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| Grampp, Sven. "»Folge dem auteur!«: Serielle und transmediale autorenschaft am beispiel von joss whedon." Amerikanische Fernsehserien der Gegenwart. Perspektiven der American Studies und der Media Studies. Eds. Christoph Ernst and Heike Paul. Bielefeld: Transcript, 2015. 305–41. |
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| Grampp, Sven. "Serial Games in a Transmedial World: A typology for the digital age." Narratives Crossing Boundaries. Storytelling in a Transmedial and Transdisciplinary Context. Ed. Joachim Friedmann. Studies of Digital Media Culture. Bielefeld: Transcript, 2023. 121–47. |
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| Groensteen, Thierry. "Médiagénie et réflexivité, médiativité et imaginaire: Comment s’incarnent les fables." Belphégor 4. 2 2005. Accessed 8 Jul. 2012. <http://dalspace.library.dal.ca/handle/10222/47702>. |
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| Grun, Maria and Cay Dollerup. "‘Loss’ and ‘Gain’ in Comics." Perspectives. Studies in Translatology 11. (2003): 197–216. |
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| Guerrera, Manfredo. Hugo Pratt e il romanzo disegnato: La ballata di corto maltese attraverso il fumetto, il cinema e la letteratura. Scienze dell’antichità, filologico-letterarie e storico-artistiche. Roma: Aracne, 2007. |
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| Gurpegui, Carlos Gómez. "Fray, Astonishing X-Men y Runaways: El cómic según whedon." De la estaca al martillo. Un viaje por los universos de Joss Whedon, de Buffy a los Vengadores. Eds. Pedro J. García and Irene Raya. Madrid: Diábolo, 2015. 167–75. |
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| Gutiérrez G-H, Julio. "M, John J. Muth’s Adaptation of Lang’s Film: An inference bridge from film to comic." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 63–71. |
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| Hallet, Wolfgang. "The Rise of the Multimodal Novel: Generic change and its narratological implications." Storyworlds across Media. Toward a Media-Conscious Narratology. Eds. Marie-Laure Ryan and Jan-Noël Thon. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2014. 151–72. |
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| Harvey, Robert C. "How Comics Came to Be: Through the juncture of word and image from magazine gag cartoons to newspaper strips, tools for critical appreciation plus rare seldom witnessed historical facts." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 25–45. |
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| Hatfield, Charles. "An Art of Tensions." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 132–48. |
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| Haubrichs, Wolfgang. "Text, Kontext, Bild in illustrierten Handschriften des späten Mittelalters: Das beispiel der elisabeth von nassau-saarbrücken († 1456)." Zeitschrift für Literaturwissenschaft und Linguistik 39. (2009): 70–84. |
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| Hausmann, Matthias. "A French Comic Version of an Argentinian Fantastic Narrative: Jean pierre mourey’s l’invention de morel." European Comic Art 6. (2013): 66–87. |
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| Heimann, Paul. "Zur Dynamik der Bild-Wort-Beziehung in den optisch-akustischen Massenmedien." Bild und Begriff. Ed. Robert Heiss. Symposion des Instituts für Film und Bild. München: Juventa, 1963. 71–105. |
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| Heimgartner, Stephanie. "»Kantapper, kantapper«: Geräusche und musik im bilderbuch." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 169–84. |
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| Heindl, Nina. "Opazität und Transparenz: Überlegungen zum poietischen potenzial in chris wares comics und animationen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 177–202. |
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| Heinzelmann, Herbert. "Corto im ›anderen Zustand‹: Aspekte der moderne und postmoderne in hugo pratts südseeballade und im maltese-zyklus." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 109–24. |
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| Heiser, Ines. "Unterhaltsam und/oder unverständlich? Fiktionalisierungs- und faktualisierungsstrategien in comic-büchern zur antike." Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung 2019. Accessed 11 Nov. 2020. <http://www.gkjf.de/wp-c ... 19_39-50_B3d_Heiser.pdf>. |
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| Hertrampf, Marina Ortrud M. "PHOTO-COMIC-ROMAN und COMIC-PHOTO-ROMAN: Mediale grenzphänomene zwischen comic, photographie und photo-roman." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 287–313. |
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| Hight, Craig. "American Splendor: Translating comic autobiography into drama-documentary." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 180–98. |
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| Hillenbach, Anne-Kathrin. "Eine wahre Geschichte: Vom erzählerischen potential der photo-panels in der comicreihe der fotograf." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 293–300. |
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| Hills, Matt. "Shared trajectories and ‘figures of the fan audience’ in comics studies and fan studies: Arrested development … or transmedial developments?." Participations 17. 2 2020. Accessed 4 Dec. 2020. <https://www.participati ... me%2017/Issue%202/9.pdf>. |
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| Hoffman, A. Robin. "George Cruikshank’s Comic Alphabet (1836) and the Audience “Á la Mode”." Nineteenth-Century Contexts 36. (2014): 135–63. |
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| Hogan, Patrick Colm. "Painterly Cinema: Three minutes of sin city." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 63–80. |
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| Hollis, Erin. "Scott Pilgrim Vs. the World as Postmodern Parody of Parody: Allusion, exclusion, and consumption in the film adaptation." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Hoppeler, Stephanie, Lukas Etter, and Gabriele Rippl. "Intermedialität in Comics: Neil gaimans the sandman." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 53–79. |
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| Höppner, Stefan. "Ohne Worte: Erzählweisen des fremden in shaun tans the arrival." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 136–66. |
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| Hörner, Fernand. "René Goscinny/Albert Uderzo." Praktizierte Intermedialität. Deutsch-französische Portraits von Schiller bis Goscinny/Uderzo. Eds. Fernand Hörner, Harald Neumeyer and Bernd Stiegler. Bielefeld: Transcript, 2010. 215–34. |
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| Hornstein, Shelley. "Ornament, Boundaries, and Mourning after Auschwitz." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 126–39. |
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| Howard, Krystal. "Comics Grammar in Neil Gaiman and Dave Mckean’s Picture Book Collaborations." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 21–34. |
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| Jacobs, Dale. "Multimodal Constructions of Self: Autobiographical comics and the case of joe matt’s peepshow." Biography 31. (2008): 59–84. |
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| Jeffries, Dru H. "The Worlds Align: Media convergence and complementary storyworlds in marvel’s thor: the dark world." World Building. Transmedia, Fans, Industries. Ed. Marta Boni. Transmedia. Amsterdam: Amsterdam Univ. Press, 2017. 287–303. |
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| Johnston, Phillip. "Wordless! Music for Comics and Graphic Novels Turns Time Into Space (and back again)." Southerly 76. (2016): 96–110. |
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| Joo, Suk Hee. "Du Transperceneige de Jacques Lob et Jean-Marc Rochette à Snowpiercer de Bong Joon-Ho: Une inspiration mutuelle entre arts visuels dans le domaine de la science-fiction." ReS Futurae 9 2017. Accessed 3 Dec. 2021. <https://journals.openedition.org/resf/1014>. |
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| Kaenel, Philippe and Gilles Lugrin, eds. Bédé, ciné, pub et art: D’un média à l’autre. Gollion: Infolio, 2007. |
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| Kaindl, Klaus. "Sprache und Bild in der Comicübersetzung." Mediendiskurse. verbal-Workshop Graz 1996. Eds. Bernhard Kettemann, Martin Stegu and Hartmut Stöckl. Sprache im Kontext. Frankfurt am Main [etc.]: Peter Lang, 1998. 93–105. |
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| Kaindl, Klaus. "Multimodality in the translation of humour in comics." Perspectives on Multimodality. Eds. Eija Ventola, Cassily Charles and Martin Kaltenbacher. Document Design Companion Series. Amsterdam, Philadelphia: John Benjamins Publ. 2004. 173–92. |
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| Kainz, Barbara, ed. Comic. Film. Helden: Heldenkonzepte und medienwissenschaftliche analysen. Wien: Löcker, 2009. |
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| Kannenberg, Jr., Gene. "Form, Function, Fiction: Text and image in the comics narratives of winsor mccay, art spiegelman, and chris ware." Dissertation Dr. University of Connecticut, 2002. |
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| Kannenberg, Jr., Gene. "Chips Off the Ol’ Blockhead: Evidence of influence in peanuts parodies." Studies in American Humor (2006): 91–103. |
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