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Displaying 101 - 139  of 139 (Bibliography: WIKINDX Master Bibliography)
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Rose, Margaret A. "Die komische Interbildlichkeit in der deutschen und englischen Karikatur des 19. Jahrhunderts." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 161–86.   
Last edited by: joachim 30/11/2021, 14:29
Rosenberg, Pnina. L’art des indésirables: L’art dans les camps d’internement français 1939–1944. Paris: L’Harmattan, 2003.   
Added by: joachim 22/05/2017, 17:13
Ruhe, Doris. "Grenzen des Lachens: Slim karikiert das postkoloniale algerien." Humor in der arabischen Kultur. Humor in Arabic Culture. Ed. Georges Tamer. Berlin u. New York: de Gruyter, 2009. 327–46.   
Last edited by: joachim 29/08/2013, 21:58
Sackmann, Eckart. "Horst von Möllendorff." Deutsche Comicforschung 7. (2011): 53–63.   
Added by: joachim 30/12/2010, 11:14
Samancı, Özge. "Lynda Barry’s Humor: At the juncture of private and public, invitation and dissemination, childish and professional." International Journal of Comic Art 8. (2006): 181–99.   
Last edited by: joachim 28/05/2012, 11:37
dos Santos, Roberto Elísio. "Humor Comics in Brazil: A Study of the Production of the Circo Editorial." International Journal of Comic Art 9. (2007): 93–117.   
Added by: Deleted user 03/09/2009, 14:42
Schmitz-Emans, Monika. Zeitungstheater: Über bühnen und akteure von humorblättern und comicbeilagen um 1900. Graphische Narration im Journal. Hannover: Wehrhahn, 2020.   
Last edited by: joachim 08/05/2021, 14:38
Schoner, Scott R. "A Survey of Doughboy Humor in World War I." International Journal of Comic Art 9. (2007): 288–315.   
Added by: Deleted user 03/09/2009, 15:00
Scully, Richard. "A serious matter: Erwin d. swann (1906–1973) and the collection of caricature and cartoon." Journal of the History of Collections 27. (2015): 111–22.   
Added by: joachim 12/01/2016, 12:51
Shutt, Craig. "The Long Running Comic (Book) Career of Jerry Lewis." Hogan’s Alley (2020): 16–27.   
Last edited by: joachim 13/06/2020, 12:20
Simonetti, Paolo. "Why Are Comics No Longer Comic? Graphic narratives in contemporary america." Democracy and Difference. The US in Multidisciplinary and Comparative Perspectives. Eds. Giovanna Covi and Lisa Marchi. Labirinti. Trento: Università degli Studi di Trento, 2012. 289–99.   
Added by: joachim 02/12/2014, 15:01
Sloane, David E. E., ed. American Humor Magazines and Comic Periodicals. Historical Guides to the World’s Periodicals and Newspapers. New York: Greenwood, 1987.   
Added by: joachim 28/05/2018, 10:01
Smith, Ken. "Laughing at the way we see: The role of visual organizing principles in cartoon humor." Humor. International Journal of Humor Research 9. (1996): 19–38.   
Added by: joachim 12/03/2013, 15:28
Soper, Kerry D. Gary Larson and The Far Side. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2018.   
Last edited by: joachim 29/08/2019, 12:00
Spiegelman, Marvin, Carl Terwilliger, and Franklin Fearing. "The Content of Comic Strips: A study of a mass medium of communication." Journal of Social Psychology 35. (1952): 37–57.   
Last edited by: joachim 18/05/2013, 15:29
Streeten, Nicola. UK Feminist Cartoons and Comics: A critical survey. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020.   
Last edited by: joachim 20/01/2022, 10:03
de Syon, Guillaume. "Did You Learn Your Strip? The history of france as comic fad in the 1970s." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 33–46.   
Added by: joachim 02/03/2016, 22:17
Taubert, Janin. Lachen über[M]Auschwitz? Formen und funktionen des komischen in art spiegelmans comix ›maus. die geschichte eines überlebenden‹. München: Grin, 2009.   
Added by: joachim 02/11/2011, 14:25
Todd, Richard Watson. "Creating Humor in Gary Larson’s Far Side Cartoons Using Interpersonal and Textual Metafunctions." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 37–58.   
Added by: joachim 31/05/2012, 14:52
Touillier-Feyrabend, Henriette. "Une traduction du comique est-elle possible ? Compte rendu de la table ronde des journées d’étude de la société d’ethnologie française consacrées à l’univers d’astérix (paris, 24–25 février 1997)." Ethnologie française 28. (1998): 375–77.   
Added by: joachim 03/06/2014, 08:35
Tourrette, Eric. "Douceur du conflit: Commentaire stylistique d’une planche de michel greg." Belphégor 5. 1 2005. Accessed 14 Feb. 2013. <http://etc.dal.ca/belph ... 05_01_Tour_douc_fr.html>.   
Last edited by: joachim 14/02/2013, 17:12
Tran-Gervat, Yen-Mai. "Intercultural and Interartistic Transfers of Shandean Humour in the Twentieth and Twenty-First Centuries." The Palgrave Handbook of Humour, History, and Methodology. Eds. Daniel Derrin and Hannah Burrows. New York [etc.]: Palgrave Macmillan, 2020. 443–57.   
Last edited by: joachim 26/01/2021, 10:42
Venkatesan, Sathyaraj and Raghavi Ravi Kasthuri. "Humour and Tumour: Breast cancer, graphic memoir and miriam engelberg’s cancer made me a shallower person: a memoir in comics." Gnosis 1. (2015): 51–58.   
Added by: joachim 26/05/2018, 07:30
Vidal, Guy, Anne Goscinny, and Patrick Gaumer. René Goscinny: Profession: humoriste. Paris: Dargaud, 1997.   
Last edited by: joachim 31/05/2014, 20:27
Vogt, Christine. "Ruthe Sauer Flix – DAS IST DOCH KEINE KUNST: Und wie steht’s mit dem thema interkultur?." Tausend Bilder und eins. Comic als ästhetische Praxis in der postmigrantischen Gesellschaft. Eds. Angela Weber and Katharina Moritzen. Bielefeld: Transcript, 2017. 426–31.   
Last edited by: joachim 04/08/2021, 10:58
Wallace, Rachel. "“She’s Punch Drunk!!”: Humor, domestic violence, and the british working class in andy capp cartoons, 1957–65." Journal of Popular Culture 51. (2018): 129–51.   
Last edited by: joachim 20/09/2020, 01:38
Wambsganß, Martin. "Phantastischer Fun als mehrfachlesbare positive Überforderung: mama fuchs aus der comic-albenreihe merlin." Das Kind im Leser. Phantastische Texte als all-ages-Lektüre. Ed. Maren Bonacker. Studien zur anglistischen Literatur- und Sprachwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2007. 117–34.   
Added by: joachim 24/04/2017, 09:32
Wanzo, Rebecca. "It’s a Hero? Black comics and satirizing subjection." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 314–32.   
Last edited by: joachim 15/05/2019, 12:46
Wendland, Jörn. Das Lager von Bild zu Bild: Narrative bildserien von häftlingen aus ns-zwangslagern. Köln, Weimar, Wien: Böhlau, 2017.   
Last edited by: joachim 10/04/2017, 10:23
Wilde, Lukas R. A. "Komische Inkongruenz und diagrammatisches Schlussfolgern: Das witzige diagramm im webcomic xkcd als grenzphänomen des verstehens." Magisterarbeit M.A. Universität Erlangen-Nürnberg, 2011.   
Added by: joachim 13/06/2014, 13:41
Wilde, Lukas R. A. Der Witz der Relationen: Komische inkongruenz und diagrammatisches schlussfolgern im webcomic xkcd. Stuttgart: ibidem, 2012.   
Added by: joachim 27/12/2014, 17:26
Wilson, Melanie. "“One May Smile, and Smile, and Be a Villain”: Grim humor and the warrior ethos." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 169–86.   
Added by: joachim 17/04/2016, 10:04
Winterer, Christoph. "David, ein frühmittelalterlicher Karikaturist? Zu den initialen des »sakramentars von gellone«." »risus sacer – sacrum risibile«. Interaktionsfelder von Sakralität und Gelächter im kulturellen und historischen Wandel. Eds. Katja Gvozdeva and Werner Röcke. Publikationen zur Zeitschrift für Germanistik. Bern [etc.]: Peter Lang, 2009.   
Added by: joachim 04/03/2011, 20:14
Wolk, Douglas. "Why Does Chris Ware Hate Fun?." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 347–58.   
Added by: joachim 08/05/2013, 15:42
Wong, Wendy Siuyi and Lisa M. Cuklanz. "Humor and Gender Politics: A textual analysis of the first feminist comic in hong kong." Comics & Ideology. Eds. Matthew P. McAllister, Edward H. Sewell, Jr. and Ian Gordon. Popular Culture and Everyday Life. 2001. 69–97.   
Last edited by: joachim 18/03/2011, 01:02
Yezbick, Daniel F. "Ridiculous Rebellion: George l. carlson and the recovery of jingle jangle comics." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 25–41.   
Added by: joachim 25/11/2010, 01:52
Zanettin, Federico. "Humor In Translated Cartoons and Comics." Translation, Humour and the Media. Ed. Delia Chiaro. Translation and Humour. London, New York: Continuum, 2010. 34–52.   
Last edited by: joachim 05/05/2021, 21:19
Zybok, Oliver. "Komik in der Kunst und Karikatur seit Beginn des 20. Jahrhunderts." Komik. Ein interdisziplinäres Handbuch. Ed. Uwe Wirth. Stuttgart: Metzler, 2017. 319–28.   
Added by: joachim 04/03/2018, 09:54
Zybok, Oliver. "Komik in Kunst und Karikatur des 18. und 19. Jahrhunderts." Komik. Ein interdisziplinäres Handbuch. Ed. Uwe Wirth. Stuttgart: Metzler, 2017. 309–18.   
Added by: joachim 04/03/2018, 09:52
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