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Baker, Bill (Hg.): Neil Gaiman On His Work and Career. A Conversation with Bill Baker . (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.)
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Banks, Amanda Carson und Elizabeth E. Wein: "Folklore and the Comic Book. The Traditional Meets the Popular." In: New Directions in Folklore 2 (1998), (21. März 2010)
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Barbour, Chad A. "When Captain America Was an Indian. Heroic Masculinity, National Identity, and Appropriation." In: Journal of Popular Culture 48.2 (2015), S. 269–284.
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Berninger, Mark: "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives . Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 253–264.
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Best, Daniel: The World vs Todd McFarlane . Norwood: Blaq Books, 2019. (205 S.)
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Borsellino, Mary: "Blue and Pink. Gender in Neil Gaiman’s Work." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 51–53.
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Bratman, David: "A Game of You – Yes, You ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 41–53.
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Brisbin, Ally und Paul Booth: "The Sand/wo/man. The Unstable Worlds of Gender in Neil Gaiman’s Sandman Series." In: Journal of Popular Culture 46.1 (2013), S. 20–37.
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Brown, Sarah Annes: "“Shaping Fantasies”. Responses to Shakespeare’s Magic in Popular Culture." In: Shakespeare 5.2 (2009), S. 162–176.
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Bultena, John: "Aperture for a Storyteller. An Interview with JH Williams III." In: Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works . Hrsg. v. Tara Prescott. Jefferson: McFarland, 2015, S. 195–215.
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Cadle, Lanette: "The Power of the Perky. The Feminist Rhetoric of Death." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose . Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 32–46.
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Cadrette, Ryan: "S/Z in Panels. Adaptation, Polysemous Textuality and the Graphic Novel." In: Framescapes. Graphic Narrative Intertexts . Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 31–38.
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Campbell, Hayley: The Art of Neil Gaiman. The Story of a Writer with Handwritten Notes, Drawings, Manuscripts & Personal Photographs . New York: Harper Design, 2014. (320 S.)
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Camus, Cyril: "Neil Gaiman. A portrait of the artist as a disciple of Alan Moore." In: Studies in Comics 2.1 (2011), S. 147–157.
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---: "Neil Gaiman’s Sandman as a Gateway from Comic Books to Graphic Novels." In: Studies in the Novel 47.3 (2015), S. 308–318.
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---: "The “Outsider”. Neil Gaiman and the Old Testament." In: Shofar 29.2 (2011), S. 77–99.
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Cantrell, Sarah: "Feminist Subjectivity in Neil Gaiman’s Black Orchid ." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose . Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 102–115.
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Carpenter, Greg: The British Invasion. Alan Moore, Neil Gaiman, Grant Morrison and the Invention of the Modern Comic Book Writer . Edwardsville: Sequart Research & Literacy Organization, 2016. (479 S.)
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---: "Peeking from Behind the Sofa. The 25th Anniversary of Violent Cases ." In: Sequart Organization Magazine (2012),
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Castaldo, Annalisa: "“No more yielding than a dream”. The Construction of Shakespeare in The Sandman ." In: College Literature 31.4 (2004), S. 94–110.
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Cates, Isaac: "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." In: Drawing from Life. Memory and Subjectivity in Comic Art . Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 144–162.
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Collins, Meredith: "Fairy and Faerie. Uses of the Victorian in Neil Gaiman's and Charles Vess's Stardust ." In: ImageTexT 4.1 (2008),
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Croci, Daniele: "Watching (through) the Watchmen. Representation and Deconstruction of the Controlling Gaze in Neil Gaiman’s The Sandman ." In: Altre Modernità 11 (2014), S. 120–135, (3. Juni 2014)
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Dalmaso, Renata: "When Superheroes Awaken. The Revisionist Trope in Neil Gaiman’s Marvel 1602 ." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose . Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 116–130.
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Delany, Samuel R. "Neil Gaiman I, II, and III." In: Shorter Views. Queer Thoughts & The Politics of the Paraliterary . Hanover, London: Wesleyan Univ. Press, 1999, S. 359–372.
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dms. 2014, 6. Jan. Neil Gaiman: An Incomplete Bibliography . [Online]. Available: http://www.neilgaiman.net/bibliography.php
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Dowd, Chris: "An Autopsy of Storytelling. Metafiction and Neil Gaiman." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 103–114.
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Drucker, Aaron: "Empowering Voice and Refiguring Retribution. Neil Gaiman’s Anti-Feminism Feminist Parable in The Sandman ." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose . Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 81–101.
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Elder, Robert K. "Gods and Other Monsters. A Sandman Exit Interview and Philosophical Omnibus." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 54–78.
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Eshraghi, Nadia: "Issue #1 Through a New Reader’s Eyes." In: Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works . Hrsg. v. Tara Prescott. Jefferson: McFarland, 2015, S. 232–237.
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Eveleth, Kyle: "“Of viewpoints, of images, of memories and puns and lost hopes”. Polyphony and Narrative Braiding in The Sandman: Worlds’ End ." In: Neil Gaiman . Hrsg. v. Joseph Michael Sommers. (Critical Insights.) Englewood Cliffs: Salem Pr. 2016, S. 112–128.
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Eveleth, Kyle und Justin Wigard: "“We have an obligation to imagine”. A Critical Reception of the Work of Neil Gaiman." In: Neil Gaiman . Hrsg. v. Joseph Michael Sommers. (Critical Insights.) Englewood Cliffs: Salem Pr. 2016, S. 3–16.
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Feltman, Matthew: "Phantom Towers. Crypto-towers Haunting Dave McKean’s Cages and Mirrormask ." In: ImageTexT 4.1 (2008),
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Fleming, James R. "Incommensurable Ontologies and the Return of the Witness in Neil Gaiman's 1602 ." In: ImageTexT 4.1 (2008),
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Gaiman, Neil: Adventures in the Dream Trade . Framingham: NESFA, 2002. (286 S.)
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---: "Neil Gaiman on Dave McKean." (13. Okt. 2013)
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Gerold, Susanne: "Signal to Noise." In: Lexikon der Comics . Hrsg. v. Marcus Czerwionka. Meitingen: Corian, 1993.
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Gieni, Justine: "Rape and Revenge in Graphic Detail. Neil Gaiman’s “Calliope,” in The Sandman Comic Series." In: FORUM 13 (2011), (8. Aug. 2013)
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Golden, JaNell: "Pay Attention: There May or May Not be a Man Behind the CurtainViolent Cases ." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 97–102.
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Goldweber, David E. "The Function of Dreams and Stories in The Sandman ." In: International Journal of Comic Art 3.1 (2001), S. 77–85.
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---: "Mr. Punch, Dangerous Savior." In: International Journal of Comic Art 1.1 (1999), S. 157–170.
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Gordon, Joan: "Prospero Framed in Neil Gaiman’s The Wake ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 79–92.
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Groth, Gary: "Neil Gaiman." In: The Comics Journal 169 (1994), S. 54–108.
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Gutiérrez, Peter: "Identity and the Uncanny. A Coraline Study Guide." In: Screen Education 56 (2009), S. 86–89.
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Hanes, Stacie und Joe Sanders: "Reinventing the Spiel. Old Stories, New Approaches." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 147–169.
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Harper, Mary Catherine: "Neil Gaiman’s Sandman ." In: The Graphic Novel . Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 123–137.
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Harris-Fain, Darren: "Putting the Graphic in Graphic Novel. P. Craig Russell’s Adaptation of Neil Gaiman’s Coraline ." In: Studies in the Novel 47.3 (2015), S. 335–345.
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Heuman, Josh und Richard Burt: "Suggested for Mature Readers? Deconstructing Shakespearean Value in Comic Books." In: Shakespeare after Mass Media . Hrsg. v. Richard Burt. New York [etc.]: Palgrave Macmillan, 2002, S. 151–171.
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Hoppeler, Stephanie, Lukas Etter und Gabriele Rippl: "Intermedialität in Comics. Neil Gaimans The Sandman ." In: Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums . Hrsg. v. Stephan Ditschke, Katerina Kroucheva und Daniel Stein. Bielefeld: Transcript, 2009, S. 53–79.
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Indick, Ben P. "Neil Gaiman in Words and Pictures." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 79–96.
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Kadenbach, Stefanie: Pantheon der Postmoderne. Transformation von Mythen bei Neil Gaiman . Marburg: Tectum, 2010. (147 S.)
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Katsiadas, Nick: "Mytho-auto-bio. Neil Gaiman’s Sandman , the Romantics and Shakespeare’s The Tempest ." In: Studies in Comics 6.1 (2015), S. 61–84.
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Kidder, Orion Ussner: "“Everybody’s Here”. Radical Reflexivity in the Metafiction of The Sandman ." In: Neil Gaiman . Hrsg. v. Joseph Michael Sommers. (Critical Insights.) Englewood Cliffs: Salem Pr. 2016, S. 146–160.
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---: Telling Stories About Storytelling. The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis . Thesis (PhD), University of Alberta, Department of English and Film Studies 2010 (200 S.).
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Kilgore, Christopher D. "Unnatural Graphic Narration. The Panel and the Sublime." In: Journal of Narrative Theory 45.1 (2015), S. 18–45.
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Kwitney, Alisa: The Sandman. King of Dreams . San Francisco: Chronicle Books, 2003. (179 S.)
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Laity, Kathryn A. "Illusory Adversaries? Images of Female Power in Sandman: The Kindly Ones ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 65–76.
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Lancaster, Kurt: "Neil Gaiman’s “A Midsummer Night’s Dream”. Shakespeare Integrated into Popular Culture." In: Journal of American & Comparative Cultures 23.3 (2000), S. 69–77.
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Levitan, Alan: "Aether/Ore. The Dreamworld Descends to Earth." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 97–113.
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Loss, Robert: "Neil Gaiman’s “Façade” and Patronal Feminism." In: The Comics Grid 3.1 (2013),
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Lukach, Katherine M. Transformative Encounters in the Works of Neil Gaiman . M.S. (Master’s paper), University of North Carolina, School of Information and Library Science 2007 (50 S.).
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Maisonville, Derek J. "Bibles, Guns, and … Comic Books? Re-Conceptualizing (Non-)Violent Selves and Others in a Postcolonial Era". Canadian Political Science Association Annual Conference: 4.–6. Juni, 2008.
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Martin, Rachel R. "Speaking the Cacophony of Angels. Gaiman’s Women and the Fracturing of Phallocentric Discourse." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose . Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 11–31.
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McCabe, Joseph: "Bryan Talbot." In: Hanging Out with the Dream King. Conversations with Neil Gaiman and His Collaborators . Hrsg. v. Joseph McCabe. Seattle: Fantagraphics, 2004, S. 140–149.
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---: "Dave McKean." In: Hanging Out with the Dream King. Conversations with Neil Gaiman and His Collaborators . Hrsg. v. Joseph McCabe. Seattle: Fantagraphics, 2004, S. 18–28.
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---: Hanging Out with the Dream King. Conversations with Neil Gaiman and His Collaborators . Seattle: Fantagraphics, 2004. (297 S.)
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McMullen, Lyra: "Omnia Mutantur. The Use of Asian Dress in the Appearance of Dream from The Sandman ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 171–183.
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Means-Shannon, Hannah: "Violent Cases and Mr. Punch . Neil Gaiman and Dave McKean reflect darkly on the imagery of individuation." In: Studies in Comics 2.2 (2012), S. 357–373.
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Meinrenken, Jens: "Gesteigerte Realität und Illusion in Henry Selicks Animationsfilm »Coraline«." In: Verfilmte Kinderliteratur. Gattungen, Produktion, Distribution, Rezeption und Modelle für den Deutschunterricht . Hrsg. v. Petra Josting und Klaus Maiwald. (kjl&m extra, 10.) München: kopaed, 2010.
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Mellette, Justin: "Agency Through Fragmentation? The Problem of Delirium in The Sandman ." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose . Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 47–63.
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---: "Serialization and Empire in Neil Gaiman’s The Sandman ." In: Studies in the Novel 47.3 (2015), S. 319–334.
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Murphy, Keith B. "The Origins of The Sandman ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 3–22.
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Murray, Christopher: "Propaganda. The Pleasures of Persuasion in Captain America ." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods . Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 129–141.
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---: "Signals from Airstrip One. The British Invasion of Mainstream American Comics." In: The Rise of the American Comics Artist. Creators and Contexts . Hrsg. v. Paul Williams und James Lyons. Jackson: Univ. Press of Mississippi, 2010, S. 31–45.
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Ó Méalóid, Pádraig: Poisoned Chalice. The Extremely Long and Incredibly Complex Story of Marvelman (and Miracleman) . Poisoned Chalice, 2018. (318 S.)
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Olson, Steven P. Neil Gaiman . (The Library of Graphic Novelists.) New York: Rosen, 2005. (112 S.)
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Prescott, Tara: "It’s Pretty Graphic. Sexual Violence and the Issue of “Calliope”." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose . Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 64–80.
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---: "Warming Up the Strings." In: Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works . Hrsg. v. Tara Prescott. Jefferson: McFarland, 2015, S. 216–231.
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Rauch, Stephen: "Campbell and The Sandman . Reminding Us of the Sacred." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 11–21.
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---: "‘Dream a Little Dream of Me …’. The Relationship of Dreams and Myth in Campbell, Jung, and Gaiman’s Sandman ." In: Neil Gaiman’s The Sandman and Joseph Campbell. In Search of the Modern Myth . Hrsg. v. Stephen Rauch. Rockville: Wildside, 2003, S. 22–37.
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---: Neil Gaiman’s The Sandman and Joseph Campbell. In Search of the Modern Myth . Rockville: Wildside, 2003. (150 S.)
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---: "The Role of the Artist and the Art of Storytelling in The Sandman ." In: Neil Gaiman’s The Sandman and Joseph Campbell. In Search of the Modern Myth . Hrsg. v. Stephen Rauch. Rockville: Wildside, 2003, S. 117–137.
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Rawlik, Jr., Peter S. "A King Forsakes His Throne. Campbellian Hero Icons in Neil Gaiman’s Sandman ." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 30–50.
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Reed, S. Alexander: "Through Every Mirror in the World. Lacan's Mirror Stage as Mutual Reference in the Works of Neil Gaiman and Tori Amos." In: ImageTexT 4.1 (2008),
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Romero-Jódar, Andrés: "Individual Trauma Representation in Graphic Novels. The Case of Paul Hornschemeier’s Mother, Come Home and Neil Gaiman and Dave McKean’s Signal to Noise ." In: Between the Urge to Know and the Need to Deny. Trauma and Ethics in Contemporary British and American Literature . Hrsg. v. Dolores Herrero und Sonia Baelo-Allué. Heidelberg: Winter, 2011, S. 249–263.
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---: "“When the Life Giver Dies, All Around Is Laid Waste”. Structural Trauma and the Splitting of Time in Signal to Noise , a Graphic Novel." In: Journal of Popular Culture 45.5 (2012), S. 1000–1019.
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Ronald, Emily Taylor: "Present Gods, Absent Believers in Sandman ." In: Graven Images. Religion in Comic Books & Graphic Novels . Hrsg. v. A. David Lewis und Christine Hoff Kraemer. London, New York: Continuum, 2010.
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Round, Julia: "“Can I call you Mommy?”. Myths of the feminine and superheroic in Neil Gaiman and Dave McKean’s Black Orchid." In: Debating the Difference. Gender, Representation and Self-Representation . Hrsg. v. Rachel Jones. Dundee: Duncan of Jordanstone College, University of Dundee, 2010.
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---: "Fantastic Alterities and The Sandman ." In: Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres . Hrsg. v. Jake Jakaitis und James F. Wurtz. Jefferson, London: McFarland, 2012, S. 71–92.
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---: "Fragmented Identity. The Superhero Condition." In: International Journal of Comic Art 7.2 (2005), S. 358–369.
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---: Gothic in Comics and Graphic Novels. A Critical Approach . Jefferson, London: McFarland, 2014.
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---: "London’s Calling. Alternate Worlds and the City as Superhero in Contemporary British-American Comics." In: International Journal of Comic Art 10.1 (2008), S. 24–31.
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---: "Reconstructing Alice Cooper. ‘From the Inside’ to The Last Temptation ." In: Journal of Graphic Novels and Comics 1 (2010), S. 151–169.
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---: "Subverting Shakespeare? The Sandman #19: “A Midsummer Night’s Dream” ." In: Sub/versions. Cultural Status, Genre and Critique . Hrsg. v. Pauline MacPherson et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008, S. 18–33.
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---: "Visual Perspective and Narrative Voice in Comics. Redefining Literary Terminology." In: International Journal of Comic Art 9.2 (2007), S. 316–329.
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Saklofske, Jon: "‘Tales Worked in Blood and Bone’. Words and Images as Scalpel and Suture in Graphic Narratives." In: ImageTexT 4.1 (2008),
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Sancken, Renata: "The King is Dead, Long Live the King. Orientalism, The Sandman , and Humanity." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 55–63.
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