| Afrashteh, Diana: Das gezeichnete Selbst zwischen den Kulturen. Eine interkulturelle Annäherung an Marjane Satrapis biographisches Werk Persepolis.(Diplomarbeit), Donau Universität Krems, Interkulturelle Kompetenzen 2008 (84 S.). |
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| Ahmed, Maaheen: "State Protection and Identification in Hellboy. Of reformed devils and other Others in the Pentagon." In: European Journal of American Studies 10.2 (2015). |
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| Ajah, Richard Oko: "Nationalism and African Communal Identity in Marguerite Abouet’s and Clement Oubrerie’s Aya de Yopougon." In: Human and Social Studies 5.3 (2017), S. 85–99. |
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| Albiero, Olivia: "Between free movement and confinement. Overcoming boundaries in Simon Schwartz’s drüben! and Colleen Frakes’s Prison Island." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 96–116. |
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| Alonso Jerez, Marta: "New Gender Identities in the Twenty-First Century. Blending Victorian and Steampunk Cultures." In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Hrsg. v. Simonetta Falchi, Greta Perletti und Maria Isabel Romero Ruiz. (Critica letteraria e linguistica, 100.) Milano: FrancoAngeli, 2015, S. 59–72. |
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| Amihay, Ofra: "Red Diapers, Pink Stories. Color Photography and Self-Outing in Jewish Women’s Comics." In: Image [&] Narrative 16.2 (2015), S. 42–64, . |
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| Added by: joachim 2015-07-13 09:45 |
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| Ananth, Mahesh und Ben Dixon: "Should Bruce Wayne Have Become Batman?" In: Batman and Philosophy. The Dark Knight of the Soul. Hrsg. v. Mark D. White und Robert Arp. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2008, S. 101–113. |
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| Anderson, Reynaldo: "Critical Afrofuturism. A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 171–192. |
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| Andersson, Lars M. En jude är en jude är en jude …. Representationen av »juden« i svensk skämtpress omkring 1900–1930. Lund: Nordic Academic Pr. 2000. (622 S.) |
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| Aurylaite, Kristina: "Spatial Politics and a Native American Reservation. Reading Red Power: A Graphic Novel with Author Brian Wright-McLeod." In: European Journal of American Studies 10.2 (2015). |
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| Balzer, Jens und Ole Frahm: "Immer Ärger mit der Identität – Frau, Subjekt, Blick und Bohême [sic] in den Comics von Julie Doucet." In: kritische berichte 21.4 (1993), S. 50–62. |
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| Banerjee, Bidisha: "Creating a ‘well-fitted habitus’. Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." In: Journal of Graphic Novels and Comics 7.1 (2016), S. 53–69. |
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| Batkin, Jane: Identity in Animation. A Journey into Self, Difference, Culture, and the Body. London, New York: Routledge, 2017. (182 S.) |
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| Bauldic, Michelle: "Allan Beaton’s “Ookpik” Was Here." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 137–147. |
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| Beckmann, Anna et al. "de_konstruierte Identität. Aushandlungen von gender in der Hure h von Anke Feuchtenberger und Kathrin de Vries." In: Comics an der Grenze. Sub/Versionen von Form und Inhalt. Hrsg. v. Matthias Harbeck, Linda-Rabea Heyden und Marie Schröer. Berlin: Ch.A. Bachmann, 2017. |
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| Bennett, Tamryn: "Dancing with Demons. Consciousness and Identity in the Comics of Lynda Barry." In: Picturing Childhood. Youth in Transnational Comics. Hrsg. v. Mark Heimermann und Brittany Tullis. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2017, S. 218–233. |
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| Berenstein, Ofer: "The Third Temple. Alternative Realities’ Depiction of Israel in Israeli Comics and What it Tells Us about Political Consensus in Israeli Society." In: Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Hrsg. v. Derek Parker Royal. New York: Bloomsbury Academic, 2016, S. 141–153. |
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| Berndt, Jaqueline: "‘Adult’ Manga. Maruo Suehiro's Historically Ambiguous Comics." In: Reading Manga. Local and Global Perceptions of Japanese Comics. Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 107–125. |
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| Bevin, Phillip: "Spider-Man and Batman, Disordered Minds. Friendship Through Difference." In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 134–144. |
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| Added by: joachim 2012-10-09 13:10 |
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| Birken, Jacob: "Set Pieces. Cultural Appropriation and the Search for Contemporary Identities in Shōnen Manga." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 146–162. |
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| Bliss, Jennifer Anderson: "Redrawing History. Visual Postmemory in Tardi’s 120, rue de la Gare." In: Mosaic 49.1 (2016), S. 73–92. |
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| Breidenbach, Carla: "Pocho Politics. Language, Identity, and Discourse in Lalo Alcaraz’s La Cucaracha." In: Linguistics and the Study of Comics. Hrsg. v. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012, S. 210–238. |
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| Added by: joachim 2012-06-02 12:38 |
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| Brockmann, Madalina: "Metamorphosis and Identity. Psychoanalytical Notes to Miyazaki’s Spirited Away and Howl’s Moving Castle." In: Medienobservationen (23. Jan. 2008). |
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| Brown, Jeffrey A. Batman and the Multiplicity of Identity. The Contemporary Comic Book Superhero as Cultural Nexus. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. (226 S.) |
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| Bryce, Mio: "Another Half and/or Another Individual. Representation of Twins in Manga." In: International Journal of the Humanities 5.11 (2008), S. 143–152. |
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| Cadle, Lanette: "The Shadow or the Self. The Construction of Neil Gaiman on Social Media." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 149–168. |
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| Campbell, Bruce: ¡Viva la historieta! Mexican Comics, NAFTA, and the Politics of Globalization. Jackson: Univ. Press of Mississippi, 2009. (240 S.) |
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| Last edited by: joachim 2010-07-17 17:37 |
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| Cannon, Sam. "Narrating A Brazilian Deathscape in Fábio Moon and Gabriel Bá’s Graphic Novel Daytripper". Comic Arts Conference: San Diego, 18.–21. Juli, 2013. |
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| Casey, Jim und Stefan Hall: "The Exotic Other Scripted. Identity and Metamorphosis in David Mack's Kabuki." In: ImageTexT 3.1 (2006). |
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| Chambliss, Julian C. "War Machine. Blackness, Power and Identity in Iron Man." In: The Ages of Iron Man. Essays on the Armored Avenger in Changing Times. Hrsg. v. Joseph J. Darowski. London, New York: McFarland, 2015, S. 148–163. |
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| Chaney, Michael A. "Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography." In: College Literature 38.3 (2011), S. 21–44. |
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| Chen, Hsiao-ping: The Significance of Manga in the Identity-Construction of Young American Adults. A Lacanian Approach. Dr. (Dissertation), Ohio State University, Art Education 2011 (313 S.). |
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| Clark, Vicky A. "The Power of Suggestion … … The Suggestion of Power." In: Comic Release. Negotiating Identity for a New Generation. Hrsg. v. Vicky A. Clark und Barbara Bloemink. New York: D.A.P. 2002, S. 26–42. |
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| Clewell, Tammy: "Beyond Graphic Memoir. Visualizing Third-Generation German Cultural Identity in Nora Krug’s Belonging." In: American Imago 77.3 (2020), S. 459–496. |
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| Cointot, Chantal: "Approximate Author-ity. Self-Crafting “Le Bec” and Other Trondheimian Masks." In: Image [&] Narrative 19.3 (2018), S. 16–33, . |
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| Cordeiro, William und Season Ellison: "Performative Texts and the Pedagogical Theatre. Alison Bechdel’s Fun Home as Compositional Model." In: Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Hrsg. v. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2017, S. 167–186. |
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| Cortsen, Rikke Platz: "Post-modern Joker – Semiotics, Interpretation and Identity in Arkham Asylum." In: Critical Engagements 3.1 (2009), S. 31–50. |
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| Costello, Matthew J. Secret Identity Crisis. Comic Books and the Unmasking of Cold War America. London, New York: Continuum, 2009. (293 S.) |
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| Cressman, Jodi: "Company, counterbalance, and closure in Ellen Forney’s Marbles." In: Journal of Graphic Novels and Comics (2018), S. 1–14. |
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| Dalmaso, Renata: "When Superheroes Awaken. The Revisionist Trope in Neil Gaiman’s Marvel 1602." In: Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Hrsg. v. Tara Prescott und Aaron Drucker. Jefferson, London: McFarland, 2012, S. 116–130. |
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| Dardaillon, Sylvie und Christophe Meunier: "Paul à Québec, le génie des lieux comme patrimoine identitaire." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 87–102. |
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| ---: "La série Paul de Michel Rabagliati. Récits d’espaces et de temps." In: Comicalités (17. Apr. 2013). |
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| Davis, Julie: "Both Everyman and Other. “Dilbert” as an Exemplar of Newspaper Comics’ Simultaneous Identification and Distance." In: International Journal of Comic Art 11.2 (2009), S. 176–194. |
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| Diebler, Matthew: "“I’m Not One of Them Anymore”. Marvel’s X-Men and the Loss of Minority (Racial) Identity." In: International Journal of Comic Art 8.2 (2006), S. 406–413. |
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| Dittmer, Jason: Captain America and the Nationalist Superhero. Metaphors, Narratives, and Geopolitics. Philadelphia: Temple Univ. Press, 2013. (230 S.) |
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| Dittmer, Jason und Soren Larsen: "Captain Canuck, audience response, and the project of Canadian nationalism." In: Social & Cultural Geography 8 (2007), S. 735–753. |
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| Dittmer, Jason: "Towards new (graphic) narratives of Europe." In: International Journal of Cultural Policy (2012). |
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| Donahue, James J. "Skinner Sweet, American Vampire." In: European Journal of American Studies 10.2 (2015). |
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| Dony, Christophe: "Trauma, Identity and Memory. The Individual/Collective Dialectic in 9/11-related Comics." In: International Journal of Comic Art 9.2 (2007), S. 340–372. |
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| Dudek, Debra: "“Good Relationships Mean Good Lives”. Warrior-Survivor Identity/ies in David Alexander Robertson’s 7 Generations." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 39–50. |
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| Duncan, Randy: "Traveling Hopefully in Search of American National Identity. The “Grounded” Superman as a 21st Century Picaro." In: The Ages of Superman. Essays on the Man of Steel in Changing Times. Hrsg. v. Joseph J. Darowski. Jefferson, London: McFarland, 2012, S. 218–229. |
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| Added by: joachim 2013-03-26 09:58 |
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| Eckard, Sandra (Hg.): Comic Connections. Analyzing Hero and Identity. Lanham [etc.]: Rowman & Littlefield, 2017. (136 S.) |
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| Eckhoff-Heindl, Nina und Véronique Sina (Hgg.): Spaces Between. Gender, Diversity, and Identity in Comics. Wiesbaden: Springer VS, 2020. (200 S.) |
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| Edwardson, Ryan: "The Many Lives of Captain Canuck. Nationalism, Culture, and the Creation of a Canadian Comic Book Superhero." In: Journal of Popular Culture 37.2 (2003), S. 184–201. |
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| El Refaie, Elisabeth: "Transnational Identity as Shape-Shifting. Metaphor and Cultural Resonance in Gene Luen Yang’s American Born Chinese." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 33–47. |
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| Added by: joachim 2013-04-13 20:01 |
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| Farrant, Finola: Crime, Prisons and Viscous Culture. Adventures in Criminalized Identities. New York [etc.]: Palgrave Macmillan, 2016. (230 S.) |
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| Fernandes D‘Oliveira, Gêisa: "From Bumpkin to Blessed – Comics and National Identity. A Brazilian Case Study." In: International Journal of Comic Art 11.2 (2009), S. 350–363. |
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| Fernández L’Hoeste, Héctor D. "The Mystery of Kaliman, el Hombre Increible. Race and Identity in Mexican Comics." In: International Journal of Comic Art 5.1 (2003), S. 220–230. |
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| Fernández L’Hoeste, Héctor D. und Juan Poblete (Hgg.): Redrawing the Nation. National Identity in Latin/o American Comics. (New Concepts in Latino American Cultures.) New York [etc.]: Palgrave Macmillan, 2009. (276 S.) |
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| Added by: joachim 2013-12-14 16:15 |
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| Fondevilla, Herbeth L. "Contemplating the Identity of Manga in the Philippines." In: International Journal of Comic Art 9.2 (2007), S. 441–453. |
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| Foster, David William: "Latino Comics. Javier Hernandez’s El Muerto as an Allegory of Chicano Identity." In: Latinos and Narrative Media. Participation and Portrayal. Hrsg. v. Frederick Luis Aldama. New York [etc.]: Palgrave Macmillan, 2013, S. 225–240. |
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| Foster, III, William: "Do We Still Have To Be Black? Comic Book Creators Discuss Racial Identity." In: International Journal of Comic Art 8.2 (2006), S. 414–429. |
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| Frahm, Ole: Lebendige Masken. Die Darstellung rassifizierter Identitäten in Art Spiegelmans Comic MAUS.(Magisterarbeit), Universität Hamburg 1997 (154 S.). |
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| Fuller, Linda K. "Singapore’s Mr. Kiasu, Kiasu Krossover, Kiasu Max, and Kiasu the Xtraman. Comics Reflecting a Nation’s Personality and Popular Culture." In: Themes and Issues in Asian Cartooning. Cute, Cheap, Mad, and Sexy. Hrsg. v. John A. Lent. Bowling Green: Bowling Green State Univ. Popular Press, 1999, S. 77–90. |
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| Giaimo, Genie: "Psychological Diffusions. The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama." In: European Journal of Life Writing 2 (2013), S. 35–58, . |
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| Gibson, Mel, David Huxley und Joan Ormrod (Hgg.): Superheroes and Identities. London: Routledge, 2014. (284 S.) |
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| Added by: joachim 2016-02-05 16:08 |
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| Gibson, Mel: "“Yeah, I Think There Is Still Hope”. Youth, Ethnicity, Faith, Feminism, and Fandom in Ms. Marvel." In: Gender and the Superhero Narrative. Hrsg. v. Michael Goodrum, Tara Prescott und Philip Smith. Jackson: Univ. Press of Mississippi, 2018, S. 23–44. |
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| Added by: joachim 2020-09-22 11:09 |
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| ---: ""You Can't Read Them, They're for Boys!" British Girls, American Superhero Comics and Identity." In: International Journal of Comic Art 5.1 (2003), S. 305–324. |
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| Added by: Deleted user 2009-08-11 13:34 |
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| Giddens, Thomas: "Law and the machine. Fluid and mechanical selfhood in The Ghost in the Shell." In: Graphic Justice. Intersections of Comics and Law. Hrsg. v. Thomas Giddens. London, New York: Routledge, 2015, S. 89–105. |
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| Added by: joachim 2016-01-12 18:24 |
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| Giebel, Michael: "Latino/a Magical Realism and American Superhero Fiction as Constitutive Agents in the Negotiation of Dominican-American Identity in Junot Díaz’ The Brief Wondrous Life of Oscar Wao." In: Exploring the Fantastic. Genre, Ideology, and Popular Culture. Hrsg. v. Ina Batzke et al. Bielefeld: Transcript, 2018, S. 189–210. |
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| Added by: joachim 2018-04-11 23:56 |
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| Gilroy, Andréa: Origin Stories. Narrative, Identity, and the Comics Form. Diss. (PhD), University of Oregon, Dept. of Comparative Literature 2015 (169 S.). |
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| Added by: joachim 2017-12-09 14:10 |
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| Glass, Susannah Ketchum: "Witnessing the Witness. Narrative slippage in Art Spiegelman’s Maus." In: Life Writing 3.2 (2006), S. 3–24. |
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| González-Velázquez, Carlos Allende et al. "Watching Black Panther with racially diverse youth. Relationships between film viewing, ethnicity, ethnic identity, empowerment, and wellbeing." In: Review of Communication 20.3 (2020), S. 250–259. |
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| Gordon, Ian: "The Symbol of a Nation. Ginger Meggs and Australian National Identity." In: Journal of Australian Studies 16.34 (1992), S. 1–14. |
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| Grove, Laurence: "The Idea of France in “Comics” Old and New." In: Contemporary French and Francophone Studies 17.2 (2013), S. 182–194. |
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| Added by: joachim 2013-08-28 09:33 |
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| Harris, Felicia L. "“Tell me the story of home”. Afrofuturism, Eric Killmonger, and Black American malaise." In: Review of Communication 20.3 (2020), S. 278–285. |
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| Hembrough, Tara: "Rural and Native American Students’ Utilization of Autobiographical Comic Strips to Explore Their Identities through Digital Storytelling in the Multimodal Writing Classroom." In: Journal of Multimodal Rhetorics 3.1 (2019), S. 115–160, . |
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| Last edited by: joachim 2019-05-29 13:57 |
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| Hochschild, Björn: "Superhero Comics and the Potential for Continuation. Identity and Temporality in Alan Moore’s Watchmen." In: Literatur in Wissenschaft und Unterricht 47.1/2 (2014), S. 55–66. |
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| von Holzen, Aleta-Amirée: "If They Only Knew. Die Doppelidentität maskierter Superhelden zwischen Täuschung und Authentizität." In: Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung (2019), S. 91–104, . |
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| Added by: joachim 2020-01-12 18:12 |
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| ---: "Marvel-lous Masked Men. Doppelidentitäten in Superheldenfilmen." In: Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Hrsg. v. Lars Schmeink und Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012, S. 187–202. |
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| Last edited by: joachim 2016-07-03 23:48 |
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| ---: "Der maskierte Held im Spannungsfeld von Maskerade und Identität." In: Perspektiven der Kinder- und Jugendmedienforschung. Hrsg. v. Ingrid Tomkowiak. (Beiträge zur Kinder- und Jugendmedienforschung, 1.) Zürich: Chronos, 2011, S. 205–225. |
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| Last edited by: joachim 2012-08-01 15:55 |
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| Hwang, Yih-Jye: "Japan as “Self” or “the Other” in Yoshinori Kobayashi’s On Taiwan." In: China Information 24 (2010), S. 75–98. |
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| de la Iglesia, Martin: "Authorship, Collaboration, and Art Geography." In: CLCWeb: Comparative Literature and Culture 12.3 (2010). |
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| Ishikawa, Satomi: Seeking the Self. Individualism and Popular Culture in Japan. (Worlds of East Asia, 8.) Bern [etc.]: Peter Lang, 2007. (253 S.) |
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| Last edited by: joachim 2010-05-08 23:10 |
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| Jacobs, Dale und Greg Paziuk: "The Chance of Life. Jeff Lemire’s Essex County Trilogy, Canadian Identity, and the Mythos of Hockey." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 75–86. |
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| Johnson, Amber L. "The dark matter(s) of Wakanda. A poetic performative." In: Review of Communication 20.3 (2020), S. 244–249. |
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| Kahler, Jason: "The many masks of Dr Henry Pym. Alter ego, identity, disability and personality of a founding Avenger." In: Film, Fashion & Consumption 10.1 (2021), S. 299–311. |
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| Kahn, Ariel: "From Darkness into Light. Reframing Notions of Self and Other in Contemporary Israeli Graphic Narratives." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 198–213. |
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| Last edited by: joachim 2011-11-05 17:49 |
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| Kannenberg, Jr., Gene: "“I looked just like Rudolph Valentino”. Identity and Representation in Maus." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 79–89. |
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| Last edited by: joachim 2010-02-16 10:32 |
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| Karaminas, Vicki: "“No Capes!” Uber Fashion and How “Luck Favors the Prepared”. Constructing Contemporary Superhero Identities in American Popular Culture." In: International Journal of Comic Art 8.1 (2006), S. 498–508. |
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| Karipidis, Iliana: "Persepolis & Nylon Road. Zwei Beispiele populärer interkultureller Literatur." In: Werkstücke 1 (2011), S. 25–36. |
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| Kavaloski, Laini: "Contested spaces in graphic narrative. Exploring homeland through Miriam Libicki’s Jobnik!: An American Girl’s Adventures in the Israeli Army." In: Studies in Comics 6.2 (2015), S. 231–251. |
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| Last edited by: joachim 2016-11-26 19:44 |
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| King, Alyson E. "Adventurous Children: Creating a Canadian Identity in Kayak: Canada’s History Magazine for Kids™." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 119–136. |
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| Klar, Elisabeth: "Die Darstellung des Körpers in Zeit und Raum in den autobiografischen Migrationserzählungen des Sammelbandes Paroles sans papiers." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 357–368. |
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| Laemmerhirt, Iris-Aya: "“Trying to Recapture the Front”. A Transnational Perspective on Hawaii in R. Kikuo Johnson’s Night Fisher." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 83–94. |
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| Lange, Anja: "Daohopak – Eine Comicreihe über Kosaken als Teil der Identitätsbildung der Ukraine." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen. Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 157–170. |
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