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Displaying 1 - 100  of 378 (Bibliography: WIKINDX Master Bibliography)
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Abdel-Raheem, Ahmed. "The multimodal recycling machine: Toward a cognitive-pragmatic theory of the text/image production." Journal of Graphic Novels and Comics (2019).   
Last edited by: joachim 02/04/2023, 17:09
Abel, Guy. "Peter Pank, ou le mythique revisité dans la BD espagnole non standard." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 391–408.   
Last edited by: joachim 28/08/2016, 13:29
Abirached, Zeina. "Artist’s Statement." European Comic Art 8.(2015): 69–86.   
Last edited by: joachim 26/03/2021, 16:36
Ahmed, Maaheen. Monstrous Imaginaries: The Legacy of Romanticism in Comics. Jackson: University Pr. of Mississippi, 2019.   
Last edited by: joachim 31/08/2021, 12:58
Alegría Sabogal, Diego Cristóbal. "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling: Intertextuelle Bedeutungsketten bei Neil Gaiman." Ketten. Ed. Petra Gehring. Essen: Blaue Eule, 2017. 111–28.   
Last edited by: joachim 14/10/2021, 13:35
Allen, Harriet. "Anime-Noir, or how three key anime participate in the lasting legacy of noir." Crimeculture Summer 2011. Accessed 12 Jan. 2013. <http://www.crimeculture.com/?page_id=1641>.   
Added by: joachim 12/01/2013, 18:59
Almagor, Eran. "Reinventing the Barbarian: Classical Ethnographic Perceptions in Astérix." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 113–29.   
Last edited by: joachim 21/06/2020, 12:20
Altnether, Joseph G. "Reimagination of Hell in Mike Mignola’s Hellboy in Hell." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 23–34.   
Last edited by: joachim 25/08/2021, 20:44
Ambühl, Annemarie. "Die Coma Berenices im Comic." thersites 1 2015. Accessed 20 May. 2019. <http://www.thersites.un ... .php/thr/article/view/6>.   
Last edited by: joachim 20/05/2019, 12:44
Anderson, Ho Che. "80-’89: Comics’ Greatest Decade." ImageTexT 9.2 2017. Accessed 9 Feb. 2018. <http://www.english.ufl. ... archives/v9_2/anderson/>.   
Last edited by: joachim 14/05/2018, 14:39
Andrae, Thomas. "From Menace to Messiah: The Prehistory of the Superman in Science Fiction Literature." Discourse 2.(1980): 84–112.   
Added by: joachim 14/01/2012, 11:05
Andrae, Thomas. "From Menace to Messiah: The History and Historicity of Superman." American Media and Mass Culture. Left Perspectives. Ed. Donald Lazere. Berkeley: Univ. of California Press, 1987. 124–38.   
Last edited by: joachim 23/10/2016, 16:10
Augereau, Pierre-Louis. Hergé au pays des tarots: Une lecture symbolique, ésotérique et alchimique des aventures de Tintin. Collection l'or bleu. Le Coudray-Macouard: Cheminements, 1999.   
Last edited by: joachim 17/08/2011, 17:09
Bachmann, Christian A. "Der Comic als Labor semiotischer Interpiktorialitätsforschung: Paul Karasiks und David Mazzucchellis City of Glass." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 299–318.   
Last edited by: joachim 30/11/2021, 14:23
Bachmann, Christian A. "Das Nachleben von Wilhelm Buschs ›Virtuosen‹: Zur Darstellungstradition eines Musiker-Stereotyps und seiner Rezeption im Comic um 1900." Farbe, Klang, Reim, Rhythmus. Interdisziplinäre Zugänge zur Musik im Bilderbuch. Eds. Lars Oberhaus and Mareile Oetken. Bielefeld: Transcript, 2017. 101–26.   
Added by: joachim 16/05/2017, 18:59
Bachrach, Nathalie and Chiara Scherner. "Intertextualität als narratologisch-subversive Praxis: Nicolas Mahlers Comic Alice in Sussex (2013)." Wiener digitale Revue 4 2022. Accessed 10 Sept. 2022. <https://journals.univie ... p/wdr/article/view/7263>.   
Last edited by: joachim 10/09/2022, 10:39
Backe, Hans-Joachim. Under the Hood: Die Verweisstruktur der Watchmen. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010.   
Last edited by: joachim 19/03/2013, 23:14
Backe, Hans-Joachim. "The League of Extraordinary Gentlemen as (Cultural) History." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 189–208.   
Last edited by: joachim 25/08/2018, 14:03
Backe, Hans-Joachim. "Transformation und Aneignung: Literarische Prätexte in Moores und Gibbons’ Watchmen." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 187–202.   
Last edited by: joachim 08/06/2020, 12:38
Baer, Elizabeth R. The Golem Redux: From Prague to Post-Holocaust Fiction. Detroit: Wayne State Univ. Press, 2012.   
Added by: joachim 27/03/2014, 09:48
Baetens, Jan. Hergé écrivain. Champs. Paris: Flammarion, 2010.   
Last edited by: Benoît Crucifix 25/06/2014, 19:43
Baetens, Jan and Hugo Frey. "‘Layouting’ for the plot: Charles Burns and the clear line revisited." Journal of Graphic Novels and Comics 8.(2017): 193–202.   
Last edited by: joachim 21/03/2023, 11:07
Bahners, Patrick. "Donald, der Herr über alle Geschöpfe: Zur Auslegung einer Genesis-Paraphrase in der »Micky Maus«." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 236–50.   
Last edited by: joachim 25/08/2018, 13:18
Ball, David M. "Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25.   
Last edited by: joachim 28/07/2014, 09:53
Baloup, Clément. "Artist’s Statement." European Comic Art 8.(2015): 52–68.   
Added by: joachim 11/08/2016, 15:49
Balzer, Jens. "Rüpel, Mäuse, Superhelden: Wie Max und Moritz zu den Urgestalten der Comics wurden." Wilhelm Busch. Das Genie des Humors. Sein Leben, seine Kunst, seine Epoche. Ed. Benedikt Erenz. Hamburg: Zeitverl. Bucerius, 2007. 60–66.   
Added by: joachim 23/09/2009, 17:46
Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84.   
Added by: joachim 28/07/2014, 12:06
Beach, Sarah. "Robin Hood and Green Arrow: Outlaw Bowmen in the Modern Urban Landscape." Robin Hood in Popular Culture. Violence, Transgression, and Justice. Ed. Thomas Hahn. Cambridge: D.S. Brewer, 2000. 21–28.   
Added by: joachim 15/09/2016, 01:09
Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59.   
Added by: joachim 16/12/2011, 19:49
Becegato, Vinicius Idalgo. "Colosso às Avessas: A Influência de “The Colossus Of Ylourgne” em “Almost Colossus”, de Hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12.(2015).   
Last edited by: joachim 05/07/2023, 11:37
Becher, Johannes. "Literarische Traditionen im Comic – am Beispiel der Asterix-Serie." Magisterarbeit M.A. Universität Frankfurt, 1997.   
Added by: joachim 02/04/2011, 15:31
Beronä, David A. "Picture Stories: Eric Drooker and the Tradition of Woodcut Novels." Inks 2.(1995): 2–11.   
Added by: joachim 19/01/2010, 15:31
Boer, Nienke. "Taking a Joke Seriously: Mickey Mouse and William Kentridge." MLN 128.(2013): 1146–69.   
Added by: joachim 29/01/2014, 13:03
Bolton, Matthew. "“Like Oil and Water”: Adaptation as Textuality, Intertextuality, and Metatextuality in Lady Snowblood (Fujita, 1973)." Studies in 20th & 21st Century Literature 42.1 2017. Accessed 4 May. 2021. <https://newprairiepress.org/sttcl/vol42/iss1/6/>.   
Added by: joachim 04/05/2021, 14:25
Bonilla Cerezo, Rafael and Javier Gutiérrez Parera. "El diablo dijo … “¡acción!”: Hellboy en el laberinto Del Toro." Caracteres 3.2 2014. Accessed 24 Apr. 2021. <http://revistacaractere ... boy-laberinto-del-toro/>.   
Last edited by: joachim 27/04/2021, 10:56
Borberg, Christian, Ulrich Breuning, and Torben Weinreich. Tarzanmyten: Romanerne. Filmene. Tegneserierne. København: Gad, 1980.   
Added by: joachim 22/02/2013, 17:02
Börnchen, Stefan. Poetik der Linie: Wilhelm Busch, Max und Moritz und die Tradition. Hannover: Wehrhahn, 2015.   
Last edited by: joachim 14/12/2015, 02:49
Borsellino, Mary. "How the Ghost of You Clings: Watchmen and Music." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 24–37.   
Added by: joachim 13/11/2010, 23:55
Bradshaw, Michael. "‘The sleep of reason’: Swamp Thing and the intertextual reader." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 121–39.   
Added by: joachim 22/06/2014, 11:49
Brauner, David. "Intertextuality, authenticity and Gonzo Selves in Anya Ulinich’s Lena Finkle’s Magic Barrel." Studies in Comics 6.(2015): 253–69.   
Last edited by: joachim 26/11/2016, 19:23
Brogan, Jacob. "Masked Fathers: Jimmy Corrigan and the Superheroic Legacy." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 14–27.   
Last edited by: joachim 29/07/2014, 14:26
Brown, Sarah Annes. "“Shaping Fantasies”: Responses to Shakespeare’s Magic in Popular Culture." Shakespeare 5.(2009): 162–76.   
Added by: joachim 23/08/2013, 14:41
Brown, Clarence. "Krazy, Ignatz and Vladimir: Nabokov and the Comic Strip." Nabokov at Cornell. Ed. Gavriel Shapiro. Ithaca: Cornell Univ. Press, 2003. 251–63.   
Last edited by: joachim 15/06/2019, 00:59
Bueno, Bernardo. "Geek Metafiction: Nerds, Footnotes, and Intertextuality." Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Ed. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018. 91–111.   
Last edited by: joachim 25/04/2021, 17:37
Bullen, David. "Dionysus Comes to Gotham: Forces of Disorder in The Dark Knight." Classical Myth on Screen. Eds. Monica S. Cyrino and Meredith E. Safran. New York [etc.]: Palgrave Macmillan, 2015. 183–93.   
Added by: joachim 10/06/2022, 09:42
Bullen, David. "On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister." Neo-Victorian Villains. Adaptations and Transformations in Popular Culture. Ed. Benjamin Poore. Neo-Victorian Series. Leiden: Brill, 2017. 180–96.   
Last edited by: joachim 09/09/2019, 18:49
Busch, Werner. "Säkularisation als formbildende Kraft: Ein Interpretationsansatz für Comics aus der Vorgeschichte ihres Zeichenrepertoires." Kerygma in Comic-Form. Ed. Jutta Wermke. Kritische Information. München: Fink, 1979. 123–50.   
Last edited by: joachim 13/01/2024, 15:58
Cadrette, Ryan. "S/Z in Panels: Adaptation, Polysemous Textuality and the Graphic Novel." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 31–38.   
Added by: joachim 20/01/2018, 17:48
Calonne, David Stephen. R. Crumb: Literature, Autobiography, and the Quest for Self. Jackson: Univ. Press of Mississippi, 2021.   
Last edited by: joachim 17/04/2021, 16:36
Camus, Cyril. "Neil Gaiman: A portrait of the artist as a disciple of Alan Moore." Studies in Comics 2.(2011): 147–57.   
Last edited by: joachim 03/12/2012, 19:52
Camus, Cyril. "The “Outsider”: Neil Gaiman and the Old Testament." Shofar 29.(2011): 77–99.   
Last edited by: joachim 22/02/2021, 16:53
Camus, Cyril. "The “Outsider”: Neil Gaiman and the Old Testament." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 241–55.   
Last edited by: joachim 24/02/2021, 01:12
Canavan, Gerry. "Bred To Be Superhuman: Comic Books And Afrofuturism In Octavia Butler’s Patternist Series." Paradoxa 25.(2013): 275–309.   
Last edited by: joachim 04/04/2016, 07:31
Carballo Dopico, Xulio. "El universo negro de Frank Miller." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 479–85.   
Last edited by: joachim 22/01/2014, 11:19
Carter, James Bucky, ed. Building Literacy Connections with Graphic Novels: Page by Page, Panel by Panel. Urbana: National Council of Teachers of English, 2007.   
Last edited by: joachim 29/10/2010, 14:07
Carter, James Bucky. "Teaching Peter Parker’s Ghosts of Milton: Anxiety of Influence, the Trace, and Platonic Knowing in Ultimate Spider-Man Volume 1." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 63–68.   
Last edited by: joachim 23/09/2012, 14:51
Chao, Tien-yi. "Transmutation of worlds: Adaptation and transformation in Fullmetal Alchemist the Movie: Conqueror of Shamballa." Studies in Comics 4.(2013): 159–70.   
Added by: joachim 04/08/2013, 14:25
Christopher, Brandon. "“To dignify some old costumed claptrap”: Shakespearean Allusion and the Status of Text in the DC Comics of Grant Morrison." ImageTexT 6.3 2013. Accessed 23 Apr. 2013. <http://www.english.ufl. ... hives/v6_3/christopher/>.   
Added by: joachim 23/04/2013, 19:34
Christopher, Brandon. "Paratextual Shakespearings: Comics’ Shakespearean Frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67.   
Last edited by: joachim 28/11/2019, 19:57
Christopher, Brandon. "“I will not / be haunted / by myself!”: Originality, Derivation, and the Hauntology of the Superhero Comic." Seriality and Texts for Young People. The Compulsion to Repeat. Eds. Mavis Reimer, et al. Critical Approaches to Children’s Literature. New York [etc.]: Palgrave Macmillan, 2014. 166–87.   
Added by: joachim 16/09/2020, 20:30
Clark, Randall. "L. Frank Baum, Lewis Carroll, James Barrie, and Pop Gun War: Teaching Farel Dalrymple’s Graphic Novel in the Context of Classics." Building Literacy Connections with Graphic Novels. Page by Page, Panel by Panel. Ed. James Bucky Carter. Urbana: National Council of Teachers of English, 2007. 83–99.   
Last edited by: joachim 03/06/2020, 12:14
Collins, Jim. "Batman: Film, fortælling: Det hyperbevidste." MedieKultur 30 1999. Accessed 20 Jan. 2010. <http://ojs.statsbibliot ... /article/view/1147/1052>.   
Last edited by: joachim 08/05/2013, 10:54
Collins, Jim. "Batman: the Movie, Narrative: The Hyperconscious." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 164–81.   
Last edited by: joachim 12/03/2010, 14:51
Collins, Jim. "Batman: The Movie, Narrative: The Hyperconscious." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 153–70.   
Last edited by: joachim 14/09/2016, 16:43
Conley, Christine. "Memory and Trauerspiel: Charlotte Salomon’s Life? or Theatre? and the Angel of History." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 88–104.   
Last edited by: joachim 18/06/2016, 16:33
Conners, Joan L. "Popular Culture in Political Cartoons: Analyzing Cartoonist Approaches." PS: Political Science and Politics 40.(2007): 261–65.   
Added by: joachim 21/09/2013, 22:46
Coody, Elizabeth Rae. "Nonbiblical Comics Engage the Bible." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 362–80.   
Last edited by: joachim 15/03/2022, 11:50
Cortés Hernández, Santiago. "De Roberto el Diablo a Hellboy: Dinámica narrativa de un héroe de la Edad Media al cómic." Revista de Literaturas Populares 8.(2008): 376–409.   
Last edited by: joachim 14/03/2022, 12:05
Couch, N.C. Christopher. "We Shouldn’t Even Have to Say Comics Deserve Respect: Comparative Perspectives on Teaching Sequential Art." International Journal of Comic Art 14.(2012): 314–31.   
Last edited by: joachim 10/09/2013, 17:03
Coughlan, David. "Jonathan Lethem’s The Fortress of Solitude and Omega: The Unknown, a Comic Book Series." College Literature 38.(2011): 194–218.   
Added by: joachim 09/10/2011, 16:19
Cremins, Brian. "Quotations from the Future: Harvey Kurtzman’s “Superduperman,” Nostalgia, and Alan Moore’s Miracleman." Studies in American Humor (2014): 169–89.   
Last edited by: joachim 12/07/2015, 16:25
Crowell, Ellen. "Scarlet Carsons, Men in Masks: The Wildean Contexts of V for Vendetta." Neo-Victorian Studies 2.1 2008/2009. Accessed 17 Sept. 2013. <http://www.neovictorian ... 202-1-2%20E-Crowell.pdf>.   
Added by: joachim 16/02/2014, 17:33
Crucifix, Benoît. "Nitnit et tintiN: Charles Burns et ses doubles." du9 2014. Accessed 14 Nov. 2014. <http://www.du9.org/doss ... s-burns-et-ses-doubles/>.   
Last edited by: joachim 14/11/2014, 15:36
D’Arcy, Jeanette. "Troubling Boundaries and Negotiating Dominant Culture: Fun Home as a Transmedial Text." The Comics Grid 9 2019. Accessed 21 Feb. 2020. <https://www.comicsgrid. ... ticles/10.16995/cg.146/>.   
Added by: joachim 21/02/2020, 12:01
Danesin, Maxime. "The European Middle Ages through the prism of Contemporary Japanese Literature: A study of Vinland Saga, Spice & Wolf and L’Éclipse." Mutual Images 1 2016. Accessed 12 Feb. 2018. <https://www.mutualimage ... /mi/article/view/Vol1-5>.   
Added by: joachim 12/02/2018, 14:17
Danesin, Maxime. "Beyond Time & Culture: The Revitalisation of Old Norse Literature and History in Yukimura Makoto’s Vinland Saga." Mutual Images 2 2017. Accessed 12 Feb. 2018. <https://www.mutualimage ... /mi/article/view/Vol2-7>.   
Last edited by: joachim 15/09/2021, 17:44
Dapena, Xavier Morón. "El Caso Rorschach: Raymond Chandler y Alan Moore." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 461–68.   
Added by: joachim 22/01/2014, 11:04
Darilek, Marion. "Gezeichnete Tiere: Transfers und Transformationen von Erzählmustern und Wissensbeständen aus Tierepos und Fabel in Benjamin Renners Fuchs-Comic Le Grand Méchant Renard." Literaturwissenschaftliches Jahrbuch 59.(2018): 257–88.   
Added by: joachim 05/03/2019, 16:42
Davenport, Christian. "The Brother Might be Made of Steel, But He Sure Ain't Super…Man." Other Voices: The (e)Journal of Cultural Criticism 1.2 1998. Accessed 14 Aug. 2009. <http://www.othervoices. ... 2/cdavenport/steel.html>.   
Added by: joachim 14/08/2009, 11:34
Degens, Marc. "Donald Duck und die Dichter: Intertextualität und Distinktion. Formen und Funktionen des Comiczitats in deutschsprachiger Gegenwartsliteratur." Magisterarbeit M.A. Ruhr-Universität Bochum, 1999.   
Last edited by: joachim 24/08/2010, 20:04
DeRoss, Jennifer. "Countering the Gaze: The Liberatory Potential of Bitch Planet’s Exploitation Aesthetic." The Middle Spaces 2018. Accessed 5 Sept. 2020. <https://themiddlespaces ... 08/countering-the-gaze/>.   
Added by: joachim 05/09/2020, 15:40
DiCecco, Nico. "To read what was never written: The licentiousness of history in Alan Moore and Melinda Gebbie’s Lost Girls." Journal of Graphic Novels and Comics 6.(2015): 201–13.   
Last edited by: joachim 30/07/2015, 17:53
Dietrich, Bryan D. "Queen of Pentacles: Archetyping Wonder Woman." Extrapolation 47.(2006): 207–36.   
Added by: joachim 25/01/2013, 10:47
Dittmer, Jason. "Captain America and Captain Britain: Geopolitical Identity and “the Special Relationship”." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 135–46.   
Added by: joachim 19/01/2010, 19:31
Domsch, Sebastian. "Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen." Neo-Victorian Gothic. Horror, Violence and Degeneration in the Re-Imagined Nineteenth Century. Eds. Marie-Luise Kohlke and Christian Gutleben. Neo-Victorian Series. Amsterdam [etc.]: Rodopi, 2012. 97–122.   
Added by: joachim 03/04/2017, 10:54
Dony, Christophe. "Second-degree Rewriting Strategies: On Jack’s Revisions and Transfictional Crossing from Fables to Jack of Fables." Leaves 11 2021. Accessed 16 Jan. 2021. <https://climas.u-bordea ... -fables-christophe-dony>.   
Last edited by: joachim 16/01/2021, 12:41
Duffy, Damian. "Learning from Comics on the Wall: Sequential art narrative design in museology and multimodal education." Visual Arts Research 35.(2009): 1–11.   
Last edited by: joachim 30/05/2015, 12:49
Eckstein, Kristin. Shojo Manga: Text-Bild-Verhältnisse und Narrationsstrategien im japanischen und deutschen Manga für Mädchen. Studien zur europäischen Kinder- und Jugendliteratur/Studies in European Children’s and Young Adult Literature. Heidelberg: Winter, 2016.   
Added by: joachim 13/02/2016, 12:45
Eckstein, Kristin. "Der Vampir und seine Funktion im Manga für Jugendliche." Der Vampir in den Kinder- und Jugendmedien. Eds. Jana Mikota and Sabine Planka. Berlin: Weidler, 2012. 273–88.   
Last edited by: joachim 11/06/2013, 10:27
Ella, Jan-Erik. "Expanding Worlds: Neo-Victorianism, Fan Fiction, and the Death of the Author." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 111–22.   
Last edited by: joachim 04/12/2023, 17:15
Ellis, Jonathan. "The art of anime: Freeze-frames and moving pictures in Miyazaki Hayao’s Kiki’s Delivery Service." Journal of Japanese and Korean Cinema 2.(2010): 21–34.   
Added by: joachim 05/04/2014, 14:02
Engelmann, Jonas. "Verborgene Traditionen: Der Golem im Comic." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 316–24.   
Added by: joachim 04/09/2011, 23:57
Etter, Lukas and Gabriele Rippl. "“Don’t laugh – this ain’t the funny pages” Comics und bildende Kunst (Alain Séchas, Raymond Pettibon)." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 261–80.   
Last edited by: joachim 30/11/2021, 14:21
Fambrini, Alessandro. "Perry Rhodan e la persistenza dell’archetipo." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 181–93.   
Last edited by: joachim 07/05/2010, 00:48
Fehrle, Johannes and Philipp Fidler. "‘What’s happened to the American Dream?’: Transnationalism and Intertexts in Alan Moore and Dave Gibbons’s Watchmen." International Journal of Comic Art 13.(2013): 495–527.   
Added by: joachim 26/06/2014, 22:49
Ferrari, Fulvio. "Da Sigfrido a Capitan Harlock: Mito e leggenda germanici nei fumetti e nei cartoon." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 55–91.   
Added by: joachim 07/05/2010, 00:42
Fisher, Craig. "Providence: Lovecraft, Sexual Violence, and the Body of the Other." The Comics Journal 2016. Accessed 1 Feb. 2021. <http://www.tcj.com/prov ... -the-body-of-the-other/>.   
Added by: joachim 01/02/2021, 19:16
Flynn, Kate. "“Don’t Laugh Daddy, We’re in Love”: Mockery, Fulfillment, and Subversion of Popular Romance Conventions in The Ballad of Halo Jones." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 52–64.   
Added by: joachim 06/04/2012, 07:45
Fontaine, Jacques. Hergé chez les initiés. Paris: Dervy, 2001.   
Added by: joachim 17/08/2011, 17:00
Fotis, Matthew. "Call It (Friendo): Flipism and Folklore in No Country for Old Men and The Dark Knight." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 201–16.   
Added by: joachim 17/04/2016, 10:42
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