| Abate, Michelle: "Art Spiegelman’s In the Shadow of No Towers as Board Book. From the Matter of Materiality to the Way That Materiality Matters." In: Jeunesse 7.2 (2015). |
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| Adams, Jeff: Documentary Graphic Novels and Social Realism. (Cultural Interactions, 7.) Oxford [etc.]: Peter Lang, 2008. (214 S.) |
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| ---: "The pedagogy of the image text. Nakazawa, Sebald and Spiegelman recount social traumas." In: Discourse 29 (2008), S. 35–49. |
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| Amihay, Ofra: "Passing under separation. Comics representations of the Holocaust and the Berlin Wall." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 278–296. |
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| Anderson, John C. und Bradly Katz: "Read Only Memory. Maus and Its Marginalia on CD-Rom." In: Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Hrsg. v. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003, S. 159–174. |
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| Last edited by: joachim 2009-07-29 14:06 |
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| De Angelis, Richard: "Of Mice and Vermin. Animals as Absent Referent in Art Spiegelman’s Maus." In: International Journal of Comic Art 7.1 (2005), S. 230–249. |
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| Auster, Paul: "The Art of Worry." In: Collected Prose. London: Faber, 2003, S. 458–463. |
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| Baccolini, Raffaella und Federico Zanettin: "The Language of Trauma. Art Spiegelman’s Maus and its Translations." In: Comics in Translation. Hrsg. v. Federico Zanettin. Manchester: St. Jerome, 2008, S. 99–132. |
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| Baches, Eva: Literarische Reaktionen auf den 11. September. Hamburg: Diplomica, 2008. (126 S.) |
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| Added by: joachim 2009-12-16 04:25 |
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| Bachmann, Michael: Der abwesende Zeuge. Autorisierungsstrategien in Darstellungen der Shoah. (Mainzer Forschungen zu Drama und Theater, 42.) Tübingen: Francke, 2010. (301 S.) |
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| Bachmann, Christian A. "Von Masken und Mäusen. Zu Masken in Superhelden- und autobiographischen Comics." In: Masken. Hrsg. v. Kurt Röttgers und Monika Schmitz-Emans. Essen: Blaue Eule, 2009, S. 210–232. |
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| Baetens, Jan und Hugo Frey: The Graphic Novel. An Introduction. (Cambridge Introductions to Literature.) Cambridge [etc.]: Cambridge Univ. Press, 2014. (286 S.) |
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| Bahr, David: "Choreographing Time. Art Spiegelman’s Present, Past(s) and The Craft of Creative Non Fiction Comics." In: American Creative Non-Fiction. Hrsg. v. Jay Ellis. (Critical Insights.) Englewood Cliffs: Salem Pr. 2015, S. 196–212. |
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| Added by: joachim 2017-02-23 15:05 |
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| Balzer, Jens: "Montage und Piktogramm. Comics aus Arcade und RAW." In: Schreibheft 51 (1998), S. 55–56. |
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| Banner, Gillian: Holocaust Literature. Schulz, Levi, Spiegelman and the Memory of the Offence. (Parkes-Wiener series on Jewish studies.) London: Vallentine Mitchell, 2000. (206 S.) |
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| Baroni, Raphaël: "Of Mice as Men. A Transmedial Perspective on Fictionality." In: Narrative 29.1 (2021), S. 91–113. |
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| Last edited by: joachim 2022-03-01 20:27 |
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| Barr, Terry: "Teaching Maus to a Holocaust Class." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 76–83. |
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| Added by: joachim 2010-09-16 14:25 |
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| Basile, Emanuele: "Maus. Questioni di narrabilità storica." In: Fictions 9 (2010), S. 81–98. |
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| Last edited by: joachim 2017-05-31 09:44 |
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| Basu, Lopamudra: "The Graphic Memoir in a State of Exception. Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 163–184. |
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| Added by: joachim 2014-07-28 12:06 |
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| Beadling, Laura L. "Twin Turns. Art Spiegelman’s In the Shadow of No Towers and History." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 37–54. |
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| Beaty, Bart: Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. (274 S.) |
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| Last edited by: joachim 2016-02-03 10:57 |
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| Becker, Thomas: "Vom Bubblegum zum Holocaust. Art Spiegelmans MAUS." In: Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Hrsg. v. Markus Joch et al. Tübingen: Niemeyer, 2009, S. 309–330. |
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| Added by: joachim 2010-03-30 23:44 |
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| Bedenbecker, Karina: "Im Schatten keiner Türme. Art Spiegelmans künstlerisch-literarische Auseinandersetzung mit dem Terroranschlag 9/11." In: Krieg und Literatur / War and Literature 25 (2019), S. 7–46. |
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| Berger, Alan L. Children of Job. American Second-Generation Witnesses to the Holocaust. Albany: SUNY Pr. 1997. (241 S.) |
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| Added by: joachim 2010-11-08 17:40 |
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| Berlatsky, Eric: "The Limits of Postmodern Memory. Kundera’s The Book of Laughter and Forgetting and Spiegelman’s Maus." (2009). |
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| Added by: joachim 2012-02-04 12:51 |
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| ---: "Memory as Forgetting. The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." In: Cultural Critique 55 (2003), S. 101–151. |
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| Last edited by: joachim 2011-09-30 15:21 |
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| ---: The Real, The True, and the Told. Postmodern Historical Narrative and the Ethics of Representation. (Theory and Interpretation of Narrative.) Columbus: Ohio State University Libraries, 2011. (250 S.) |
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| Added by: joachim 2015-04-20 09:01 |
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| Blank, Juliane: "The Appeal of the Real. Representations of ›Authentic‹ Dreams in Comics." In: Mediating the Dream / Les genres et médias du rêve. Hrsg. v. Bernard Dieterle und Manfred Engel. (Cultural Dream Studies, 4.) Würzburg: Königshausen & Neumann, 2020, S. 511–540. |
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| Last edited by: joachim 2021-02-22 16:51 |
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| Bock, Marek: Die Darstellung des Holocaust im Comic: Maus, Die Suche, Auschwitz, Yossel. BA (Bachelorarbeit), RWTH Aachen 2009 (44 S.). |
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| Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013). |
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| Böger, Astrid: "Kreative Zwischenräume. Medienästhetische Strategien des Rahmens und Übersetzens in Graphic Novels." In: Übersetzen und Rahmen. Praktiken medialer Transformationen. Hrsg. v. Claudia Benthien und Gabriele Klein. München: Fink, 2017, S. 75–87. |
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| Boler, Megan: "The Risks of Empathy. Interrogating Multiculturalism’s Gaze." In: Cultural Studies 11 (1997), S. 253–273. |
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| Bosmaijan, Hamida: "The Orphaned Voice in Art Spiegelman’s Maus." In: Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Hrsg. v. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003, S. 26–43. |
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| Last edited by: joachim 2011-10-02 12:30 |
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| ---: "The Orphaned Voice in Art Spiegelman’s Maus I & II." In: Literature and Psychology 44.1–2 (1998), S. 1–22. |
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| Last edited by: joachim 2013-01-12 11:14 |
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| Boyd, Brian: "Art and Evolution. Spiegelman's The Narrative Corpse." In: Philosophy and Literature 32 (2008), S. 31–57. |
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| Bray, Patrick M. "Aesthetics in the Shadow of No Towers. Reading Virilio in the Twenty-First Century." In: Yale French Studies 114 (2008), S. 4–17. |
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| Added by: joachim 2012-05-27 09:04 |
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| Bredehoft, Thomas A. The Visible Text. Textual Production and Reproduction from Beowulf to Maus. (Oxford Textual Perspectives.) New York: Oxford Univ. Press, 2014. (182 S.) |
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| Last edited by: joachim 2014-10-18 13:13 |
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| Brodzki, Bella: "Breakdowns and Breakthroughs. Looking for Art in Young Spiegelman." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 51–58. |
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| Added by: joachim 2011-12-14 12:02 |
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| Brown, Joshua: "Of Mice and Memory." In: Oral History Review 16.1 (1988), S. 91–109. |
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| Budick, Emily Miller: "Forced Confessions. The Case of Art Spiegelman’s Maus." In: Prooftexts 21.3 (2001), S. 379–398. |
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| Campbell, Peter: "Ten Good Reasons to Read Yourself Raw (and one reason why you shouldn’t)." In: FA (10. Okt. 2010). |
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| Cavalieri, Joey, Gary Groth und Kim Thompson: "Art Spiegelman and Françoise Mouly." In: The New Comics. Interviews from the pages of The Comics Journal. Hrsg. v. Gary Groth und Robert Fiore. New York: Berkley, 1988, S. 185–203. |
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| Added by: joachim 2012-08-08 11:11 |
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| Charlson, Joshua L. "Framing the Past. Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." In: Arizona Quarterly 57.3 (2001), S. 91–120. |
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| Added by: joachim 2018-08-01 16:51 |
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| Chivington, Lauren Elyse: "The Girl, the Man, and the Maus. Holocaust Narratives in Controversial Media." In: International Journal of Comic Art 20.1 (2018), S. 615–648. |
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| Last edited by: joachim 2019-04-20 01:07 |
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| Cho, Jennifer: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: Avant Garde Critical Studies 25.1 (2010), S. 201–211. |
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| Added by: joachim 2017-07-19 18:48 |
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| ---: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 201–211. |
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| Last edited by: joachim 2017-02-19 17:36 |
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| Choate, Gilbert: "James Joyes, Picasso, Stravinsky, and Spiegelman." In: Alternative Media 10.2 (1978), S. 5–7. |
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| Last edited by: joachim 2016-08-23 21:46 |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners. Teaching Maus." In: Journal of Adolescent & Adult Literacy 53.2 (2009), S. 144–153. |
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| Chute, Hillary: "Comics as Archives. MetaMetaMaus." In: emisférica 9.1–2 (2012). |
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| ---: Disaster Drawn. Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. (359 S.) |
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| Last edited by: joachim 2016-02-19 18:28 |
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| ---: "Literal Forms. Narrative Structures in Maus." In: Indy Magazine Winter (2005). |
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| Last edited by: joachim 2013-01-12 11:43 |
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| ---: "Temporality and Seriality in Spiegelman’s In the Shadow of No Towers." In: American Periodicals 17.2 (2007), S. 228–244. |
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| Last edited by: joachim 2013-05-12 19:43 |
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| ---: "“The Shadow of a Past Time”. History and Graphic Representation in Maus." In: Twentieth Century Literature 52 (2006), S. 199–230. |
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| Last edited by: joachim 2013-01-20 20:26 |
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| Cioffi, Frank L. "Disturbing Comics. The Disjunction of Word and Image in the Comics of Andrzej Mleczko, Ben Katchor, R. Crumb, and Art Spiegelman." In: The Language of Comics. Word and Image. Hrsg. v. Robin Varnum und Christina T. Gibbons. (Studies in Popular Culture.) Jackson: Univ. Press of Mississippi, 2001, S. 97–122. |
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| Last edited by: joachim 2011-10-15 11:22 |
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| Claudio, Esther: "Ergodic texts: In the Shadow of No Towers." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 10–12. |
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| Added by: joachim 2012-12-16 00:33 |
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| Cogan, Brian: "Art Spiegelman’s Maus: A Survivor’s Tale." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 69–81. |
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| Last edited by: joachim 2017-02-24 10:41 |
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| Copley, Jessica: "Modes of Representing the Holocaust. A Discussion of the Use of Animation in Art Spiegelman’s Maus and Oryl Yadin and Sylvie Bringas’s Silence." In: Opticon1826 9 (2010). |
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| Couser, G. Thomas: Memoir. An Introduction. New York: Oxford Univ. Press, 2012. (206 S.) |
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| Crawley, Karen und Honni van Rijswijk: "Justice in the Gutter. Representing Everyday Trauma in the Graphic Novels of Art Spiegelman." In: Law Text Culture 16 (2012), S. 93–118. |
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| Crisóstomo Gálvez, Raquel: Maus d’Art Spiegelman. Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual.(Tesi Doctoral), Universitat Pompeu Fabra, Departament d’Humanitats 2011 (350 S.). |
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| Dauber, Jeremy: "Modern Marvels. Jewish Adventures in the Graphic Novel." In: Let's Talk About It! (2004), S. 1–10. |
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| Davo, Yves: "Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers." In: E-rea 9.1 (2011). |
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| Dawidowski, Christian: "Die literarische Darstellung des Holocaust. Ein semiologisches Modell zum Beschreiben und Erfassen von Typologien." In: Zeitschrift für deutsche Philologie 4 (2009), S. 591–613. |
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| Delannoy, Pierre Alban: "L’instabilité stylistique d’Art Spiegelman." In: MEI 26 (2007), S. 207–219. |
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| ---: MAUS d’Art Spiegelman. Bande dessinée et shoah. (Champs visuels.) Paris: L’Harmattan, 2002. (189 S.) |
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| Last edited by: joachim 2015-04-20 08:54 |
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| Denkmayr, Judith: Die Comicreportage. M.A. (Diplomarbeit), Universität Wien, Publizistik und Kommunikationswissenschaft 2008 (235 S.). |
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| Doherty, Thomas: "Art Spiegelman’s Maus. Graphic Art and the Holocaust." In: American Literature 68 (1996), S. 69–84. |
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| Dohm, Annekatrin: Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. (Oldenburger Vor-Drucke, 392.) Oldenburg: ZpB, 1999. (87 S.) |
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| Donn, Katharina: "‘Icons of a more Innocent Age’? Graphic Narratives after 9/11." In: Frightful Witnessing. The Rhetoric and (Re)Presentation of Fear, Horror and Terror. Hrsg. v. Beth A. Kattelman und Magdalena Hodalska. Oxford: Inter-Disciplinary Pr. 2014. |
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| Drucker, Johanna: "What is Graphic about Graphic Novels?" In: English Language Notes 46.2 (2008), S. 39–55. |
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| Dunker, Axel: "»Time Flies«. Mediale Selbstreflexität in Art Spiegelmans Holocaust-Comic Maus." In: Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Hrsg. v. Matías Martínez. (Schrift und Bild in Bewegung, 9.) Bielefeld: Aisthesis, 2004, S. 79–98. |
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| Eaglestone, Robert: "Madness or Modernity? The Holocaust in Two Anglo-American Comics." In: Rethinking History 6 (2002), S. 319–330. |
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| Eakin, Paul John: How Our Lives Become Stories. Making Selves. Ithaca: Cornell Univ. Press, 1999. (207 S.) |
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| ---: "Reading Comics. Art Spiegelman on CD-ROM." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 13–16. |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. (234 S.) |
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| Last edited by: joachim 2019-02-09 16:08 |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After”. The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." In: Biography 27.4 (2004), S. 691–720. |
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| Last edited by: joachim 2015-02-15 11:54 |
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| Engelmann, Jonas: "»The Sky is Falling« − Der 11. September in den Comics von Art Spiegelman und Peter Kuper." In: 9/11 als kulturelle Zäsur. Repräsentationen des 11. September 2001 in kulturellen Diskursen, Literatur und visuellen Medien. Hrsg. v. Sandra Poppe, Thorsten Schüller und Sascha Seiler. Bielefeld: Transcript, 2009, S. 297–316. |
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| Last edited by: joachim 2010-05-26 18:57 |
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| ---: Wurzellose Kosmopoliten. Von Luftmenschen, Golems und jüdischer Popkultur. Mainz: Ventil, 2016. (125 S.) |
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| Last edited by: joachim 2017-03-31 11:41 |
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| Espiritu, Karen: "‘Putting Grief into Boxes’. Trauma and the Crisis of Democracy in Art Spiegelman’s In the Shadow of No Towers." In: Review of Education, Pedagogy, and Cultural Studies 28.2 (2006), S. 179–201. |
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| Etter, Lukas: Distinctive Styles and Authorship in Alternative Comics. (Anglia, 70.) Berlin u. Boston: de Gruyter, 2020. (220 S.) |
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| Ewert, Jeanne C. "Art Spiegelman’s Maus and the Graphic Narrative." In: Narrative Across Media. The Languages of Storytelling. Hrsg. v. Marie-Laure Ryan. Lincoln: Univ. of Nebraska Press, 2004, S. 178–194. |
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| Last edited by: joachim 2014-08-12 22:36 |
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| ---: "Reading Visual Narrative. Art Spiegelman's Maus." In: Narrative 8 (2000), S. 87–103. |
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| Last edited by: joachim 2009-11-04 01:42 |
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| Findlay, Laura: "In the Shadow of No Towers. The anxiety of expression and images of past trauma in Art Spiegelman’s graphic novel." In: Studies in Comics 5.1 (2014), S. 187–203. |
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| Forget, Tom: Art Spiegelman. (The Library of Graphic Novelists.) New York: Rosen, 2005. (112 S.) |
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| Frahm, Ole: "Art Spiegelman, der inhaftierte Künstler. Ein Versuch über die Grenzen souveräner Performanz." In: Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Hrsg. v. Maike Christadler und Hilla Frübis. Marburg: Jonas Verl. 1997, S. 28–36. |
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| Last edited by: joachim 2010-10-07 16:09 |
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| ---: "Dreierlei Schwarz. Art Spiegelmans und Elein Fleiss’ Interpretationen des 11. September ’01." In: Narrative des Entsetzens. Künstlerische, mediale und intellektuelle Deutungen des 11. September 2001. Hrsg. v. Matthias N. Lorenz. (Film – Medium – Diskurs, 4.) 2004, S. 169–182. |
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| Last edited by: joachim 2012-05-27 09:37 |
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| ---: Figurale Darstellung im Comic, untersucht am Beispiel von Art Spiegelmans ›Maus‹. M.A. (Magisterarbeit), Universität Hamburg 1997 (154 S.). |
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| Added by: joachim 2010-12-21 15:53 |
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| ---: Genealogie des Holocaust. Art Spiegelmans MAUS – A Survivor’s Tale. München: Fink, 2006. (301 S.) |
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| Last edited by: joachim 2013-01-20 22:14 |
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| Frahm, Ole und Michael Hein: "Hilflose Täter. Was Auschwitz in einigen Comic-Geschichten verloren hat." In: Comic Almanach (1993), S. 90–105. |
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| Last edited by: joachim 2012-01-17 00:07 |
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| Frahm, Ole: "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." In: Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Hrsg. v. Dorothee Römhild. Opladen: Westdeutscher Verl. 1999, S. 222–244. |
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| Last edited by: joachim 2009-08-19 10:20 |
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| ---: Lebendige Masken. Die Darstellung rassifizierter Identitäten in Art Spiegelmans Comic MAUS.(Magisterarbeit), Universität Hamburg 1997 (154 S.). |
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| Last edited by: joachim 2014-06-13 16:40 |
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| Frahm, Ole und Michael Hein: "MAUS." In: Lexikon der Comics. Hrsg. v. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Added by: joachim 2014-05-10 07:38 |
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| Frahm, Ole: "“These papers had too many memories. So I burned them”. Genealogical Remembrance in Art Spiegelman's Maus. A Survivors Tale." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 61–78. |
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| Last edited by: joachim 2010-02-16 01:22 |
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| ---: "Das weiße M. Zur Genealogie von MAUS(CHWITZ)." In: Überlebt und unterwegs. Jüdische Displaced Persons im Nachkriegsdeutschland. (Jahrbuch zur Geschichte und Wirkung des Holocaust, 2.) Frankfurt am Main: Campus, 1997, S. 303–340. |
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| Last edited by: joachim 2009-08-08 09:19 |
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| Freitag, Kornelia: "Die Verarbeitung des Holocaust im Comic. Die Bilderwelt des Art Spiegelman " In: Jüdische Literatur und Kultur in Großbritannien und den USA nach 1945. Hrsg. v. Beate Neumeier. (Jüdische Kultur, 3.) München: Harassowitz, 1998, S. 171–188. |
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| Added by: joachim 2022-04-22 11:23 |
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| Friederich, Ute: "Fragmentarische Strukturen. Wie Art Spiegelman und W.G. Sebald Zeugenschaft und Trauma erzählbar machen." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 209–220. |
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| Friedman, Elisabeth R. "Spiegelman’s magic box. MetaMaus and the archive of representation." In: Studies in Comics 3.2 (2012), S. 275–291. |
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| Added by: joachim 2017-05-04 12:30 |
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| Gauthier, Tim: "9/11, image control, and the graphic narrative. Spiegelman, Rehr, Torres." In: Journal of Postcolonial Writing 46.3–4 (2010), S. 369–380. |
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| Added by: joachim 2015-10-11 09:16 |
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| ---: "9/11, image control, and the graphic narrative. Spiegelman, Rehr, Torres." In: Literature, Migration and the ‘War on Terror’. Hrsg. v. Fiona Tolan et al. London, New York: Routledge, 2012, S. 115–126. |
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| Last edited by: joachim 2015-10-11 09:01 |
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| Geis, Deborah R. (Hrsg.): Considering Maus. Approaches to Art Spiegelman's »Survivor's tale« of the Holocaust. Tuscaloosa: Univ. of Alabama Press, 2003. |
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| Added by: joachim 2009-07-20 01:34 |
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