore’s graphic novels and the avant-gardes." Studies in Comics 2.(2011): 39–56.   
Added by: joachim 12/3/12, 7:21 PM
Round, Julia. "London’s Calling: Alternate Worlds and the City as Superhero in Contemporary British-American Comics." International Journal of Comic Art 10.(2008): 24–31.   
Last edited by: joachim 7/14/12, 7:23 AM
Round, Julia. "We Share Our Mothers’ Health: Temporality and the Gothic in Comic Book Landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40.   
Last edited by: joachim 8/11/19, 4:31 PM
Round, Julia. "From Hell." Icons of the American Comic Book. From Captain America to Wonder Woman. Eds. Randy Duncan and Matthew J. Smith. Greenwood Icons. Santa Barbara: Greenwood, 2013. 287–94.   
Added by: joachim 10/23/13, 2:20 AM
Round, Julia. "“Be vewy vewy quiet. We’re hunting wippers”: A Barthesian Analysis of the Construction of Fact and Fiction in Alan Moore and Eddie Campbell’s From Hell." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 188–201.   
Last edited by: joachim 11/29/10, 2:40 AM
Round, Julia. "Gothic and the Graphic Novel." A New Companion to the Gothic. Ed. David Punter. Chichester: Wiley-Blackwell, 2012. 335–49.   
Last edited by: joachim 4/23/12, 10:03 PM
Salanova Garrosa, Daniel. "A vueltas con la novela gráfica: Rasgos genéricos y estudio en From Hell de Allan [sic] Moore." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 453–60.   
Added by: joachim 1/22/14, 11:10 AM
Sharkey, Rodney. "From Hell or Hollywood, or Ripper In Pieces: How Hollywood Slashed the Script." Reconstruction 2.2 2002. Accessed 31 Jul. 2009. <http://reconstruction.e ... ues/022/revFromHell.htm>.   
Last edited by: joachim 2/9/10, 10:45 AM
Smida, Megan Alice. "(Re)Telling Ripper in Alan Moore’s From Hell: History and Narrative in the Graphic Novel." Thesis Master of Arts. University of Dayton, 2010.   
Last edited by: joachim 2/13/17, 2:53 PM
St. Onge, Ruth-Ellen. "Crime, Adaptation and Collective Guilt: Alan Moore and Eddie Campbell’s From Hell." Revue de recherche en civilisation américaine 5 2015. Accessed 19 Jan. 2017. <>.   
Last edited by: joachim 9/9/19, 8:34 PM
Sulmicki, Maciej. "Two Tales of One City: Neo-Victorian London in Alan Moore’s From Hell and Peter Ackroyd’s Dan Leno and the Limehouse Golem." Zeszyty Naukowe Uczelni Vistula – Vistula University Working Papers 58.(2018): 31–43.   
Added by: joachim 8/13/20, 9:58 PM
Sulmicki, Maciej. "‘And All Right, We Need a Woman’: Victimised Heroines and Heroic Victims in Alan Moore's Quasi-Victorian Graphic Novels." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 173–83.   
Added by: joachim 10/20/21, 11:12 AM
Tolja, Gorana. "Urban Palimpsests of London in Alan Moore and Eddie Campbell’s From Hell (1989–1996)." International Journal of Comic Art 16.(2014): 253–67.   
Added by: joachim 8/4/15, 10:04 AM
Trinkwitz, Joachim. "Die vierte Dimension: Wissensdiskurse und Imagination in Alan Moores und Eddie Campbells From Hell." Comics & Naturwissenschaften. Ed. Clemens Heydenreich. yellow. Schriften zur Comicforschung. Berlin: Ch.A. Bachmann, 2019. 69–93.   
Added by: joachim 9/13/19, 11:29 AM
Veith, Natalie. "Distorted Voices: Counter-Narratives in the Works of Alan Moore." Magisterarbeit M.A. Johann Wolfgang Goethe-Universität, 2013.   
Last edited by: joachim 8/3/14, 10:21 PM
Veith, Natalie. "Othering Voices and the Voice of the Other: The Depiction of Joseph Merrick in From Hell." Spaces Between: Gender, Diversity, and Identity in Comics. Eds. Nina Eckhoff-Heindl and Véronique Sina. Wiesbaden: Springer VS, 2020. 95–107.   
Last edited by: joachim 8/12/20, 4:11 PM
Veith, Natalie. "The (In)Significance of Queen Victoria in Neo-Victorian Comics." Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Eds. Christina Jordan and Imke Polland. Bielefeld: Transcript, 2020. 193–210.   
Last edited by: joachim 8/12/20, 4:45 PM
Walbrühl, Dirk. "Der Comicroman und seine Wegbereiter: Watchmen, Maus und From Hell." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 33–37.   
Added by: joachim 10/19/11, 1:22 AM
Wandtke, Terrence R. The Comics Scare Returns: The Contemporary Resurgence of Horror Comics. Comics Studies Monograph. Rochester: RIT, 2019.   
Last edited by: joachim 5/23/22, 11:14 AM
Warwick, Alexandra. "Blood and Ink: Narration and the Whitechapel Murders." Jack the Ripper. Media, Culture, History. Eds. Alexandra Warwick and Martin Willis. Manchester, New York: Manchester Univ. Press, 2007. 71–87.   
Added by: joachim 6/27/13, 6:02 PM
Whittaker, Jason. "From Hell: Blake and Evil in Popular Culture." Blake, Modernity and Popular Culture. Ed. Steve Clark. New York [etc.]: Palgrave Macmillan, 2007. 192–204.   
Last edited by: joachim 8/12/20, 2:59 PM
Wolfreys, Julian. "London Khoragraphic." ImageTexT 1.2 2005. Accessed 10 Dec. 2009. <http://www.english.ufl. ... archives/v1_2/wolfreys/>.   
Last edited by: joachim 10/27/15, 10:03 PM
Young, Aine. "From Hell: Examining the transition from page to screen." Studies in Comics 2.(2011): 207–21.   
Last edited by: joachim 12/3/12, 7:59 PM
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