| Afrashteh, Diana. "Das gezeichnete Selbst zwischen den Kulturen: Eine interkulturelle annäherung an marjane satrapis biographisches werk persepolis." Diplomarbeit Donau Universität Krems, 2008. |
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| Ahmed, Maaheen. "State Protection and Identification in Hellboy: Of reformed devils and other others in the pentagon." European Journal of American Studies 10.2 2015. Accessed 12 October. 2015. <https://ejas.revues.org/10938>. |
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| Ajah, Richard Oko. "Nationalism and African Communal Identity in Marguerite Abouet’s and Clement Oubrerie’s Aya de Yopougon." Human and Social Studies 5.(2017): 85–99. |
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| Albiero, Olivia. "Between free movement and confinement: Overcoming boundaries in simon schwartz’s drüben! and colleen frakes’s prison island." Journal of Graphic Novels and Comics 11.(2020): 96–116. |
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| Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending victorian and steampunk cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
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| Amihay, Ofra. "Red Diapers, Pink Stories Color photography and self-outing in jewish women’s comics." Image [&] Narrative 16.2 2015. Accessed 13 July. 2015. <http://www.imageandnarr ... rative/article/view/811>. |
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| Ananth, Mahesh and Ben Dixon. "Should Bruce Wayne Have Become Batman?." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 101–13. |
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| Anderson, Reynaldo. "Critical Afrofuturism: A case study in visual rhetoric, sequential art, and post-apocalyptic black identity." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 171–92. |
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| Andersson, Lars M. En jude är en jude är en jude …: Representationen av »juden« i svensk skämtpress omkring 1900–1930. Lund: Nordic Academic Pr, 2000. |
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| Aurylaite, Kristina. "Spatial Politics and a Native American Reservation: Reading red power: a graphic novel with author brian wright-mcleod." European Journal of American Studies 10.2 2015. Accessed 15 August. 2015. <http://ejas.revues.org/10863>. |
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| Balzer, Jens and Ole Frahm. "Immer Ärger mit der Identität – Frau, Subjekt, Blick und Bohême [sic] in den Comics von Julie Doucet." kritische berichte 21.(1993): 50–62. |
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| Banerjee, Bidisha. "Creating a ‘well-fitted habitus’: Material culture, homemaking and diasporic belonging in shaun tan’s the arrival." Journal of Graphic Novels and Comics 7.(2016): 53–69. |
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| Batkin, Jane. Identity in Animation: A journey into self, difference, culture, and the body. London, New York: Routledge, 2017. |
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| Bauldic, Michelle. "Allan Beaton’s “Ookpik” Was Here." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 137–47. |
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| Beckmann, Anna, et al.. "de_konstruierte Identität: Aushandlungen von gender in der hure h von anke feuchtenberger und kathrin de vries." Comics an der Grenze. Sub/Versionen von Form und Inhalt. Eds. Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer. Berlin: Ch.A. Bachmann, 2017. |
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| Bennett, Tamryn. "Dancing with Demons: Consciousness and identity in the comics of lynda barry." Picturing Childhood. Youth in Transnational Comics. Eds. Mark Heimermann and Brittany Tullis. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2017. 218–33. |
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| Berenstein, Ofer. "The Third Temple: Alternative realities’ depiction of israel in israeli comics and what it tells us about political consensus in israeli society." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 141–53. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo suehiro's historically ambiguous comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Bevin, Phillip. "Spider-Man and Batman, Disordered Minds Friendship through difference." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 134–44. |
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| Birken, Jacob. "Set Pieces: Cultural appropriation and the search for contemporary identities in shōnen manga." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 146–62. |
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| Bliss, Jennifer Anderson. "Redrawing History: Visual postmemory in tardi’s 120, rue de la gare." Mosaic 49.(2016): 73–92. |
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| Breidenbach, Carla. "Pocho Politics: Language, identity, and discourse in lalo alcaraz’s la cucaracha." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 210–38. |
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| Brockmann, Madalina. "Metamorphosis and Identity: Psychoanalytical notes to miyazaki’s spirited away and howl’s moving castle." Medienobservationen 2008. Accessed 20 February. 2014. <http://www.medienobserv ... mann_metamorphosis.html>. |
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| Brown, Jeffrey A. Batman and the Multiplicity of Identity: The contemporary comic book superhero as cultural nexus. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. |
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| Brown, Jeffrey A. Panthers, Hulks and Ironhearts Marvel, diversity and the 21st century superhero. New Brunswick: Rutgers Univ. Press, 2021. |
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| Bryce, Mio. "Another Half and/or Another Individual: Representation of twins in manga." International Journal of the Humanities 5.(2008): 143–52. |
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| Cadle, Lanette. "The Shadow or the Self: The construction of neil gaiman on social media." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 149–68. |
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| Campbell, Bruce. ¡Viva la historieta! Mexican comics, nafta, and the politics of globalization. Jackson: Univ. Press of Mississippi, 2009. |
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| Cannon, Sam. Narrating A Brazilian Deathscape in Fábio Moon and Gabriel Bá’s Graphic Novel Daytripper. Comic Arts Conference: San Diego, 18—21 July, 2013. |
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| Casey, Jim and Stefan Hall. "The Exotic Other Scripted: Identity and metamorphosis in david mack's kabuki." ImageTexT 3.1 2006. Accessed 9 December. 2009. <http://www.english.ufl. ... chives/v3_1/casey_hall/>. |
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| Chambliss, Julian C. "War Machine: Blackness, power and identity in iron man." The Ages of Iron Man. Essays on the Armored Avenger in Changing Times. Ed. Joseph J. Darowski. London, New York: McFarland, 2015. 148–63. |
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| Chaney, Michael A. "Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography." College Literature 38.(2011): 21–44. |
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| Chen, Hsiao-ping. "The Significance of Manga in the Identity-Construction of Young American Adults: A lacanian approach." Dissertation Dr. Ohio State University, 2011. |
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| Clark, Vicky A. "The Power of Suggestion … … The Suggestion of Power." Comic Release. Negotiating Identity for a New Generation. Eds. Vicky A. Clark and Barbara Bloemink. New York: D.A.P, 2002. 26–42. |
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| Clewell, Tammy. "Beyond Graphic Memoir: Visualizing third-generation german cultural identity in nora krug’s belonging." American Imago 77.(2020): 459–96. |
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| Cointot, Chantal. "Approximate Author-ity: Self-crafting “le bec” and other trondheimian masks." Image [&] Narrative 19.3 2018. Accessed 21 February. 2019. <http://www.imageandnarr ... ative/article/view/1939>. |
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| Cordeiro, William and Season Ellison. "Performative Texts and the Pedagogical Theatre: Alison bechdel’s fun home as compositional model." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 167–86. |
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| Cortsen, Rikke Platz. "Post-modern Joker – Semiotics, Interpretation and Identity in Arkham Asylum." Critical Engagements 3.(2009): 31–50. |
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| Costello, Matthew J. Secret Identity Crisis: Comic books and the unmasking of cold war america. London, New York: Continuum, 2009. |
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| Cressman, Jodi. "Company, counterbalance, and closure in Ellen Forney’s Marbles." Journal of Graphic Novels and Comics (2018): 1–14. |
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| Dalmaso, Renata. "When Superheroes Awaken: The revisionist trope in neil gaiman’s marvel 1602." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 116–30. |
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| Dardaillon, Sylvie and Christophe Meunier. "La série Paul de Michel Rabagliati: Récits d’espaces et de temps." Comicalités 2013. Accessed 8 July. 2016. <http://comicalites.revues.org/1566>. |
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| Dardaillon, Sylvie and Christophe Meunier. "Paul à Québec, le génie des lieux comme patrimoine identitaire." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 87–102. |
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| Davis, Julie. "Both Everyman and Other: “dilbert” as an exemplar of newspaper comics’ simultaneous identification and distance." International Journal of Comic Art 11.(2009): 176–94. |
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| de la Iglesia, Martin. "Authorship, Collaboration, and Art Geography." CLCWeb: Comparative Literature and Culture 12.3 2010. Accessed 3 November. 2010. <http://docs.lib.purdue.edu/clcweb/vol12/iss3/6/>. |
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| Diebler, Matthew. "“I’m Not One of Them Anymore”: Marvel’s x-men and the loss of minority (racial) identity." International Journal of Comic Art 8.(2006): 406–13. |
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| Dittmer, Jason. "Towards new (graphic) narratives of Europe." International Journal of Cultural Policy (2012). |
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| Dittmer, Jason. Captain America and the Nationalist Superhero: Metaphors, narratives, and geopolitics. Philadelphia: Temple Univ. Press, 2013. |
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| Last edited by: joachim 11/21/20, 8:42 PM |
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| Dittmer, Jason and Soren Larsen. "Captain Canuck, audience response, and the project of Canadian nationalism." Social & Cultural Geography 8.(2007): 735–53. |
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| Donahue, James J. "Skinner Sweet, American Vampire." European Journal of American Studies 10.2 2015. Accessed 12 October. 2015. <https://ejas.revues.org/11019>. |
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| Dony, Christophe. "Trauma, Identity and Memory The individual/collective dialectic in 9/11-related comics." International Journal of Comic Art 9.(2007): 340–72. |
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| Dudek, Debra. "“Good Relationships Mean Good Lives”: Warrior-survivor identity/ies in david alexander robertson’s 7 generations." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 39–50. |
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| Duncan, Randy. "Traveling Hopefully in Search of American National Identity: The “grounded” superman as a 21st century picaro." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 218–29. |
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| Dyer, Harry T. Designing the Social: Unpacking social media design and identity. Cultural Studies and Transdisciplinarity in Education. Singapor: Springer Singapore, 2020. |
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| Eckard, Sandra, ed. Comic Connections: Analyzing hero and identity. Lanham [etc.]: Rowman & Littlefield, 2017. |
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| Eckhoff-Heindl, Nina and Véronique Sina, eds. Spaces Between: Gender, diversity, and identity in comics. Wiesbaden: Springer VS, 2020. |
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| Edwardson, Ryan. "The Many Lives of Captain Canuck: Nationalism, culture, and the creation of a canadian comic book superhero." Journal of Popular Culture 37.(2003): 184–201. |
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| El Refaie, Elisabeth. "Transnational Identity as Shape-Shifting: Metaphor and cultural resonance in gene luen yang’s american born chinese." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 33–47. |
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| Farrant, Finola. Crime, Prisons and Viscous Culture Adventures in criminalized identities. New York [etc.]: Palgrave Macmillan, 2016. |
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| Fernandes D‘Oliveira, Gêisa. "From Bumpkin to Blessed – Comics and National Identity: A brazilian case study." International Journal of Comic Art 11.(2009): 350–63. |
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| Fernández L’Hoeste, Héctor D. "The Mystery of Kaliman, el Hombre Increible Race and identity in mexican comics." International Journal of Comic Art 5.(2003): 220–30. |
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| Fernández L’Hoeste, Héctor D. and Juan Poblete, eds. Redrawing the Nation: National identity in latin/o american comics. New Concepts in Latino American Cultures. New York [etc.]: Palgrave Macmillan, 2009. |
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| Fondevilla, Herbeth L. "Contemplating the Identity of Manga in the Philippines." International Journal of Comic Art 9.(2007): 441–53. |
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| Forry, Diana. "Belonging: The struggle of two worlds and identity." Africology 11.9 2018. Accessed 9 June. 2022. <http://www.jpanafrican. ... .9-special-17-Forry.pdf>. |
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| Foster, III, William. "Do We Still Have To Be Black? Comic Book Creators Discuss Racial Identity." International Journal of Comic Art 8.(2006): 414–29. |
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| Foster, David William. "Latino Comics: Javier hernandez’s el muerto as an allegory of chicano identity." Latinos and Narrative Media. Participation and Portrayal. Ed. Frederick Luis Aldama. New York [etc.]: Palgrave Macmillan, 2013. 225–40. |
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| Frahm, Ole. "Lebendige Masken: Die darstellung rassifizierter identitäten in art spiegelmans comic maus." Magisterarbeit Universität Hamburg, 1997. |
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| Fuller, Linda K. "Singapore’s Mr. Kiasu, Kiasu Krossover, Kiasu Max, and Kiasu the Xtraman Comics reflecting a nation’s personality and popular culture." Themes and Issues in Asian Cartooning. Cute, Cheap, Mad, and Sexy. Ed. John A. Lent. Bowling Green: Bowling Green State Univ. Popular Press, 1999. 77–90. |
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| Giaimo, Genie. "Psychological Diffusions: The cognitive turn in alison bechdel’s are you my mother? a comic drama." European Journal of Life Writing 2 2013. Accessed 20 September. 2016. <http://ejlw.eu/article/view/57/78>. |
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| Gibson, Mel. ""You Can't Read Them, They're for Boys!" British Girls, American Superhero Comics and Identity." International Journal of Comic Art 5.(2003): 305–24. |
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| Gibson, Mel. "“Yeah, I Think There Is Still Hope” Youth, ethnicity, faith, feminism, and fandom in ms. marvel." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 23–44. |
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| Added by: joachim 9/22/20, 11:09 AM |
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| Gibson, Mel, David Huxley, and Joan Ormrod, eds. Superheroes and Identities. London: Routledge, 2014. |
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| Giddens, Thomas. "Law and the machine: Fluid and mechanical selfhood in the ghost in the shell." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 89–105. |
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| Added by: joachim 1/12/16, 6:24 PM |
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| Giebel, Michael. "Latino/a Magical Realism and American Superhero Fiction as Constitutive Agents in the Negotiation of Dominican-American Identity in Junot Díaz’ The Brief Wondrous Life of Oscar Wao." Exploring the Fantastic. Genre, Ideology, and Popular Culture. Eds. Ina Batzke, et al.. Bielefeld: Transcript, 2018. 189–210. |
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| Gilbert, Christopher J. Caricature and National Character: The united states at war. Humor in America. University Park: Penn State Univ. Press, 2021. |
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| Gilroy, Andréa. "Origin Stories: Narrative, identity, and the comics form." PhD Diss. University of Oregon, 2015. |
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| Glass, Susannah Ketchum. "Witnessing the Witness: Narrative slippage in art spiegelman’s maus." Life Writing 3.(2006): 3–24. |
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| González-Velázquez, Carlos Allende, et al.. "Watching Black Panther with racially diverse youth: Relationships between film viewing, ethnicity, ethnic identity, empowerment, and wellbeing." Review of Communication 20.(2020): 250–59. |
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| Gordon, Ian. "The Symbol of a Nation: Ginger meggs and australian national identity." Journal of Australian Studies 16.(1992): 1–14. |
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| Grove, Laurence. "The Idea of France in “Comics” Old and New." Contemporary French and Francophone Studies 17.(2013): 182–94. |
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| Harris, Felicia L. "“Tell me the story of home”: Afrofuturism, eric killmonger, and black american malaise." Review of Communication 20.(2020): 278–85. |
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| Hembrough, Tara. "Rural and Native American Students’ Utilization of Autobiographical Comic Strips to Explore Their Identities through Digital Storytelling in the Multimodal Writing Classroom." Journal of Multimodal Rhetorics 3.1 2019. Accessed 29 May. 2019. <http://journalofmultimo ... com/3-1-issue-hembrough>. |
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| Hochschild, Björn. "Superhero Comics and the Potential for Continuation: Identity and temporality in alan moore’s watchmen." Literatur in Wissenschaft und Unterricht 47.(2014): 55–66. |
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| Hwang, Yih-Jye. "Japan as “Self” or “the Other” in Yoshinori Kobayashi’s On Taiwan." China Information 24.(2010): 75–98. |
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| Ishikawa, Satomi. Seeking the Self: Individualism and popular culture in japan. Worlds of East Asia. Bern [etc.]: Peter Lang, 2007. |
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| Last edited by: joachim 5/8/10, 11:10 PM |
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| Jacobs, Dale and Greg Paziuk. "The Chance of Life: Jeff lemire’s essex county trilogy, canadian identity, and the mythos of hockey." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 75–86. |
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| Johnson, Amber L. "The dark matter(s) of Wakanda: A poetic performative." Review of Communication 20.(2020): 244–49. |
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| Kahler, Jason. "The many masks of Dr Henry Pym: Alter ego, identity, disability and personality of a founding avenger." Film, Fashion {&} Consumption 10.(2021): 299–311. |
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| Kahn, Ariel. "From Darkness into Light: Reframing notions of self and other in contemporary israeli graphic narratives." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 198–213. |
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| Kannenberg, Jr., Gene. "“I looked just like Rudolph Valentino”: Identity and representation in maus." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 79–89. |
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| Karaminas, Vicki. "“No Capes!” Uber Fashion and How “Luck Favors the Prepared” Constructing contemporary superhero identities in american popular culture." International Journal of Comic Art 8.(2006): 498–508. |
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| Karipidis, Iliana. "Persepolis & Nylon Road Zwei beispiele populärer interkultureller literatur." Werkstücke 1.(2011): 25–36. |
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| Kauranen, Ralf. "Visions of Queer Places migration and utopia in finnish queer comics." European Comic Art 15.(2022): 26–45. |
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| Added by: joachim 5/23/22, 3:04 PM |
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| Kavaloski, Laini. "Contested spaces in graphic narrative: Exploring homeland through miriam libicki’s jobnik!: an american girl’s adventures in the israeli army." Studies in Comics 6.(2015): 231–51. |
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| King, Alyson E. "Adventurous Children: Creating a Canadian Identity in Kayak: Canada’s History Magazine for Kids™." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 119–36. |
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| Kinghorn, Kevin. "Questions of Identity: Is the hulk the same person as bruce banner?." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 223–36. |
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| Last edited by: joachim 9/7/10, 12:22 PM |
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| Added by: joachim 4/25/16, 2:25 PM |
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| Added by: joachim 3/7/14, 11:14 AM |
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| Kopin, Joshua Abraham. "Identity and Representation in US Comics." American Literature 90.(2018): 439–48. |
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| Last edited by: joachim 9/17/18, 2:20 PM |
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| Added by: joachim 12/16/15, 1:40 PM |
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