| Hüttel, Marcel. "Intertextualität in Alan Moores The League of Extraordinary Gentlemen." Staatsexamensarbeit. Johannes Gutenberg-Universität, 2013. |
 
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| Hyman, David. Revision and the Superhero Genre. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2017. |
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| Imray, Kathryn. "Shall Not the Judge of All the Earth Do Right? Theodicies in watchmen." Journal of Religion and Popular Culture 29. (2017): 119–31. |
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| Johnson, Brian. "Libidinal Ecologies: Eroticism and environmentalism in swamp thing." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 16–27. |
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| Added by: joachim 05/04/2012, 09:52 |
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| Jones, Jason B. "Betrayed by Time: Steampunk & the neo-victorian in alan moore’s lost girls and the league of extraordinary gentlemen." Neo-Victorian Studies 3. 1 2010. Accessed 17 Sept. 2013. <http://www.neovictorian ... S%203-1-4%20J-Jones.pdf>. |
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| Kainz, Barbara. "Antihelden in Comicverfilmungen: Transformationsanalyse ausgewählter graphic novels und deren verfilmungen." Diplomarbeit Universität Wien, 2006. |
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| Kainz, Barbara. From Hell – Vom Comic zum Film: Analyse des antihelden abberline und intermediale faktoren. München: Grin, 2006. |
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| Kaveney, Roz. Superheroes! Capes and crusaders in comics and film. London, New York: I. B. Tauris, 2008. |
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| Kawa, Abraham. "What if the Apocalypse Never Happens: Evolutionary narratives in contemporary comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 209–24. |
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| Keating, Erin M. "The Female Link: Citation and continuity in watchmen." Journal of Popular Culture 45. (2012): 1266–88. |
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| Keeping, J. "Superheroes and Supermen: Finding nietzsche's übermensch in watchmen." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 47–60. |
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| Keller, James R. V For Vendetta As Cultural Pastiche: A critical study of the graphic novel and film. Jefferson, London: McFarland, 2008. |
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| Kérchy, Anna. "Picturebooks Challenging Sexual Politics: Pro-porn feminist comics and the case of melinda gebbie and alan moore’s lost girls." Hungarian Journal of English and American Studies 20. (2014): 121–43. |
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| Khoury, George. The Extraordinary Works of Alan Moore. Raleigh: TwoMorrows, 2003. |
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| Khoury, George. Les travaux extraordinaires d’Alan Moore. Raleigh: TwoMorrows, 2006. |
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| Kibala, Jakob. Wissen und Erschließen: Lesarten bild-textlicher verweise im superhelden-comic. Bildnarrative. Berlin: Ch.A. Bachmann, 2019. |
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| Kidd, Kenneth. "Down the Rabbit Hole." ImageTexT 3. 3 2007. Accessed 19 Nov. 2012. <http://www.english.ufl. ... 3/lost_girls/kidd.shtml>. |
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| Added by: joachim 19/11/2012, 21:06 |
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| Kidder, Orion Ussner. "Historicizing the Superhero: Alan moore’s supreme and warren ellis/john cassaday’s planetary." Journal of the Fantastic in the Arts 21. (2010): 77–96. |
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| Last edited by: joachim 23/06/2016, 10:34 |
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| Kidder, Orion Ussner. "Telling Stories About Storytelling: The metacomics of alan moore, neil gaiman, and warren ellis." PhD Thesis. University of Alberta, 2010. |
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| Kidder, Orion Ussner. "Self-Conscious Sexuality in Promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 177–88. |
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| Kikendall, Stacey. "Learning “Stuff” and Using V for Vendetta in the Composition Classroom." SANE journal 1. 2 2011. Accessed 21 Aug. 2017. <http://digitalcommons.unl.edu/sane/vol1/iss2/4>. |
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| Killjoy, Margaret. "Alan Moore." Mythmakers & Lawbreakers. Anarchist Writers on Fiction. Oakland, Edinbourgh: AK Press, 2009. 41–57. |
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| Kirkpatrick, Ellen. "The Jeopardy of Genderswap Storytelling: Un/becoming captain nemo." The Break 2022. Accessed 8 Jul. 2022. <https://ellenkirkpatric ... genderswap-storytelling>. |
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| Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A forensics of digital graphic novels." Digital Humanities Quarterly 8. 3 2014. Accessed 30 Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>. |
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| Kleiman Lafon, Sylvie. "Redéfinir le canon: Portrait du héros romanesque en super-héros." Revue de recherche en civilisation américaine 5 2015. Accessed 19 Jan. 2017. <http://rrca.revues.org/649>. |
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| Klock, Geoff. "The End is Nigh: The limits of watchmen." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 147–56. |
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| Koch, Christina Maria. "Occupying Popular Culture: Anonymous, occupy wall street, and the guy fawkes mask as a political icon." REAL. Yearbook of Research in English and American Literature 30. (2014): 445–82. |
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| Kohns, Oliver. "Guy Fawkes, 2011: Ein beitrag zur politischen ikonographie des aufstands." kultuRRevolution (2012): 19–26. |
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| Kohns, Oliver. "Guy Fawkes in the 21st Century: A contribution to the political iconography of revolt." Image [&] Narrative 14. 1 2013. Accessed 1 Jun. 2013. <http://www.imageandnarr ... ve/article/view/300/251>. |
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| Konstantinou, Lee. "Watching Watchmen: A riposte to stuart moulthrop." electronic book review 2012. Accessed 14 Jan. 2014. <http://www.electronicbo ... /firstperson/mammothrip>. |
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| Last edited by: joachim 14/01/2014, 09:29 |
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| Kozaczka, Adam. "H. P. Lovecraft, Too Much Sex, and Not Enough: Alan moore’s playfully repressive hypothesis." Journal of the Fantastic in the Arts 26. (2015): 489–511. |
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| Kozikoski Valereto, Deneb. "Philosophy in the fairground: Thoughts on madness and madness in thought in the killing joke." Studies in Comics 2. (2011): 69–80. |
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| Kraemer, Christine Hoff. "The Creative Apocalypse: Post-wwii narratives of death, rebirth, and transformation." Thesis B.A. Univ. of Texas, 2000. |
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| Kraemer, Christine Hoff. "The Undying Fire: Erotic love as divine grace in promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 150–62. |
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| Added by: joachim 06/05/2012, 22:40 |
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| Kraemer, Christine Hoff and J. Lawton Winslade. "“The Magic Circus of the Mind”: Alan moore’s promethea and the transformation of consciousness through comics." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Added by: joachim 27/08/2011, 12:29 |
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| Krawczyk-Żywko, Lucyna. "Neo-Victorian Revisions of Inspector Abberline: from hell & ripper street." Crime Fiction. A Critical Casebook. Eds. Stephen Butler and Agnieszka Sienkiewicz-Charlish. Berlin [etc.]: Peter Lang, 2018. 197–210. |
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| Kruschwitz, Hans. Utopische Sehnsucht nach Angst: Von morus’ utopia zu moores watchmen. Comiqheft / Comiqbook. Berlin: Ch.A. Bachmann, 2017. |
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| Kukkonen, Karin. Neue Perspektiven auf die Superhelden: Polyphonie in alan moores »watchmen«. Marburg: Tectum, 2008. |
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| Kukkonen, Karin. Contemporary Comics Storytelling. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2013. |
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| Kukkonen, Karin. "Metalepsis in Comics and Graphic Novels." Metalepsis in Popular Culture. Eds. Karin Kukkonen and Sonja Klimek. Narratologia. Berlin u. New York: de Gruyter, 2011. 213–29. |
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| Kukkonen, Taneli. "What's So Goddamned Funny? The Comedian and Rorschach on Life's Way." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 197–213. |
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| Last edited by: joachim 20/12/2009, 01:07 |
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| Kuskin, William. "Vulgar Metaphysicians: William s. burroughs, alan moore, art spiegelman, and the medium of the book." Intermediality and Storytelling. Eds. Marina Grishakova and Marie-Laure Ryan. Narratologia. Berlin u. New York: de Gruyter, 2010. 49–77. |
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| Lafortune, Lauriane. "Justiciers masqués et médias de masse." Pop en stock 2012. Accessed 16 May. 2016. <http://popenstock.ca/do ... ques-et-medias-de-masse>. |
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| Laity, Kathryn A. "Moore vs. Albarn: ‘between the angels and the apes’." Comics Forum 2012. Accessed 13 Jan. 2013. <http://comicsforum.org/ ... -the-apes-by-k-a-laity/>. |
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| Laity, Kathryn A. "“Avast, Land-Lubbers!”: Reading lost girls as a post-sadeian text." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 138–49. |
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| Lamm, Spencer and Sharon Bray, eds. V for Vendetta: From script to film. New York: Universe, 2006. |
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| Lapointe, André-Philippe. "Gunm [sic] et V pour Vendetta: Des sociétés dépassées." Pop en stock 2012. Accessed 16 May. 2016. <http://popenstock.ca/do ... -des-societes-depassees>. |
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| Lapointe, André-Philippe. "Une époque éventrée: La société victorienne dans from hell." Pop en stock 2014. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... e-victorienne-dans-hell>. |
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| Added by: joachim 29/11/2015, 13:16 |
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| Larance, Jeremy. "Alan Moore’s Miracleman: Harbinger of the modern age of comics." Works & Days 32. (2014–15): 117–38. |
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| Added by: joachim 14/07/2022, 09:39 |
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| Leogrande, Cathy. "Alan Moore and David Lloyd’s V for Vendetta." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 108–22. |
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| Levy, Matthew and Heather Mathews. "The Abyss Gazes Also: The self-referential cynicism of watchmen." ImageTexT 7. 2 2013. Accessed 11 Feb. 2014. <http://www.english.ufl. ... ext/archives/v7_2/levy/>. |
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| Lewis, A. David. American Comics, Literary Theory, and Religion: The superhero afterlife. New York [etc.]: Palgrave Macmillan, 2014. |
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| Lewis, Jeffrey. "The Dual Nature of Apocalypse in Watchmen." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 139–43. |
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| Link, Alex. "Psychogeography’s Legacy in From Hell and Watchmen." European Comic Art 9. (2016): 79–99. |
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| Linton, Joe and Robert Derie. "Facts in the Case of Alan Moore’s Providence: Annotations of h.p. lovecraft comics." 2015. Accessed 11 Jul. 2018. <https://factsprovidence.wordpress.com/>. |
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| Lioi, Anthony. "The Radiant City: New york as ecotopia in promethea, book v." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 150–62. |
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| Little, Ben. "Constructing the Reader’s Perspective in V for Vendetta." International Journal of Comic Art 11. (2009): 182–202. |
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| Little, Ben. "2000AD: Understanding the “british invasion” of american comics." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 140–52. |
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| Liu, Yen-Lian. "The Masculine Masquerade of Superheroes in Watchmen." Gender Forum 62 2017. Accessed 20 May. 2019. <http://genderforum.org/ ... uperheroes_Complete.pdf>. |
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| Locke, Simon. "Considering comics as medium, art, and culture – the case of From Hell." Scan. Journal of media arts culture 6. 1 2009. Accessed 1 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=127>. |
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| Locke, Simon. "Spirit(ualitie)s of Science in Words and Pictures: Syncretising science and religion in the cosmologies of two comic books." Journal of Contemporary Religion 27. (2012): 383–401. |
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| Lopes, Paul. Growing Up: The popular genre strategy in transforming mainstream comic books. Public Sociologies: San Francisco, 14—17 Aug, 2004. |
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| Loyd, John. "The Last Laugh: Understanding watchmen’s big joke." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 74–84. |
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| Lucas, Justin. "Beneath the Cape and Cowl: Batman and the revitalization of comic book films." Thesis Bachelor of Science. Ohio University, 2009. |
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| Ludwig, Logan. Moving Panels: Translating comics to film. Edwardsville: Sequart Research & Literacy Organization, 2015. |
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| Lukić, Marko and Tijana Parezanović. "Strolling through Hell – the birth of the aggressive flâneur." Journal of Graphic Novels and Comics 7. (2016): 322–33. |
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| Lukin, Joshua. "I’m Not Your Boss: The paradox of the anarchist superhero." Anarchist Studies 5. (1997): 131–55. |
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| Maes, Hans. "Art or Porn: Clear division or false dilemma?." Philosophy and Literature 35. (2011): 51–64. |
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| Added by: joachim 19/11/2012, 20:03 |
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| Mahmutovic, Adnan. "Chronotope in Moore and Gibbons’s Watchmen." Studies in the Novel 50. (2018): 255–76. |
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| Added by: joachim 02/03/2021, 08:19 |
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| Maisonville, Derek J. Bibles, Guns, and … Comic Books? Re-conceptualizing (non-)violent selves and others in a postcolonial era. Canadian Political Science Association Annual Conference: 4—6 Jun, 2008. |
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| Mancini, C. Bruna. "From The Lodger (1913) to From Hell (2001)." Journal of Literature and Art Studies 4. (2014): 1025–36. |
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| Manivannan, Vyshali. "Interplay Amidst the Strangeness and the Charm: Under-language and the attenuation of meaning in the film adaptation of watchmen." ImageTexT 5. 4 2011. Accessed 13 Mar. 2013. <http://www.english.ufl. ... chives/v5_4/manivannan/>. |
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| Marchetto Santorun, María Cecilia. "“The War ‘twixt Sun and Moon”: Evil and gender in william blake’s early illuminated books and alan moore’s from hell." English Studies 100. (2019): 387–406. |
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| Marchetto Santorun, María Cecilia. "‘Terrible monsters Sin-bred’: Blakean monstrosity in alan moore’s graphic novels." Palgrave Communications 6. 91 2020. Accessed 17 Jan. 2021. <https://www.nature.com/articles/s41599-020-0451-2>. |
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| Marshall, Anna C. "Not So Revisionary: The regressive treatment of gender in alan moore’s watchmen." The Downtown Review 3. 2 2016. Accessed 9 Feb. 2020. <https://engagedscholars ... io.edu/tdr/vol3/iss2/1/>. |
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| Martin, Karl. "The Love of Nationalism, Internationalism and Sacred Space in Watchmen." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 65–74. |
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| Martini, Omar. "The Dark Side of the Moore: An interview conducted by omar martini." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 107–17. |
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| Masserano, Erica. "The Judge of All The Earth: Allegory and politics in alan moore’s watchmen." Thesis Roskilde Universitet, 2008. |
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| Masserano, Erica. "“An Act of Social Magic”: Class, gender and modernity in alan moore’s “from hell”." Thesis Roskilde Universitet, 2011. |
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| Maverick, Christopher. "Oracle of the Invisible: Rape in the killing joke." International Journal of Comic Art 20. (2018): 418–29. |
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| Maynard, Amy Louise. "Bourdieu vs. Batman: Examining the cultural capital of the dark knight via graphic novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 51–61. |
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| McCall, Jessica. "V for Vendetta: A Graphic Retelling of Macbeth." Popular Culture Review 20. (2009): 45–60. |
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| Meaney, Patrick. "Some Different Sort of Time: watchmen as cinema." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 157–68. |
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| Added by: joachim 14/11/2010, 10:47 |
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| Means-Shannon, Hannah. "Seeing double: The transforming personalities of alan moore’s promethea and the ulster cycle’s cuchulain." Journal of Graphic Novels and Comics 1. (2010): 93–104. |
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| Means-Shannon, Hannah. "Strength and the Supernatural: Navigating liminal zones in the herakles tradition and alan moore’s tom strong." International Journal of Comic Art 14. (2012): 251–66. |
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| Last edited by: joachim 12/07/2023, 16:39 |
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| Merriman, Emily Taylor. "London (& the Mind) as Sacred-Desecrated Place in Alan Moore’s From Hell." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Meskin, Aaron. "“Why Don't You Go Read a Book or Something?” Watchmen as Literature." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 157–71. |
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| Meteling, Arno. "Jack the Ripper und die Verschwörung des Raums: Psychogeographisches mapping bei alan moore, peter ackroyd und iain sinclair." The Parallax View. Zur Mediologie der Verschwörung. Eds. Markus Krause, Arno Meteling and Markus Stauff. Mediologie. München: Fink, 2011. 295–312. |
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| Mickwitz, Nina. "“True Story”: The aesthetic balancing acts of documentary comics." ImageTexT 11. 1 2019. Accessed 7 Nov. 2020. <http://imagetext.englis ... rchives/v11_1/mickwitz/>. |
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| Mieszkowski, Sylvia. "The Elephant Man: Visualisierungen eines phantasmas." MenschenFormen. Visualisierungen des Humanen in der Neuzeit. Eds. Felix Holtschoppen and Susanne Scholz. Kulturwissenschaftliche Gender Studies. Sulzbach/Ts. Ulrike Helmer, 2007. 137–65. |
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| Miettinen, Mervi. "Past as Multiple Choice – Textual Anarchy and the Problems of Continuity in Batman: The Killing Joke." Scandinavian Journal of Comic Art 1. 1 2012. Accessed 11 Jun. 2012. <http://sjoca.com/wp-con ... 1-Article-Miettinen.pdf>. |
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| Last edited by: joachim 11/06/2012, 00:07 |
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| Miettinen, Mervi. "Men of Steel? Rorschach, theweleit, and watchmen’s deconstructed masculinity." PS: Political Science and Politics 47. (2014): 104–07. |
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| Added by: joachim 08/01/2014, 18:34 |
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| Miettinen, Mervi. "“Do you understand how I have loved you?”: Terrible loves and divine visions in from hell." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 88–99. |
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| Added by: joachim 23/04/2012, 21:36 |
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| Miettinen, Mervi. "Representing the state of exception: Power, utopia, visuality and narrative in superhero comic." Images in Use. Towards the Critical Analysis of Visual Communication. Eds. Matteo Stocchetti and Karin Kukkonen. Amsterdam, Philadelphia: John Benjamins, 2011. 269–88. |
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| Milburn, Colin. "Wissenschaft aus der Hölle: Jack the ripper und die viktorianische vivisektion." Frosch und Frankenstein. Bilder als Medium der Popularisierung von Wissenschaft. Eds. Bernd Hüppauf and Peter Weingart. Bielefeld: Transcript, 2009. 165–203. |
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| Millidge, Gary Spencer. Alan Moore: Storyteller. Lewes: Ilex, 2011. |
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| Added by: joachim 05/11/2011, 15:22 |
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| Millidge, Gary Spencer and smoky man, eds. Alan Moore: Portrait of an extraordinary gentleman. Leigh-on-Sea: Abiogenesis, 2003. |
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| Last edited by: joachim 09/12/2012, 19:04 |
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| Moffett, Paul. "U for Utopia: The dystopian and eutopian visions in alan moore and david lloyd’s v for vendetta." Journal of Graphic Novels and Comics 8. (2017): 46–58. |
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| Last edited by: joachim 18/07/2020, 18:32 |
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| Moody, Kyle Andrew. "“Why So Serious?”: Comics, film and politics, or the comic book film as the answer to the question of identity and narrative in a post-9/11 world." Thesis Master of Arts. Miami University, 2009. |
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| Added by: joachim 22/06/2011, 00:24 |
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| Moore, Alan. Writing For Comics. Vol. 1. Rantoul: Avatar, 2007. |
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| Last edited by: joachim 05/06/2013, 18:14 |
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