| Alaniz, José: "Into Her Dead Body. Moore & Campbell’s From Hell." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 145–149. |
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| Last edited by: joachim 02/29/2012 11:33:54 PM |
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| ---: "Rutting in Free Fall. Moore & Bissette/Zulli’s Act of Faith." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 129–134. |
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| Last edited by: joachim 08/22/2018 05:53:21 PM |
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| ---: "“Rutting in Free-Fall”. Moore and Bissette/Zulli’s Act of Faith." In: International Journal of Comic Art 10.1 (2008), S. 407–419. |
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| Last edited by: joachim 08/22/2018 05:54:21 PM |
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| ---: "Speaking the ‘Truth’ of Sex. Moore & Gebbie’s Lost Girls." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 273–276. |
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| Last edited by: joachim 11/05/2011 03:27:22 PM |
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| ---: "Speaking the “Truth” of Sex. Moore & Gebbie’s Lost Girls." In: International Journal of Comic Art 8.2 (2006), S. 307–318. |
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| Last edited by: joachim 11/05/2011 04:15:09 PM |
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| ---: "‘Will You Listen to That!’. (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." In: Comics Forum (7. Sept. 2012), (13. Apr. 2013) |
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| Added by: joachim 04/13/2013 01:01:22 AM |
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| Ali, Barish: "The Violence of Criticism. The Mutilation and Exhibition of History in From Hell." In: Journal of Popular Culture 38 (2005), S. 605–631. |
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| Last edited by: joachim 10/18/2009 10:30:01 PM |
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| Alonso Jerez, Marta: "New Gender Identities in the Twenty-First Century. Blending Victorian and Steampunk Cultures." In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Hrsg. v. Simonetta Falchi, Greta Perletti und Maria Isabel Romero Ruiz. (Critica letteraria e linguistica, 100.) Milano: FrancoAngeli, 2015, S. 59–72. |
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| Last edited by: joachim 08/26/2020 06:22:55 PM |
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| Anderson, Kane: "V for Occupy. Transmedial Theatricality, V for Vendetta, and the Occupy Movement." In: International Journal of Comic Art 14.2 (2012), S. 143–168. |
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| Added by: Deleted user 06/25/2013 11:53:56 AM |
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| Arp, Robert: "Hooded Justice and Captain Metropolis. The Ambiguously Gay Duo." In: Watchmen and Philosophy. A Rorschach Test. Hrsg. v. Mark D. White. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2009, S. 185–196. |
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| Last edited by: joachim 12/20/2009 12:59:52 AM |
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| Atkinson, Doug und R. J. White: The Annotated Watchmen. Your Complete Guide to the Classic Series. 1995. (12. Juni 2018) . |
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| Added by: joachim 06/12/2018 04:02:33 PM |
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| Atkinson, Paul: "The Time of Heroes. Narrative, Progress, and Eternity in Miracleman." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 44–63. |
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| Last edited by: joachim 04/24/2010 09:41:30 AM |
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| Ayres, Jackson: "The Integrity of the Work. Alan Moore, Modernism, and the Corporate Author." In: Journal of Modern Literature 39.2 (2016), S. 144–166. |
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| Added by: joachim 02/25/2017 01:04:59 AM |
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| Babilas, Dorota: "Her Majesty’s Own Murderer? Queen Victoria and Jack the Ripper in Popular Fiction." In: Crime Scenes. Modern Crime Fiction in an International Context. Hrsg. v. Urszula Elias und Agnieszka Sienkiewicz-Charlish. (Gdańsk Transatlantic Studies in British and North American Culture.) Frankfurt am Main [etc.]: Peter Lang, 2014, S. 213–228. |
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| Added by: joachim 09/27/2020 11:22:13 AM |
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| Bachmann, Holger: "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer Beispielinterpretation von Alan Moores »The Killing Joke«." In: Sprachwissenschaft 21.3 (1996), S. 337–366. |
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| Last edited by: joachim 03/20/2013 12:23:06 PM |
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| Backe, Hans-Joachim: "Alan Moores League of Extraordinary Gentlemen. Comics als/über/durch Literaturgeschichte." In: Literaturgeschichte und Bildmedien. Hrsg. v. Achim Hölter und Monika Schmitz-Emans. (Hermeia, 14.) Heidelberg: Synchron, 2015, S. 293–310. |
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| Added by: joachim 05/22/2016 02:09:48 PM |
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| ---: "The League of Extraordinary Gentlemen as (Cultural) History." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen. Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 189–208. |
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| Last edited by: joachim 08/25/2018 02:03:10 PM |
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| ---: "Transformation und Aneignung. Literarische Prätexte in Moores und Gibbons’ Watchmen." In: Comic und Literatur. Konstellationen. Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 187–202. |
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| Last edited by: joachim 06/08/2020 12:38:26 PM |
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| ---: Under the Hood. Die Verweisstruktur der Watchmen. (yellow. Schriften zur Comicforschung, 4.) Bochum: Ch.A. Bachmann, 2010. (153 S.) |
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| Last edited by: joachim 03/19/2013 11:14:20 PM |
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| ---: "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion. Watchmen und die Dekonstruktion des Heldentums." In: kritische berichte 39.1 (2011), S. 5–19. |
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| Last edited by: joachim 11/03/2011 01:18:21 PM |
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| Baker, Bill (Hg.): Alan Moore On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (110 S.) |
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| Last edited by: joachim 03/02/2014 04:34:25 PM |
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| --- (Hg.): Alan Moore Spells It out. On Comics, Creativity, Magic and Much, Much More. Airwave Publ. 2005. (78 S.) |
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| Last edited by: joachim 12/09/2012 02:28:29 PM |
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| --- (Hg.): Alan Moore’s Exit Interview. Airwave Publ. 2007. (80 S.) |
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| Last edited by: joachim 08/11/2009 01:06:21 PM |
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| Ballesteros, Antonio: "L’assassin multiple comme mythe moderne. From Hell d’Alan Moore et Eddie Campbell." In: Mythe et bande dessinée. Hrsg. v. Danielle Corrado und Viviane Alary. (Littératures.) Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006, S. 323–334. |
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| Last edited by: joachim 08/28/2016 01:35:49 PM |
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| Banhold, Lars: "»Yet Always Must it Love Sweet Music More«. Zur Funktion von Musik in V for Vendetta." In: Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Hrsg. v. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014, S. 129–147. |
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| Added by: joachim 06/19/2014 10:05:49 PM |
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| Barnes, David: "Time in the Gutter. Temporal Structures in Watchmen." In: KronoScope 9 (2009), S. 51–60. |
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| Last edited by: joachim 02/23/2017 11:55:41 AM |
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| Baroni, Raphaël: "Le récit dans l’image. Séquence, intrigue et configuration." In: Image [&] Narrative 12.1 (2011), (6. Sept. 2011) |
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| Added by: joachim 08/13/2013 05:30:45 PM |
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| Baurin, Camille: "Alan Moore. Métalepse et réflexivité." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 81–96. |
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| Last edited by: joachim 02/19/2017 12:27:18 PM |
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| Beckett, Chris: Reading Watchmen. 2015. (12. Juni 2018) . |
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| Added by: joachim 06/12/2018 03:45:51 PM |
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| Beineke, Colin: "“Her Guardiner”. Alan Moore’s Swamp Thing as the Green Man." In: ImageTexT 5.4 (2011), (7. Aug. 2011) |
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| Last edited by: joachim 03/13/2013 09:23:02 PM |
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| Bensam, Richard (Hg.): Minutes to Midnight. Twelve Essays on Watchmen. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010. (171 S.) |
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| Added by: joachim 11/12/2010 04:03:48 PM |
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| ---: "Obsolete Models a Specialty. An Introduction." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 1–7. |
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| Added by: joachim 11/13/2010 11:46:48 PM |
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| Berlatsky, Eric (Hg.): Alan Moore. Conversations. (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2011. (240 S.) |
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| Last edited by: joachim 04/24/2013 01:55:48 AM |
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| ---: "Lone Woolf and Cubs. Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." In: The Gay Utopia (20. Dez. 2007), (27. Febr. 2014) |
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| Added by: joachim 02/27/2014 04:45:32 PM |
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| ---: "Time and Free Will. Bergson, Modernism, Superheroes, and Watchmen." In: Understanding Bergson, Understanding Modernism. Hrsg. v. Paul Ardoin, S. E. Gontarski und Laci Mattison. London, New York: Continuum, 2013, S. 256–280. |
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| Last edited by: joachim 01/07/2014 12:47:45 PM |
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| Bernard, Mark und James Bucky Carter: "Alan Moore and the Graphic Novel. Confronting the Fourth Dimension." In: ImageTexT 1.2 (2005), (6. Juli 2012) |
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| Last edited by: joachim 07/06/2012 12:55:44 PM |
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| Besozzi, Michael T. “To Blaze Forever in a Blazing World”. Queer Reconstruction and Cultural Memory in the Works of Alan Moore. Master of Arts (Thesis), Georgia State University, College of Arts and Sciences 2011 (87 S.). |
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| Added by: joachim 11/19/2012 08:19:34 PM |
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| Bétan, Julien (Hg.): Alan Moore. Tisser l’invisible. (La bibliothèque des miroirs-BD, 3.) Lyon: Les moutons électriques, 2010. (307 S.) |
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| Last edited by: joachim 10/09/2014 10:19:58 AM |
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| Bissette, Stephen R. "Mr. Moore and Me." In: Alan Moore. Portrait of an Extraordinary Gentleman. Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 217–232. |
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| Added by: joachim 08/15/2009 12:41:29 AM |
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| Blake, Charlie: "Pirate multiplicities. Aion, chronos and magical inscription in the graphic novels of Alan Moore." In: Studies in Comics 2.1 (2011), S. 121–134. |
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| Last edited by: joachim 12/03/2012 07:47:11 PM |
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| Blake, Brandy Ball: "Watchmen. The Graphic Novel as Trauma Fiction." In: ImageTexT 5.1 (2010), (1. Febr. 2010) |
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| Last edited by: Deleted user 02/01/2010 02:06:46 PM |
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| Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013), (21. Juni 2016) |
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| Last edited by: joachim 06/21/2016 11:17:46 AM |
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| Boillat, Alain: "Douze minutes avant minuit. L’effet « graphic novel » du chapitrage dans Watchmen." In: Cahiers de Narratologie 34 (2018), (3. Juli 2020) |
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| Last edited by: joachim 07/03/2020 11:09:25 AM |
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| Borsellino, Mary: "How the Ghost of You Clings. Watchmen and Music." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 24–37. |
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| Added by: joachim 11/13/2010 11:55:24 PM |
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| Bradshaw, Michael: "‘The sleep of reason’. Swamp Thing and the intertextual reader." In: Alan Moore and the Gothic Tradition. Hrsg. v. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013, S. 121–139. |
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| Added by: joachim 06/22/2014 11:49:58 AM |
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| Brigley-Thompson, Zoë: "Theorizing Sexual Domination in From Hell and Lost Girls. Jack the Ripper versus Wonderlands of Desire." In: Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Hrsg. v. Todd E. Comer und Joseph Michael Sommers. Jefferson, London: McFarland, 2012, S. 76–87. |
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| Added by: joachim 04/23/2012 09:32:00 PM |
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| Broderick, James F. "From Hell." In: Now a Terrifying Motion Picture! Twenty-Five Classic Works of Horror Adapted from Book to Film. Jefferson, London: McFarland, 2012, S. 78–85. |
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| Added by: joachim 09/01/2014 01:03:06 PM |
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| Brogan, Jacob: "Stop/Watch. Repressing History, Adapting Watchmen." In: The Politics of Adaptation. Media Convergence and Ideology. Hrsg. v. Dan A. Hassler-Forest und Pascal Nicklas. New York [etc.]: Palgrave Macmillan, 2015, S. 214–226. |
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| Added by: joachim 02/10/2019 10:47:27 AM |
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| Brown, Kieron Michael: "Musical Sequences in Comics." In: The Comics Grid 3.9 (2013), (26. Juni 2014) |
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| Last edited by: joachim 06/20/2016 07:37:07 PM |
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| de Bruin-Molé, Megen: Gothic Remixed. Monster Mashups and Frankenfictions in 21st-Century Culture. New York: Bloomsbury Academic, 2020. (264 S.) |
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| Last edited by: joachim 02/02/2020 05:50:15 PM |
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| Buso, Michael: A dark, uncertain fate. Homophobia, graphic novels, and queer identity. UMI Dissertation Publishing, 2011. (98 S.) |
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| Last edited by: joachim 05/25/2012 12:34:39 PM |
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| Butler, Isaac: "V For Vile." In: The Hooded Utilitarian (17. Sept. 2012), (9. Juli 2018) |
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| Added by: joachim 07/09/2018 11:57:45 AM |
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| Callahan, Timothy: "Somebody Has to Save the World. Captain Metropolis and Role-Playing Watchmen." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 132–146. |
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| Added by: joachim 11/14/2010 02:53:11 AM |
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| Campbell, Eddie: "Comics on the Main Street of Culture." In: ImageTexT 1.2 (2005), (6. Juli 2012) |
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| Last edited by: joachim 07/06/2012 12:52:49 PM |
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| ---: From Hell Companion. Eddie Campbell presenta guiones, bocetos, notas y otras misceláneas de Alan Moore, así como originales, aportaciones, anécdotas y reflexiones académicas de su propia cosecha. (Trazado.) Barcelona: bPlaneta DeAgostini, 2013. (288 S.) |
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| Added by: joachim 10/09/2014 09:43:28 AM |
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| Camus, Cyril: "Neil Gaiman. A portrait of the artist as a disciple of Alan Moore." In: Studies in Comics 2.1 (2011), S. 147–157. |
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| Last edited by: joachim 12/03/2012 07:52:14 PM |
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| Candelaria, Matthew: "Green Love, Red Sex. The Conflation of the Flora and the Flesh in Swamp Thing." In: Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Hrsg. v. Todd E. Comer und Joseph Michael Sommers. Jefferson, London: McFarland, 2012, S. 28–39. |
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| Last edited by: joachim 04/05/2012 09:55:17 AM |
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| Carlson, A. Cheree: "Burke in the Gutter. Dramatistic Criticism of Comics." In: ImageTexT 9.3 (2018), (27. Febr. 2018) |
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| Added by: joachim 02/27/2018 11:55:24 PM |
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| Carney, Sean: "The Tides of History. Alan Moore’s Historiographic Vision." In: ImageTexT 2.2 (2006), (5. Okt. 2009) |
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| Last edited by: joachim 01/16/2015 10:47:22 PM |
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| Carpenter, Greg: The British Invasion. Alan Moore, Neil Gaiman, Grant Morrison and the Invention of the Modern Comic Book Writer. Edwardsville: Sequart Research & Literacy Organization, 2016. (479 S.) |
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| Last edited by: joachim 10/19/2018 03:00:23 AM |
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| Carretero González, Margarita: "Sympathy for the Devil. The Hero is a Terrorist in V for Vendetta." In: Promoting and Producing Evil. Hrsg. v. Nancy Billias. (At the Interface, Probing the Boundaries, 63.) Amsterdam [etc.]: Rodopi, 2010, S. 207–218. |
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| Last edited by: joachim 04/06/2014 01:53:29 PM |
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| Carter, James Bucky: "Teaching Watchmen in the Wake of 9/11." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 99–108. |
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| Added by: joachim 09/18/2010 11:35:29 AM |
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| Casey, Jim: "Alan Moore (1953–)." In: Fifty Key Figures in Science Fiction. Hrsg. v. Mark Bould et al. (Routledge Key Guides.) London, New York: Routledge, 2010, S. 166–171. |
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| Added by: joachim 06/22/2014 12:47:29 PM |
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| Cates, Isaac: "On the Literary Use of Superheroes; or, Batman and Superman Fistfight in Heaven." In: American Literature 83.4 (2011), S. 831–857. |
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| Added by: joachim 04/03/2015 01:53:38 PM |
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| Chelebourg, Christian: Les Écofictions. Mythologies de la fin du monde. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2012. (253 S.) |
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| Last edited by: joachim 11/10/2018 06:11:17 PM |
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| Christensen, William (Hg.): Alan Moore’s The Courtyard. A Companion. Rantoul: Avatar, 2003. (72 S.) |
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| Last edited by: joachim 01/16/2021 11:15:04 PM |
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| Christopher, Brandon: "“I will not / be haunted / by myself!”. Originality, Derivation, and the Hauntology of the Superhero Comic." In: Seriality and Texts for Young People. The Compulsion to Repeat. Hrsg. v. Mavis Reimer et al. (Critical Approaches to Children’s Literature.) New York [etc.]: Palgrave Macmillan, 2014, S. 166–187. |
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| Added by: joachim 09/16/2020 08:30:29 PM |
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| Cloyd, Aaron A. "Voices from the Margins. The Place of Wilderness in Watchmen." In: International Journal of Comic Art 16.1 (2014), S. 223–243. |
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| Added by: joachim 08/07/2017 05:36:44 PM |
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| Collins, Jim: "Batman: Film, fortælling. Det hyperbevidste." In: MedieKultur 30 (1999), (20. Jan. 2010) |
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| Last edited by: joachim 05/08/2013 10:54:23 AM |
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| Collins, Meredith: "History, Pornography and Lost Girls." In: ImageTexT 3.3 (2007), (19. Nov. 2012) |
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| Added by: joachim 11/19/2012 08:24:04 PM |
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| Comer, Todd E. "Body Politics. Unearthing an Embodied Ethics in V for Vendetta." In: Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Hrsg. v. Todd E. Comer und Joseph Michael Sommers. Jefferson, London: McFarland, 2012, S. 100–110. |
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| Added by: joachim 04/23/2012 09:43:09 PM |
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| Comer, Todd E. und Joseph Michael Sommers (Hgg.): Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Jefferson, London: McFarland, 2012. (227 S.) |
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| Last edited by: joachim 08/29/2016 11:31:48 PM |
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| Condis, Megan Amber: "The Saga of the Swamp Thing. Feminism and Race on the Comic Book Stand." In: ImageTexT 5.4 (2011), (12. März 2013) |
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| Added by: joachim 03/12/2013 01:35:46 AM |
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| Cook, Roy T. und Aaron Meskin: "Comics, Prints, and Multiplicity." In: Journal of Aesthetics and Art Criticism 73.1 (2015), S. 57–67. |
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| Last edited by: joachim 02/21/2015 01:06:32 AM |
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| Cooke, Jon B. und George Khoury: "Alan Moore and the Magic of Comics." In: Comic Book Artist 25 (2003), S. 8–45. |
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| Added by: joachim 06/22/2014 01:41:34 PM |
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| Coppin, Lisa: "Looking Inside Out. The vision as particular gaze in From Hell (Alan Moore & Eddie Campbell)." In: Image [&] Narrative 3.1 (2003), (27. Juli 2009) |
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| Last edited by: joachim 10/09/2014 09:23:06 AM |
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| Cormier, Jon: "Nothing Ever Ends. Structural Symmetries in Watchmen." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 85–96. |
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| Added by: joachim 11/14/2010 02:26:02 AM |
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| Cortsen, Rikke Platz: "Full page insight. The apocalyptic moment in comics written by Alan Moore." In: Journal of Graphic Novels and Comics 5.4 (2014), S. 397–410. |
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| Last edited by: joachim 07/30/2015 05:24:44 PM |
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| ---: "Multiple living, one world? On the chronotope in Alan Moore and Gene Ha’s Top 10." In: Studies in Comics 2.1 (2011), S. 135–145. |
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| Last edited by: joachim 12/03/2012 07:49:30 PM |
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| ---: "Thirty-Two Floors of Disruption. Time and Space in Alan Moore’s “How Things Work Out”." In: Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres. Hrsg. v. Jake Jakaitis und James F. Wurtz. Jefferson, London: McFarland, 2012, S. 93–106. |
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| Added by: joachim 12/25/2014 02:58:49 PM |
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| Craft, Jason Todd: Fiction Networks. The Emergence of Proprietary, Persistent, Large-Scale Popular Fictions. Ph.D. (Dissertation), Univ. of Texas 2004 (251 S.). |
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| Last edited by: joachim 07/03/2010 01:39:32 AM |
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| Cremins, Brian: "Quotations from the Future. Harvey Kurtzman’s “Superduperman,” Nostalgia, and Alan Moore’s Miracleman." In: Studies in American Humor 30 (2014), S. 169–189. |
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| Last edited by: joachim 07/12/2015 04:25:20 PM |
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| Crowell, Ellen: "Scarlet Carsons, Men in Masks. The Wildean Contexts of V for Vendetta." In: Neo-Victorian Studies 2.1 (2008/2009), (17. Sept. 2013) |
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| Added by: joachim 02/16/2014 05:33:50 PM |
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| Dapena, Xavier Morón: "El Caso Rorschach. Raymond Chandler y Alan Moore." In: Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Hrsg. v. Javier Sánchez Zapatero und Álex Martín Escribá. Santiago de Compostela: Andavira, 2013, S. 461–468. |
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| Added by: joachim 01/22/2014 11:04:53 AM |
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| D’Arcangelo, Adele: "‘Slime Hero from the Swamp’. The Italian Editions of Alan Moore’s Horror Saga The Swamp Thing." In: Comics in Translation. Hrsg. v. Federico Zanettin. Manchester: St. Jerome, 2008, S. 133–152. |
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| Last edited by: joachim 06/26/2014 02:59:13 PM |
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| Darius, Julian: "58 Varieties. Watchmen and Revisionism." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 97–108. |
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| Added by: joachim 11/14/2010 02:30:25 AM |
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| ---: And the Universe so Big. Understanding Batman: The Killing Joke. Edwardsville: Sequart Research & Literacy Organization, 2012. (51 S.) |
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| Last edited by: joachim 12/13/2014 10:19:02 PM |
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| ---: This Lightning, This Madness. Understanding Alan Moore’s Miracleman, Book One. Edwardsville: Sequart Research & Literacy Organization, 2014. |
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| Added by: joachim 12/12/2014 12:15:50 AM |
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| Davidson, Rjurik: "Fighting the Good Fight? Watching Watchmen." In: Screen Education 54 (2009), S. 18–23. |
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| Added by: joachim 01/09/2014 04:36:54 PM |
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| ---: "Vagaries & Violence in V for Vendetta." In: Screen Education 46 (2007), S. 157–162. |
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| Added by: joachim 01/09/2014 11:27:27 AM |
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| Davis, Blair: "Beyond Watchmen." In: Cinema Journal 56.2 (2017), S. 114–119. |
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| Last edited by: joachim 08/22/2018 12:51:04 PM |
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| Davis, Phillip: "The Watchmen, Neo-Noir and Pastiche." In: The 21st Century Superhero. Essays on Gender, Genre and Globalization in Film. Hrsg. v. Richard J. Gray II und Betty Kaklamanidou. Jefferson, London: McFarland, 2011, S. 144–160. |
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| Added by: joachim 11/24/2014 12:36:26 PM |
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| Dawe, Ian: "The Moore film adaptations and the erotic-grotesque." In: Studies in Comics 2.1 (2011), S. 177–193. |
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| Last edited by: joachim 12/03/2012 07:56:53 PM |
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| De Dobbeleer, Michel: "Googling ‘Vice-President Ford’ and the ‘Keene Act’. The discovery of Watchmen’s uchronical universe, twenty years after publication." In: Studies in Comics 2.1 (2011), S. 159–175. |
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| Last edited by: joachim 12/03/2012 07:54:54 PM |
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| Derbyshire, Kayla: "It’s a (Fe)Male World. Male-Orientated Revisionism in Watchmen." In: Occam’s Razor 4 (2014), (9. Febr. 2020) |
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| Di Liddo, Annalisa: Alan Moore. Comics as Performance, Fiction as Scalpel. (Great Comics Artists.) Jackson: Univ. Press of Mississippi, 2009. (192 S.) |
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| Last edited by: joachim 05/20/2019 05:38:45 PM |
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| ---: "Transcending Comics. Crossing the Boundaries of the Medium in Alan Moore and Eddie Campbell’s Snakes and Ladders." In: International Journal of Comic Art 7.1 (2005), S. 530–545. |
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| Last edited by: joachim 05/02/2013 03:51:18 PM |
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| Dibiasi, Alexander: Wolverine wird Abgeordneter. Zum politischen Potential von Comicverfilmungen. (Filmwissenschaft, 12.) Berlin [etc.]: LIT, 2012. (224 S.) |
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| Added by: joachim 08/03/2014 04:49:22 PM |
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| DiCecco, Nico: "Reflections on the Looking Glass. Adaptation as Sex and Psychosis in Lost Girls." In: Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Hrsg. v. Todd E. Comer und Joseph Michael Sommers. Jefferson, London: McFarland, 2012, S. 124–135. |
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| Added by: joachim 05/06/2012 10:17:30 PM |
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| ---: "To read what was never written. The licentiousness of history in Alan Moore and Melinda Gebbie’s Lost Girls." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 201–213. |
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| Last edited by: joachim 07/30/2015 05:53:17 PM |
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