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| McIlvenny, Paul. "Disabling Men: Masculinity and disability in al davison’s graphic autobiography the spiral cage." Bending Bodies. Moulding Masculinities. Eds. Søren Ervø and Thomas Johansson. Vol. 2. Aldershot: Ashgate, 2000. 238–58. |
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| McIlvenny, Paul. "The Disabled Male Body “Writes/Draws Back”: Graphic fictions of masculinity and the body of the autobiographical comic the spiral cage." Revealing Male Bodies. Eds. Nancy Tuana, et al. Bloomington: Indiana Univ. Press, 2002. 100–24. |
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| McQuillan, Libbie. "“I live my body, I am my body”: Claire bretécher’s comic bodies." Corporeal Practices. (Re)figuring the Body in French Studies. Eds. Julia Prest and Hannah Thompson. Modern French Identities. Oxford [etc.]: Peter Lang, 2000. 91–103. |
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| Milburn, Colin. "Nanowarriors: Military nanotechnology and comic books." Intertexts 9. (2005): 77–103. |
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| Ōgi, Fusami. "Shojo Manga (Japanese Comics for Girls) in the 1970s’ Japan as a Message to Women’s Bodies: Interviewing keiko takemiya—a leading artist of the year 24 flower group." International Journal of Comic Art 10. (2008): 148–69. |
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| Packer, Sharon. Superheroes and Superegos: Analyzing the minds behind the masks. Santa Barbara: Praeger, 2010. |
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| Pallares, Bess. Representation of the Mother’s Body as a Narrative Conduit for Wartime Themes in Saga. Student Research Symposium: Portland, 12 May, 2015. |
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| Paparone, Lesley. "Art and Identity in Mark Kalesniko’s Mail Order Bride." Melus 32. (2007): 201–19. |
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| Peppard, Anna F. "The power of the marvel(ous) image: Reading excess in the styles of todd mcfarlane, jim lee, and rob liefeld." Journal of Graphic Novels and Comics 10. (2019): 320–41. |
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| Peppard, Anna F. "“Is that a monster between your legs or are ya just happy to see me?”: Subjectivity, sex, and the superbody in the marvel swimsuit special." The Routledge Companion to Gender and Sexuality in Comic Book Studies. Ed. Frederick Luis Aldama. Routledge Companions to Gender. London, New York: Routledge, 2021. 90–105. |
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| Pitkethly, Clare. "A Rubble of Fragments: Disintegration into panels in grant morrison’s comics." ImageTexT 8. 2 2015. Accessed 4 Nov. 2015. <http://www.english.ufl. ... rchives/v8_2/pitkethly/>. |
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| Quesenberry, Krista. "Intersectional and non-human self-representation in women’s autobiographical comics." Journal of Graphic Novels and Comics 8. (2017): 417–32. |
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| Rauchenbacher, Marina. "Das »Wunder an unserem Kinde«: Körper, dis_ability, krankheit in heidi-comics – am beispiel klara." Wiedersehen mit Heidi. Polyperspektivische Lektüren der Heidi-Romane von Johanna Spyri. Eds. Linda Leskau and Sigrid Nieberle. Bielefeld: Transcript, 2023. 313–32. |
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| Robert, Pascal. "L’anticorps (sportif) et le contre-pied (subversif): Biopolitique du corps antisportif dans la bande dessinée franco-belge." Loisir et Société / Society and Leisure 41. (2018): 268–79. |
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| Robert, Pascal. "Le corps diplomatique: quai d’orsay et le corps-actant." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Romu, Leena. "Graphic Life Writing in Kaisa Leka’s I Am Not These Feet." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 203–12. |
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| Round, Julia. "Mutilation and Monsters: Transcending the human in garth ennis/steve dillon’s preacher." The Human Body in Contemporary Literatures in English. Cultural and Political Implications. Eds. Sabine Coelsch-Foisner and Marta Fernández Morales. Salzburg Studies in English Literature and Culture. Frankfurt am Main [etc.]: Peter Lang, 2009. 109–28. |
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