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| Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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| Beers Fägersten, Kristy, et al., eds. Comic Art and Feminism in the Baltic Sea Region: Transnational Perspectives. Routledge Studies in Gender, Sexuality, and Comics. London, New York: Routledge, 2021. |
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| Beez, Jigal and Stefanie Kolbusa. "Kibiriti Ngoma: Gender Relations in Swahili Comics and Taarab-music." Stichproben 3. (2003): 49–71. |
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| Begley, Joshua. "Ceci N’est Pas Une Femme: The Negation of the Male Gaze in Gail Simone’s Red Sonja and Alex de Campi’s Grindhouse: Doors Open at Midnight." Works & Days 32. (2014): 181–205. |
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| Beritela, Gerard F. "Super-Girls and Mild Mannered Men: Gender Trouble in Metropolis." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 52–69. |
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| Berlatsky, Eric. "Lone Woolf and Cubs: Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." The Gay Utopia 2007. Accessed 27Feb. 2014. <http://gayutopia.blogsp ... woolf-and-cubsalan.html>. |
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| Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic Mothers, Fetishism, and Replacement in the comics of Los Bros Hernandez (Part II)." The Hooded Utilitarian 2012. Accessed 6Oct. 2014. <http://www.hoodedutilit ... bros-hernandez-part-ii/>. |
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| Berlatsky, Eric. "Between Supermen: Homosociality, Misogyny, and Triangular Desire in the Earliest Superman Stories." Comics Forum 2013. Accessed 12Apr. 2013. <http://comicsforum.org/ ... ries-by-eric-berlatsky/>. |
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| Berlatsky, Noah. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941–1948. Comics Culture. New Brunswick: Rutgers Univ. Press, 2015. |
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| Berlatsky, Eric. "“Does That Change Anything?”: (Post)Feminist Implications of Gemma Bovery." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 127–46. |
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