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| Blank, Juliane: "Shaping the World. Dreams, Dreaming, and Dream-Worlds in Comics: Dream of the Rarebit Fiend (1904–1911), Little Nemo (1905–1911) and The Sandman (1989–1996)." In: Writing the Dream / Écrire le rêve. Hrsg. v. Bernard Dieterle und Manfred Engel. (Cultural Dream Studies, 1.) Würzburg: Königshausen & Neumann, 2017, S. 277–303. |
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| Boillat, Alain: "Récit(s) en fragments. Logiques sérielle et mondaine dans Little Nemo in Slumberland de Winsor McCay." In: Études de Lettres 3–4 (2013), S. 93–124. |
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| Frahm, Ole: "Every Window Tells a Story. Remarks on the Urbanity of Early Comic Strips." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 32–44. |
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| Grant, Nathan L. "Obsession, Pathology, and Justice. Nerds, Bodies, Winsor McCay, and the 1893 Chicago Fair." In: The Year’s Work in Nerds, Wonks, and Neocons. Hrsg. v. Jonathan P. Eburne und Benjamin Schreier. Bloomington: Indiana Univ. Press, 2017, S. 93–118. |
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| Kannenberg, Jr., Gene: Form, Function, Fiction. Text and Image in the Comics Narratives of Winsor McCay, Art Spiegelman, and Chris Ware. Dr. (Dissertation), University of Connecticut 2002 (225 S.). |
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| Shannon, Edward A. "Something Black in the American Psyche. Formal Innovation and Freudian Imagery in the Comics of Winsor McCay and Robert Crumb." In: Canadian Review of American Studies 40 (2010), S. 187–211. |
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| Tessler, Camila Z. "There Are Some Things You Can’t Fix with a Magic Wand. Politics in Children’s Comics." In: Good Grief! Children and Comics. Hrsg. v. Michelle Abate und Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016, S. 107–120. |
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| Tittle, Miles: "Rarebit Dreamers. The Poetics of Lovecraft, Poe, and Winsor McCay." In: The Lovecraftian Poe. Essays on Influence, Reception, Interpretation, and Transformation. Hrsg. v. Sean Moreland. (Perspectives on Edgar Allan Poe.) Bethlehem: Lehigh Univ. Press, 2017, S. 141–162. |
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