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| Green, Matthew J. A. "‘An altered view regarding the relationship between dreams and reality’: Magic, politics and the comics medium in alan moore and jacen burrow’s providence." Studies in Comics 8. (2018): 135–56. |
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| Green, Melody. "Ravens, Librarians, and Beautiful Ladies: Bakhtinian dialogueism in the gothic mythology of neil gaiman and george macdonald." The Mythological Dimensions of Neil Gaiman. Eds. Anthony S. Burdge, Jessica Burke and Kristine Larsen. Crawfordville: Kitsune, 2012. 49–63. |
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| Green, Matthew J. A. "A Darker Magic: Heterocosms and bricolage in moore’s recent reworkings of lovecraft." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 253–75. |
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| Green, Matthew J. A. "“I don’t see what good a book is without pictures or conversations”: Imaginary worlds and intertextuality in alice in wonderland and alice in sunderland." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 110–26. |
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| Greenwell, Amanda M. "Doing Justice to the Graphic Novel: Comics as curriculum in young adult literature." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 217–30. |
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| Grennan, Simon. "Drawing Dispossession: A new graphic adaptation of anthony trollope’s john caldigate." European Comic Art 7. (2014): 4–30. |
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| Grennan, Simon and Laurence Grove, eds. Transforming Anthony Trollope: dispossession, victorianism and nineteenth-century word and image. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. |
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| Groß, Florian. "“To Emerge From its Transitional Funk”: the amazing adventures of kavalier & clay’s intermedial dialogue with comics and graphic novels." Scandinavian Journal of Comic Art 1. 2 2012. Accessed 14 Feb. 2013. <http://sjoca.com/wp-con ... A-1-2-Article-Gross.pdf>. |
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| Grote, Hannes. "Lyrische Rhythmen, epische Stimmen, dramatische Reden: Literarische techniken in der sprache des comics." Reddition 26. (2009): 8–11. |
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| Grünewald, Dietrich. "Zwischen banal und kongenial: Literarische stoffe als comic erzählt." Bilderwelten. Vom Bildzeichen zur CD-ROM. Eds. Kurt Franz and Günter Lange. Schriftenreihe der Deutschen Akademie für Kinder- und Jugendliteratur. Baltmannsweiler: Schneider-Verl. Hohengehren, 1999. 90–108. |
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| Grünewald, Dietrich. "Zwischen banal und kongenial: Literarische stoffe als comic erzählt." Kinder, Literatur, neue Medien. Eds. Karin Richter and Sabine Riemann. Diskussionsforum Deutsch. Baltmannsweiler: Schneider-Verl. Hohengehren, 2000. 153–68. |
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| Grünewald, Dietrich. "Alberto Breccia: Das verräterische Herz: Eine comic-adaption nach edgar allan poe." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 50–66. |
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| Grünewald, Dietrich. "Erotisches Spiel mit Außen- und Innenwelt: Jakob hinrichs’ traumnovelle nach arthur schnitzler." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 145–70. |
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| Gutierrez, Anna Katrina. Mixed Magic: Global-local dialogues in fairy tales for young readers. Children’s Literature, Culture, and Cognition. Amsterdam: John Benjamins, 2017. |
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| Hafner, Tina. Peter Madsens Valhalla: Studien zur rezeption altwestnordischer mythen im modernen comic. München: Grin, 2008. |
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| Hallet, Wolfgang. "Non-verbal Semiotic Modes and Media in the Multimodal Novel." Handbook of Intermediality. Literature – Image – Sound – Music. Ed. Gabriele Rippl. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 637–52. |
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| Hallet, Wolfgang. "The Rise of the Multimodal Novel: Generic change and its narratological implications." Storyworlds across Media. Toward a Media-Conscious Narratology. Eds. Marie-Laure Ryan and Jan-Noël Thon. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2014. 151–72. |
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| Halsall, Alison. "Visualizing the Gothic in Neil Gaiman’s The Graveyard Book and Its Illustrated Adaptations." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 123–41. |
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| Hangartner, Urs. "Von Bildern und Büchern: Comics und literatur – comic-literatur." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 35–56. |
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| Harnett, John. "Shelley’s Progeny: Using the comic to re-animate frankenstein’s vision." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 11–21. |
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| Harris-Fain, Darren. "Illustrated Man: Ray bradbury, comics and the authorized graphic novels." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 249–62. |
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| Hausmann, Matthias. "A French Comic Version of an Argentinian Fantastic Narrative: Jean pierre mourey’s l’invention de morel." European Comic Art 6. (2013): 66–87. |
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| Hawks, Shelley Drake. "Ding Cong’s “True Story of Ah Q” in Art and Life." International Journal of Comic Art 12. (2010): 402–24. |
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| Heer, Jeet. "Guy Davenport, Cartoonist." Sweet Lechery. Reviews, Essays & Profiles. Erin: The Porcupine’s Quill, 2014. 40–48. |
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| Heinzelmann, Herbert. "Corto im ›anderen Zustand‹: Aspekte der moderne und postmoderne in hugo pratts südseeballade und im maltese-zyklus." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 109–24. |
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| Heißenbüttel, Helmut. "Die Rache der Sprechblase: Das verachtete medium." Von fliegenden Fröschen, libidinösen Epen, vaterländischen Romanen, Sprechblasen und Ohrwürmern. Stuttgart: Klett-Cotta, 1982. 99–110. |
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| Helgason, Jón Karl. Echoes of Valhalla: The afterlife of the eddas and sagas. trans. Jane Victoria Appleton. London: Reaktion Books, 2017. |
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| Helvie, Forrest C. "When the Present Makes Contact with the Past: Comic adaptations and translations of medieval and early modern sources." Works & Days 32. (2014–15): 265–75. |
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| Hemmingson, Michael. "The Canonical is Not Sacred: Public domain and the league of extraordinary gentlemen." Science Fiction Studies 36. (2009): 375–78. |
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| Hemry, John G. "The Mirror of Gilgamesh: The foe superman fears the most and the ally he can’t do without." The Man from Krypton. A Closer Look at Superman. Ed. Glenn Yeffeth. Smart Pop. Dallas: Benbella Books, 2006. 127–36. |
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| Henningsen, Lena. "‘Maple’ as Comic Book Adaptation: Introduction to text and translation." MCLC Resource Center 2021. Accessed 7 Mar. 2022. <https://u.osu.edu/mclc/online-series/maple-intro/>. |
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| Hermann, Christine. "Wenn der Blick ins Bild kommt: Visuelle techniken der fokalisierung im literaturcomic." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 25–42. |
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| Hermann, Christine. "Neufunktionalisierung eines flämischen Klassikers im Comic: consciences löwe von flandern im dienste neuer herren." Klassik als kulturelle Praxis. Funktional, intermedial, transkulturell. Eds. Paula Wojcik, et al. spectrum Literaturwissenschaft / spectrum Literature. Berlin: de Gruyter, 2019. 317–37. |
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| Herrmann, Maike. "Literatur in Comic-Adaptionen: Ein aktueller überblick." Diplomarbeit Dipl. Fachhochschule Stuttgart – Hochschule der Medien, 2002. |
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| Hertrampf, Marina Ortrud M. "PHOTO-COMIC-ROMAN und COMIC-PHOTO-ROMAN: Mediale grenzphänomene zwischen comic, photographie und photo-roman." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 287–313. |
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| Heßelmann, Peter. "Die Höhle des Zerberus. Grimmelshausens ›Simplicissimus‹ im Comic." Simpliciana 30. (2008): 191–98. |
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| Hester, Sam. "Crossovers and Changeovers: Reading lynn johnston through margaret mahy." ImageTexT 3. 3 2007. Accessed 6 Jul. 2012. <http://www.english.ufl. ... t/archives/v3_3/hester/>. |
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| Heyden, Linda-Rabea. "Zwischen Originalität und Trivialität: Goethes faust von flix im comic adaptiert." Klassik als kulturelle Praxis. Funktional, intermedial, transkulturell. Eds. Paula Wojcik, et al. spectrum Literaturwissenschaft / spectrum Literature. Berlin: de Gruyter, 2019. 455–75. |
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| Hickethier, Knut. "Robinson und Robinsonaden in den literarischen Medien – Nachahmung, Adaption, literarische Verwertung." Literatur in den Massenmedien – Demontage von Dichtung? Eds. Friedrich Knilli, Knut Hickethier and Wolf Dieter Lützen. München u. Wien: Hanser, 1976. 61–88. |
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| Hidayat, Rahayu Surtiati and Alvanov Zpalanzani. "From Novel Into Comic: A case of semiotic translation." TransCon Proceedings 1. (2011): 41–48. |
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| Hill, Mark C. "Negotiating Wartime Masculinity in Bill Willingham’s Fables." Fairy Tales Reimagined. Essays on New Retellings. Ed. Susan Redington Bobby. Jefferson, London: McFarland, 2009. 181–95. |
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| Hillenbach, Anne-Kathrin. Literatur und Fotografie: Analysen eines intermedialen verhältnisses. Bielefeld: Transcript, 2012. |
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| Hilton, Nelson. "Wordsworth Illustrates Blake (“All light is mute amid the gloom”)." ImageTexT 3. 2 2007. Accessed 25 Jan. 2010. <http://www.english.ufl. ... t/archives/v3_2/hilton/>. |
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| Hirota, Akiko. "The Tale of Genji: From heian classic to heisei comic." Journal of Popular Culture 31. (1997): 29–68. |
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| Hoberek, Andrew. Considering Watchmen: Poetics, property, politics. Comics Culture. New Brunswick: Rutgers Univ. Press, 2014. |
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| Hock, Stephen. "Comix Remix; or, the Strange Case of Mr. Chabon." Michael Chabon’s America. Magical Words, Secret Worlds, and Sacred Spaces. Eds. Jesse Kavadlo and Bob Batchelor. Contemporary American Literature. Lanham [etc.]: Rowman & Littlefield, 2014. 81–96. |
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| Hoffmann, Jeanette. "Rezeptionsspuren von Graphic Novels in Lesetagebüchern." Bilderbuch und literar-ästhetische Bildung. Aktuelle Forschungsperspektiven. Ed. Gabriela Scherer. KOLA – Koblenz-Landauer Studien zu Geistes-, Kultur- und Bildungswissenschaften. Trier: Wissenschaftlicher Verlag Trier, 2014. 123–40. |
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| Hoffmann, Torsten. "Das nicht, bitte das nicht! Körperdarstellung in comicversionen von schnitzlers fräulein else und kafkas die verwandlung." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 43–64. |
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| Hohlbaum, Christopher. Kafka im Comic. Film – Medium – Diskurs. Würzburg: Königshausen & Neumann, 2014. |
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| Hölter, Achim and Eva Hölter. "Dante Alighieri im Comic – eine kurze Aktualisierung." Komparatistische Perspektiven auf Dantes ›Divina Commedia‹. Eds. Stephanie Heimgartner and Monika Schmitz-Emans. spectrum Literaturwissenschaft / spectrum Literature. Berlin u. Boston: de Gruyter, 2017. 345–52. |
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| Hölter, Achim and Eva Hölter. "Dante im Comic." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 17–49. |
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| von Holzen, Aleta-Amirée. Maskierte Helden: Zur doppelidentität in pulp-novels und superheldencomics. Populäre Literaturen und Medien. Zürich: Chronos, 2019. |
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| Howard, Leigh Anne. "Who’s messing with Jane? Graphic novels and the jane austen fan." Journal of Fandom Studies 3. (2015): 241–58. |
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| Howard, Leigh Anne. "Austen’s audience(s) and the perils of adaptation." Performativity, Cultural Construction, and the Graphic Narrative. Eds. Leigh Anne Howard and Susanna Hoeness-Krupsaw. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. 133–51. |
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| Howe, Sean, ed. Give Our Regards to the Atomsmashers: Writers on comics. New York: Pantheon, 2004. |
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| Huber, Irmtraud. "Phantastische Flucht ins Historische: Michael chabons amazing adventures of kavalier & clay als rekonstruktive antwort auf die postmoderne." Literatur und Theorie seit der Postmoderne. Eds. Klaus Birnstiel and Erik Schilling. Stuttgart: Hirzel, 2012. 187–98. |
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| Huels, Mitchum. "Foer, Spiegelman, and 9/11's Timely Traumas." Literature after 9/11. Eds. Ann Keniston and Jeanne Follansbee Quinn. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2008. 42–59. |
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| Huffman, Kerri. "Super Octane Girls Get Down Tonight! Author patricia seaman makes herself laugh and her readers dance." Taddle Creek 3. (1999). |
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