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Beaty, Bart: Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. (274 S.) |
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Birek, Wojciech: Główne problemy teorii komiksu. Dr. (Praca doktorska), Uniwersytet Rzeszowski, Wydział Filologiczny 2004. |
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---: "There is no Specificity at the Number you have Dialled." In: The French Comics Theory Reader. Hrsg. v. Ann Miller und Bart Beaty. (Studies in European Comics and Graphic Novels, 1.) Leuven: Leuven Univ. Press, 2014, S. 75–81. |
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Carrier, David: What Is a Comic? A Brief Sketch of a New Answer to that Old Question. (Comiqheft / Comiqbook, 1.) Bochum: Ch.A. Bachmann, 2012. (13 S.) |
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Cook, Roy T. "Do Comics Require Pictures? Or Why Batman #663 Is a Comic." In: Journal of Aesthetics and Art Criticism 69.3 (2011), S. 285–296. |
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Dath, Dietmar: Superhelden. 100 Seiten. (Reclam 100 Seiten.) Stuttgart: Reclam, 2016. (100 S.) |
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Dolle-Weinkauff, Bernd: "What Are »Historical Comics«? . On Historical Storytelling in Comics, Manga and Graphic Novels." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen. Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 11–28. |
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Fischer, Jan: Comic plus X. Anmerkungen zu den Umrissen der Graphic Novel. (Schriftenreihe Essays zur Kinderliteratur, 8.) Berlin: Autumnus, 2010. (28 S.) |
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Fortress, Karl E. "The Comics as Non-Art." In: The Funnies. An American Idiom. Hrsg. v. David Manning White und Robert H. Abel. New York: Free Press of Glencoe, 1963, S. 111–112. |
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Foster, John: "Picture books as graphic novels and vice versa. The Australian experience." In: Bookbird 49.4 (2011), S. 68–75. |
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Gan, Sheuo Hui: "To Be or Not to Be – Anime. The Controversy in Japan over the “Anime” Label." In: Animation Studies (14. Febr. 2010). |
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Grünewald, Dietrich: "Comics und das Prinzip Bildgeschichte. Zur Theorie der Bildgeschichte als eigenständige Kunstform." In: Medien & Zeit 16.3 (2001), S. 4–13. |
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Hangartner, Urs: "»Sequential art to teach something specific«. Sachcomics – Definitorisches, Historisches, Aktuelles." In: Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Hrsg. v. Urs Hangartner, Felix Keller und Dorothea Oechslin. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2013, S. 13–42. |
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Hatfield, Charles: "Defining Comics in the Classroom; or, The Pros and Cons of Unfixability." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 19–27. |
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Hayman, Greg und Henry John Pratt: "What are Comics?" In: Aesthetics. A Reader in Philosophy of the Arts. Hrsg. v. David Goldblatt und Lee B. Brown. 2. Aufl. Upper Saddle River: Pearson Education, 2005, S. 419–424. |
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Hein, Michael: "Zwischen Panel und Strip. Auf der Suche nach der ausgelassenen Zeit." In: Ästhetik des Comic. Hrsg. v. Michael Hein, Michael Hüners und Torsten Michaelsen. Berlin: Erich Schmidt, 2002, S. 51–58. |
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Herbers, Martin R. "Comicanalyse. Bilder, Wörter und Sequenzen." In: Die Entschlüsselung der Bilder. Methoden zur Erforschung visueller Kommunikation. Ein Handbuch. Hrsg. v. Thomas Petersen und Clemens Schwender. Köln: Halem, 2011, S. 72–86. |
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Herd, Damon: "Dieter Roth’s Solo Scenes and the Comics Art World." In: The Comics Grid 3.4 (2013). |
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Kacsuk, Zoltan: "Re-Examining the “What is Manga” Problematic. The Tension and Interrelationship between the “Style” Versus “Made in Japan” Positions." In: Arts 7.3 (2018). |
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Moula, Evangelia und Louiza Christodoulidou: "Graphic Novels as Self-Conscious Contemplative Metatexts. Redefining Comics and Participating in Theoretical Discourse." In: Journal of Literature and Art Studies 8.2 (2018), S. 181–189. |
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Wiesing, Lambert: "Die Sprechblase. Reale Schrift im Bild." In: Realitätseffekte. Ästhetische Repräsentation des Alltäglichen im 20. Jahrhundert. Hrsg. v. Alexandra Kleihues. München: Fink, 2008, S. 25–46. |
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Zöhrer, Andrea: Wenn Comics das Papier verlassen. Über New York und Brüssel im Comic und das Comic in Brüssel. (Film – Medium – Diskurs, 35.) Würzburg: Königshausen & Neumann, 2012. (363 S.) |
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