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| ---: "Der Horizont bei Herriman. Zeit und Zeichen zwischen Zeitzeichen und Zeichenzeit." In: Ästhetik des Comic. Hrsg. v. Michael Hein, Michael Hüners und Torsten Michaelsen. Berlin: Erich Schmidt, 2002, S. 143–152. |
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| ---: "Maus quält Katze, Hund kommt immer zu spät. Rückkehr zur Zwangswiederholung mit und ohne Sherrie Levine." In: Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Hrsg. v. Maike Christadler und Hilla Frübis. Marburg: Jonas Verl. 1997, S. 20–27. |
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| ---: "The Roses of Coconino. Reading the shōjo in Krazy Kat." In: Reading Manga. Local and Global Perceptions of Japanese Comics. Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 167–177. |
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| Frahm, Ole: "Every Window Tells a Story. Remarks on the Urbanity of Early Comic Strips." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 32–44. |
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| ---: "Writing Posthistorically. Krazy Kat, Maus, and the Contemporary Fiction Cartoon." In: After the Machine. Visual Arts and the Erasing of Cultural Boundaries. Jackson: Univ. Press of Mississippi, 1995, S. 129–146. |
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| ---: "The Krazy Kat That Walks by Himself." In: Krazy Kat. The Comic Art of George Herriman. Hrsg. v. Patrick McDonnell, Karen O’Connell und Giorga Riley de Havenon. New York: Abradale Pr. 1986, S. 15–22. |
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